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<a class="text-decoration-none" href="/posts/8844700-balonyona-playing-the-geedal-bow-harp"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394272/75x75/c 75w, https://audioboom.com/i/43394272/150x150/c 150w, https://audioboom.com/i/43394272/300x300/c 300w, https://audioboom.com/i/43394272/600x600/c 600w, https://audioboom.com/i/43394272/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #73735a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394272/1400x1400/c" />
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Balonyona playing the geedal (bow harp)
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.
...
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3m
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<span><span class="js-time" data-epochtime="1771780860" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844699-natar-song-on-conch-and-musket"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394267/75x75/c 75w, https://audioboom.com/i/43394267/150x150/c 150w, https://audioboom.com/i/43394267/300x300/c 300w, https://audioboom.com/i/43394267/600x600/c 600w, https://audioboom.com/i/43394267/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a6a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394267/1400x1400/c" />
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Natar (song) on conch and musket
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Natar (song) with Markany Lei on conch and Wani on musket.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymond Ernst Clausen.

Copyright...
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2m
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<span><span class="js-time" data-epochtime="1771780800" data-format="short_date">Feb 22</span></span>
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2m
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<a class="text-decoration-none" href="/posts/8844698-bamum-girl-singing-religious-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394262/75x75/c 75w, https://audioboom.com/i/43394262/150x150/c 150w, https://audioboom.com/i/43394262/300x300/c 300w, https://audioboom.com/i/43394262/600x600/c 600w, https://audioboom.com/i/43394262/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadaa6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394262/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bamum girl singing religious song
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958.

Recorded by Sonja Lois Mitchison.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 100 yea...
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2m
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<span><span class="js-time" data-epochtime="1771780740" data-format="short_date">Feb 22</span></span>
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2m
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<a class="text-decoration-none" href="/posts/8844695-drawn-to-the-circle"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394219/75x75/c 75w, https://audioboom.com/i/43394219/150x150/c 150w, https://audioboom.com/i/43394219/300x300/c 300w, https://audioboom.com/i/43394219/600x600/c 600w, https://audioboom.com/i/43394219/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394219/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Drawn to the circle
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Drawn to the Circle began with a field recording of a boar tusk horn calling people into a full circle. The sound comes from Malekula Island in Vanuatu, performed by Melteg Ike and Mal Maru of the Big Nambas cultural group, and recorded by Raymond Clausen in 1962. When I first heard it, I was struck by how two players became one sound. It felt less like music and more like an invitation — a cal...
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<span><span class="js-time" data-epochtime="1771780680" data-format="short_date">Feb 22</span></span>
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3m
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<a class="text-decoration-none" href="/posts/8844694-broken"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394232/75x75/c 75w, https://audioboom.com/i/43394232/150x150/c 150w, https://audioboom.com/i/43394232/300x300/c 300w, https://audioboom.com/i/43394232/600x600/c 600w, https://audioboom.com/i/43394232/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadaa6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394232/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Broken
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
When I first heard &quot;Mekana discussing a case of adultery&quot;, I really wanted to know more about the background to the recording. My research led me a to 1983 Granada Television Programme from the Disappearing Worlds Series which introduced the idea of &quot;Benge&quot;, the poison oracle used by the Azande People of Central Africa to answer questions relating to, amongst others, infidelity. It was also viv...
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<span><span class="js-time" data-epochtime="1771780620" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844678-the-hills-remember"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394159/75x75/c 75w, https://audioboom.com/i/43394159/150x150/c 150w, https://audioboom.com/i/43394159/300x300/c 300w, https://audioboom.com/i/43394159/600x600/c 600w, https://audioboom.com/i/43394159/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394159/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The hills remember
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
“The Hills Remember” is a concept piece on the “domination paradigm” — a cultural logic shared across systems of oppression. The work explores the intersections of religious nationalism, religious violence and colonisation, authoritarianism, capitalism, misogyny, domestic and child abuse, gender- and sexuality-based violence, racial oppression, and rape culture — systems all linked by hierarchi...
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<span><span class="js-time" data-epochtime="1771780560" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844683-sound-weaver-s-incantation-for-capturing-and-preserving-the-sounds-of-life"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394254/75x75/c 75w, https://audioboom.com/i/43394254/150x150/c 150w, https://audioboom.com/i/43394254/300x300/c 300w, https://audioboom.com/i/43394254/600x600/c 600w, https://audioboom.com/i/43394254/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #738d73; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394254/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Sound weaver&#39;s incantation (for capturing and preserving the sounds of life)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I selected the recording of a night forest in the Central African Republic without looking at the description, simply because it sounded magical. I usually search the recorded sounds for inspiration to tell stories that are more or less personal, but this time it was different. As I started reading about the origin of the sound, chosen solely for its magical aspect, I found myself lost in the d...
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5m
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<span><span class="js-time" data-epochtime="1771780500" data-format="short_date">Feb 22</span></span>
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5m
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<a class="text-decoration-none" href="/posts/8844676-talea"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394176/75x75/c 75w, https://audioboom.com/i/43394176/150x150/c 150w, https://audioboom.com/i/43394176/300x300/c 300w, https://audioboom.com/i/43394176/600x600/c 600w, https://audioboom.com/i/43394176/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394176/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Talea
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
A talea is both faithful and transformed. It remains genetically identical to the source, yet grows into something new through a different environment. It is not preservation or betrayal. It is organic continuation, the way traditional music has always moved through time and space.

