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<a class="text-decoration-none" href="/posts/7868990-introducing-galaxy-brains"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/38039092/75x75/c 75w, https://audioboom.com/i/38039092/150x150/c 150w, https://audioboom.com/i/38039092/300x300/c 300w, https://audioboom.com/i/38039092/600x600/c 600w, https://audioboom.com/i/38039092/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ed8ab4; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/38039092/1400x1400/c" />
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Introducing Galaxy Brains
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Today we’re sharing something a little different - a new TV and film show from the Vox Media Podcast Network that we think you’ll like called Galaxy Brains. On Galaxy Brains, entertainment writer Dave Schilling and Mystery Science Theater 3000’s Jonah Ray explore a big, mind-expanding question raised by a TV show or movie, and take it way, way too seriously. In the preview episode we’re sharing...
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35m
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<span><span class="js-time" data-epochtime="1621355737" data-format="short_date">May 18, 2021</span></span>
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35m
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<a class="text-decoration-none" href="/posts/7862804-turns-out-willow-smith-rocks"><div class="Episode-list-grid card-body pan">
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218: Turns out Willow Smith rocks
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Willow Smith has a new Paramore-inspired emo-slash-pop punk track with a formidable drum groove powered by Travis Barker. Over churning guitars she sneers at fake friends: &quot;smile in my face, then put your cig out on my back.&quot; As Nate and Charlie headbanged along to we found ourselves asking &quot;why did we sleep on Willow Smith?&quot;
Maybe because we had not taken Willow seriously, knowing her only as ...
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30m
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<span><span class="js-time" data-epochtime="1620723600" data-format="short_date">May 11, 2021</span></span>
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30m
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<a class="text-decoration-none" href="/posts/7858253-julia-michaels-songwriting-superpowers"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37981932/75x75/c 75w, https://audioboom.com/i/37981932/150x150/c 150w, https://audioboom.com/i/37981932/300x300/c 300w, https://audioboom.com/i/37981932/600x600/c 600w, https://audioboom.com/i/37981932/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #e099d3; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37981932/1400x1400/c" />
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217: Julia Michaels’ Songwriting Superpowers
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For nearly a decade Julia Michaels has penned hit songs for the biggest acts in pop music. She is adept at turning people’s vulnerabilities into memorable hooks—think Justin Bieber’s “Sorry” or Selena Gomez’s “Lose You To Love Me.” There are countless others, but all of them share distinctive traits. Where many songwriters aspire to the simplest, almost nursery rhyme level lyrics, Michaels does...
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43m
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<span><span class="js-time" data-epochtime="1620118800" data-format="short_date">May 04, 2021</span></span>
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43m
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<a class="text-decoration-none" href="/posts/7856066-how-take-a-day-trip-took-off-full-interview"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37970697/75x75/c 75w, https://audioboom.com/i/37970697/150x150/c 150w, https://audioboom.com/i/37970697/300x300/c 300w, https://audioboom.com/i/37970697/600x600/c 600w, https://audioboom.com/i/37970697/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f7f30b; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37970697/1400x1400/c" />
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126: How Take A Day Trip took off (full interview)
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The story of the hitmakers behind Lil Nas X’s “Montero” Sheck Wes’s “Mo Bamba” and many more
Learn more about your ad choices. Visit megaphone.fm/adchoices
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39m
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<span><span class="js-time" data-epochtime="1619773200" data-format="short_date">Apr 30, 2021</span></span>
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39m
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<a class="text-decoration-none" href="/posts/7853567-the-mystery-of-montero-aka-lil-nas-x-feat-take-a-day-trip"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37957834/75x75/c 75w, https://audioboom.com/i/37957834/150x150/c 150w, https://audioboom.com/i/37957834/300x300/c 300w, https://audioboom.com/i/37957834/600x600/c 600w, https://audioboom.com/i/37957834/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #0dc5f7; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37957834/1400x1400/c" />
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216: The Mystery of Montero AKA Lil Nas X (feat. Take A Day Trip)
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Lil Nas X has a talent for creating productive controversy. First with “Old Town Road,” he challenged expectations about blackness in country music. Now with “Montero (Call Me By Your Name),” he takes aim at anti LGBTQ+ messages propagated by the religious dogma from his youth (he came out as gay during Pride 2019). The song describes a romantic encounter without innuendo. Sure it’s raunchy, bu...
