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<a class="text-decoration-none" href="/posts/8844666-zande-funeral-song-for-a-woman"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394094/75x75/c 75w, https://audioboom.com/i/43394094/150x150/c 150w, https://audioboom.com/i/43394094/300x300/c 300w, https://audioboom.com/i/43394094/600x600/c 600w, https://audioboom.com/i/43394094/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadaa6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394094/1400x1400/c" />
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Zande funeral song for a woman
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

Recorded by Edward Evan Evans-Pritchard.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844665-ishi-no-ghi-sholu-agricultural-work-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394087/75x75/c 75w, https://audioboom.com/i/43394087/150x150/c 150w, https://audioboom.com/i/43394087/300x300/c 300w, https://audioboom.com/i/43394087/600x600/c 600w, https://audioboom.com/i/43394087/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394087/1400x1400/c" />
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Ishi no ghi sholu: agricultural work song
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&quot;Ishi no ghi sholu&quot;: an agricultural work song performed by a group of Sümi Naga male singers.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang and Sangtam) songs made by administrator and anthropologist John Hutton in India between 1915 and 1919.

Recorded by John Henry Hutton.

C...
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844664-sanza-lamellophone-music"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394084/75x75/c 75w, https://audioboom.com/i/43394084/150x150/c 150w, https://audioboom.com/i/43394084/300x300/c 300w, https://audioboom.com/i/43394084/600x600/c 600w, https://audioboom.com/i/43394084/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a6a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394084/1400x1400/c" />
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Sanza (lamellophone) music
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Sanza (lamellophone) music performed by young Moru man Timon Beri.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980.

Recorded by Patti Langton.

Copyright Pitt Rivers Museum, University of Oxfo...
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844663-the-land-is-our-mother"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394068/75x75/c 75w, https://audioboom.com/i/43394068/150x150/c 150w, https://audioboom.com/i/43394068/300x300/c 300w, https://audioboom.com/i/43394068/600x600/c 600w, https://audioboom.com/i/43394068/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394068/1400x1400/c" />
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The land is our mother
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The Land is Our Mother is based on a collection of field recordings of digeridoos made for the Australian Institute of Aboriginal Studies from the archive of the Pitts River Museum. Information about the recordings is limited but they were originally recorded on reel to reel tape.

The recordings are rich and varied, some including song, but I eventually had to choose some of my favourites to b...
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844662-how-i-learnt-to-live-with-ghosts"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394065/75x75/c 75w, https://audioboom.com/i/43394065/150x150/c 150w, https://audioboom.com/i/43394065/300x300/c 300w, https://audioboom.com/i/43394065/600x600/c 600w, https://audioboom.com/i/43394065/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394065/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
How I learnt to live with ghosts
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I chose this recording - an orchestral Korean recording from Seoul, 1972 - after initially earmarking another sound, but this one spoke to me with its uplifting, playful and mischievous spirit &amp; felt right. Atmospherically, it evoked a busy market place or a ceremonial dance, putting me in mind of the benevolent chaos of the ‘hungry ghost’ concept - more of which later.

The instruments feature...
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<a class="text-decoration-none" href="/posts/8844661-nip-nap"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394060/75x75/c 75w, https://audioboom.com/i/43394060/150x150/c 150w, https://audioboom.com/i/43394060/300x300/c 300w, https://audioboom.com/i/43394060/600x600/c 600w, https://audioboom.com/i/43394060/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3dac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394060/1400x1400/c" />
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Nip nap
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The sound that I was allocated for this track was described as a Zande drinking song, from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

