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<a class="text-decoration-none" href="/posts/8844684-metimbo-playing-the-bubulu-pot-bow"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43394194/75x75/c 75w, https://audioboom.com/i/43394194/150x150/c 150w, https://audioboom.com/i/43394194/300x300/c 300w, https://audioboom.com/i/43394194/600x600/c 600w, https://audioboom.com/i/43394194/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43394194/1400x1400/c" />
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Metimbo playing the bubulu (pot bow)
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.

...
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2m
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<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
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2m
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<a class="text-decoration-none" href="/posts/8844521-bayang-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393323/75x75/c 75w, https://audioboom.com/i/43393323/150x150/c 150w, https://audioboom.com/i/43393323/300x300/c 300w, https://audioboom.com/i/43393323/600x600/c 600w, https://audioboom.com/i/43393323/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #0d0d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393323/1400x1400/c" />
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Bayang song
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This was one of the more difficult pieces I’ve worked on, although it was enjoyable working through the process. I struggled quite a bit at the beginning, as the field recording has both harmonic &amp; rhythmic structure which varies in tempo quite a bit… so I wasn’t sure how to approach this initially.

After some thought and a fair bit of trial and error, I decided to pick up my guitar (and play ...
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3m
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<span><span class="js-time" data-epochtime="1771780020" data-format="short_date">Feb 22</span></span>
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3m
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<a class="text-decoration-none" href="/posts/8844520-sea-level-rise"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393318/75x75/c 75w, https://audioboom.com/i/43393318/150x150/c 150w, https://audioboom.com/i/43393318/300x300/c 300w, https://audioboom.com/i/43393318/600x600/c 600w, https://audioboom.com/i/43393318/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393318/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Sea level rise
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I ended up listening to this recording a lot in my everyday life, just putting it on and going to work, walking around the city I live in, in idle moments between work.

I didn’t know an awful lot about Vanuatu, where the recordings were taken by Raymond Clausen in 1962. Having read the Pitt Rivers blog, I thought a lot about how people and societies move on and are changed, sometimes forcibly,...
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<span class="numeric-tabular d-sm-none">
4m
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<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
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4m
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<a class="text-decoration-none" href="/posts/8844519-all-people-are-people"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393315/75x75/c 75w, https://audioboom.com/i/43393315/150x150/c 150w, https://audioboom.com/i/43393315/300x300/c 300w, https://audioboom.com/i/43393315/600x600/c 600w, https://audioboom.com/i/43393315/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #737373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393315/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
All people are people
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
My chosen sound was a sample of a geedal (bow harp) being played in the forest with accompanying male voices, recorded in Dzanga-Sangha Special Reserve. by ethnomusicologist Louis Sarno in 1987. I was drawn to the sample on account of its musicality, not just in terms of the music and vocals, but the lilting patter of conversation and laughter that resonates in these conversational intervals, c...
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3m
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<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
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3m
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<a class="text-decoration-none" href="/posts/8844518-bayang-men-s-songs"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393323/75x75/c 75w, https://audioboom.com/i/43393323/150x150/c 150w, https://audioboom.com/i/43393323/300x300/c 300w, https://audioboom.com/i/43393323/600x600/c 600w, https://audioboom.com/i/43393323/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #0d0d0d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393323/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayang men&#39;s songs
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958.

Recorded by Sonja Lois Mitchison.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 100 yea...
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3m
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<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
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3m
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<a class="text-decoration-none" href="/posts/8844516-geedal-bow-harp-played-in-the-forest"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393315/75x75/c 75w, https://audioboom.com/i/43393315/150x150/c 150w, https://audioboom.com/i/43393315/300x300/c 300w, https://audioboom.com/i/43393315/600x600/c 600w, https://audioboom.com/i/43393315/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #737373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393315/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Geedal (bow harp) played in the forest
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Geedal (bow harp) played in the forest with male voices accompanying.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded...
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6m
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<span><span class="js-time" data-epochtime="1771779960" data-format="short_date">Feb 22</span></span>
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6m
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<a class="text-decoration-none" href="/posts/8844517-drumming-at-wor-tamat-dancing-ground"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393318/75x75/c 75w, https://audioboom.com/i/43393318/150x150/c 150w, https://audioboom.com/i/43393318/300x300/c 300w, https://audioboom.com/i/43393318/600x600/c 600w, https://audioboom.com/i/43393318/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393318/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Drumming at Wor Tamat dancing ground
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.