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37m
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<span><span class="js-time" data-epochtime="1619514000" data-format="short_date">Apr 27, 2021</span></span>
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37m
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<a class="text-decoration-none" href="/posts/7848247-pop-on-a-perilous-planet-with-kyle-devine"><div class="Episode-list-grid card-body pan">
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215: Pop On A Perilous Planet (with Kyle Devine)
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Earth Day 2021 gives us the chance to pause our usual programming and consider the role pop music plays in our deepening climate emergency. On Side A, we listen to artists who have confronted the climate crisis head-on. Side B considers the environmental cost of streaming music with Kyle Devine, author of Decomposed: The Political Ecology of Music.
Songs Discussed:
George Pope Morris - Woodman,...
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35m
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<span><span class="js-time" data-epochtime="1618909200" data-format="short_date">Apr 20, 2021</span></span>
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35m
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<a class="text-decoration-none" href="/posts/7843131-inside-the-songwriting-session-with-teddy-geiger-dan-wilson-on-air-fest-2021"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37903153/75x75/c 75w, https://audioboom.com/i/37903153/150x150/c 150w, https://audioboom.com/i/37903153/300x300/c 300w, https://audioboom.com/i/37903153/600x600/c 600w, https://audioboom.com/i/37903153/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #cc92da; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37903153/1400x1400/c" />
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214: Inside the songwriting session with Teddy Geiger &amp; Dan Wilson (On Air Fest 2021)
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On Switched on Pop we talk to songwriters and artists about how they make great songs. Most songs are written with two or more people in the room. Something we&#39;ve never done before is pair two of the best songwriters in the business to explain how they create a successful collaboration.
Teddy Geiger is a Grammy nominated songwriter who&#39;s written countless number ones. You&#39;ve likely heard her wo...
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32m
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<span><span class="js-time" data-epochtime="1618304400" data-format="short_date">Apr 13, 2021</span></span>
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32m
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<a class="text-decoration-none" href="/posts/7838609-silk-sonic-s-retro-soul-with-tayla-parx"><div class="Episode-list-grid card-body pan">
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213: Silk Sonic&#39;s Retro Soul (with Tayla Parx)
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Anderson Paak and Bruno Mars have joined forces as the duo Silk Sonic, and their first release “Leave the Door Open” suggests that their collab is as natural as peanut butter and jelly. The song exudes throwback vibes through its lush harmonies and sensuous lyrics. But this isn’t any run-of-the-mill exercise in empty nostalgia. Silk Sonic have a very specific sound in mind that they’re reviving...
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54m
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<span><span class="js-time" data-epochtime="1617751208" data-format="short_date">Apr 06, 2021</span></span>
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54m
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<a class="text-decoration-none" href="/posts/7833474-ajr-conjure-broadway-on-ok-orchestra"><div class="Episode-list-grid card-body pan">
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212: AJR Conjure Broadway on OK Orchestra
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Andrew, Jack and Ryan Met, better known as AJR, started playing gigs on the streets of New York City. The sidewalk hustle taught them how to grab the attention of the least forgiving audience. Now on their fourth studio album OK Orchestra, they’ve honed an ear-stopping sound that combines modern pop with broadway bombast. 
Their platinum-certified single “Bang,” pairs carnival-like horns sectio...