Our composition embodies the talea principle by maintaining an unbroken genetic thread to the source field record...
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<span><span class="js-time" data-epochtime="1771780500" data-format="short_date">Feb 22</span></span>
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13m
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<a class="text-decoration-none" href="/posts/8844696-likimbi-forest-camp-late-at-night"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394254/75x75/c 75w, https://audioboom.com/i/43394254/150x150/c 150w, https://audioboom.com/i/43394254/300x300/c 300w, https://audioboom.com/i/43394254/600x600/c 600w, https://audioboom.com/i/43394254/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #738d73; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394254/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Likimbi forest camp late at night
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.

...
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<span><span class="js-time" data-epochtime="1771780440" data-format="short_date">Feb 22</span></span>
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28m
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<a class="text-decoration-none" href="/posts/8844693-for-the-sun"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394214/75x75/c 75w, https://audioboom.com/i/43394214/150x150/c 150w, https://audioboom.com/i/43394214/300x300/c 300w, https://audioboom.com/i/43394214/600x600/c 600w, https://audioboom.com/i/43394214/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #da8d5a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394214/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
For the sun
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Researching this sound and the U’wa people gave me an opportunity to scratch the surface of their deeply complex seasonal customs, involving dance, storytelling and performance. Ann Osborn (the sound recordist) documents this in her study &quot;The Four Seasons of the U&#39;wa: A Chibcha Ritual Ecology in the Colombian Andes&quot;.

What I learned inspired me to tell a new story. In this piece you hear about...
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6m
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<span><span class="js-time" data-epochtime="1771780440" data-format="short_date">Feb 22</span></span>
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6m
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<a class="text-decoration-none" href="/posts/8844682-geedal-in-the-forest-with-male-voices"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394176/75x75/c 75w, https://audioboom.com/i/43394176/150x150/c 150w, https://audioboom.com/i/43394176/300x300/c 300w, https://audioboom.com/i/43394176/600x600/c 600w, https://audioboom.com/i/43394176/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394176/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Geedal in the forest with male voices
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Geedal (bow harp) played in the forest with male voices accompanying.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded...
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6m
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<span><span class="js-time" data-epochtime="1771780440" data-format="short_date">Feb 22</span></span>
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6m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844677-lozoruu-angami-naga-love-song"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43394159/75x75/c 75w, https://audioboom.com/i/43394159/150x150/c 150w, https://audioboom.com/i/43394159/300x300/c 300w, https://audioboom.com/i/43394159/600x600/c 600w, https://audioboom.com/i/43394159/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394159/1400x1400/c" />
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Lozorüü - Angami Naga love song
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&quot;Lozorüü&quot; (tune: &quot;Hoiyi Olle&quot;): an Angami Naga love song performed by two men and two young women (&quot;Though the villages are separated the herds graze together./ Upon the ridge there is a great stone to sit on&quot;).

