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<a class="text-decoration-none" href="/posts/7708579-preview-ep-254-michael-sandel-against-meritocracy-part-two"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
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PREVIEW-Ep. 254: Michael Sandel Against Meritocracy (Part Two)
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Mark, Wes, Dylan and Seth continue the discussion on The Tyranny of Merit to talk further about how social values can and do change, and whether these changes can be engineered in the way that Sandel seems to want.

We interviewed Michael Sandel in part one (https://partiallyexaminedlife.com/2020/10/12/ep-254-1-sandel-meritocracy/) . To hear this second part (https://partiallyexaminedlife.com/2...
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<span><span class="js-time" data-epochtime="1603087200" data-format="short_date">Oct 19, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7703331-ep-254-michael-sandel-interview-against-meritocracy-part-one"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 254: Michael Sandel Interview: Against Meritocracy (Part One)
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On The Tyranny of Merit: What&#39;s Become of the Common Good? (2020).

Do people get the wealth and status they deserve? And if they did, would that be good? Michael critiques the meritocracy: It&#39;s not actually fair, leaves most people feeling humiliated, and makes those on the top arrogant and disconnected. The commitment to meritocracy is shared by both political parties and helps explain our cu...
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1hr 7m
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<span><span class="js-time" data-epochtime="1602482400" data-format="short_date">Oct 12, 2020</span></span>
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1hr 7m
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<a class="text-decoration-none" href="/posts/7729507-pel-presents-nem-133-jon-hassell-and-rick-cox-fourth-world-improvisation"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37085657/75x75/c 75w, https://audioboom.com/i/37085657/150x150/c 150w, https://audioboom.com/i/37085657/300x300/c 300w, https://audioboom.com/i/37085657/600x600/c 600w, https://audioboom.com/i/37085657/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37085657/1400x1400/c" />
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PEL Presents NEM#133: Jon Hassell (and Rick Cox): Fourth World Improvisation
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Jon started playing trumpet with composers like Terry Riley and La Monte Young in the late 60s, has since guested with Peter Gabriel, Talking Heads, Ani DiFranco, Ry Cooder, et al, and has released 18 solo albums since 1977.

We discuss &quot;Unknown Wish&quot; from Seeing Through Sound: Pentimento Volume 2 (https://amzn.to/2GK6C51) (2020), &quot;Manga Scene&quot; from Listening to Pictures: Pentimento Volume 1 (h...
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1hr 9m
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<span><span class="js-time" data-epochtime="1602350142" data-format="short_date">Oct 10, 2020</span></span>
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1hr 9m
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<a class="text-decoration-none" href="/posts/7701737-pel-presents-sub-text-worrying-about-the-future-in-mike-nichols-the-graduate"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37148092/75x75/c 75w, https://audioboom.com/i/37148092/150x150/c 150w, https://audioboom.com/i/37148092/300x300/c 300w, https://audioboom.com/i/37148092/600x600/c 600w, https://audioboom.com/i/37148092/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f76f3f; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37148092/1400x1400/c" />
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PEL Presents (sub)Text: Worrying about the Future in Mike Nichols&#39; “The Graduate”
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Benjamin Braddock is a little worried about his future. He’s a recent college graduate who moves back in with his upper-middle-class parents and feels smothered by their vapid, materialistic lifestyle. But he begins an affair with a woman from his parents’ circle… And then he falls in love with her daughter. Like Benjamin, we wonder what the future can and should hold for us. Can it be free of ...
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1hr 21m
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<span><span class="js-time" data-epochtime="1602223200" data-format="short_date">Oct 09, 2020</span></span>
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1hr 21m
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<a class="text-decoration-none" href="/posts/7713566-pel-presents-nem-134-laraaji-s-free-association-meditations"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37085657/75x75/c 75w, https://audioboom.com/i/37085657/150x150/c 150w, https://audioboom.com/i/37085657/300x300/c 300w, https://audioboom.com/i/37085657/600x600/c 600w, https://audioboom.com/i/37085657/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37085657/1400x1400/c" />
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PEL Presents NEM#134: Laraaji’s Free Association Meditations
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Jazz multi-instrumentalist Edward Larry Gordon Jr. became Laraaji around the same time he started releasing meditative zither music in the late 70s and was then discovered by Brian Eno, who produced our intro, &quot;The Dance No. 1&quot; from  Ambient 3: Day of Radiance (https://amzn.to/2J1g056) (1980). Laraaji has since had around 40 releases of largely improvised music.

We discuss &quot;Hold on to the Visi...
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54m
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<span><span class="js-time" data-epochtime="1602090000" data-format="short_date">Oct 07, 2020</span></span>
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54m
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<a class="text-decoration-none" href="/posts/7704884-pel-presents-pmp-63-superhero-ethics-and-the-boys-w-travis-smith"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37164604/75x75/c 75w, https://audioboom.com/i/37164604/150x150/c 150w, https://audioboom.com/i/37164604/300x300/c 300w, https://audioboom.com/i/37164604/600x600/c 600w, https://audioboom.com/i/37164604/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b1a843; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37164604/1400x1400/c" />
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PEL Presents PMP#63: Superhero Ethics (and The Boys) w/ Travis Smith
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Travis joins Mark, Erica, and Brian to discuss our seemingly endless appetite for super-hero stories. His new book matches up heroes like Batman vs. Spider-Man for ethical comparison: What philosophy should govern the way we try to do good in the world?

Also, The Boys, which assumes in the tradition of Watchmen that folks who wield that kind of power probably have something seriously wrong wit...
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<span><span class="js-time" data-epochtime="1602021283" data-format="short_date">Oct 06, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7697829-preview-ep-253-leibniz-on-the-problem-of-evil-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
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PREVIEW-Ep. 253: Leibniz on the Problem of Evil (Part Two)
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If you&#39;d like to hear more of the discussion on Gottfried Leibniz’s Theodicy that we started in part one (https://partiallyexaminedlife.com/2020/09/28/ep253-1-leibniz-theodicy/) , you&#39;ll need to go sign up at partiallyexaminedlife.com/support.