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43m
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<span><span class="js-time" data-epochtime="1617087600" data-format="short_date">Mar 30, 2021</span></span>
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43m
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<a class="text-decoration-none" href="/posts/7828506-return-of-the-funk-guitar-cory-wong-breaks-down-dua-lipa-jessie-ware-and-nile-rodgers"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37824546/75x75/c 75w, https://audioboom.com/i/37824546/150x150/c 150w, https://audioboom.com/i/37824546/300x300/c 300w, https://audioboom.com/i/37824546/600x600/c 600w, https://audioboom.com/i/37824546/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #fffffe; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37824546/1400x1400/c" />
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211: Return of the Funk Guitar: Cory Wong Breaks Down Dua Lipa, Jessie Ware and Nile Rodgers
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Cory Wong is a Minneapolis native and Vulfpeck collaborator known for pushing rhythm guitar from a background instrument to the star of the show. Wong’s a walking encyclopedia of funk guitar, and he takes us through the riffs and styles—from Nile Rodgers to Quincy Jones—that power modern bops such as Dua Lipa’s “Levitating” and Jessie Ware’s “Step Into My Life.” 
For Cory, rhythm guitar isn’t j...
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34m
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<span><span class="js-time" data-epochtime="1616490000" data-format="short_date">Mar 23, 2021</span></span>
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34m
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<a class="text-decoration-none" href="/posts/7823290-what-the-63rd-grammys-say-about-the-state-of-pop"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37795943/75x75/c 75w, https://audioboom.com/i/37795943/150x150/c 150w, https://audioboom.com/i/37795943/300x300/c 300w, https://audioboom.com/i/37795943/600x600/c 600w, https://audioboom.com/i/37795943/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f7ef1f; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37795943/1400x1400/c" />
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210: What the 63rd Grammys say about the state of pop
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The 63rd Grammys was as unprecedented and unusual as last year. Backdropped by the pandemic, the show was delayed and had to be taped in multiple locations in front of a bare bones audience. Echoing the public cries against injustice, standout performances by Mickey Guyton, DaBaby, and Lil Baby decried racism to the nation and to the Grammys—the academy made multiple public statements throughou...
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45m
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<span><span class="js-time" data-epochtime="1615856500" data-format="short_date">Mar 16, 2021</span></span>
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45m
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<a class="text-decoration-none" href="/posts/7818348-kimbra-reflects-on-a-song-we-used-to-know"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37769255/75x75/c 75w, https://audioboom.com/i/37769255/150x150/c 150w, https://audioboom.com/i/37769255/300x300/c 300w, https://audioboom.com/i/37769255/600x600/c 600w, https://audioboom.com/i/37769255/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f3d2d8; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37769255/1400x1400/c" />
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209: Kimbra reflects on a song we used to know
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Ten years ago the Australian artist Gotye asked New Zealand musician Kimbra to feature on his song “Somebody I Used To Know.” At the time Kimbra had no idea it was going to be a hit. No wonder—the song lacks the trappings of a conventional pop song. The chorus shows up late and it only repeats once in a track composed of an obscure Brazilian guitar sample and nursery rhyme xylophones.  
But thi...