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang and Sangtam) songs ma...
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3m
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<span><span class="js-time" data-epochtime="1771780440" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844692-mekana-discussing-a-case-of-adultery"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394232/75x75/c 75w, https://audioboom.com/i/43394232/150x150/c 150w, https://audioboom.com/i/43394232/300x300/c 300w, https://audioboom.com/i/43394232/600x600/c 600w, https://audioboom.com/i/43394232/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadaa6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394232/1400x1400/c" />
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Mekana discussing a case of adultery
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Spoken word recording of Mekana discussing a case of adultery.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

Recorded by Edward Evan Evans-Pritchard.

Copyright Pitt Rivers Museum,...
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4m
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<span><span class="js-time" data-epochtime="1771780380" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844689-merer-pake-ndavu-trumpet-signal"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43394219/75x75/c 75w, https://audioboom.com/i/43394219/150x150/c 150w, https://audioboom.com/i/43394219/300x300/c 300w, https://audioboom.com/i/43394219/600x600/c 600w, https://audioboom.com/i/43394219/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394219/1400x1400/c" />
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Merer Pake: nDavu trumpet signal
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&quot;Merer Pake&quot;: an nDavu trumpet signal for a full circle tusked boar.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymond Ernst Clausen.
...
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1m
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<span><span class="js-time" data-epochtime="1771780380" data-format="short_date">Feb 22</span></span>
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1m
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<a class="text-decoration-none" href="/posts/8844688-u-wa-drones"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394214/75x75/c 75w, https://audioboom.com/i/43394214/150x150/c 150w, https://audioboom.com/i/43394214/300x300/c 300w, https://audioboom.com/i/43394214/600x600/c 600w, https://audioboom.com/i/43394214/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #da8d5a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394214/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
U&#39;wa drones
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U&#39;wa drones from the Andes in north-east Colombia.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of U&#39;wa songs and stories made by anthropologist Ann Osborn in the Northern Andes (Sierra Nevada del Cocuy region) in Colombia between 1969 and 1977.

Recorded by Ann Osborn.

Copyright Pitt Rivers Museum, University o...
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1m
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<span><span class="js-time" data-epochtime="1771780380" data-format="short_date">Feb 22</span></span>
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1m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844672-a-vanuata-hymn"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394137/75x75/c 75w, https://audioboom.com/i/43394137/150x150/c 150w, https://audioboom.com/i/43394137/300x300/c 300w, https://audioboom.com/i/43394137/600x600/c 600w, https://audioboom.com/i/43394137/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3f3; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394137/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
A Vanuata hymn
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I heard the piece, which is a Vanuata hymn called &#39;You say you no want ’im married long me,&#39; and connected with it immediately. Despite not knowing what the lyrics were about the singing was filled with emotion and a kind of melancholy that I often bring to my own work. I contacted Pitt Rivers for details on the lyrics, as I thought I would like to add my own singing to the piece, but unfortuna...
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2m
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<a class="text-decoration-none" href="/posts/8844681-on-the-tide"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43394151/75x75/c 75w, https://audioboom.com/i/43394151/150x150/c 150w, https://audioboom.com/i/43394151/300x300/c 300w, https://audioboom.com/i/43394151/600x600/c 600w, https://audioboom.com/i/43394151/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394151/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
On the tide
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I haven’t sung professionally in over 21 years and had long stopped writing and recording music. I am trying to return to it but these things are easier said than done.

I was immediately drawn to this 1987 recording of a woman singing with harmonium recorded by David Mowat in the town of Mahalingapur, in the Indian state of Karnataka. It was perfect as it was – and in choosing it I knew I woul...
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5m
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<span><span class="js-time" data-epochtime="1771780320" data-format="short_date">Feb 22</span></span>
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5m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844680-narel"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394144/75x75/c 75w, https://audioboom.com/i/43394144/150x150/c 150w, https://audioboom.com/i/43394144/300x300/c 300w, https://audioboom.com/i/43394144/600x600/c 600w, https://audioboom.com/i/43394144/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394144/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Narel
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The song &quot;Narel&quot; made me think about the power of separate and unique voices working together. The name Narel in Hebrew also mean &quot;singing&quot;. I was inspired to use the field recording to make new voices that I could remix in different ways and recombine to form a new whole. In my version of &quot;Narel&quot;, the field recording is manipulated in various ways to create different instruments - choirs, guit...
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8m
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<span><span class="js-time" data-epochtime="1771780320" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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8m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844674-narel-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394144/75x75/c 75w, https://audioboom.com/i/43394144/150x150/c 150w, https://audioboom.com/i/43394144/300x300/c 300w, https://audioboom.com/i/43394144/600x600/c 600w, https://audioboom.com/i/43394144/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394144/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Narel (song)
</h5>
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Narel (song) performed by Peter, Sali and Mal Sekini.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymond Ernst Clausen.