Recorded by Raymond Ernst Clausen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the ...
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<span class="numeric-tabular d-sm-none">
2m
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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2m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844514-to-see-and-remember"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393283/75x75/c 75w, https://audioboom.com/i/43393283/150x150/c 150w, https://audioboom.com/i/43393283/300x300/c 300w, https://audioboom.com/i/43393283/600x600/c 600w, https://audioboom.com/i/43393283/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393283/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
To see and remember
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
&quot;To See and Remember&quot; is a composition incorporating elements from a 1965 expedition field recording from the Chocó Department, in Colombia, by Jonathan Ambache and Richard Saumarez Smith, who were then fellow students at the University of Cambridge. The recording that I selected, made on 5-inch reel tape, captures the sounds of the local Emberá people playing music with flute, drums and other ...
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5m
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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5m
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<a class="text-decoration-none" href="/posts/8844513-bhoot"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393280/75x75/c 75w, https://audioboom.com/i/43393280/150x150/c 150w, https://audioboom.com/i/43393280/300x300/c 300w, https://audioboom.com/i/43393280/600x600/c 600w, https://audioboom.com/i/43393280/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d7373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393280/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bhoot
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I originally chose the field recording simply because I enjoyed the melody. The women sang the same melodic phrase over and over with slight changes. I felt like they were telling a story but, as I don’t speak the language, I had to look elsewhere for inspiration.

I researched the mythology and folklore of Himachal Pradesh’s remote valleys and discovered a common ghostly tale. If you are out w...
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<span class="numeric-tabular d-sm-none">
5m
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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5m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844512-the-forest-of-spirit"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393286/75x75/c 75w, https://audioboom.com/i/43393286/150x150/c 150w, https://audioboom.com/i/43393286/300x300/c 300w, https://audioboom.com/i/43393286/600x600/c 600w, https://audioboom.com/i/43393286/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393286/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The forest of spirit
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I listened to the first 20 seconds of the track, heard the hummed murmur of a Ba&#39;aka voice and thought, &quot;I can work with that.&quot; It wasn’t until the next day that I heard the engaging, immersive, gently rocking polyphony that the murmur develops into. I learned that the Ba&#39;aka musical style is over 30,000 years old, older than any continuous musical heritage. UNESCO describes Ba&#39;aka music as a &quot;...
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<span class="numeric-tabular d-sm-none">
3m
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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3m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844511-bayaka-voices-in-the-forest-at-dawn"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393286/75x75/c 75w, https://audioboom.com/i/43393286/150x150/c 150w, https://audioboom.com/i/43393286/300x300/c 300w, https://audioboom.com/i/43393286/600x600/c 600w, https://audioboom.com/i/43393286/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393286/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bayaka voices in the forest at dawn
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.

...
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<span class="numeric-tabular d-sm-none">
5m
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<span><span class="js-time" data-epochtime="1771779900" data-format="short_date">Feb 22</span></span>
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5m
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<a class="text-decoration-none" href="/posts/8844510-choco-flute-and-drum-music-with-rattle"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393283/75x75/c 75w, https://audioboom.com/i/43393283/150x150/c 150w, https://audioboom.com/i/43393283/300x300/c 300w, https://audioboom.com/i/43393283/600x600/c 600w, https://audioboom.com/i/43393283/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393283/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Chocó flute and drum music with rattle
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Chocó music and soundscapes made by students Jonathan Ambache and Richard Saumarez Smith in Colombia in 1965.

Recorded by Jonathan Ambache and Richard Saumarez Smith.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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5m
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<span><span class="js-time" data-epochtime="1771779840" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844509-women-singing-with-flute"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393280/75x75/c 75w, https://audioboom.com/i/43393280/150x150/c 150w, https://audioboom.com/i/43393280/300x300/c 300w, https://audioboom.com/i/43393280/600x600/c 600w, https://audioboom.com/i/43393280/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d7373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393280/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Women singing with flute
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.