This is just a few tantalizing snippets from part two (https://partiallyexaminedlife.com/2020/09/28/ep-253-2-leibniz-theodicy-citizen/) , wherein we tal...
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7m
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<span><span class="js-time" data-epochtime="1601877600" data-format="short_date">Oct 05, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7692624-ep-253-leibniz-on-the-problem-of-evil-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 253: Leibniz on the Problem of Evil (Part One)
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On Gottfried Leibniz’s Theodicy (1710).

Why does God allow so many bad things to happen? Leibniz thought that by the definition of God, whatever He created must be the best of all possible worlds, and his theodicy presents numerous arguments to try to make that not so counter-intuitive given how less-than-perfect the world seems to us.

Part two of this episode is only going to be available to...
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50m
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<span><span class="js-time" data-epochtime="1601276400" data-format="short_date">Sep 28, 2020</span></span>
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50m
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<a class="text-decoration-none" href="/posts/7695674-pel-presents-sub-text-slouching-towards-bethlehem-in-w-b-yeats-the-second-coming-part-2"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37116819/75x75/c 75w, https://audioboom.com/i/37116819/150x150/c 150w, https://audioboom.com/i/37116819/300x300/c 300w, https://audioboom.com/i/37116819/600x600/c 600w, https://audioboom.com/i/37116819/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dd9684; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37116819/1400x1400/c" />
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PEL Presents (sub)Text: Slouching Towards Bethlehem in W.B. Yeats’ “The Second Coming”: Part 2
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Wes and Erin continue their discussion of W.B. Yeats’ &quot;The Second Coming.&quot; In Part 1, they analyzed the first stanza of the poem, in particular Yeats&#39; use of &quot;gyre&quot;; the meaning of the phrases &quot;things fall apart&quot; and &quot;the center cannot hold&quot;; and the conflict between aristocratic and revolutionary values. In Part 2, they discuss -- with a little help from Nietzsche -- the anti-redemption of the...
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43m
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<span><span class="js-time" data-epochtime="1601200800" data-format="short_date">Sep 27, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7695067-pel-presents-nem-132-chris-frantz-looks-back-on-talking-heads-and-tom-tom-club"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37085657/75x75/c 75w, https://audioboom.com/i/37085657/150x150/c 150w, https://audioboom.com/i/37085657/300x300/c 300w, https://audioboom.com/i/37085657/600x600/c 600w, https://audioboom.com/i/37085657/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37085657/1400x1400/c" />
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PEL Presents NEM#132: Chris Frantz Looks Back on Talking Heads and Tom Tom Club
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On the publication of his memoir, Remain in Love (https://amzn.to/36kWme7) , Chris and your host Mark Linsenmayer discuss &quot;Psycho Killer&quot; and &quot;Warning Signs&quot; by Talking Heads from Talking Heads &#39;77 (https://amzn.to/3kHFKAW) and More Songs About Buildings and Food (https://amzn.to/308x6DS) (1978), plus &quot;Bamboo Town&quot; and &quot;Who Feelin&#39; It?&quot; by Tom Tom Club from Close to the Bone (https://amzn.to/33...
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1hr 1m
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<span><span class="js-time" data-epochtime="1601066001" data-format="short_date">Sep 25, 2020</span></span>
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1hr 1m
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<a class="text-decoration-none" href="/posts/7691079-pel-presents-sub-text-things-fall-apart-in-w-b-yeats-the-second-coming-part-1"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37092533/75x75/c 75w, https://audioboom.com/i/37092533/150x150/c 150w, https://audioboom.com/i/37092533/300x300/c 300w, https://audioboom.com/i/37092533/600x600/c 600w, https://audioboom.com/i/37092533/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #1e302e; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37092533/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Things Fall Apart in W.B. Yeats’ “The Second Coming”: Part 1
</h5>
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In 1919, the world seemed to have descended into anarchy. World War I had killed millions and profoundly altered the international order. Four empires, along with their aristocracies, had disintegrated. Russia was in a state of civil war, and Ireland was on the verge of its own. It’s these events that helped inspire William Butler Yeats’ poem “The Second Coming,” which famously tells us that “t...
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36m
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<span><span class="js-time" data-epochtime="1601013600" data-format="short_date">Sep 25, 2020</span></span>
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36m
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<a class="text-decoration-none" href="/posts/7696780-pel-presents-pretty-much-pop-61-philosophy-of-photography-w-amir-zaki"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37122212/75x75/c 75w, https://audioboom.com/i/37122212/150x150/c 150w, https://audioboom.com/i/37122212/300x300/c 300w, https://audioboom.com/i/37122212/600x600/c 600w, https://audioboom.com/i/37122212/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #44b0aa; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37122212/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents Pretty Much Pop #61: Philosophy of Photography w/ Amir Zaki
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Amir the photographic artist and prof (see amirzaki.net (http://www.amirzaki.net/) ) joins Mark, Erica, and Brian to consider decision making in picture taking, how our purposes for photography have changed with the advent of new technologies, iconic images, witnessing vs. intervening, capturing the particular vs. the universal, and more.

For more, visit prettymuchpop.com (http://prettymuchpop...
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50m
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<span><span class="js-time" data-epochtime="1600921708" data-format="short_date">Sep 24, 2020</span></span>
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50m
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<a class="text-decoration-none" href="/posts/7687734-pel-special-nightcap-late-september-2020"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37075548/75x75/c 75w, https://audioboom.com/i/37075548/150x150/c 150w, https://audioboom.com/i/37075548/300x300/c 300w, https://audioboom.com/i/37075548/600x600/c 600w, https://audioboom.com/i/37075548/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #da8563; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37075548/1400x1400/c" />
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PEL Special: Nightcap Late September 2020
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We&#39;re releasing JUST THIS ONE Nightcap to the wider public so induce you all to go support us (https://partiallyexaminedlife.com/support) and so gain the ability to hear these free-wheeling, feeling-sharing, email-reading fiestas between every regular episode.