Copyright Pitt...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
4m
</span>
<span class="d-sm-none">
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<span><span class="js-time" data-epochtime="1771780320" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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4m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844673-you-say-you-no-want-im-married-long-me"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394137/75x75/c 75w, https://audioboom.com/i/43394137/150x150/c 150w, https://audioboom.com/i/43394137/300x300/c 300w, https://audioboom.com/i/43394137/600x600/c 600w, https://audioboom.com/i/43394137/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3f3; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394137/1400x1400/c" />
<div class="vstack gap-1 my-auto">
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&quot;You say you no want &#39;im married long me&quot;
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
&quot;You say you no want &#39;im married long me&quot; (song performed by men, women and children).

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymo...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
2m
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<span><span class="js-time" data-epochtime="1771780320" data-format="short_date">Feb 22</span></span>
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2m
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<a class="text-decoration-none" href="/posts/8844675-woman-singing-with-harmonium"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394151/75x75/c 75w, https://audioboom.com/i/43394151/150x150/c 150w, https://audioboom.com/i/43394151/300x300/c 300w, https://audioboom.com/i/43394151/600x600/c 600w, https://audioboom.com/i/43394151/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394151/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Woman singing with harmonium
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of songs and instruments made by playwright David Mowat across several different states in India during 1987.

Recorded by David Mowat.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 10...
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5m
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<span><span class="js-time" data-epochtime="1771780260" data-format="short_date">Feb 22</span></span>
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5m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844670-int-exteriors-day"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394094/75x75/c 75w, https://audioboom.com/i/43394094/150x150/c 150w, https://audioboom.com/i/43394094/300x300/c 300w, https://audioboom.com/i/43394094/600x600/c 600w, https://audioboom.com/i/43394094/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadaa6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394094/1400x1400/c" />
<div class="vstack gap-1 my-auto">
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Int. exteriors (day)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The field recording that I worked with was a wax cylinder recording of a Zande funeral song. One of the things that really struck me when I first listened to it was how this funeral song is buried beneath the imperfections of its recording medium – you just hear this single impassioned, grieving voice breaking out through layers of noise and obfuscation. I thought there was something strangely ...
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3m
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<span><span class="js-time" data-epochtime="1771780260" data-format="short_date">Feb 22</span></span>
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3m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844669-forever-lost"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394087/75x75/c 75w, https://audioboom.com/i/43394087/150x150/c 150w, https://audioboom.com/i/43394087/300x300/c 300w, https://audioboom.com/i/43394087/600x600/c 600w, https://audioboom.com/i/43394087/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394087/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Forever lost
</h5>
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I saw this recording before I heard it. At the Pitt Rivers Museum at the start of the project. The physical object: an original Edison wax phonograph cylinder from 1914. I was struck by how modern it seemed in some ways; the corporate branding on the label. I imagined it being purchased from a shop.

Then I saw it was a recording made in Nagaland and I thought of my friend, Temsu, an artist fro...
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10m
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<span><span class="js-time" data-epochtime="1771780260" data-format="short_date">Feb 22</span></span>
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10m
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<a class="text-decoration-none" href="/posts/8844667-we-dance-we-dream-we-love-for-timon-beri"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394084/75x75/c 75w, https://audioboom.com/i/43394084/150x150/c 150w, https://audioboom.com/i/43394084/300x300/c 300w, https://audioboom.com/i/43394084/600x600/c 600w, https://audioboom.com/i/43394084/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a6a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394084/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
We dance, we dream, we love (for Timon Beri)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This has been the most difficult piece I have ever written for Cities and Memory. What could I add to a recording made by Patti Langton of a young Moru man - Timon Beri? The recording was of Timon singing and playing a lamellophone. Whatever I ever I did, it felt like cheap exploitation. The recording was beautiful, authentic and real.