I spent some time thinking about the collection of songs that was taking place across the world from the end of the 19th Century ri...
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<a class="text-decoration-none" href="/posts/8844660-didgeridoo-music"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394068/75x75/c 75w, https://audioboom.com/i/43394068/150x150/c 150w, https://audioboom.com/i/43394068/300x300/c 300w, https://audioboom.com/i/43394068/600x600/c 600w, https://audioboom.com/i/43394068/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394068/1400x1400/c" />
<div class="vstack gap-1 my-auto">
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Didgeridoo music
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 &quot;Didgeridoo music&quot;: collection of didgeridoo recordings prepared by the Australian Institute of Aboriginal Studies (now the Australian Institute of Aboriginal and Torres Strait Islander Studies), with commentary.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous or individual ethnographic field recordings (rediscovered during a ...
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<span><span class="js-time" data-epochtime="1771780140" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844659-instrumentals-featuring-the-hyang-piri-and-hojok"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394065/75x75/c 75w, https://audioboom.com/i/43394065/150x150/c 150w, https://audioboom.com/i/43394065/300x300/c 300w, https://audioboom.com/i/43394065/600x600/c 600w, https://audioboom.com/i/43394065/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394065/1400x1400/c" />
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Instrumentals featuring the hyang piri and hojok
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Korea: three instrumental pieces of music, featuring the hyang piri (double-reed wind instrument or oboe) and hojok (double-reed wind instrument, also known as taepyeongso), recorded at the Institute for National Classical Music in Seoul.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a small number of recordings issued or released by foreign broadcast...
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<span><span class="js-time" data-epochtime="1771780140" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844691-bayaka-women-singing-yeyi-in-the-forest"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394209/75x75/c 75w, https://audioboom.com/i/43394209/150x150/c 150w, https://audioboom.com/i/43394209/300x300/c 300w, https://audioboom.com/i/43394209/600x600/c 600w, https://audioboom.com/i/43394209/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #260d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394209/1400x1400/c" />
<div class="vstack gap-1 my-auto">
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Bayaka women singing yeyi in the forest
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Bayaka women singing yeyi (polyphonic song) in the forest.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis S...
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<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844690-v4-4"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394194/75x75/c 75w, https://audioboom.com/i/43394194/150x150/c 150w, https://audioboom.com/i/43394194/300x300/c 300w, https://audioboom.com/i/43394194/600x600/c 600w, https://audioboom.com/i/43394194/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394194/1400x1400/c" />
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V4-4
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This track is based on the recording of Metimbo of the Aka tribe in the Central African Republic playing the Bubulu (Potbowl). I chose this recording because the rhythmic complexity of the playing was so interesting to me. At first, I was thinking of approaching this exciting recording through many pre-planned ways, but it was proven to be unsuccessful.

So I decided to return to the recording ...
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<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844687-yeyi"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394209/75x75/c 75w, https://audioboom.com/i/43394209/150x150/c 150w, https://audioboom.com/i/43394209/300x300/c 300w, https://audioboom.com/i/43394209/600x600/c 600w, https://audioboom.com/i/43394209/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #260d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394209/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Yeyi
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Hearing the vocal music of the BaAka for the first time was a powerful, emotional experience for me. This led me to explore some of the other sounds in the Louis Sarno archive, and to his book and film &quot;Song from the Forest&quot;, where I learned more about the context and culture behind this music.

In arranging and orchestrating my piece, which blends electronica with neocIassical elements, I want...
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<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844658-zande-drinking-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394060/75x75/c 75w, https://audioboom.com/i/43394060/150x150/c 150w, https://audioboom.com/i/43394060/300x300/c 300w, https://audioboom.com/i/43394060/600x600/c 600w, https://audioboom.com/i/43394060/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3dac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394060/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Zande drinking song
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

Recorded by Edward Evan Evans-Pritchard.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
4m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
4m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844686-women-singing"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394197/75x75/c 75w, https://audioboom.com/i/43394197/150x150/c 150w, https://audioboom.com/i/43394197/300x300/c 300w, https://audioboom.com/i/43394197/600x600/c 600w, https://audioboom.com/i/43394197/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394197/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Women singing
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.

