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<a class="text-decoration-none" href="/posts/8844692-mekana-discussing-a-case-of-adultery"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394232/75x75/c 75w, https://audioboom.com/i/43394232/150x150/c 150w, https://audioboom.com/i/43394232/300x300/c 300w, https://audioboom.com/i/43394232/600x600/c 600w, https://audioboom.com/i/43394232/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadaa6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394232/1400x1400/c" />
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Mekana discussing a case of adultery
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Spoken word recording of Mekana discussing a case of adultery.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

Recorded by Edward Evan Evans-Pritchard.

Copyright Pitt Rivers Museum,...
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<a class="text-decoration-none" href="/posts/8844689-merer-pake-ndavu-trumpet-signal"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43394219/75x75/c 75w, https://audioboom.com/i/43394219/150x150/c 150w, https://audioboom.com/i/43394219/300x300/c 300w, https://audioboom.com/i/43394219/600x600/c 600w, https://audioboom.com/i/43394219/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394219/1400x1400/c" />
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Merer Pake: nDavu trumpet signal
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&quot;Merer Pake&quot;: an nDavu trumpet signal for a full circle tusked boar.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymond Ernst Clausen.
...
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<span><span class="js-time" data-epochtime="1771780380" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844688-u-wa-drones"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394214/75x75/c 75w, https://audioboom.com/i/43394214/150x150/c 150w, https://audioboom.com/i/43394214/300x300/c 300w, https://audioboom.com/i/43394214/600x600/c 600w, https://audioboom.com/i/43394214/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #da8d5a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394214/1400x1400/c" />
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U&#39;wa drones
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U&#39;wa drones from the Andes in north-east Colombia.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of U&#39;wa songs and stories made by anthropologist Ann Osborn in the Northern Andes (Sierra Nevada del Cocuy region) in Colombia between 1969 and 1977.

Recorded by Ann Osborn.

Copyright Pitt Rivers Museum, University o...
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<a class="text-decoration-none" href="/posts/8844672-a-vanuata-hymn"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394137/75x75/c 75w, https://audioboom.com/i/43394137/150x150/c 150w, https://audioboom.com/i/43394137/300x300/c 300w, https://audioboom.com/i/43394137/600x600/c 600w, https://audioboom.com/i/43394137/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3f3; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394137/1400x1400/c" />
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A Vanuata hymn
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I heard the piece, which is a Vanuata hymn called &#39;You say you no want ’im married long me,&#39; and connected with it immediately. Despite not knowing what the lyrics were about the singing was filled with emotion and a kind of melancholy that I often bring to my own work. I contacted Pitt Rivers for details on the lyrics, as I thought I would like to add my own singing to the piece, but unfortuna...
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<a class="text-decoration-none" href="/posts/8844681-on-the-tide"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43394151/75x75/c 75w, https://audioboom.com/i/43394151/150x150/c 150w, https://audioboom.com/i/43394151/300x300/c 300w, https://audioboom.com/i/43394151/600x600/c 600w, https://audioboom.com/i/43394151/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394151/1400x1400/c" />
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On the tide
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I haven’t sung professionally in over 21 years and had long stopped writing and recording music. I am trying to return to it but these things are easier said than done.

I was immediately drawn to this 1987 recording of a woman singing with harmonium recorded by David Mowat in the town of Mahalingapur, in the Indian state of Karnataka. It was perfect as it was – and in choosing it I knew I woul...
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<a class="text-decoration-none" href="/posts/8844680-narel"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394144/75x75/c 75w, https://audioboom.com/i/43394144/150x150/c 150w, https://audioboom.com/i/43394144/300x300/c 300w, https://audioboom.com/i/43394144/600x600/c 600w, https://audioboom.com/i/43394144/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394144/1400x1400/c" />
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Narel
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The song &quot;Narel&quot; made me think about the power of separate and unique voices working together. The name Narel in Hebrew also mean &quot;singing&quot;. I was inspired to use the field recording to make new voices that I could remix in different ways and recombine to form a new whole. In my version of &quot;Narel&quot;, the field recording is manipulated in various ways to create different instruments - choirs, guit...
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<a class="text-decoration-none" href="/posts/8844674-narel-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394144/75x75/c 75w, https://audioboom.com/i/43394144/150x150/c 150w, https://audioboom.com/i/43394144/300x300/c 300w, https://audioboom.com/i/43394144/600x600/c 600w, https://audioboom.com/i/43394144/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394144/1400x1400/c" />
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Narel (song)
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Narel (song) performed by Peter, Sali and Mal Sekini.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymond Ernst Clausen.