Recorded by Nicholas Justin Allen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, ...
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10m
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<span><span class="js-time" data-epochtime="1771779840" data-format="short_date">Feb 22</span></span>
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10m
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<a class="text-decoration-none" href="/posts/8844507-the-weave-of-a-song"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393257/75x75/c 75w, https://audioboom.com/i/43393257/150x150/c 150w, https://audioboom.com/i/43393257/300x300/c 300w, https://audioboom.com/i/43393257/600x600/c 600w, https://audioboom.com/i/43393257/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3da; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393257/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The weave of a song
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The field recording I chose is of a gentleman named Thomas Penniman performing an early 20th-century work song about weaving from the Gower Peninsula. It&#39;s a strange, compelling and mysterious recording, made in the winter of 1974. There&#39;s a repeated refrain, &quot;Mrs Tanner has six sons/And they all sang like thrushes as they worked at the loom&quot;, which I loved. But then the song becomes quite angr...
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5m
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<span><span class="js-time" data-epochtime="1771779840" data-format="short_date">Feb 22</span></span>
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5m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844506-stone-sound"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393252/75x75/c 75w, https://audioboom.com/i/43393252/150x150/c 150w, https://audioboom.com/i/43393252/300x300/c 300w, https://audioboom.com/i/43393252/600x600/c 600w, https://audioboom.com/i/43393252/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d8d8d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393252/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Stone sound
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The original field recording was fed into a granular sculpting sampler to create bell like arpeggiated lines. Next, I chopped the field recording to extract key parts, intimate vocal moments, a solid stone hit rhythm and laughter. Isolated stone “hits” became drum parts, replayed and resampled then slowed.

They began to sound like ghost drums, closing doors or belated fireworks. I recreated th...
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7m
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<span><span class="js-time" data-epochtime="1771779840" data-format="short_date">Feb 22</span></span>
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7m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844505-silenced-soil"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393249/75x75/c 75w, https://audioboom.com/i/43393249/150x150/c 150w, https://audioboom.com/i/43393249/300x300/c 300w, https://audioboom.com/i/43393249/600x600/c 600w, https://audioboom.com/i/43393249/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393249/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Silenced soil
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Silenced Soil begins with a fragile artefact: a recording of Claude Debussy’s Sarabande, composed in 1894 and revised in 1901, then recorded on 11 April 1963 in Gillitts, KwaZulu-Natal, by ethnomusicologist Raymond Clausen. Its only documentation is a handwritten note on a reel-to-reel tape box: “at Gillitt’s, copy of Debussy, Sarabande.” No pianist, no studio, no context. The archive offers li...
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<span><span class="js-time" data-epochtime="1771779780" data-format="short_date">Feb 22</span></span>
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844504-weaving-song-from-the-gower-peninsula"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393257/75x75/c 75w, https://audioboom.com/i/43393257/150x150/c 150w, https://audioboom.com/i/43393257/300x300/c 300w, https://audioboom.com/i/43393257/600x600/c 600w, https://audioboom.com/i/43393257/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3da; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393257/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Weaving song from the Gower Peninsula
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Weaving song from the Gower Peninsula of South Wales, recited by Thomas Penniman, former Curator of the Pitt Rivers Museum, who was preparing a manuscript on &#39;Work and Song in the North-west Gower&#39; in his retirement (&quot;Mrs. Tanner had six sons, and they all sang like thrushes while they worked at the loom&quot;).

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one o...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
6m
</span>
<span class="d-sm-none">
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<span><span class="js-time" data-epochtime="1771779780" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
6m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844503-women-and-grinding-stones"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393252/75x75/c 75w, https://audioboom.com/i/43393252/150x150/c 150w, https://audioboom.com/i/43393252/300x300/c 300w, https://audioboom.com/i/43393252/600x600/c 600w, https://audioboom.com/i/43393252/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d8d8d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393252/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Women and grinding stones
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Women singing and using grinding stones for musical accompaniment.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980.

Recorded by Patti Langton.

Copyright Pitt Rivers Museum, University of Oxfo...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1m
</span>
<span class="d-sm-none">
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<span><span class="js-time" data-epochtime="1771779780" data-format="short_date">Feb 22</span></span>
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1m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844502-piano-being-played"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393249/75x75/c 75w, https://audioboom.com/i/43393249/150x150/c 150w, https://audioboom.com/i/43393249/300x300/c 300w, https://audioboom.com/i/43393249/600x600/c 600w, https://audioboom.com/i/43393249/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3c0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393249/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Piano being played
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
&quot;Piano being played&quot;: recording of the second movement (&#39;Sarabande&#39;) of solo piano suite &#39;Pour le piano&#39; (L.95) by French composer Claude Debussy, performed by an unnamed pianist.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly in V...
</div>
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<span class="numeric-tabular d-sm-none">
6m
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<span><span class="js-time" data-epochtime="1771779780" data-format="short_date">Feb 22</span></span>
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6m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844479-distant"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393136/75x75/c 75w, https://audioboom.com/i/43393136/150x150/c 150w, https://audioboom.com/i/43393136/300x300/c 300w, https://audioboom.com/i/43393136/600x600/c 600w, https://audioboom.com/i/43393136/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393136/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Distant
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This piece is built around a short fragment of an Igbo wind instrument recording taken from the Pitt Rivers Museum sound collections. The original recording was made on wax cylinder by anthropologist Northcote Thomas in Nigeria between 1909 and 1915. Knowing the material fragility of the recording, and the historical distance it represents, strongly shaped how I approached the composition.