Recorded by Nicholas Justin Allen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, ...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
4m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
4m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844685-kinnaur-calling"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394197/75x75/c 75w, https://audioboom.com/i/43394197/150x150/c 150w, https://audioboom.com/i/43394197/300x300/c 300w, https://audioboom.com/i/43394197/600x600/c 600w, https://audioboom.com/i/43394197/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394197/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Kinnaur calling
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Created in collaboration with Kinnauri filmmaker Himanshu Negi Regesoi, this piece is a meeting of old and new, bringing a sonic archive to life from the Western Himalayas.

From the Pitt Rivers Museum&#39;s sound collection, a field recording of women singing in the early 1980s (recorded in Kinnaur, Himachal Pradesh, India by anthropologist Nicholas Allen) now becomes a portal for a young Indigeno...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
9m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
9m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844684-metimbo-playing-the-bubulu-pot-bow"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394194/75x75/c 75w, https://audioboom.com/i/43394194/150x150/c 150w, https://audioboom.com/i/43394194/300x300/c 300w, https://audioboom.com/i/43394194/600x600/c 600w, https://audioboom.com/i/43394194/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394194/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Metimbo playing the bubulu (pot bow)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.

...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
2m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
2m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844521-bayang-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393323/75x75/c 75w, https://audioboom.com/i/43393323/150x150/c 150w, https://audioboom.com/i/43393323/300x300/c 300w, https://audioboom.com/i/43393323/600x600/c 600w, https://audioboom.com/i/43393323/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #0d0d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393323/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayang song
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This was one of the more difficult pieces I’ve worked on, although it was enjoyable working through the process. I struggled quite a bit at the beginning, as the field recording has both harmonic &amp; rhythmic structure which varies in tempo quite a bit… so I wasn’t sure how to approach this initially.

After some thought and a fair bit of trial and error, I decided to pick up my guitar (and play ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
3m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
3m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844520-sea-level-rise"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393318/75x75/c 75w, https://audioboom.com/i/43393318/150x150/c 150w, https://audioboom.com/i/43393318/300x300/c 300w, https://audioboom.com/i/43393318/600x600/c 600w, https://audioboom.com/i/43393318/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393318/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Sea level rise
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I ended up listening to this recording a lot in my everyday life, just putting it on and going to work, walking around the city I live in, in idle moments between work.

I didn’t know an awful lot about Vanuatu, where the recordings were taken by Raymond Clausen in 1962. Having read the Pitt Rivers blog, I thought a lot about how people and societies move on and are changed, sometimes forcibly,...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
4m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
4m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844519-all-people-are-people"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393315/75x75/c 75w, https://audioboom.com/i/43393315/150x150/c 150w, https://audioboom.com/i/43393315/300x300/c 300w, https://audioboom.com/i/43393315/600x600/c 600w, https://audioboom.com/i/43393315/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #737373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393315/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
All people are people
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
My chosen sound was a sample of a geedal (bow harp) being played in the forest with accompanying male voices, recorded in Dzanga-Sangha Special Reserve. by ethnomusicologist Louis Sarno in 1987. I was drawn to the sample on account of its musicality, not just in terms of the music and vocals, but the lilting patter of conversation and laughter that resonates in these conversational intervals, c...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
3m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
3m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844518-bayang-men-s-songs"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393323/75x75/c 75w, https://audioboom.com/i/43393323/150x150/c 150w, https://audioboom.com/i/43393323/300x300/c 300w, https://audioboom.com/i/43393323/600x600/c 600w, https://audioboom.com/i/43393323/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #0d0d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393323/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayang men&#39;s songs
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958.