Copyright Pitt...
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<a class="text-decoration-none" href="/posts/8844673-you-say-you-no-want-im-married-long-me"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394137/75x75/c 75w, https://audioboom.com/i/43394137/150x150/c 150w, https://audioboom.com/i/43394137/300x300/c 300w, https://audioboom.com/i/43394137/600x600/c 600w, https://audioboom.com/i/43394137/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3f3; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394137/1400x1400/c" />
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&quot;You say you no want &#39;im married long me&quot;
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&quot;You say you no want &#39;im married long me&quot; (song performed by men, women and children).

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymo...
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<span><span class="js-time" data-epochtime="1771780320" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844675-woman-singing-with-harmonium"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394151/75x75/c 75w, https://audioboom.com/i/43394151/150x150/c 150w, https://audioboom.com/i/43394151/300x300/c 300w, https://audioboom.com/i/43394151/600x600/c 600w, https://audioboom.com/i/43394151/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394151/1400x1400/c" />
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Woman singing with harmonium
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of songs and instruments made by playwright David Mowat across several different states in India during 1987.

Recorded by David Mowat.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 10...
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<a class="text-decoration-none" href="/posts/8844670-int-exteriors-day"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394094/75x75/c 75w, https://audioboom.com/i/43394094/150x150/c 150w, https://audioboom.com/i/43394094/300x300/c 300w, https://audioboom.com/i/43394094/600x600/c 600w, https://audioboom.com/i/43394094/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadaa6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394094/1400x1400/c" />
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Int. exteriors (day)
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The field recording that I worked with was a wax cylinder recording of a Zande funeral song. One of the things that really struck me when I first listened to it was how this funeral song is buried beneath the imperfections of its recording medium – you just hear this single impassioned, grieving voice breaking out through layers of noise and obfuscation. I thought there was something strangely ...
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<a class="text-decoration-none" href="/posts/8844669-forever-lost"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394087/75x75/c 75w, https://audioboom.com/i/43394087/150x150/c 150w, https://audioboom.com/i/43394087/300x300/c 300w, https://audioboom.com/i/43394087/600x600/c 600w, https://audioboom.com/i/43394087/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394087/1400x1400/c" />
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Forever lost
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I saw this recording before I heard it. At the Pitt Rivers Museum at the start of the project. The physical object: an original Edison wax phonograph cylinder from 1914. I was struck by how modern it seemed in some ways; the corporate branding on the label. I imagined it being purchased from a shop.

Then I saw it was a recording made in Nagaland and I thought of my friend, Temsu, an artist fro...
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10m
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<a class="text-decoration-none" href="/posts/8844667-we-dance-we-dream-we-love-for-timon-beri"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394084/75x75/c 75w, https://audioboom.com/i/43394084/150x150/c 150w, https://audioboom.com/i/43394084/300x300/c 300w, https://audioboom.com/i/43394084/600x600/c 600w, https://audioboom.com/i/43394084/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a6a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394084/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
We dance, we dream, we love (for Timon Beri)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This has been the most difficult piece I have ever written for Cities and Memory. What could I add to a recording made by Patti Langton of a young Moru man - Timon Beri? The recording was of Timon singing and playing a lamellophone. Whatever I ever I did, it felt like cheap exploitation. The recording was beautiful, authentic and real.