Rat...
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3m
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844478-igbo-wind-instrument"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393136/75x75/c 75w, https://audioboom.com/i/43393136/150x150/c 150w, https://audioboom.com/i/43393136/300x300/c 300w, https://audioboom.com/i/43393136/600x600/c 600w, https://audioboom.com/i/43393136/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393136/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Igbo wind instrument
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of songs and spoken language made by anthropologist Northcote Thomas in Nigeria and Sierra Leone between 1909 and 1915.

Recorded by Northcote Whitridge Thomas.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimaginin...
</div>
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<span class="numeric-tabular d-sm-none">
2m
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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2m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844477-my-rubber-dinghy"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393124/75x75/c 75w, https://audioboom.com/i/43393124/150x150/c 150w, https://audioboom.com/i/43393124/300x300/c 300w, https://audioboom.com/i/43393124/600x600/c 600w, https://audioboom.com/i/43393124/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393124/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
My rubber dinghy
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The inspiration for this piece was the current climate and attitudes from a section of the population towards immigration. It is unsettling to see the resurgence en masse of sentiments I thought were well behind us. I used a fragment of a field recording from the Bamam tribe of Cameroon, and used it as an intro for my piece, which I divided into three movements.

a) Mar Germanicus
It uses an Ar...
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8m
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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8m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844476-bamum-zither-player"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393124/75x75/c 75w, https://audioboom.com/i/43393124/150x150/c 150w, https://audioboom.com/i/43393124/300x300/c 300w, https://audioboom.com/i/43393124/600x600/c 600w, https://audioboom.com/i/43393124/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a6a68d; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393124/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bamum zither player
</h5>
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958.

Recorded by Sonja Lois Mitchison.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 100 yea...
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6m
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<span><span class="js-time" data-epochtime="1771779720" data-format="short_date">Feb 22</span></span>
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6m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844475-yaz"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393116/75x75/c 75w, https://audioboom.com/i/43393116/150x150/c 150w, https://audioboom.com/i/43393116/300x300/c 300w, https://audioboom.com/i/43393116/600x600/c 600w, https://audioboom.com/i/43393116/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393116/1400x1400/c" />
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YAZ
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YAZ is a vocal and electroacoustic composition built from a field recording of an Aït Haddidou market in Rabat, captured in 1961. What struck me immediately was the presence of a young boy’s voice, cutting through the density of the market: a call. Not directed at anyone in particular, yet lingering. That voice became the starting point of the piece, an echo moving through time and memory.

Res...
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6m
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<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
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6m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844474-market-sounds-morocco"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393116/75x75/c 75w, https://audioboom.com/i/43393116/150x150/c 150w, https://audioboom.com/i/43393116/300x300/c 300w, https://audioboom.com/i/43393116/600x600/c 600w, https://audioboom.com/i/43393116/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393116/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Market sounds, Morocco
</h5>
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Berber (Ait Haddidu) music and soundscapes made by members of the Oxford University Expedition to the Atlas Mountains of Southern Morocco in 1961.

Recorded by Audrey Butt, Michael R. Emerson or Ralph Hudson Johnson.

Copyright Pitt Rivers Museum, University of ...
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<span class="numeric-tabular d-sm-none">
2m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
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2m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844473-men-singing-with-percussion-and-violin"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393091/75x75/c 75w, https://audioboom.com/i/43393091/150x150/c 150w, https://audioboom.com/i/43393091/300x300/c 300w, https://audioboom.com/i/43393091/600x600/c 600w, https://audioboom.com/i/43393091/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a68d5a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393091/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Men singing, with percussion and violin
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of songs and instruments made by playwright David Mowat across several different states in India during 1987.