Recorded by Sonja Lois Mitchison.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 100 yea...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
3m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
3m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844516-geedal-bow-harp-played-in-the-forest"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393315/75x75/c 75w, https://audioboom.com/i/43393315/150x150/c 150w, https://audioboom.com/i/43393315/300x300/c 300w, https://audioboom.com/i/43393315/600x600/c 600w, https://audioboom.com/i/43393315/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #737373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393315/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Geedal (bow harp) played in the forest
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Geedal (bow harp) played in the forest with male voices accompanying.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
6m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
6m
</div>
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844517-drumming-at-wor-tamat-dancing-ground"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393318/75x75/c 75w, https://audioboom.com/i/43393318/150x150/c 150w, https://audioboom.com/i/43393318/300x300/c 300w, https://audioboom.com/i/43393318/600x600/c 600w, https://audioboom.com/i/43393318/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393318/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Drumming at Wor Tamat dancing ground
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymond Ernst Clausen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
2m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
2m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844514-to-see-and-remember"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393283/75x75/c 75w, https://audioboom.com/i/43393283/150x150/c 150w, https://audioboom.com/i/43393283/300x300/c 300w, https://audioboom.com/i/43393283/600x600/c 600w, https://audioboom.com/i/43393283/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393283/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
To see and remember
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
&quot;To See and Remember&quot; is a composition incorporating elements from a 1965 expedition field recording from the Chocó Department, in Colombia, by Jonathan Ambache and Richard Saumarez Smith, who were then fellow students at the University of Cambridge. The recording that I selected, made on 5-inch reel tape, captures the sounds of the local Emberá people playing music with flute, drums and other ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
5m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
5m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844513-bhoot"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393280/75x75/c 75w, https://audioboom.com/i/43393280/150x150/c 150w, https://audioboom.com/i/43393280/300x300/c 300w, https://audioboom.com/i/43393280/600x600/c 600w, https://audioboom.com/i/43393280/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d7373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393280/1400x1400/c" />
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Bhoot
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I originally chose the field recording simply because I enjoyed the melody. The women sang the same melodic phrase over and over with slight changes. I felt like they were telling a story but, as I don’t speak the language, I had to look elsewhere for inspiration.

I researched the mythology and folklore of Himachal Pradesh’s remote valleys and discovered a common ghostly tale. If you are out w...
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<a class="text-decoration-none" href="/posts/8844512-the-forest-of-spirit"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393286/75x75/c 75w, https://audioboom.com/i/43393286/150x150/c 150w, https://audioboom.com/i/43393286/300x300/c 300w, https://audioboom.com/i/43393286/600x600/c 600w, https://audioboom.com/i/43393286/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393286/1400x1400/c" />
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The forest of spirit
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I listened to the first 20 seconds of the track, heard the hummed murmur of a Ba&#39;aka voice and thought, &quot;I can work with that.&quot; It wasn’t until the next day that I heard the engaging, immersive, gently rocking polyphony that the murmur develops into. I learned that the Ba&#39;aka musical style is over 30,000 years old, older than any continuous musical heritage. UNESCO describes Ba&#39;aka music as a &quot;...
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3m
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<a class="text-decoration-none" href="/posts/8844511-bayaka-voices-in-the-forest-at-dawn"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393286/75x75/c 75w, https://audioboom.com/i/43393286/150x150/c 150w, https://audioboom.com/i/43393286/300x300/c 300w, https://audioboom.com/i/43393286/600x600/c 600w, https://audioboom.com/i/43393286/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393286/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayaka voices in the forest at dawn
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.

...
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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5m
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<a class="text-decoration-none" href="/posts/8844510-choco-flute-and-drum-music-with-rattle"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393283/75x75/c 75w, https://audioboom.com/i/43393283/150x150/c 150w, https://audioboom.com/i/43393283/300x300/c 300w, https://audioboom.com/i/43393283/600x600/c 600w, https://audioboom.com/i/43393283/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393283/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Chocó flute and drum music with rattle
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Chocó music and soundscapes made by students Jonathan Ambache and Richard Saumarez Smith in Colombia in 1965.

Recorded by Jonathan Ambache and Richard Saumarez Smith.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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5m
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</a></div>
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<a class="text-decoration-none" href="/posts/8844509-women-singing-with-flute"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393280/75x75/c 75w, https://audioboom.com/i/43393280/150x150/c 150w, https://audioboom.com/i/43393280/300x300/c 300w, https://audioboom.com/i/43393280/600x600/c 600w, https://audioboom.com/i/43393280/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d7373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393280/1400x1400/c" />
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Women singing with flute
</h5>
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.