In my research I came across a paper by Patti Langton call...
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<span class="numeric-tabular d-sm-none">
9m
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<span><span class="js-time" data-epochtime="1771780260" data-format="short_date">Feb 22</span></span>
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9m
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<a class="text-decoration-none" href="/posts/8844666-zande-funeral-song-for-a-woman"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394094/75x75/c 75w, https://audioboom.com/i/43394094/150x150/c 150w, https://audioboom.com/i/43394094/300x300/c 300w, https://audioboom.com/i/43394094/600x600/c 600w, https://audioboom.com/i/43394094/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadaa6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394094/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Zande funeral song for a woman
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

Recorded by Edward Evan Evans-Pritchard.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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<span class="numeric-tabular d-sm-none">
4m
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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4m
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</a></div>
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<a class="text-decoration-none" href="/posts/8844665-ishi-no-ghi-sholu-agricultural-work-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394087/75x75/c 75w, https://audioboom.com/i/43394087/150x150/c 150w, https://audioboom.com/i/43394087/300x300/c 300w, https://audioboom.com/i/43394087/600x600/c 600w, https://audioboom.com/i/43394087/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394087/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ishi no ghi sholu: agricultural work song
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&quot;Ishi no ghi sholu&quot;: an agricultural work song performed by a group of Sümi Naga male singers.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang and Sangtam) songs made by administrator and anthropologist John Hutton in India between 1915 and 1919.

Recorded by John Henry Hutton.

C...
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3m
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
3m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844664-sanza-lamellophone-music"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394084/75x75/c 75w, https://audioboom.com/i/43394084/150x150/c 150w, https://audioboom.com/i/43394084/300x300/c 300w, https://audioboom.com/i/43394084/600x600/c 600w, https://audioboom.com/i/43394084/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a6a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394084/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Sanza (lamellophone) music
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Sanza (lamellophone) music performed by young Moru man Timon Beri.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980.

Recorded by Patti Langton.

Copyright Pitt Rivers Museum, University of Oxfo...
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<span class="numeric-tabular d-sm-none">
3m
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
3m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844663-the-land-is-our-mother"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394068/75x75/c 75w, https://audioboom.com/i/43394068/150x150/c 150w, https://audioboom.com/i/43394068/300x300/c 300w, https://audioboom.com/i/43394068/600x600/c 600w, https://audioboom.com/i/43394068/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394068/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The land is our mother
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The Land is Our Mother is based on a collection of field recordings of digeridoos made for the Australian Institute of Aboriginal Studies from the archive of the Pitts River Museum. Information about the recordings is limited but they were originally recorded on reel to reel tape.

The recordings are rich and varied, some including song, but I eventually had to choose some of my favourites to b...
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6m
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<span><span class="js-time" data-epochtime="1771780200" data-format="short_date">Feb 22</span></span>
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6m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844662-how-i-learnt-to-live-with-ghosts"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394065/75x75/c 75w, https://audioboom.com/i/43394065/150x150/c 150w, https://audioboom.com/i/43394065/300x300/c 300w, https://audioboom.com/i/43394065/600x600/c 600w, https://audioboom.com/i/43394065/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394065/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
How I learnt to live with ghosts
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I chose this recording - an orchestral Korean recording from Seoul, 1972 - after initially earmarking another sound, but this one spoke to me with its uplifting, playful and mischievous spirit &amp; felt right. Atmospherically, it evoked a busy market place or a ceremonial dance, putting me in mind of the benevolent chaos of the ‘hungry ghost’ concept - more of which later.