This time we gripe about Habermas and reflect on what secondary sources we use. We consider whether to have an episode on anarchism and...
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23m
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<span><span class="js-time" data-epochtime="1600704587" data-format="short_date">Sep 21, 2020</span></span>
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23m
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<a class="text-decoration-none" href="/posts/7687435-preview-ep-252-habermas-on-communication-as-sociality-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
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PREVIEW-Ep. 252: Habermas on Communication as Sociality (Part Two)
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If you&#39;d like to hear more of the discussion on Jürgen Habermas&#39; &quot;Actions, Speech Acts, Linguistically Mediated Interactions, and the Lifeworld&quot; (1998) that we started in part one (https://partiallyexaminedlife.com/2020/09/14/ep-252-1-habermas/) , you&#39;ll need to go sign up at partiallyexaminedlife.com/support.

We&#39;re just sharing a few minutes of part two here to get you all hot and bothered. Y...
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5m
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<span><span class="js-time" data-epochtime="1600686000" data-format="short_date">Sep 21, 2020</span></span>
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5m
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<a class="text-decoration-none" href="/posts/7689696-pel-presents-pmp-60-manga-101-w-deborah-shamoon"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37085623/75x75/c 75w, https://audioboom.com/i/37085623/150x150/c 150w, https://audioboom.com/i/37085623/300x300/c 300w, https://audioboom.com/i/37085623/600x600/c 600w, https://audioboom.com/i/37085623/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ae434a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37085623/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#60: Manga 101 w/ Deborah Shamoon
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Mark, Erica and Brian (all manga noobs) are joined by Japanese Studies prof. Deborah Shamoon (https://profile.nus.edu.sg/fass/jpssdm/) to talk about barriers for Americans to appreciate manga, different manga types (Deborah works on shojo manga, i.e. for girls), Osamu Tezuka (the &quot;god of comics&quot; who created Astro Boy et al), classic vs. new manga, gender portrayals, and more.

For more, visit p...
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49m
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<span><span class="js-time" data-epochtime="1600286714" data-format="short_date">Sep 16, 2020</span></span>
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49m
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<a class="text-decoration-none" href="/posts/7682065-ep-252-habermas-on-communication-as-sociality-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 252: Habermas on Communication as Sociality (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On Jürgen Habermas&#39; &quot;Actions, Speech Acts, Linguistically Mediated Interactions, and the Lifeworld&quot; (1998), with guest John Foster (https://athousandtrivialities.com/) .

What&#39;s the relation between individuals and society? Habermas says that language has ethics built right into it: I&#39;m trying to get you to agree with me, to engage in a cooperative enterprise of mutual understanding.

Part two ...
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55m
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<span><span class="js-time" data-epochtime="1600084800" data-format="short_date">Sep 14, 2020</span></span>
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55m
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<a class="text-decoration-none" href="/posts/7708246-pel-presents-nem-131-ward-white-audited"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37085657/75x75/c 75w, https://audioboom.com/i/37085657/150x150/c 150w, https://audioboom.com/i/37085657/300x300/c 300w, https://audioboom.com/i/37085657/600x600/c 600w, https://audioboom.com/i/37085657/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37085657/1400x1400/c" />
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PEL Presents NEM#131: Ward White Audited
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Ward has issued about ten releases of lyric-driven, stylish pop since 2003. We discuss the title track from Leonard at the Audit (https://amzn.to/3min4cH) (2020), &quot;Titans&quot; from Diminish (https://amzn.to/33tIniX) (2018), and the title track from Pulling Out (https://amzn.to/32sZYIq) (2008). Intro: &quot;Sabbath&quot; from Ward White Is the Matador (https://amzn.to/2ZzFI68) (2014). End: &quot;Bubble and Squeak,...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 2m
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<span><span class="js-time" data-epochtime="1600058683" data-format="short_date">Sep 14, 2020</span></span>
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</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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1hr 2m
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<a class="text-decoration-none" href="/posts/7685590-pel-presents-sub-text-filial-ingratitude-in-in-shakespeare-s-king-lear"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37038263/75x75/c 75w, https://audioboom.com/i/37038263/150x150/c 150w, https://audioboom.com/i/37038263/300x300/c 300w, https://audioboom.com/i/37038263/600x600/c 600w, https://audioboom.com/i/37038263/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #fbfbcd; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37038263/1400x1400/c" />
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PEL Presents (sub)Text: Filial Ingratitude in in Shakespeare’s &quot;King Lear&quot;
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Do we owe parents our gratitude for our upbringing? What if they haven’t done such a great job? And anyway, perhaps we inevitably resent all the forces that have shaped the characters that confine and limit us. If so, the quest for filial gratitude is ultimately hopeless. It could even be a kind of madness: a foolish attempt to transcend the same formative forces that we resent in our parents, ...
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1hr 25m
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<span><span class="js-time" data-epochtime="1600016400" data-format="short_date">Sep 13, 2020</span></span>
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</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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1hr 25m
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<a class="text-decoration-none" href="/posts/7680306-pel-presents-the-intelligent-way-to-approach-marriage-in-hitchcock-s-rear-window"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37010757/75x75/c 75w, https://audioboom.com/i/37010757/150x150/c 150w, https://audioboom.com/i/37010757/300x300/c 300w, https://audioboom.com/i/37010757/600x600/c 600w, https://audioboom.com/i/37010757/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #36322e; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37010757/1400x1400/c" />
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PEL Presents: The “Intelligent Way to Approach Marriage” in Hitchcock’s &quot;Rear Window&quot;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
L.B. Jefferies has the perfect girlfriend—beautiful, intelligent, wealthy—but too perfect, he insists, for marriage. And so he spends his time spying on the love lives of his neighbors, and ropes his girlfriend into this project as well. Which, strangely enough, turns out to be a really effective form of couples’ therapy. What’s the connection between voyeurism and what Jefferies calls “the int...
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<span class="numeric-tabular d-sm-none">
1hr 11m
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<span><span class="js-time" data-epochtime="1599804000" data-format="short_date">Sep 11, 2020</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 11m
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<hr class="mvn mhs text-black-50 opacity-25">
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<a class="text-decoration-none" href="/posts/7682139-pel-presents-pmp-59-david-lynch-s-popular-surrealism"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37020720/75x75/c 75w, https://audioboom.com/i/37020720/150x150/c 150w, https://audioboom.com/i/37020720/300x300/c 300w, https://audioboom.com/i/37020720/600x600/c 600w, https://audioboom.com/i/37020720/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #6f40ae; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37020720/1400x1400/c" />
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PEL Presents PMP#59: David Lynch&#39;s Popular Surrealism
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Mark, Erica, Brian, and guest Mike Wilson discuss the director&#39;s films from Eraserhead to Inland Empire plus Twin Peaks and his recent short films. We get into the appeal and hallmarks of his mainstays--Blue Velvet, Wild at Heart, Lost Highway, and Mulholland Drive--and also consider outliers like Dune, The Elephant Man, and The Straight Story. How many of these films actually make sense, and i...
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46m
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<span><span class="js-time" data-epochtime="1599606028" data-format="short_date">Sep 08, 2020</span></span>
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46m
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<hr class="mvn mhs text-black-50 opacity-25">
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<a class="text-decoration-none" href="/posts/7676555-ep-251-simone-weil-s-ideal-society"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 251: Simone Weil&#39;s Ideal Society
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On &quot;Theoretical Picture of a Free Society&quot; (1934). What&#39;s the ideal living situation for us all, given the peculiarities of human nature? Weil describes fulfillment as coming from being able to picture goals and plans and knowingly put them into effect, so social groups need to maximize that power by being small and cooperative.