In my research I came across a paper by Patti Langton call...
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<span class="numeric-tabular d-sm-none">
9m
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<span><span class="js-time" data-epochtime="1771780260" data-format="short_date">Feb 22</span></span>
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9m
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<a class="text-decoration-none" href="/posts/8844666-zande-funeral-song-for-a-woman"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394094/75x75/c 75w, https://audioboom.com/i/43394094/150x150/c 150w, https://audioboom.com/i/43394094/300x300/c 300w, https://audioboom.com/i/43394094/600x600/c 600w, https://audioboom.com/i/43394094/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadaa6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394094/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Zande funeral song for a woman
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

Recorded by Edward Evan Evans-Pritchard.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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<span class="numeric-tabular d-sm-none">
4m
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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4m
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<a class="text-decoration-none" href="/posts/8844665-ishi-no-ghi-sholu-agricultural-work-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394087/75x75/c 75w, https://audioboom.com/i/43394087/150x150/c 150w, https://audioboom.com/i/43394087/300x300/c 300w, https://audioboom.com/i/43394087/600x600/c 600w, https://audioboom.com/i/43394087/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394087/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ishi no ghi sholu: agricultural work song
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&quot;Ishi no ghi sholu&quot;: an agricultural work song performed by a group of Sümi Naga male singers.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang and Sangtam) songs made by administrator and anthropologist John Hutton in India between 1915 and 1919.

Recorded by John Henry Hutton.

C...
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3m
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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3m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844664-sanza-lamellophone-music"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394084/75x75/c 75w, https://audioboom.com/i/43394084/150x150/c 150w, https://audioboom.com/i/43394084/300x300/c 300w, https://audioboom.com/i/43394084/600x600/c 600w, https://audioboom.com/i/43394084/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a6a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394084/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Sanza (lamellophone) music
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Sanza (lamellophone) music performed by young Moru man Timon Beri.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980.

Recorded by Patti Langton.

Copyright Pitt Rivers Museum, University of Oxfo...
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<span class="numeric-tabular d-sm-none">
3m
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
3m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844663-the-land-is-our-mother"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394068/75x75/c 75w, https://audioboom.com/i/43394068/150x150/c 150w, https://audioboom.com/i/43394068/300x300/c 300w, https://audioboom.com/i/43394068/600x600/c 600w, https://audioboom.com/i/43394068/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394068/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The land is our mother
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The Land is Our Mother is based on a collection of field recordings of digeridoos made for the Australian Institute of Aboriginal Studies from the archive of the Pitts River Museum. Information about the recordings is limited but they were originally recorded on reel to reel tape.

The recordings are rich and varied, some including song, but I eventually had to choose some of my favourites to b...
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6m
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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6m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844662-how-i-learnt-to-live-with-ghosts"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394065/75x75/c 75w, https://audioboom.com/i/43394065/150x150/c 150w, https://audioboom.com/i/43394065/300x300/c 300w, https://audioboom.com/i/43394065/600x600/c 600w, https://audioboom.com/i/43394065/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394065/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
How I learnt to live with ghosts
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I chose this recording - an orchestral Korean recording from Seoul, 1972 - after initially earmarking another sound, but this one spoke to me with its uplifting, playful and mischievous spirit &amp; felt right. Atmospherically, it evoked a busy market place or a ceremonial dance, putting me in mind of the benevolent chaos of the ‘hungry ghost’ concept - more of which later.

The instruments feature...
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8m
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<span><span class="js-time" data-epochtime="1771780140" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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8m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844661-nip-nap"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394060/75x75/c 75w, https://audioboom.com/i/43394060/150x150/c 150w, https://audioboom.com/i/43394060/300x300/c 300w, https://audioboom.com/i/43394060/600x600/c 600w, https://audioboom.com/i/43394060/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3dac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394060/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Nip nap
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The sound that I was allocated for this track was described as a Zande drinking song, from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