Recorded by Nicholas Justin Allen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, ...
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<a class="text-decoration-none" href="/posts/8844507-the-weave-of-a-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393257/75x75/c 75w, https://audioboom.com/i/43393257/150x150/c 150w, https://audioboom.com/i/43393257/300x300/c 300w, https://audioboom.com/i/43393257/600x600/c 600w, https://audioboom.com/i/43393257/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3da; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393257/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The weave of a song
</h5>
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The field recording I chose is of a gentleman named Thomas Penniman performing an early 20th-century work song about weaving from the Gower Peninsula. It&#39;s a strange, compelling and mysterious recording, made in the winter of 1974. There&#39;s a repeated refrain, &quot;Mrs Tanner has six sons/And they all sang like thrushes as they worked at the loom&quot;, which I loved. But then the song becomes quite angr...
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<a class="text-decoration-none" href="/posts/8844506-stone-sound"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393252/75x75/c 75w, https://audioboom.com/i/43393252/150x150/c 150w, https://audioboom.com/i/43393252/300x300/c 300w, https://audioboom.com/i/43393252/600x600/c 600w, https://audioboom.com/i/43393252/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d8d8d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393252/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Stone sound
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The original field recording was fed into a granular sculpting sampler to create bell like arpeggiated lines. Next, I chopped the field recording to extract key parts, intimate vocal moments, a solid stone hit rhythm and laughter. Isolated stone “hits” became drum parts, replayed and resampled then slowed.

They began to sound like ghost drums, closing doors or belated fireworks. I recreated th...
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844505-silenced-soil"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393249/75x75/c 75w, https://audioboom.com/i/43393249/150x150/c 150w, https://audioboom.com/i/43393249/300x300/c 300w, https://audioboom.com/i/43393249/600x600/c 600w, https://audioboom.com/i/43393249/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393249/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Silenced soil
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Silenced Soil begins with a fragile artefact: a recording of Claude Debussy’s Sarabande, composed in 1894 and revised in 1901, then recorded on 11 April 1963 in Gillitts, KwaZulu-Natal, by ethnomusicologist Raymond Clausen. Its only documentation is a handwritten note on a reel-to-reel tape box: “at Gillitt’s, copy of Debussy, Sarabande.” No pianist, no studio, no context. The archive offers li...
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<a class="text-decoration-none" href="/posts/8844504-weaving-song-from-the-gower-peninsula"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393257/75x75/c 75w, https://audioboom.com/i/43393257/150x150/c 150w, https://audioboom.com/i/43393257/300x300/c 300w, https://audioboom.com/i/43393257/600x600/c 600w, https://audioboom.com/i/43393257/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3da; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393257/1400x1400/c" />
<div class="vstack gap-1 my-auto">
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Weaving song from the Gower Peninsula
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Weaving song from the Gower Peninsula of South Wales, recited by Thomas Penniman, former Curator of the Pitt Rivers Museum, who was preparing a manuscript on &#39;Work and Song in the North-west Gower&#39; in his retirement (&quot;Mrs. Tanner had six sons, and they all sang like thrushes while they worked at the loom&quot;).

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one o...
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6m
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<a class="text-decoration-none" href="/posts/8844503-women-and-grinding-stones"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393252/75x75/c 75w, https://audioboom.com/i/43393252/150x150/c 150w, https://audioboom.com/i/43393252/300x300/c 300w, https://audioboom.com/i/43393252/600x600/c 600w, https://audioboom.com/i/43393252/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d8d8d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393252/1400x1400/c" />
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Women and grinding stones
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Women singing and using grinding stones for musical accompaniment.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980.

Recorded by Patti Langton.