The instruments feature...
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8m
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<span><span class="js-time" data-epochtime="1771780140" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
8m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844661-nip-nap"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394060/75x75/c 75w, https://audioboom.com/i/43394060/150x150/c 150w, https://audioboom.com/i/43394060/300x300/c 300w, https://audioboom.com/i/43394060/600x600/c 600w, https://audioboom.com/i/43394060/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3dac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394060/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Nip nap
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The sound that I was allocated for this track was described as a Zande drinking song, from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

I spent some time thinking about the collection of songs that was taking place across the world from the end of the 19th Century ri...
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<span class="numeric-tabular d-sm-none">
4m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1771780140" data-format="short_date">Feb 22</span></span>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
4m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844660-didgeridoo-music"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394068/75x75/c 75w, https://audioboom.com/i/43394068/150x150/c 150w, https://audioboom.com/i/43394068/300x300/c 300w, https://audioboom.com/i/43394068/600x600/c 600w, https://audioboom.com/i/43394068/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394068/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Didgeridoo music
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
 &quot;Didgeridoo music&quot;: collection of didgeridoo recordings prepared by the Australian Institute of Aboriginal Studies (now the Australian Institute of Aboriginal and Torres Strait Islander Studies), with commentary.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous or individual ethnographic field recordings (rediscovered during a ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
17m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1771780140" data-format="short_date">Feb 22</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
17m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844659-instrumentals-featuring-the-hyang-piri-and-hojok"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394065/75x75/c 75w, https://audioboom.com/i/43394065/150x150/c 150w, https://audioboom.com/i/43394065/300x300/c 300w, https://audioboom.com/i/43394065/600x600/c 600w, https://audioboom.com/i/43394065/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394065/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Instrumentals featuring the hyang piri and hojok
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Korea: three instrumental pieces of music, featuring the hyang piri (double-reed wind instrument or oboe) and hojok (double-reed wind instrument, also known as taepyeongso), recorded at the Institute for National Classical Music in Seoul.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a small number of recordings issued or released by foreign broadcast...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
4m
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1771780140" data-format="short_date">Feb 22</span></span>
</div>
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4m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844691-bayaka-women-singing-yeyi-in-the-forest"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394209/75x75/c 75w, https://audioboom.com/i/43394209/150x150/c 150w, https://audioboom.com/i/43394209/300x300/c 300w, https://audioboom.com/i/43394209/600x600/c 600w, https://audioboom.com/i/43394209/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #260d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394209/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayaka women singing yeyi in the forest
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Bayaka women singing yeyi (polyphonic song) in the forest.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis S...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
6m
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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6m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844690-v4-4"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394194/75x75/c 75w, https://audioboom.com/i/43394194/150x150/c 150w, https://audioboom.com/i/43394194/300x300/c 300w, https://audioboom.com/i/43394194/600x600/c 600w, https://audioboom.com/i/43394194/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394194/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
V4-4
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This track is based on the recording of Metimbo of the Aka tribe in the Central African Republic playing the Bubulu (Potbowl). I chose this recording because the rhythmic complexity of the playing was so interesting to me. At first, I was thinking of approaching this exciting recording through many pre-planned ways, but it was proven to be unsuccessful.

So I decided to return to the recording ...
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<span class="numeric-tabular d-sm-none">
6m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
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6m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844687-yeyi"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394209/75x75/c 75w, https://audioboom.com/i/43394209/150x150/c 150w, https://audioboom.com/i/43394209/300x300/c 300w, https://audioboom.com/i/43394209/600x600/c 600w, https://audioboom.com/i/43394209/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #260d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394209/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Yeyi
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Hearing the vocal music of the BaAka for the first time was a powerful, emotional experience for me. This led me to explore some of the other sounds in the Louis Sarno archive, and to his book and film &quot;Song from the Forest&quot;, where I learned more about the context and culture behind this music.

In arranging and orchestrating my piece, which blends electronica with neocIassical elements, I want...
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<span class="numeric-tabular d-sm-none">
4m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
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4m
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</a></div>
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<a class="text-decoration-none" href="/posts/8844658-zande-drinking-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394060/75x75/c 75w, https://audioboom.com/i/43394060/150x150/c 150w, https://audioboom.com/i/43394060/300x300/c 300w, https://audioboom.com/i/43394060/600x600/c 600w, https://audioboom.com/i/43394060/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3dac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394060/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Zande drinking song
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.