I spent some time thinking about the collection of songs that was taking place across the world from the end of the 19th Century ri...
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<span class="numeric-tabular d-sm-none">
4m
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&bull;
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<span><span class="js-time" data-epochtime="1771780140" data-format="short_date">Feb 22</span></span>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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4m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844660-didgeridoo-music"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394068/75x75/c 75w, https://audioboom.com/i/43394068/150x150/c 150w, https://audioboom.com/i/43394068/300x300/c 300w, https://audioboom.com/i/43394068/600x600/c 600w, https://audioboom.com/i/43394068/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394068/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Didgeridoo music
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
 &quot;Didgeridoo music&quot;: collection of didgeridoo recordings prepared by the Australian Institute of Aboriginal Studies (now the Australian Institute of Aboriginal and Torres Strait Islander Studies), with commentary.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous or individual ethnographic field recordings (rediscovered during a ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
17m
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1771780140" data-format="short_date">Feb 22</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
17m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844659-instrumentals-featuring-the-hyang-piri-and-hojok"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394065/75x75/c 75w, https://audioboom.com/i/43394065/150x150/c 150w, https://audioboom.com/i/43394065/300x300/c 300w, https://audioboom.com/i/43394065/600x600/c 600w, https://audioboom.com/i/43394065/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394065/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Instrumentals featuring the hyang piri and hojok
</h5>
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Korea: three instrumental pieces of music, featuring the hyang piri (double-reed wind instrument or oboe) and hojok (double-reed wind instrument, also known as taepyeongso), recorded at the Institute for National Classical Music in Seoul.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a small number of recordings issued or released by foreign broadcast...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
4m
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<span class="d-sm-none">
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<span><span class="js-time" data-epochtime="1771780140" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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4m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844691-bayaka-women-singing-yeyi-in-the-forest"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394209/75x75/c 75w, https://audioboom.com/i/43394209/150x150/c 150w, https://audioboom.com/i/43394209/300x300/c 300w, https://audioboom.com/i/43394209/600x600/c 600w, https://audioboom.com/i/43394209/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #260d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394209/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayaka women singing yeyi in the forest
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Bayaka women singing yeyi (polyphonic song) in the forest.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis S...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
6m
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
6m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844690-v4-4"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394194/75x75/c 75w, https://audioboom.com/i/43394194/150x150/c 150w, https://audioboom.com/i/43394194/300x300/c 300w, https://audioboom.com/i/43394194/600x600/c 600w, https://audioboom.com/i/43394194/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394194/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
V4-4
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This track is based on the recording of Metimbo of the Aka tribe in the Central African Republic playing the Bubulu (Potbowl). I chose this recording because the rhythmic complexity of the playing was so interesting to me. At first, I was thinking of approaching this exciting recording through many pre-planned ways, but it was proven to be unsuccessful.

So I decided to return to the recording ...
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<span class="numeric-tabular d-sm-none">
6m
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
</div>
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6m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844687-yeyi"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394209/75x75/c 75w, https://audioboom.com/i/43394209/150x150/c 150w, https://audioboom.com/i/43394209/300x300/c 300w, https://audioboom.com/i/43394209/600x600/c 600w, https://audioboom.com/i/43394209/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #260d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394209/1400x1400/c" />
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Yeyi
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Hearing the vocal music of the BaAka for the first time was a powerful, emotional experience for me. This led me to explore some of the other sounds in the Louis Sarno archive, and to his book and film &quot;Song from the Forest&quot;, where I learned more about the context and culture behind this music.

In arranging and orchestrating my piece, which blends electronica with neocIassical elements, I want...
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<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844658-zande-drinking-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394060/75x75/c 75w, https://audioboom.com/i/43394060/150x150/c 150w, https://audioboom.com/i/43394060/300x300/c 300w, https://audioboom.com/i/43394060/600x600/c 600w, https://audioboom.com/i/43394060/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3dac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394060/1400x1400/c" />
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Zande drinking song
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

Recorded by Edward Evan Evans-Pritchard.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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4m
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<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
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4m
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<a class="text-decoration-none" href="/posts/8844686-women-singing"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394197/75x75/c 75w, https://audioboom.com/i/43394197/150x150/c 150w, https://audioboom.com/i/43394197/300x300/c 300w, https://audioboom.com/i/43394197/600x600/c 600w, https://audioboom.com/i/43394197/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394197/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Women singing
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.