Copyright Pitt Rivers Museum, University of Oxfo...
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<a class="text-decoration-none" href="/posts/8844502-piano-being-played"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393249/75x75/c 75w, https://audioboom.com/i/43393249/150x150/c 150w, https://audioboom.com/i/43393249/300x300/c 300w, https://audioboom.com/i/43393249/600x600/c 600w, https://audioboom.com/i/43393249/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393249/1400x1400/c" />
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Piano being played
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&quot;Piano being played&quot;: recording of the second movement (&#39;Sarabande&#39;) of solo piano suite &#39;Pour le piano&#39; (L.95) by French composer Claude Debussy, performed by an unnamed pianist.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly in V...
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6m
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<a class="text-decoration-none" href="/posts/8844479-distant"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393136/75x75/c 75w, https://audioboom.com/i/43393136/150x150/c 150w, https://audioboom.com/i/43393136/300x300/c 300w, https://audioboom.com/i/43393136/600x600/c 600w, https://audioboom.com/i/43393136/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393136/1400x1400/c" />
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Distant
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This piece is built around a short fragment of an Igbo wind instrument recording taken from the Pitt Rivers Museum sound collections. The original recording was made on wax cylinder by anthropologist Northcote Thomas in Nigeria between 1909 and 1915. Knowing the material fragility of the recording, and the historical distance it represents, strongly shaped how I approached the composition.

Rat...
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3m
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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3m
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<a class="text-decoration-none" href="/posts/8844478-igbo-wind-instrument"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393136/75x75/c 75w, https://audioboom.com/i/43393136/150x150/c 150w, https://audioboom.com/i/43393136/300x300/c 300w, https://audioboom.com/i/43393136/600x600/c 600w, https://audioboom.com/i/43393136/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393136/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Igbo wind instrument
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of songs and spoken language made by anthropologist Northcote Thomas in Nigeria and Sierra Leone between 1909 and 1915.

Recorded by Northcote Whitridge Thomas.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimaginin...
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2m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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2m
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<hr class="mvn mhs text-black-50 opacity-25">
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<a class="text-decoration-none" href="/posts/8844477-my-rubber-dinghy"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393124/75x75/c 75w, https://audioboom.com/i/43393124/150x150/c 150w, https://audioboom.com/i/43393124/300x300/c 300w, https://audioboom.com/i/43393124/600x600/c 600w, https://audioboom.com/i/43393124/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393124/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
My rubber dinghy
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The inspiration for this piece was the current climate and attitudes from a section of the population towards immigration. It is unsettling to see the resurgence en masse of sentiments I thought were well behind us. I used a fragment of a field recording from the Bamam tribe of Cameroon, and used it as an intro for my piece, which I divided into three movements.

a) Mar Germanicus
It uses an Ar...
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8m
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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8m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844476-bamum-zither-player"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393124/75x75/c 75w, https://audioboom.com/i/43393124/150x150/c 150w, https://audioboom.com/i/43393124/300x300/c 300w, https://audioboom.com/i/43393124/600x600/c 600w, https://audioboom.com/i/43393124/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393124/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bamum zither player
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958.

Recorded by Sonja Lois Mitchison.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 100 yea...
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6m
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&bull;
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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6m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844475-yaz"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393116/75x75/c 75w, https://audioboom.com/i/43393116/150x150/c 150w, https://audioboom.com/i/43393116/300x300/c 300w, https://audioboom.com/i/43393116/600x600/c 600w, https://audioboom.com/i/43393116/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393116/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
YAZ
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
YAZ is a vocal and electroacoustic composition built from a field recording of an Aït Haddidou market in Rabat, captured in 1961. What struck me immediately was the presence of a young boy’s voice, cutting through the density of the market: a call. Not directed at anyone in particular, yet lingering. That voice became the starting point of the piece, an echo moving through time and memory.

Res...
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<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
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6m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844474-market-sounds-morocco"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393116/75x75/c 75w, https://audioboom.com/i/43393116/150x150/c 150w, https://audioboom.com/i/43393116/300x300/c 300w, https://audioboom.com/i/43393116/600x600/c 600w, https://audioboom.com/i/43393116/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393116/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Market sounds, Morocco
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Berber (Ait Haddidu) music and soundscapes made by members of the Oxford University Expedition to the Atlas Mountains of Southern Morocco in 1961.