Recorded by David Mowat.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 10...
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<span class="numeric-tabular d-sm-none">
6m
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&bull;
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<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
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6m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844471-airwaves-unfolded"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393086/75x75/c 75w, https://audioboom.com/i/43393086/150x150/c 150w, https://audioboom.com/i/43393086/300x300/c 300w, https://audioboom.com/i/43393086/600x600/c 600w, https://audioboom.com/i/43393086/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #402626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393086/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Airwaves unfolded
</h5>
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Airwaves Unfolded is a piece based on a radio recording produced in the 1960s in Tarija, southern Bolivia, by Radio Universidad de Tarija. The program introduces Indigenous instruments and discusses how they have been intertwined with labour, daily life, and ritual, as well as how new instruments and musical forms developed after Spanish influence.

What drew me to this recording were the instr...
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5m
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<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
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5m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844468-bolivian-radio-programme-on-folk-music"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393086/75x75/c 75w, https://audioboom.com/i/43393086/150x150/c 150w, https://audioboom.com/i/43393086/300x300/c 300w, https://audioboom.com/i/43393086/600x600/c 600w, https://audioboom.com/i/43393086/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #402626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393086/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Bolivian radio programme on folk music
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
&quot;Bolivian radio programme on folk music&quot;: a recording of folk music from southern Bolivia issued by Radio Universidad de Tarija, with commentary (in Spanish).

From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a small number of recordings issued or released by foreign broadcasting corporations or radio associations.

Recorded by Radio Universidad de Tarija...
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16m
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<span><span class="js-time" data-epochtime="1771779660" data-format="short_date">Feb 22</span></span>
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16m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844470-flutes-in-the-forest-at-night"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393077/75x75/c 75w, https://audioboom.com/i/43393077/150x150/c 150w, https://audioboom.com/i/43393077/300x300/c 300w, https://audioboom.com/i/43393077/600x600/c 600w, https://audioboom.com/i/43393077/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393077/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Flutes in the forest at night
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Momboli and Gongé playing flutes in the forest at night.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.

Recorded by Louis Sar...
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<span class="numeric-tabular d-sm-none">
4m
</span>
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&bull;
</span>
<span><span class="js-time" data-epochtime="1771779600" data-format="short_date">Feb 22</span></span>
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4m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844469-rooted"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393091/75x75/c 75w, https://audioboom.com/i/43393091/150x150/c 150w, https://audioboom.com/i/43393091/300x300/c 300w, https://audioboom.com/i/43393091/600x600/c 600w, https://audioboom.com/i/43393091/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a68d5a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393091/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Rooted
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The field recording from India immediately revealed itself to me as a form of male ritual music, rooted in repetition, gesture, and collective memory. From that first encounter, the piece began to take shape as an inner journey: a passage through listening, silence, and transformation.

The opening unfolds in a dreamlike, immersive space, imagined as a temple. Here, sound becomes a threshold. T...
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9m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1771779600" data-format="short_date">Feb 22</span></span>
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9m
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<a class="text-decoration-none" href="/posts/8844467-a-sound-that-no-longer-exists"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393077/75x75/c 75w, https://audioboom.com/i/43393077/150x150/c 150w, https://audioboom.com/i/43393077/300x300/c 300w, https://audioboom.com/i/43393077/600x600/c 600w, https://audioboom.com/i/43393077/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393077/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
A sound that no longer exists
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
 I was delighted to work with the recording of Aka masters Momboli and Gongé, playing flutes in the forest at night, recorded by Louis Sarno in the 1990s. I decided to retain the essence of the sounds of the forest camp at night, including the community of women, men, and children, as well as the wild shouts that are often parts of these moments.