Recorded by Nicholas Justin Allen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, ...
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<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
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4m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844685-kinnaur-calling"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394197/75x75/c 75w, https://audioboom.com/i/43394197/150x150/c 150w, https://audioboom.com/i/43394197/300x300/c 300w, https://audioboom.com/i/43394197/600x600/c 600w, https://audioboom.com/i/43394197/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394197/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Kinnaur calling
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Created in collaboration with Kinnauri filmmaker Himanshu Negi Regesoi, this piece is a meeting of old and new, bringing a sonic archive to life from the Western Himalayas.

From the Pitt Rivers Museum&#39;s sound collection, a field recording of women singing in the early 1980s (recorded in Kinnaur, Himachal Pradesh, India by anthropologist Nicholas Allen) now becomes a portal for a young Indigeno...
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9m
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<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
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9m
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</a></div>
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<a class="text-decoration-none" href="/posts/8844684-metimbo-playing-the-bubulu-pot-bow"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394194/75x75/c 75w, https://audioboom.com/i/43394194/150x150/c 150w, https://audioboom.com/i/43394194/300x300/c 300w, https://audioboom.com/i/43394194/600x600/c 600w, https://audioboom.com/i/43394194/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394194/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Metimbo playing the bubulu (pot bow)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.

...
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<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844521-bayang-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393323/75x75/c 75w, https://audioboom.com/i/43393323/150x150/c 150w, https://audioboom.com/i/43393323/300x300/c 300w, https://audioboom.com/i/43393323/600x600/c 600w, https://audioboom.com/i/43393323/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #0d0d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393323/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayang song
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This was one of the more difficult pieces I’ve worked on, although it was enjoyable working through the process. I struggled quite a bit at the beginning, as the field recording has both harmonic &amp; rhythmic structure which varies in tempo quite a bit… so I wasn’t sure how to approach this initially.

After some thought and a fair bit of trial and error, I decided to pick up my guitar (and play ...
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3m
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<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
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3m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844520-sea-level-rise"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393318/75x75/c 75w, https://audioboom.com/i/43393318/150x150/c 150w, https://audioboom.com/i/43393318/300x300/c 300w, https://audioboom.com/i/43393318/600x600/c 600w, https://audioboom.com/i/43393318/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393318/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Sea level rise
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I ended up listening to this recording a lot in my everyday life, just putting it on and going to work, walking around the city I live in, in idle moments between work.

I didn’t know an awful lot about Vanuatu, where the recordings were taken by Raymond Clausen in 1962. Having read the Pitt Rivers blog, I thought a lot about how people and societies move on and are changed, sometimes forcibly,...
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4m
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<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
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4m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844519-all-people-are-people"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393315/75x75/c 75w, https://audioboom.com/i/43393315/150x150/c 150w, https://audioboom.com/i/43393315/300x300/c 300w, https://audioboom.com/i/43393315/600x600/c 600w, https://audioboom.com/i/43393315/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #737373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393315/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
All people are people
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
My chosen sound was a sample of a geedal (bow harp) being played in the forest with accompanying male voices, recorded in Dzanga-Sangha Special Reserve. by ethnomusicologist Louis Sarno in 1987. I was drawn to the sample on account of its musicality, not just in terms of the music and vocals, but the lilting patter of conversation and laughter that resonates in these conversational intervals, c...
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3m
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<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
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3m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844518-bayang-men-s-songs"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393323/75x75/c 75w, https://audioboom.com/i/43393323/150x150/c 150w, https://audioboom.com/i/43393323/300x300/c 300w, https://audioboom.com/i/43393323/600x600/c 600w, https://audioboom.com/i/43393323/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #0d0d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393323/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayang men&#39;s songs
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958.