End song: &quot;Libreville&quot; by Bill Bruford, as interviewed for Nakedl...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 15m
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&bull;
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<span><span class="js-time" data-epochtime="1599490687" data-format="short_date">Sep 07, 2020</span></span>
</div>
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</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 15m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7692905-pel-presents-nem-130-mark-farner-ex-grand-funk-railroad-back-from-the-dead"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37085657/75x75/c 75w, https://audioboom.com/i/37085657/150x150/c 150w, https://audioboom.com/i/37085657/300x300/c 300w, https://audioboom.com/i/37085657/600x600/c 600w, https://audioboom.com/i/37085657/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37085657/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#130: Mark Farner (ex Grand Funk Railroad) Back from the Dead
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Mark led Grand Funk Railroad through 13 albums in the 70s and early 80s and has had around eight solo releases.

We discuss &quot;Nadean&quot; from For the People (https://amzn.to/3jC0h9B) (2006), &quot;Not Yet&quot; from Some Kind of Wonderful (https://amzn.to/3jC0h9B) (1991), and the title track of Born to Die (https://amzn.to/2EUOT9V) by Grand Funk Railroad. End song: &quot;Take You Out (https://amzn.to/2Gotfvp) .&quot; ...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
58m
</span>
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&bull;
</span>
<span><span class="js-time" data-epochtime="1599063820" data-format="short_date">Sep 02, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
58m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7671387-ep-250-simone-weil-on-human-needs-part-three"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 250: Simone Weil on Human Needs (Part Three)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Concluding on &quot;The Needs of the Soul&quot; from The Need for Roots (1943). This time we cover punishment, security, risk, private property, collective property, freedom of opinion, and truth.