 For many years, I have wished to visit the Con...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
6m
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1771779600" data-format="short_date">Feb 22</span></span>
</div>
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6m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844466-it-looks-like-you-re-trying"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393059/75x75/c 75w, https://audioboom.com/i/43393059/150x150/c 150w, https://audioboom.com/i/43393059/300x300/c 300w, https://audioboom.com/i/43393059/600x600/c 600w, https://audioboom.com/i/43393059/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d735a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393059/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
It looks like you&#39;re trying
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The source material that I worked with was a field recording from the 60s in which someone in Morocco is singing a song, begging for bread. When I first listened to the recording, it immediately brought back a very specific memory from an old workplace of mine – an energy company had made a typographical error on their website, and when their customers struggling with energy debts called the ph...
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<span class="numeric-tabular d-sm-none">
2m
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1771779600" data-format="short_date">Feb 22</span></span>
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2m
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<a class="text-decoration-none" href="/posts/8844465-durei-na-mbwe-2-0"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393054/75x75/c 75w, https://audioboom.com/i/43393054/150x150/c 150w, https://audioboom.com/i/43393054/300x300/c 300w, https://audioboom.com/i/43393054/600x600/c 600w, https://audioboom.com/i/43393054/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a6a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393054/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Durei-na-mbwe 2.0
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
“Durei-na-mbwe 2.0” plays with notions of time, decay and transformation; with it, I wanted to capture the embodied experience of me listening to and imagining the original recording through a contemporary lens. I listened to the original Durei-na-mbwe by the Broken Consort (1961) on repeat for about three weeks before I started to work with it; the haunting melody of the vocals and panpipes be...
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7m
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<span><span class="js-time" data-epochtime="1771779540" data-format="short_date">Feb 22</span></span>
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7m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844464-voices-through-wires"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393051/75x75/c 75w, https://audioboom.com/i/43393051/150x150/c 150w, https://audioboom.com/i/43393051/300x300/c 300w, https://audioboom.com/i/43393051/600x600/c 600w, https://audioboom.com/i/43393051/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3da; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393051/1400x1400/c" />
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Voices through wires
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The archival field recordings of Bayaka hunters captured by Louis Sarno were the starting point of this work, not only for their sonic richness, but for their ability to convey life and presence across time. The voices, full of rhythm, laughter, and communal energy, immediately suggested the potential to create a composition that honours their vitality while exploring cross-boundary cultures an...
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4m
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<span><span class="js-time" data-epochtime="1771779540" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844463-ait-haddidu-beggar-singing-for-bread"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393059/75x75/c 75w, https://audioboom.com/i/43393059/150x150/c 150w, https://audioboom.com/i/43393059/300x300/c 300w, https://audioboom.com/i/43393059/600x600/c 600w, https://audioboom.com/i/43393059/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8d735a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393059/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ait Haddidu beggar singing for bread
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Berber (Ait Haddidu) music and soundscapes made by members of the Oxford University Expedition to the Atlas Mountains of Southern Morocco in 1961.

Recorded by Audrey Butt, Michael R. Emerson or Ralph Hudson Johnson.

Copyright Pitt Rivers Museum, University of ...
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2m
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<span><span class="js-time" data-epochtime="1771779540" data-format="short_date">Feb 22</span></span>
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2m
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<a class="text-decoration-none" href="/posts/8844462-durei-na-mbwe-song-by-the-broken-consort"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393054/75x75/c 75w, https://audioboom.com/i/43393054/150x150/c 150w, https://audioboom.com/i/43393054/300x300/c 300w, https://audioboom.com/i/43393054/600x600/c 600w, https://audioboom.com/i/43393054/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0a6a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393054/1400x1400/c" />
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Durei-na-mbwe (song) by the Broken Consort
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Durei-na-mbwe (song) by the Broken Consort, with Samuel on bu-wahr-wahr (panpipes), accompanied by Dominique, Erine, Ferdinand and Marineau.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province...
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<span><span class="js-time" data-epochtime="1771779540" data-format="short_date">Feb 22</span></span>
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3m
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<a class="text-decoration-none" href="/posts/8844461-out-in-the-forest-with-bayaka-hunters"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43393051/75x75/c 75w, https://audioboom.com/i/43393051/150x150/c 150w, https://audioboom.com/i/43393051/300x300/c 300w, https://audioboom.com/i/43393051/600x600/c 600w, https://audioboom.com/i/43393051/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3f3da; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43393051/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Out in the forest with Bayaka hunters
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009

Recorded by Louis Sarno.

Copyright Pitt Rivers Museum, University of Oxford.

—...
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<span><span class="js-time" data-epochtime="1771779480" data-format="short_date">Feb 22</span></span>
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3m
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<a class="text-decoration-none" href="/posts/8844272-man-singing-with-percussion"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43391925/75x75/c 75w, https://audioboom.com/i/43391925/150x150/c 150w, https://audioboom.com/i/43391925/300x300/c 300w, https://audioboom.com/i/43391925/600x600/c 600w, https://audioboom.com/i/43391925/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0c0a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391925/1400x1400/c" />
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Man singing with percussion
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.

Recorded by Nicholas Justin Allen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, ...
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<span><span class="js-time" data-epochtime="1771779480" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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7m
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<a class="text-decoration-none" href="/posts/8844271-man-playing-binaya-jew-s-harp"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43391928/75x75/c 75w, https://audioboom.com/i/43391928/150x150/c 150w, https://audioboom.com/i/43391928/300x300/c 300w, https://audioboom.com/i/43391928/600x600/c 600w, https://audioboom.com/i/43391928/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391928/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Man playing bināyā (jew&#39;s harp)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.