Recorded by Sonja Lois Mitchison.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 100 yea...
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<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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3m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844516-geedal-bow-harp-played-in-the-forest"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393315/75x75/c 75w, https://audioboom.com/i/43393315/150x150/c 150w, https://audioboom.com/i/43393315/300x300/c 300w, https://audioboom.com/i/43393315/600x600/c 600w, https://audioboom.com/i/43393315/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #737373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393315/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Geedal (bow harp) played in the forest
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Geedal (bow harp) played in the forest with male voices accompanying.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded...
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6m
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<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
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6m
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<a class="text-decoration-none" href="/posts/8844517-drumming-at-wor-tamat-dancing-ground"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393318/75x75/c 75w, https://audioboom.com/i/43393318/150x150/c 150w, https://audioboom.com/i/43393318/300x300/c 300w, https://audioboom.com/i/43393318/600x600/c 600w, https://audioboom.com/i/43393318/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393318/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Drumming at Wor Tamat dancing ground
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymond Ernst Clausen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the ...
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2m
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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2m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844514-to-see-and-remember"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393283/75x75/c 75w, https://audioboom.com/i/43393283/150x150/c 150w, https://audioboom.com/i/43393283/300x300/c 300w, https://audioboom.com/i/43393283/600x600/c 600w, https://audioboom.com/i/43393283/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393283/1400x1400/c" />
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To see and remember
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&quot;To See and Remember&quot; is a composition incorporating elements from a 1965 expedition field recording from the Chocó Department, in Colombia, by Jonathan Ambache and Richard Saumarez Smith, who were then fellow students at the University of Cambridge. The recording that I selected, made on 5-inch reel tape, captures the sounds of the local Emberá people playing music with flute, drums and other ...
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<a class="text-decoration-none" href="/posts/8844513-bhoot"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393280/75x75/c 75w, https://audioboom.com/i/43393280/150x150/c 150w, https://audioboom.com/i/43393280/300x300/c 300w, https://audioboom.com/i/43393280/600x600/c 600w, https://audioboom.com/i/43393280/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d7373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393280/1400x1400/c" />
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Bhoot
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I originally chose the field recording simply because I enjoyed the melody. The women sang the same melodic phrase over and over with slight changes. I felt like they were telling a story but, as I don’t speak the language, I had to look elsewhere for inspiration.

I researched the mythology and folklore of Himachal Pradesh’s remote valleys and discovered a common ghostly tale. If you are out w...
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<a class="text-decoration-none" href="/posts/8844512-the-forest-of-spirit"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393286/75x75/c 75w, https://audioboom.com/i/43393286/150x150/c 150w, https://audioboom.com/i/43393286/300x300/c 300w, https://audioboom.com/i/43393286/600x600/c 600w, https://audioboom.com/i/43393286/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393286/1400x1400/c" />
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The forest of spirit
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I listened to the first 20 seconds of the track, heard the hummed murmur of a Ba&#39;aka voice and thought, &quot;I can work with that.&quot; It wasn’t until the next day that I heard the engaging, immersive, gently rocking polyphony that the murmur develops into. I learned that the Ba&#39;aka musical style is over 30,000 years old, older than any continuous musical heritage. UNESCO describes Ba&#39;aka music as a &quot;...
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844511-bayaka-voices-in-the-forest-at-dawn"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393286/75x75/c 75w, https://audioboom.com/i/43393286/150x150/c 150w, https://audioboom.com/i/43393286/300x300/c 300w, https://audioboom.com/i/43393286/600x600/c 600w, https://audioboom.com/i/43393286/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393286/1400x1400/c" />
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Bayaka voices in the forest at dawn
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.

...
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5m
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<a class="text-decoration-none" href="/posts/8844510-choco-flute-and-drum-music-with-rattle"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393283/75x75/c 75w, https://audioboom.com/i/43393283/150x150/c 150w, https://audioboom.com/i/43393283/300x300/c 300w, https://audioboom.com/i/43393283/600x600/c 600w, https://audioboom.com/i/43393283/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393283/1400x1400/c" />
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Chocó flute and drum music with rattle
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Chocó music and soundscapes made by students Jonathan Ambache and Richard Saumarez Smith in Colombia in 1965.