Start with part one (https://partiallyexaminedlife.com/2020/08/18/ep250-1-weil-needs/) or get the full, ad-free Citizen Edition (https://partiallyexaminedlife.com/2020/08/18/ep250-weil-needs-citizen/) . Suppor...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
57m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1598882626" data-format="short_date">Aug 31, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
57m
</div>
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7674427-pel-presents-sub-text-expediency-and-intimacy-in-billy-wilder-s-the-apartment"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36979103/75x75/c 75w, https://audioboom.com/i/36979103/150x150/c 150w, https://audioboom.com/i/36979103/300x300/c 300w, https://audioboom.com/i/36979103/600x600/c 600w, https://audioboom.com/i/36979103/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #cb9173; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36979103/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Expediency and Intimacy in Billy Wilder’s &quot;The Apartment&quot;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
You know, it’s that old story of boy meets girl … girl is dating boy’s married boss … girl tries to commit suicide … boy saves girl’s life …. Okay, that sounds pretty dark. But somehow it’s the basis for a classic romantic comedy, Billy Wilder’s 1960 film, The Apartment. The film raises the question of how we distinguish authentic relationships from relationships of utility and convenience. Wha...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
57m
</span>
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</span>
<span><span class="js-time" data-epochtime="1598781600" data-format="short_date">Aug 30, 2020</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
57m
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</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7669355-pel-presents-sub-text-truth-as-beauty-in-keats-ode-on-a-grecian-urn"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36952937/75x75/c 75w, https://audioboom.com/i/36952937/150x150/c 150w, https://audioboom.com/i/36952937/300x300/c 300w, https://audioboom.com/i/36952937/600x600/c 600w, https://audioboom.com/i/36952937/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #fffed9; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36952937/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Truth as Beauty in Keats’ Ode on a &quot;Grecian Urn&quot;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The poet John Keats (https://en.wikipedia.org/wiki/John_Keats) is famous for the concept of “negative capability,” his description of the ability to tolerate the world’s uncertainty without resorting to easy answers. Literary minds in particular should be more attuned to beauty than facts and reason. In fact, truth in the highest sense is the same thing as beauty, he tells us at the end of his ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 8m
</span>
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<span><span class="js-time" data-epochtime="1598598000" data-format="short_date">Aug 28, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 8m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7675434-pel-presents-pmp-58-taylor-swift-rules-conversation-with-a-swiftie"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36984592/75x75/c 75w, https://audioboom.com/i/36984592/150x150/c 150w, https://audioboom.com/i/36984592/300x300/c 300w, https://audioboom.com/i/36984592/600x600/c 600w, https://audioboom.com/i/36984592/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #7db040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36984592/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#58: &quot;TAYLOR SWIFT RULES!&quot; (Conversation with a Swiftie)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Prompted by the release of new album Folklore (https://en.wikipedia.org/wiki/Folklore_(Taylor_Swift_album)) and the 2020 documentary Miss Americana (https://www.nytimes.com/2020/01/30/movies/taylor-swift-miss-americana-review.html) , Mark, Erica, and Brian speak with Amber Padgett about her love of Taylor, ranking the albums, why the hate, weird levels of fan engagement, double standards for fe...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
48m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1598464865" data-format="short_date">Aug 26, 2020</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
48m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7665605-ep-250-simone-weil-on-human-needs-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 250: Simone Weil on Human Needs (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on &quot;The Needs of the Soul&quot; from The Need for Roots (1943). We got started in part one (https://partiallyexaminedlife.com/2020/08/18/ep250-1-weil-needs/) with our need for order, and in this part we add liberty, obedience, responsibility, equality, hierarchy, and honor.

We&#39;ll conclude with part 3, covering freedom of speech, punishment and more, but you needn&#39;t wait: Get the full, ad...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
54m
</span>
<span class="d-sm-none">
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<span><span class="js-time" data-epochtime="1598284319" data-format="short_date">Aug 24, 2020</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
54m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7663096-pel-presents-sub-text-love-and-wit-in-shakespeare-s-much-ado-about-nothing"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36921189/75x75/c 75w, https://audioboom.com/i/36921189/150x150/c 150w, https://audioboom.com/i/36921189/300x300/c 300w, https://audioboom.com/i/36921189/600x600/c 600w, https://audioboom.com/i/36921189/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #d8af97; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36921189/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Love and Wit in Shakespeare’s &quot;Much Ado About Nothing&quot;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
At the center of every courting ritual, there’s a great unknown. How do we know when we’ve met someone we can love? How do we know the other person is actually who they seem to be? In the beginning, all we have to go on is surface appearances, which amount to a kind of hearsay. The question is how to get beyond them. Wes and Erin discuss Shakespeare’s Much Ado About Nothing, which seems to sugg...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 29m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1598004000" data-format="short_date">Aug 21, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 29m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7670873-pel-presents-pmp-57-back-to-the-damn-arena-the-hunger-games-prequel"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36960521/75x75/c 75w, https://audioboom.com/i/36960521/150x150/c 150w, https://audioboom.com/i/36960521/300x300/c 300w, https://audioboom.com/i/36960521/600x600/c 600w, https://audioboom.com/i/36960521/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #af7041; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36960521/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#57: Back to the Damn Arena - The Hunger Games Prequel
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Remember when The Hunger Games was everywhere? Suzanne Collins returns to Just War Theory lessons with the prequel The Ballad of Songbirds and Snakes.

Mark, Erica, and Brian review the new book and look back on the YA novel/film franchise. Does the work critique yet glorify violence at the same time? Will the film version of the new novel be our next Phantom Menace?

For more, visit prettymuch...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
44m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1597773947" data-format="short_date">Aug 18, 2020</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
44m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7659891-ep-250-simone-weil-on-human-needs-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 250: Simone Weil on Human Needs (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On &quot;The Needs of the Soul&quot; from The Need for Roots (1943) On and &quot;Meditation on Obedience and Liberty&quot; (1937).

What are our needs that should then drive what kind of society would be best for us? Weil says we need liberty yet obedience, equality yet hierarchy, security yet risk... and none of these words mean quite what you&#39;d think. And to start off, why do the many obey the few?

Sponsors: Ge...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
53m
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1597686633" data-format="short_date">Aug 17, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
53m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7658776-pel-presents-sub-text-mastery-and-repetition-in-groundhog-day"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36898336/75x75/c 75w, https://audioboom.com/i/36898336/150x150/c 150w, https://audioboom.com/i/36898336/300x300/c 300w, https://audioboom.com/i/36898336/600x600/c 600w, https://audioboom.com/i/36898336/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dcd1ad; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36898336/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Mastery and Repetition in &quot;Groundhog Day&quot;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
When egotistical weatherman Phil Connors gets trapped in a time loop in Punxsutawney, Pennsylvania, he gets drunk, steals money, manipulates women, binges on breakfast food, plays God… and finally grows up. The story charts Phil’s development over the course of thousands of repeated February 2nds. Along the way, it raises questions about our own capacity for growth. How do we go about improving...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1597503878" data-format="short_date">Aug 15, 2020</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7671388-pel-presents-nem-128-roger-joseph-manning-jr-s-crazy-fun-with-arrangements"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37085657/75x75/c 75w, https://audioboom.com/i/37085657/150x150/c 150w, https://audioboom.com/i/37085657/300x300/c 300w, https://audioboom.com/i/37085657/600x600/c 600w, https://audioboom.com/i/37085657/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37085657/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#128: Roger Joseph Manning Jr.&#39;s Crazy Fun with Arrangements
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Roger rose to fame as keyboardist/songwriter for Jellyfish in the early &#39;90s, then formed Imperial Drag, The Moog Cookbook, TV Eyes, backed Beck, and finally released two albums under his own name starting in 2006. He&#39;s recently released a solo EP and one with The Likerish Quartet that reunites him with some other members of Jellyfish.