Recorded by Nicholas Justin Allen.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, ...
</div>
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<span class="numeric-tabular d-sm-none">
3m
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<span><span class="js-time" data-epochtime="1771779480" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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3m
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<a class="text-decoration-none" href="/posts/8844269-choco-flute-and-drum-music-with-rattle"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43391931/75x75/c 75w, https://audioboom.com/i/43391931/150x150/c 150w, https://audioboom.com/i/43391931/300x300/c 300w, https://audioboom.com/i/43391931/600x600/c 600w, https://audioboom.com/i/43391931/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3dac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391931/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Chocó flute and drum music with rattle
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Chocó music and soundscapes made by students Jonathan Ambache and Richard Saumarez Smith in Colombia in 1965.

Recorded by Jonathan Ambache and Richard Saumarez Smith.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sou...
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<span><span class="js-time" data-epochtime="1771779480" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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3m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844268-dancing-echoes"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43391931/75x75/c 75w, https://audioboom.com/i/43391931/150x150/c 150w, https://audioboom.com/i/43391931/300x300/c 300w, https://audioboom.com/i/43391931/600x600/c 600w, https://audioboom.com/i/43391931/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3dac0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391931/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Dancing echoes
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Inspiration came from both the sound recording itself, and my impressions of the Pitt Rivers Museum. I was struck by the many objects and collections of musical instruments in the museum – giving me the phrases &quot;surrounded by...&quot; and &quot;all around us...&quot; As a wind player I was interested in all the different objects that could be blown through including some very simple pipes with one or two hole...
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<span class="numeric-tabular d-sm-none">
4m
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<span><span class="js-time" data-epochtime="1771779420" data-format="short_date">Feb 22</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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4m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8844267-edge-of-the-mountain"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43391928/75x75/c 75w, https://audioboom.com/i/43391928/150x150/c 150w, https://audioboom.com/i/43391928/300x300/c 300w, https://audioboom.com/i/43391928/600x600/c 600w, https://audioboom.com/i/43391928/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #262626; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391928/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Edge of the mountain
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
For this project I challenged myself to create every sound directly from the original recording. Drum hits, textures, bass and even a cowboy guitar were all manipulated extracts from the sample. The recording contains vocal interjections which I reused as percussive elements.

The jaw harp has a rich timbre and a compelling rhythmic drive, but it often required careful processing to soften hars...
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<span><span class="js-time" data-epochtime="1771779420" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844266-echoes-from-the-roof"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43391925/75x75/c 75w, https://audioboom.com/i/43391925/150x150/c 150w, https://audioboom.com/i/43391925/300x300/c 300w, https://audioboom.com/i/43391925/600x600/c 600w, https://audioboom.com/i/43391925/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #c0c0a6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391925/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Echoes from the roof
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The production process centred on preserving the integrity of the original field recording from Lokhim, Nepal, while building a modern arrangement around it. Spectral Layers was utilised to isolate the vocal line from the background noise and original percussion, allowing the singer’s performance to remain the focal point without destructive editing. Once isolated, Melodyne and a custom built M...
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7m
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<span><span class="js-time" data-epochtime="1771779420" data-format="short_date">Feb 22</span></span>
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7m
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<a class="text-decoration-none" href="/posts/8844257-two-mornings-21-915-days-and-8-480-km-apart"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43391828/75x75/c 75w, https://audioboom.com/i/43391828/150x150/c 150w, https://audioboom.com/i/43391828/300x300/c 300w, https://audioboom.com/i/43391828/600x600/c 600w, https://audioboom.com/i/43391828/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #737373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391828/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
 Two mornings (21,915 days and 8,480 km apart)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
A reflection on distance, time and listening.

Morning sounds captured on reel-to-reel tape in Chocó, Colombia in 1965 meet digital recordings made sixty years later in Forest Gate, East London.

Morning soundscape among the Chocó people reimagined by Asher Levitas.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Mu...
</div>
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4m
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<span><span class="js-time" data-epochtime="1771779420" data-format="short_date">Feb 22</span></span>
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4m
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<img srcset="https://audioboom.com/i/43391836/75x75/c 75w, https://audioboom.com/i/43391836/150x150/c 150w, https://audioboom.com/i/43391836/300x300/c 300w, https://audioboom.com/i/43391836/600x600/c 600w, https://audioboom.com/i/43391836/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391836/1400x1400/c" />
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Andean music including flute and drum
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From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous or individual ethnographic field recordings (rediscovered during a recent research project).