Recorded by Jonathan Ambache and Richard Saumarez Smith.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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<a class="text-decoration-none" href="/posts/8844509-women-singing-with-flute"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393280/75x75/c 75w, https://audioboom.com/i/43393280/150x150/c 150w, https://audioboom.com/i/43393280/300x300/c 300w, https://audioboom.com/i/43393280/600x600/c 600w, https://audioboom.com/i/43393280/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d7373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393280/1400x1400/c" />
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Women singing with flute
</h5>
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.

Recorded by Nicholas Justin Allen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, ...
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<a class="text-decoration-none" href="/posts/8844507-the-weave-of-a-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393257/75x75/c 75w, https://audioboom.com/i/43393257/150x150/c 150w, https://audioboom.com/i/43393257/300x300/c 300w, https://audioboom.com/i/43393257/600x600/c 600w, https://audioboom.com/i/43393257/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3da; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393257/1400x1400/c" />
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The weave of a song
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The field recording I chose is of a gentleman named Thomas Penniman performing an early 20th-century work song about weaving from the Gower Peninsula. It&#39;s a strange, compelling and mysterious recording, made in the winter of 1974. There&#39;s a repeated refrain, &quot;Mrs Tanner has six sons/And they all sang like thrushes as they worked at the loom&quot;, which I loved. But then the song becomes quite angr...
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<a class="text-decoration-none" href="/posts/8844506-stone-sound"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393252/75x75/c 75w, https://audioboom.com/i/43393252/150x150/c 150w, https://audioboom.com/i/43393252/300x300/c 300w, https://audioboom.com/i/43393252/600x600/c 600w, https://audioboom.com/i/43393252/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d8d8d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393252/1400x1400/c" />
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Stone sound
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The original field recording was fed into a granular sculpting sampler to create bell like arpeggiated lines. Next, I chopped the field recording to extract key parts, intimate vocal moments, a solid stone hit rhythm and laughter. Isolated stone “hits” became drum parts, replayed and resampled then slowed.

They began to sound like ghost drums, closing doors or belated fireworks. I recreated th...
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<a class="text-decoration-none" href="/posts/8844505-silenced-soil"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393249/75x75/c 75w, https://audioboom.com/i/43393249/150x150/c 150w, https://audioboom.com/i/43393249/300x300/c 300w, https://audioboom.com/i/43393249/600x600/c 600w, https://audioboom.com/i/43393249/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393249/1400x1400/c" />
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Silenced soil
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Silenced Soil begins with a fragile artefact: a recording of Claude Debussy’s Sarabande, composed in 1894 and revised in 1901, then recorded on 11 April 1963 in Gillitts, KwaZulu-Natal, by ethnomusicologist Raymond Clausen. Its only documentation is a handwritten note on a reel-to-reel tape box: “at Gillitt’s, copy of Debussy, Sarabande.” No pianist, no studio, no context. The archive offers li...
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<a class="text-decoration-none" href="/posts/8844504-weaving-song-from-the-gower-peninsula"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393257/75x75/c 75w, https://audioboom.com/i/43393257/150x150/c 150w, https://audioboom.com/i/43393257/300x300/c 300w, https://audioboom.com/i/43393257/600x600/c 600w, https://audioboom.com/i/43393257/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3da; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393257/1400x1400/c" />
<div class="vstack gap-1 my-auto">
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Weaving song from the Gower Peninsula
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Weaving song from the Gower Peninsula of South Wales, recited by Thomas Penniman, former Curator of the Pitt Rivers Museum, who was preparing a manuscript on &#39;Work and Song in the North-west Gower&#39; in his retirement (&quot;Mrs. Tanner had six sons, and they all sang like thrushes while they worked at the loom&quot;).