We discuss &quot;Lighthouse Spaceship&quot; by The Lickerish Quartet...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 29m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1597431356" data-format="short_date">Aug 14, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 29m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7657179-pel-presents-sub-text-1-marital-economics-in-jane-austen-s-pride-and-prejudice"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36889221/75x75/c 75w, https://audioboom.com/i/36889221/150x150/c 150w, https://audioboom.com/i/36889221/300x300/c 300w, https://audioboom.com/i/36889221/600x600/c 600w, https://audioboom.com/i/36889221/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #efede8; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36889221/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text #1: Marital Economics in Jane Austen’s &quot;Pride and Prejudice&quot;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
An advantageous marriage is Elizabeth Bennet’s only potential escape from a foolish mother, a disinterested father, three very silly sisters, and a house that’s entailed away to her idiotic cousin Mr. Collins. But she turns down fabulously wealthy Mr. Darcy because he’s prideful—and maybe a little prejudiced. But then, so is she. How do we know if two people are well-suited to each other? What ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 20m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1597327126" data-format="short_date">Aug 13, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 20m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7664327-pel-presents-pmp-56-black-nerd-blerd-w-anthony-leblanc"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36927270/75x75/c 75w, https://audioboom.com/i/36927270/150x150/c 150w, https://audioboom.com/i/36927270/300x300/c 300w, https://audioboom.com/i/36927270/600x600/c 600w, https://audioboom.com/i/36927270/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #4149af; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36927270/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#56: Black + Nerd = BLERD w/ Anthony LeBlanc
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The Interim Executive Producer of The Second City (https://www.secondcity.com/people/other/anthony-leblanc/) joins Mark, Erica, and Brian to discuss the scope of black nerd-dom: what nerdy properties provide to those who feel &quot;othered,&quot; using sci-fi to talk about race, Black Panther, afrofuturism, black anime fans, Star Trek, Key &amp; Peele, Get Out vs. Us, and more.

For more, visit prettymuchpop...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
51m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1597185815" data-format="short_date">Aug 11, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
51m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7654509-ep-249-dewey-on-education-and-thought-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 249: Dewey on Education and Thought (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on John Dewey&#39;s Democracy and Education (1916) ch. 1, 2, 4, and 24 with guest Jonathan Haber (http://degreeoffreedom.org/welcome-partially-examined-life-listeners/) .

How is education different than mere conditioning, and how does it relate to habits and growth? We discuss how much of what Dewey recommends lines up with liberal education and multiculturalism. Also, can education cha...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 12m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1597075233" data-format="short_date">Aug 10, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 12m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7658425-pel-presents-pmp-55-food-as-pop-w-thi-nguyen"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36896194/75x75/c 75w, https://audioboom.com/i/36896194/150x150/c 150w, https://audioboom.com/i/36896194/300x300/c 300w, https://audioboom.com/i/36896194/600x600/c 600w, https://audioboom.com/i/36896194/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #e1eaeb; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36896194/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#55: Food as Pop w/ Thi Nguyen
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Mark, Erica, and Brian are joined by Utah philosophy prof and former food writer C. Thi Nguyen (https://philpeople.org/profiles/c-thi-nguyen) to talk food as art, foodies, elitism, food TV, cooking vs. eating, and how analyzing food is like analyzing games.

For more, visit prettymuchpop.com (http://prettymuchpop.com/) . Hear bonus content for this episode at https://www.patreon.com/prettymuchpop.
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
46m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1596657076" data-format="short_date">Aug 05, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
46m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7689704-pel-presents-nem-127-katiejane-garside-is-an-impulse-of-chance"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37085657/75x75/c 75w, https://audioboom.com/i/37085657/150x150/c 150w, https://audioboom.com/i/37085657/300x300/c 300w, https://audioboom.com/i/37085657/600x600/c 600w, https://audioboom.com/i/37085657/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37085657/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#127: KatieJane Garside Is an Impulse of Chance
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
KatieJane gained fame fronting British grunge band Daisy Chainsaw, left after their first full album but resumed the project under the name Queenadreena for four albums in the &#39;00s, then partnered with Chris Whittingham in 2007 to live on a boat and play as the stripped-down Ruby Throat for four albums. That band has now become loud again and been re-christened Liar, Flower.

We discuss &quot;My Bra...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
59m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1596390375" data-format="short_date">Aug 02, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
59m
</div>
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7648448-ep-249-dewey-on-education-and-thought-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36845269/75x75/c 75w, https://audioboom.com/i/36845269/150x150/c 150w, https://audioboom.com/i/36845269/300x300/c 300w, https://audioboom.com/i/36845269/600x600/c 600w, https://audioboom.com/i/36845269/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36845269/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 249: Dewey on Education and Thought (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
http://partiallyexaminedlife.com
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
52m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1596387708" data-format="short_date">Aug 02, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
52m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7651862-pel-presents-pmp-54-the-genius-of-rick-and-morty"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36862627/75x75/c 75w, https://audioboom.com/i/36862627/150x150/c 150w, https://audioboom.com/i/36862627/300x300/c 300w, https://audioboom.com/i/36862627/600x600/c 600w, https://audioboom.com/i/36862627/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2a944; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36862627/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#54: The Genius(?) of Rick and Morty
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Mark, Erica, and Brian address critically acclaimed Adult Swim show (https://www.adultswim.com/videos/rick-and-morty) . What kind of humor is it? Can we take the sci-fi and family drama elements seriously? How smart are the show and its fans? Is Rick a super hero, or Dr. Who? What will this serialized sit-com look like in longevity?