Recorded by Edward Evan Evans-Pritchard.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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<span class="numeric-tabular d-sm-none">
4m
</span>
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&bull;
</span>
<span><span class="js-time" data-epochtime="1771780080" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
4m
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</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844686-women-singing"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394197/75x75/c 75w, https://audioboom.com/i/43394197/150x150/c 150w, https://audioboom.com/i/43394197/300x300/c 300w, https://audioboom.com/i/43394197/600x600/c 600w, https://audioboom.com/i/43394197/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394197/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Women singing
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.

Recorded by Nicholas Justin Allen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, ...
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<span class="numeric-tabular d-sm-none">
4m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
4m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844685-kinnaur-calling"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394197/75x75/c 75w, https://audioboom.com/i/43394197/150x150/c 150w, https://audioboom.com/i/43394197/300x300/c 300w, https://audioboom.com/i/43394197/600x600/c 600w, https://audioboom.com/i/43394197/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394197/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Kinnaur calling
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Created in collaboration with Kinnauri filmmaker Himanshu Negi Regesoi, this piece is a meeting of old and new, bringing a sonic archive to life from the Western Himalayas.

From the Pitt Rivers Museum&#39;s sound collection, a field recording of women singing in the early 1980s (recorded in Kinnaur, Himachal Pradesh, India by anthropologist Nicholas Allen) now becomes a portal for a young Indigeno...
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<span class="numeric-tabular d-sm-none">
9m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
9m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844684-metimbo-playing-the-bubulu-pot-bow"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394194/75x75/c 75w, https://audioboom.com/i/43394194/150x150/c 150w, https://audioboom.com/i/43394194/300x300/c 300w, https://audioboom.com/i/43394194/600x600/c 600w, https://audioboom.com/i/43394194/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394194/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Metimbo playing the bubulu (pot bow)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.

...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
2m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
2m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844521-bayang-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393323/75x75/c 75w, https://audioboom.com/i/43393323/150x150/c 150w, https://audioboom.com/i/43393323/300x300/c 300w, https://audioboom.com/i/43393323/600x600/c 600w, https://audioboom.com/i/43393323/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #0d0d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393323/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayang song
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This was one of the more difficult pieces I’ve worked on, although it was enjoyable working through the process. I struggled quite a bit at the beginning, as the field recording has both harmonic &amp; rhythmic structure which varies in tempo quite a bit… so I wasn’t sure how to approach this initially.

After some thought and a fair bit of trial and error, I decided to pick up my guitar (and play ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
3m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
3m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844520-sea-level-rise"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393318/75x75/c 75w, https://audioboom.com/i/43393318/150x150/c 150w, https://audioboom.com/i/43393318/300x300/c 300w, https://audioboom.com/i/43393318/600x600/c 600w, https://audioboom.com/i/43393318/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393318/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Sea level rise
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I ended up listening to this recording a lot in my everyday life, just putting it on and going to work, walking around the city I live in, in idle moments between work.

I didn’t know an awful lot about Vanuatu, where the recordings were taken by Raymond Clausen in 1962. Having read the Pitt Rivers blog, I thought a lot about how people and societies move on and are changed, sometimes forcibly,...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
4m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
4m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844519-all-people-are-people"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393315/75x75/c 75w, https://audioboom.com/i/43393315/150x150/c 150w, https://audioboom.com/i/43393315/300x300/c 300w, https://audioboom.com/i/43393315/600x600/c 600w, https://audioboom.com/i/43393315/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #737373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393315/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
All people are people
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
My chosen sound was a sample of a geedal (bow harp) being played in the forest with accompanying male voices, recorded in Dzanga-Sangha Special Reserve. by ethnomusicologist Louis Sarno in 1987. I was drawn to the sample on account of its musicality, not just in terms of the music and vocals, but the lilting patter of conversation and laughter that resonates in these conversational intervals, c...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
3m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
3m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844518-bayang-men-s-songs"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393323/75x75/c 75w, https://audioboom.com/i/43393323/150x150/c 150w, https://audioboom.com/i/43393323/300x300/c 300w, https://audioboom.com/i/43393323/600x600/c 600w, https://audioboom.com/i/43393323/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #0d0d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393323/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayang men&#39;s songs
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958.