Recorded by Audrey Butt, Michael R. Emerson or Ralph Hudson Johnson.

Copyright Pitt Rivers Museum, University of ...
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2m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
</div>
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</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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2m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844473-men-singing-with-percussion-and-violin"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393091/75x75/c 75w, https://audioboom.com/i/43393091/150x150/c 150w, https://audioboom.com/i/43393091/300x300/c 300w, https://audioboom.com/i/43393091/600x600/c 600w, https://audioboom.com/i/43393091/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a68d5a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393091/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Men singing, with percussion and violin
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of songs and instruments made by playwright David Mowat across several different states in India during 1987.

Recorded by David Mowat.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 10...
</div>
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<span class="numeric-tabular d-sm-none">
6m
</span>
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&bull;
</span>
<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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6m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844471-airwaves-unfolded"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393086/75x75/c 75w, https://audioboom.com/i/43393086/150x150/c 150w, https://audioboom.com/i/43393086/300x300/c 300w, https://audioboom.com/i/43393086/600x600/c 600w, https://audioboom.com/i/43393086/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #402626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393086/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Airwaves unfolded
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Airwaves Unfolded is a piece based on a radio recording produced in the 1960s in Tarija, southern Bolivia, by Radio Universidad de Tarija. The program introduces Indigenous instruments and discusses how they have been intertwined with labour, daily life, and ritual, as well as how new instruments and musical forms developed after Spanish influence.

What drew me to this recording were the instr...
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5m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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5m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844468-bolivian-radio-programme-on-folk-music"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393086/75x75/c 75w, https://audioboom.com/i/43393086/150x150/c 150w, https://audioboom.com/i/43393086/300x300/c 300w, https://audioboom.com/i/43393086/600x600/c 600w, https://audioboom.com/i/43393086/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #402626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393086/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bolivian radio programme on folk music
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
&quot;Bolivian radio programme on folk music&quot;: a recording of folk music from southern Bolivia issued by Radio Universidad de Tarija, with commentary (in Spanish).

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a small number of recordings issued or released by foreign broadcasting corporations or radio associations.

Recorded by Radio Universidad de Tarija...
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16m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
</div>
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16m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844470-flutes-in-the-forest-at-night"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393077/75x75/c 75w, https://audioboom.com/i/43393077/150x150/c 150w, https://audioboom.com/i/43393077/300x300/c 300w, https://audioboom.com/i/43393077/600x600/c 600w, https://audioboom.com/i/43393077/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393077/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Flutes in the forest at night
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Momboli and Gongé playing flutes in the forest at night.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sar...
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<span class="numeric-tabular d-sm-none">
4m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779600" data-format="short_date">Feb 22</span></span>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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4m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844469-rooted"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393091/75x75/c 75w, https://audioboom.com/i/43393091/150x150/c 150w, https://audioboom.com/i/43393091/300x300/c 300w, https://audioboom.com/i/43393091/600x600/c 600w, https://audioboom.com/i/43393091/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a68d5a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393091/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Rooted
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The field recording from India immediately revealed itself to me as a form of male ritual music, rooted in repetition, gesture, and collective memory. From that first encounter, the piece began to take shape as an inner journey: a passage through listening, silence, and transformation.

The opening unfolds in a dreamlike, immersive space, imagined as a temple. Here, sound becomes a threshold. T...
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9m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1771779600" data-format="short_date">Feb 22</span></span>
</div>
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9m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844467-a-sound-that-no-longer-exists"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393077/75x75/c 75w, https://audioboom.com/i/43393077/150x150/c 150w, https://audioboom.com/i/43393077/300x300/c 300w, https://audioboom.com/i/43393077/600x600/c 600w, https://audioboom.com/i/43393077/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393077/1400x1400/c" />
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A sound that no longer exists
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 I was delighted to work with the recording of Aka masters Momboli and Gongé, playing flutes in the forest at night, recorded by Louis Sarno in the 1990s. I decided to retain the essence of the sounds of the forest camp at night, including the community of women, men, and children, as well as the wild shouts that are often parts of these moments.