For more, visit prettymuchpop.com (http://prettymuchpop.com/)...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
47m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1596057149" data-format="short_date">Jul 29, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
47m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7642045-ep-248-racism-and-policing-al-saji-merleau-ponty-et-al-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36723493/75x75/c 75w, https://audioboom.com/i/36723493/150x150/c 150w, https://audioboom.com/i/36723493/300x300/c 300w, https://audioboom.com/i/36723493/600x600/c 600w, https://audioboom.com/i/36723493/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36723493/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 248: Racism and Policing (Al-Saji, Merleau-Ponty, et al) (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on Alia Al-Saji’s “A Phenomenology of Hesitation” (2014) and other things with guest Phil Hopkins (https://www.southwestern.edu/live/profiles/25831-phil-hopkins) . 

Can we restructure our (and the police&#39;s) reactions and live with each other? We further explore the psychology of habit and Al-Saji&#39;s notion of hesitation. How does it compare to other types of heistation recommended by...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 10m
</span>
<span class="d-sm-none">
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<span><span class="js-time" data-epochtime="1595863009" data-format="short_date">Jul 27, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 10m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7645976-pel-presents-pmp-53-the-hamilton-phenomenon-w-sam-simahk"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36832858/75x75/c 75w, https://audioboom.com/i/36832858/150x150/c 150w, https://audioboom.com/i/36832858/300x300/c 300w, https://audioboom.com/i/36832858/600x600/c 600w, https://audioboom.com/i/36832858/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #e1eeec; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36832858/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#53: The Hamilton Phenomenon w/ Sam Simahk
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Erica, Mark, and Brian are joined by Broadway actor Sam (http://www.sam-simahk.com/) to discuss this unique convergence of musical theater, rap, and historical drama.

Does Hamilton deserve its accolades? We cover the re-emergence of stage music as pop music, live vs. filmed vs. film-adapted musicals, creators starring in their shows, race-inclusive casting, and the politics surrounding the sho...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
52m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1595431081" data-format="short_date">Jul 22, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
52m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7636902-ep-248-racism-and-policing-al-saji-merleau-ponty-et-al-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36723493/75x75/c 75w, https://audioboom.com/i/36723493/150x150/c 150w, https://audioboom.com/i/36723493/300x300/c 300w, https://audioboom.com/i/36723493/600x600/c 600w, https://audioboom.com/i/36723493/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36723493/1400x1400/c" />
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Ep. 248: Racism and Policing (Al-Saji, Merleau-Ponty, et al) (Part One)
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On Alia Al-Saji’s “A Phenomenology of Hesitation” (2014) bits of Maurice Merleau-Ponty&#39;s Phenomenology of Perception (1945) and Linda Martín Alcoff’s Visible Identities (2006), plus Alex Vitale&#39;s The End of Policing (2017).

Is there sub-conscious racism, and how might we root it out and fix our policing problems? Ex-cop Phil Hopkins (https://www.southwestern.edu/live/profiles/25831-phil-hopkin...
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<span><span class="js-time" data-epochtime="1595267265" data-format="short_date">Jul 20, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7663365-nem-126-jim-peterik-eyes-much-more-than-the-tiger"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/36875259/75x75/c 75w, https://audioboom.com/i/36875259/150x150/c 150w, https://audioboom.com/i/36875259/300x300/c 300w, https://audioboom.com/i/36875259/600x600/c 600w, https://audioboom.com/i/36875259/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36875259/1400x1400/c" />
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NEM#126: Jim Peterik Eyes Much More Than the Tiger
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Jim has released 30+ albums since 1964 with Ides of March, Survivor, Pride of Lions, et al. Intro: His biggest hits, the title tracks of Vehicle (https://amzn.to/2CqWY5d) (1970) and The Eye of the Tiger (https://amzn.to/2WuZka7) (1983).

We discuss his new solo single &quot;Empty Arena (https://amzn.to/2WxNSui) &quot; and two Ides of March tunes, &quot;Friends Like You&quot; from Play On (2019) feat. Mindi Abair a...
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<span><span class="js-time" data-epochtime="1595046146" data-format="short_date">Jul 18, 2020</span></span>
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1hr 12m
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<a class="text-decoration-none" href="/posts/7640436-pel-presents-pmp-52-the-twilight-zone-from-serling-to-peele"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/36803222/75x75/c 75w, https://audioboom.com/i/36803222/150x150/c 150w, https://audioboom.com/i/36803222/300x300/c 300w, https://audioboom.com/i/36803222/600x600/c 600w, https://audioboom.com/i/36803222/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a844b0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36803222/1400x1400/c" />
<div class="vstack gap-1 my-auto">
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PEL Presents: PMP#52: The Twilight Zone from Serling to Peele
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Something&#39;s strange... Is it a dream? If it&#39;s a morality tale with a twist ending, you&#39;re probably in the Twilight Zone.

Brian, Erica, Mark, and guest Ken Gerber are in it this week, discussing the thrice revived TV series. Does the 1959-1963 show hold up? What makes for a good TZ episode, and does Jordan Peele&#39;s latest iteration capture the spirit? We talk about episodes new and old, the 1983...
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54m
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<span><span class="js-time" data-epochtime="1594766347" data-format="short_date">Jul 14, 2020</span></span>
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54m
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<a class="text-decoration-none" href="/posts/7631158-ep-247-aristotle-on-rhetoric-and-emotions-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36723493/75x75/c 75w, https://audioboom.com/i/36723493/150x150/c 150w, https://audioboom.com/i/36723493/300x300/c 300w, https://audioboom.com/i/36723493/600x600/c 600w, https://audioboom.com/i/36723493/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36723493/1400x1400/c" />
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Ep. 247: Aristotle on Rhetoric and Emotions (Part Two)
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Continuing on the Rhetoric (ca. 335 BCE) book 1, ch. 1–6 and book 2, ch. 1–5, 18–24.