Recorded by Sonja Lois Mitchison.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 100 yea...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
3m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
3m
</div>
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844516-geedal-bow-harp-played-in-the-forest"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393315/75x75/c 75w, https://audioboom.com/i/43393315/150x150/c 150w, https://audioboom.com/i/43393315/300x300/c 300w, https://audioboom.com/i/43393315/600x600/c 600w, https://audioboom.com/i/43393315/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #737373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393315/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Geedal (bow harp) played in the forest
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Geedal (bow harp) played in the forest with male voices accompanying.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
6m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
6m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844517-drumming-at-wor-tamat-dancing-ground"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393318/75x75/c 75w, https://audioboom.com/i/43393318/150x150/c 150w, https://audioboom.com/i/43393318/300x300/c 300w, https://audioboom.com/i/43393318/600x600/c 600w, https://audioboom.com/i/43393318/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393318/1400x1400/c" />
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Drumming at Wor Tamat dancing ground
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymond Ernst Clausen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the ...
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844514-to-see-and-remember"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393283/75x75/c 75w, https://audioboom.com/i/43393283/150x150/c 150w, https://audioboom.com/i/43393283/300x300/c 300w, https://audioboom.com/i/43393283/600x600/c 600w, https://audioboom.com/i/43393283/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393283/1400x1400/c" />
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To see and remember
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&quot;To See and Remember&quot; is a composition incorporating elements from a 1965 expedition field recording from the Chocó Department, in Colombia, by Jonathan Ambache and Richard Saumarez Smith, who were then fellow students at the University of Cambridge. The recording that I selected, made on 5-inch reel tape, captures the sounds of the local Emberá people playing music with flute, drums and other ...
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844513-bhoot"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393294/75x75/c 75w, https://audioboom.com/i/43393294/150x150/c 150w, https://audioboom.com/i/43393294/300x300/c 300w, https://audioboom.com/i/43393294/600x600/c 600w, https://audioboom.com/i/43393294/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d7373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393294/1400x1400/c" />
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Bhoot
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I originally chose the field recording simply because I enjoyed the melody. The women sang the same melodic phrase over and over with slight changes. I felt like they were telling a story but, as I don’t speak the language, I had to look elsewhere for inspiration.

I researched the mythology and folklore of Himachal Pradesh’s remote valleys and discovered a common ghostly tale. If you are out w...
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844512-the-forest-of-spirit"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393286/75x75/c 75w, https://audioboom.com/i/43393286/150x150/c 150w, https://audioboom.com/i/43393286/300x300/c 300w, https://audioboom.com/i/43393286/600x600/c 600w, https://audioboom.com/i/43393286/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393286/1400x1400/c" />
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The forest of spirit
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I listened to the first 20 seconds of the track, heard the hummed murmur of a Ba&#39;aka voice and thought, &quot;I can work with that.&quot; It wasn’t until the next day that I heard the engaging, immersive, gently rocking polyphony that the murmur develops into. I learned that the Ba&#39;aka musical style is over 30,000 years old, older than any continuous musical heritage. UNESCO describes Ba&#39;aka music as a &quot;...
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844511-bayaka-voices-in-the-forest-at-dawn"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393286/75x75/c 75w, https://audioboom.com/i/43393286/150x150/c 150w, https://audioboom.com/i/43393286/300x300/c 300w, https://audioboom.com/i/43393286/600x600/c 600w, https://audioboom.com/i/43393286/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393286/1400x1400/c" />
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Bayaka voices in the forest at dawn
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.

...
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<a class="text-decoration-none" href="/posts/8844510-choco-flute-and-drum-music-with-rattle"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43393283/75x75/c 75w, https://audioboom.com/i/43393283/150x150/c 150w, https://audioboom.com/i/43393283/300x300/c 300w, https://audioboom.com/i/43393283/600x600/c 600w, https://audioboom.com/i/43393283/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393283/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Chocó flute and drum music with rattle
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Chocó music and soundscapes made by students Jonathan Ambache and Richard Saumarez Smith in Colombia in 1965.

Recorded by Jonathan Ambache and Richard Saumarez Smith.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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