 For many years, I have wished to visit the Con...
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<span><span class="js-time" data-epochtime="1771779600" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844466-it-looks-like-you-re-trying"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393059/75x75/c 75w, https://audioboom.com/i/43393059/150x150/c 150w, https://audioboom.com/i/43393059/300x300/c 300w, https://audioboom.com/i/43393059/600x600/c 600w, https://audioboom.com/i/43393059/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d735a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393059/1400x1400/c" />
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It looks like you&#39;re trying
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The source material that I worked with was a field recording from the 60s in which someone in Morocco is singing a song, begging for bread. When I first listened to the recording, it immediately brought back a very specific memory from an old workplace of mine – an energy company had made a typographical error on their website, and when their customers struggling with energy debts called the ph...
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2m
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<span><span class="js-time" data-epochtime="1771779600" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844465-durei-na-mbwe-2-0"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393054/75x75/c 75w, https://audioboom.com/i/43393054/150x150/c 150w, https://audioboom.com/i/43393054/300x300/c 300w, https://audioboom.com/i/43393054/600x600/c 600w, https://audioboom.com/i/43393054/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a6a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393054/1400x1400/c" />
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Durei-na-mbwe 2.0
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“Durei-na-mbwe 2.0” plays with notions of time, decay and transformation; with it, I wanted to capture the embodied experience of me listening to and imagining the original recording through a contemporary lens. I listened to the original Durei-na-mbwe by the Broken Consort (1961) on repeat for about three weeks before I started to work with it; the haunting melody of the vocals and panpipes be...
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<span><span class="js-time" data-epochtime="1771779540" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844464-voices-through-wires"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393066/75x75/c 75w, https://audioboom.com/i/43393066/150x150/c 150w, https://audioboom.com/i/43393066/300x300/c 300w, https://audioboom.com/i/43393066/600x600/c 600w, https://audioboom.com/i/43393066/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3da; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393066/1400x1400/c" />
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Voices through wires
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The archival field recordings of Bayaka hunters captured by Louis Sarno were the starting point of this work, not only for their sonic richness, but for their ability to convey life and presence across time. The voices, full of rhythm, laughter, and communal energy, immediately suggested the potential to create a composition that honours their vitality while exploring cross-boundary cultures an...
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<span><span class="js-time" data-epochtime="1771779540" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844463-ait-haddidu-beggar-singing-for-bread"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393059/75x75/c 75w, https://audioboom.com/i/43393059/150x150/c 150w, https://audioboom.com/i/43393059/300x300/c 300w, https://audioboom.com/i/43393059/600x600/c 600w, https://audioboom.com/i/43393059/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d735a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393059/1400x1400/c" />
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Ait Haddidu beggar singing for bread
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Berber (Ait Haddidu) music and soundscapes made by members of the Oxford University Expedition to the Atlas Mountains of Southern Morocco in 1961.

Recorded by Audrey Butt, Michael R. Emerson or Ralph Hudson Johnson.

Copyright Pitt Rivers Museum, University of ...
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<a class="text-decoration-none" href="/posts/8844462-durei-na-mbwe-song-by-the-broken-consort"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393054/75x75/c 75w, https://audioboom.com/i/43393054/150x150/c 150w, https://audioboom.com/i/43393054/300x300/c 300w, https://audioboom.com/i/43393054/600x600/c 600w, https://audioboom.com/i/43393054/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a6a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393054/1400x1400/c" />
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Durei-na-mbwe (song) by the Broken Consort
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Durei-na-mbwe (song) by the Broken Consort, with Samuel on bu-wahr-wahr (panpipes), accompanied by Dominique, Erine, Ferdinand and Marineau.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province...
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