We finish up with enthymemes (rhetorical arguments), maxims, and signs. We then move to emotions, where we chiefly talk about anger: Is it always a matter of status injury, or is frustration equally (or more) foundational?

Begin with part one (https://partiallyexaminedlife.com/2020/07/06/ep247-1-aristotle-rhe...
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<span><span class="js-time" data-epochtime="1594658993" data-format="short_date">Jul 13, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7635295-pel-presents-pmp-51-pictures-telling-stories-w-joseph-watson"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36775583/75x75/c 75w, https://audioboom.com/i/36775583/150x150/c 150w, https://audioboom.com/i/36775583/300x300/c 300w, https://audioboom.com/i/36775583/600x600/c 600w, https://audioboom.com/i/36775583/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ad4249; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36775583/1400x1400/c" />
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PEL Presents PMP#51: Pictures Telling Stories w/ Joseph Watson
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Is it really true that &quot;every picture tells a story&quot;? For Joseph, a Las Vegas artist (http://josephwatsonart.com/) who illustrates Go, Go GRETA! (https://www.gogogreta.com/) , narrative is essential, but how does the story an artist has in mind actually convey to the viewer?

He joins Mark, Erica, and Brian to tell art stories and touch on Guernica, Where the Wild Things Are, Dr. Seuss, Narnia,...
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<span><span class="js-time" data-epochtime="1594228907" data-format="short_date">Jul 08, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7624084-ep-247-aristotle-on-rhetoric-and-emotions-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36723493/75x75/c 75w, https://audioboom.com/i/36723493/150x150/c 150w, https://audioboom.com/i/36723493/300x300/c 300w, https://audioboom.com/i/36723493/600x600/c 600w, https://audioboom.com/i/36723493/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36723493/1400x1400/c" />
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Ep. 247: Aristotle on Rhetoric and Emotions (Part One)
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On the Rhetoric (ca. 335 BCE) book 1, ch. 1-6 and book 2, ch. 1-5, 18-24.

What role does persuasion play in philosophy? Aristotle (contra Plato) argues it can and should be used for good: in law courts, political debates, public speeches. He describes the arguments forms used in rhetoric (&quot;enthymemes&quot;) and analyzes the emotions that an audience might have so that speakers know what points are ...
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<span><span class="js-time" data-epochtime="1594045988" data-format="short_date">Jul 06, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7654544-pel-presents-nem-125-victor-delorenzo-ex-violent-femmes-starts-with-drums"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/36875259/75x75/c 75w, https://audioboom.com/i/36875259/150x150/c 150w, https://audioboom.com/i/36875259/300x300/c 300w, https://audioboom.com/i/36875259/600x600/c 600w, https://audioboom.com/i/36875259/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36875259/1400x1400/c" />
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PEL Presents NEM#125: Victor DeLorenzo (ex Violent Femmes) Starts with Drums
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Victor started as a singer/songwriter, drummed with the Femmes for five albums in the &#39;80s, and has since recorded six solo releases and five more with nine thirteen, plus other collaborations, jazz jamming, and work in the theater.

We discuss &quot;Invisible Shadows&quot; from Tranceaphone (https://amzn.to/2YX6up2) (2020), &quot;Carry Me&quot; from Victor DeLorenzo (https://amzn.to/2DaqgFe) (2013), &quot;Arco, Pizzic...
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<span><span class="js-time" data-epochtime="1593882082" data-format="short_date">Jul 04, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7622668-reissue-pel-ep-75-lacan-derrida-criticize-poe-s-the-purloined-letter-w-new-intro"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36715852/75x75/c 75w, https://audioboom.com/i/36715852/150x150/c 150w, https://audioboom.com/i/36715852/300x300/c 300w, https://audioboom.com/i/36715852/600x600/c 600w, https://audioboom.com/i/36715852/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #cccfca; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36715852/1400x1400/c" />
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REISSUE-PEL Ep 75: Lacan &amp; Derrida Criticize Poe&#39;s &quot;The Purloined Letter&quot; (w/ New Intro)
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Enjoy this normally paywalled episode from Apr. 2013 about Jacques Lacan’s “Seminar on ‘The Purloined Letter&#39;” (1956) and Jacques Derrida’s “The Purveyor of Truth” (1975). How should philosophers approach literature? Lacan read Edgar Allen Poe’s story about a sleuth who outthinks a devious Minister as an illustration of his model of the psyche, and why we persist in self-destructive patterns. D...
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<span><span class="js-time" data-epochtime="1593795041" data-format="short_date">Jul 03, 2020</span></span>
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2hr 10m
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<a class="text-decoration-none" href="/posts/7629380-pretty-much-pop-50-mj-s-last-dance-w-seth-paskin"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/36744619/75x75/c 75w, https://audioboom.com/i/36744619/150x150/c 150w, https://audioboom.com/i/36744619/300x300/c 300w, https://audioboom.com/i/36744619/600x600/c 600w, https://audioboom.com/i/36744619/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #6f41af; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36744619/1400x1400/c" />
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Pretty Much Pop #50: MJ&#39;s Last Dance w/ Seth Paskin
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Brian, Erica, Mark, and Seth from The Partially Examined Life (https://partiallyexaminedlife.com/) interrogate the 10-part ESPN documentary on Michael Jordan&#39;s Bulls&#39; six championships.

Was it worth ten hours? Does its time-jumping structure work? Is it really hagiography, or is the vision of ultra-competitiveness repulsive? Why are sports amenable to creating cultural icons? Does the doc&#39;s su...
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<span><span class="js-time" data-epochtime="1593607169" data-format="short_date">Jul 01, 2020</span></span>
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