Unknown recordist.

Copyright Pitt Rivers Museum, University of Oxford.

———
Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the ...
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59m
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<span><span class="js-time" data-epochtime="1771779360" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844256-noriya-port-cruinn"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43391868/75x75/c 75w, https://audioboom.com/i/43391868/150x150/c 150w, https://audioboom.com/i/43391868/300x300/c 300w, https://audioboom.com/i/43391868/600x600/c 600w, https://audioboom.com/i/43391868/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391868/1400x1400/c" />
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Noriya/port-cruinn
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Noriya is a men’s generational song celebrating and praising Ngitamo, the guinea fowl. The original recording of the Larim people in South Sudan in 1979 was from a time of relative peace, with the Ngitamo generation existing alongside the Nyoletiang (gazelles) and Nyitulabok (sheep). The melody, compound rhythm and tempo reflect this balance and resonate as song of celebration and joy, even one...
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5m
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<span><span class="js-time" data-epochtime="1771779360" data-format="short_date">Feb 22</span></span>
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5m
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<a class="text-decoration-none" href="/posts/8844255-men-s-generation-song-from-south-sudan"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43391868/75x75/c 75w, https://audioboom.com/i/43391868/150x150/c 150w, https://audioboom.com/i/43391868/300x300/c 300w, https://audioboom.com/i/43391868/600x600/c 600w, https://audioboom.com/i/43391868/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #404040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391868/1400x1400/c" />
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Men&#39;s generation song from South Sudan
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&quot;Noriya&quot;: a men&#39;s generation song from South Sudan (&quot;Praise the guinea fowl Nyitamo/ He&#39;s always hard-working&quot;).

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980.

Recorded by Patti Langton.

Co...
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<span><span class="js-time" data-epochtime="1771779360" data-format="short_date">Feb 22</span></span>
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<a class="text-decoration-none" href="/posts/8844250-when-the-mountains-sing"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/43391836/75x75/c 75w, https://audioboom.com/i/43391836/150x150/c 150w, https://audioboom.com/i/43391836/300x300/c 300w, https://audioboom.com/i/43391836/600x600/c 600w, https://audioboom.com/i/43391836/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #dadada; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391836/1400x1400/c" />
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When the mountains sing
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The recording I chose is over 50 minutes of cassette tape recordings from the 1970s, capturing interviews and recordings of live music performed by communities living in the Andes in Peru.

For the Indigenous communities of Peru, the Andes are living, sacred beings that sustain and protect life and they call the Mountain Spirits Apus. These powerful spirits of the Andes watch over communities a...
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9m
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<span><span class="js-time" data-epochtime="1771779360" data-format="short_date">Feb 22</span></span>
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9m
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<a class="text-decoration-none" href="/posts/8844247-morning-soundscape-among-the-choco-people"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43391828/75x75/c 75w, https://audioboom.com/i/43391828/150x150/c 150w, https://audioboom.com/i/43391828/300x300/c 300w, https://audioboom.com/i/43391828/600x600/c 600w, https://audioboom.com/i/43391828/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #737373; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391828/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Morning soundscape among the Chocó people
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Cockerel crowing: morning soundscape among the Chocó people of north-west Colombia.

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Chocó music and soundscapes made by students Jonathan Ambache and Richard Saumarez Smith in Colombia in 1965.

Recorded by Jonathan Ambache and Richard Saumarez Smith.

Copyrigh...
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1m
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<a class="text-decoration-none" href="/posts/8844246-come-back-after-years"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/43391813/75x75/c 75w, https://audioboom.com/i/43391813/150x150/c 150w, https://audioboom.com/i/43391813/300x300/c 300w, https://audioboom.com/i/43391813/600x600/c 600w, https://audioboom.com/i/43391813/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #5a4040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/43391813/1400x1400/c" />
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Come back after years
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For this creative project, my starting point was an archival recording of a Yoruba chant from Nigeria, recorded around 1911. I chose to work with this sound because, living in West Africa, these sonorities immediately resonated in me. They echo my daily environment, my personal history, and my fieldwork, which lies at the intersection of culture, music, and museum practice.

In my creative proc...
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<span><span class="js-time" data-epochtime="1771779300" data-format="short_date">Feb 22</span></span>
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