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one o...
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<a class="text-decoration-none" href="/posts/8844503-women-and-grinding-stones"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393252/75x75/c 75w, https://audioboom.com/i/43393252/150x150/c 150w, https://audioboom.com/i/43393252/300x300/c 300w, https://audioboom.com/i/43393252/600x600/c 600w, https://audioboom.com/i/43393252/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d8d8d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393252/1400x1400/c" />
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Women and grinding stones
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Women singing and using grinding stones for musical accompaniment.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980.

Recorded by Patti Langton.

Copyright Pitt Rivers Museum, University of Oxfo...
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<a class="text-decoration-none" href="/posts/8844502-piano-being-played"><div class="Episode-list-grid card-body pan">
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Piano being played
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&quot;Piano being played&quot;: recording of the second movement (&#39;Sarabande&#39;) of solo piano suite &#39;Pour le piano&#39; (L.95) by French composer Claude Debussy, performed by an unnamed pianist.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly in V...
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<span><span class="js-time" data-epochtime="1771779780" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844479-distant"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393136/75x75/c 75w, https://audioboom.com/i/43393136/150x150/c 150w, https://audioboom.com/i/43393136/300x300/c 300w, https://audioboom.com/i/43393136/600x600/c 600w, https://audioboom.com/i/43393136/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393136/1400x1400/c" />
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Distant
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This piece is built around a short fragment of an Igbo wind instrument recording taken from the Pitt Rivers Museum sound collections. The original recording was made on wax cylinder by anthropologist Northcote Thomas in Nigeria between 1909 and 1915. Knowing the material fragility of the recording, and the historical distance it represents, strongly shaped how I approached the composition.

Rat...
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844478-igbo-wind-instrument"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393136/75x75/c 75w, https://audioboom.com/i/43393136/150x150/c 150w, https://audioboom.com/i/43393136/300x300/c 300w, https://audioboom.com/i/43393136/600x600/c 600w, https://audioboom.com/i/43393136/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393136/1400x1400/c" />
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Igbo wind instrument
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of songs and spoken language made by anthropologist Northcote Thomas in Nigeria and Sierra Leone between 1909 and 1915.

Recorded by Northcote Whitridge Thomas.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimaginin...
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844477-my-rubber-dinghy"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393124/75x75/c 75w, https://audioboom.com/i/43393124/150x150/c 150w, https://audioboom.com/i/43393124/300x300/c 300w, https://audioboom.com/i/43393124/600x600/c 600w, https://audioboom.com/i/43393124/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393124/1400x1400/c" />
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My rubber dinghy
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The inspiration for this piece was the current climate and attitudes from a section of the population towards immigration. It is unsettling to see the resurgence en masse of sentiments I thought were well behind us. I used a fragment of a field recording from the Bamam tribe of Cameroon, and used it as an intro for my piece, which I divided into three movements.

a) Mar Germanicus
It uses an Ar...
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844476-bamum-zither-player"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393124/75x75/c 75w, https://audioboom.com/i/43393124/150x150/c 150w, https://audioboom.com/i/43393124/300x300/c 300w, https://audioboom.com/i/43393124/600x600/c 600w, https://audioboom.com/i/43393124/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393124/1400x1400/c" />
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Bamum zither player
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958.

Recorded by Sonja Lois Mitchison.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 100 yea...
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<a class="text-decoration-none" href="/posts/8844475-yaz"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393121/75x75/c 75w, https://audioboom.com/i/43393121/150x150/c 150w, https://audioboom.com/i/43393121/300x300/c 300w, https://audioboom.com/i/43393121/600x600/c 600w, https://audioboom.com/i/43393121/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393121/1400x1400/c" />
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YAZ
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YAZ is a vocal and electroacoustic composition built from a field recording of an Aït Haddidou market in Rabat, captured in 1961. What struck me immediately was the presence of a young boy’s voice, cutting through the density of the market: a call. Not directed at anyone in particular, yet lingering. That voice became the starting point of the piece, an echo moving through time and memory.

Res...
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<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
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