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49m
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<span><span class="js-time" data-epochtime="1615284000" data-format="short_date">Mar 09, 2021</span></span>
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<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
49m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7813450-kaytranada-s-journey-from-basement-beat-making-to-the-grammys"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37742781/75x75/c 75w, https://audioboom.com/i/37742781/150x150/c 150w, https://audioboom.com/i/37742781/300x300/c 300w, https://audioboom.com/i/37742781/600x600/c 600w, https://audioboom.com/i/37742781/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #14c3f5; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37742781/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
208: Kaytranada&#39;s Journey from Basement Beat-making to the Grammys
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Kaytranada has what every producer strives for: an in demand signature sound. His records glide fluidly between four-to-the-floor house beats, hip hop sample flipping and P-Funk style 808 bass lines. It’s a technique he honed as a teenager, and one that grabbed the attention of star collaborators: Pharrell Williams, Mary J Blige, Alisha Keys, Anderson .Paak, and Kendrick Lamar. This year he’s n...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
38m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1614679200" data-format="short_date">Mar 02, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
38m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7807438-if-the-world-was-ending-we-d-talk-to-jp-saxe-about-songwriting"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37710303/75x75/c 75w, https://audioboom.com/i/37710303/150x150/c 150w, https://audioboom.com/i/37710303/300x300/c 300w, https://audioboom.com/i/37710303/600x600/c 600w, https://audioboom.com/i/37710303/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #fc6ff8; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37710303/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
207: If The World Was Ending We’d Talk to JP Saxe About Songwriting
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
JP Saxe wrote the song “If the World was Ending” with acclaimed songwriter Julia Michaels in 2019 about a fictional cataclysm. The record was released in the before times in a way that seemed to presage lockdown. In the early months of the actual pandemic the song resonated so widely that it catapulted up the charts. It’s now been nominated for a Grammy for song of the year — an award JP Saxe c...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
37m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1614074400" data-format="short_date">Feb 23, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
37m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7801015-adrian-younge-s-new-project-sounds-like-james-baldwin-meets-marvin-gaye"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37676620/75x75/c 75w, https://audioboom.com/i/37676620/150x150/c 150w, https://audioboom.com/i/37676620/300x300/c 300w, https://audioboom.com/i/37676620/600x600/c 600w, https://audioboom.com/i/37676620/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #fe50f8; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37676620/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
206: Adrian Younge&#39;s new project sounds like James Baldwin meets Marvin Gaye
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Adrian Younge is a producer for entertainment greats ranging from Jay Z and Kendrick Lamar to the Wu Tang clan, a composer for television shows such as Marvel&#39;s Luke Cage (with A Tribe Called Quest’s Ali Shaheed Mohammad), and owner of the Linear Labs record label and analog studio. Younge has a new mixed media project that breaks down the evolution of racism in America that he calls his “most ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
35m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1613469600" data-format="short_date">Feb 16, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
35m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7795266-the-scandalous-sounds-of-bridgerton-w-kris-bowers"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37645196/75x75/c 75w, https://audioboom.com/i/37645196/150x150/c 150w, https://audioboom.com/i/37645196/300x300/c 300w, https://audioboom.com/i/37645196/600x600/c 600w, https://audioboom.com/i/37645196/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ee83eb; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37645196/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
205: The Scandalous Sounds of Bridgerton (w Kris Bowers)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The Netflix series Bridgerton has hooked audiences with its bodice-ripping sex scenes, a colorblind approach period drama casting, and a soundtrack featuring recreations of modern bangers from pop stars like Ariana Grande and Billie Eilish arranged in the style of a classical string quartet. By bringing modern melodies into the proper world of Regency England, the show reminds us that classical...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
43m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1612857600" data-format="short_date">Feb 09, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
43m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7788623-how-the-weeknd-s-blinding-lights-used-retro-sounds-and-modern-bass-to-break-every-record"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37609712/75x75/c 75w, https://audioboom.com/i/37609712/150x150/c 150w, https://audioboom.com/i/37609712/300x300/c 300w, https://audioboom.com/i/37609712/600x600/c 600w, https://audioboom.com/i/37609712/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #fcf307; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37609712/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
204: How The Weeknd’s “Blinding Lights” used retro sounds and modern bass to break every record
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This Sunday, The Weeknd will perform his distinctly dark brand of pop at the Super Bowl halftime show. On the surface, the alter-ego of Abel Tesfaye is a strange pick for the ostensibly family-friendly main-stage — for more than a decade, The Weeknd has fused the sounds of pop, R&amp;B, and trap into a cinematic horror-thriller about drugs, sex and the excess of fame. While his sheer volume of Hot ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
39m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1612260000" data-format="short_date">Feb 02, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
39m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7782118-epik-high-is-our-gateway-into-korean-hip-hop-with-tablo"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
203: Epik High is our gateway into Korean hip hop (with Tablo)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Epik High are elemental to Korean hip hop. DJ Tukutz, Mithra Jin and Tablo’s underground style boom bap beats with dexterous rapping helped bring this music from its underground roots to a global scale. On their latest release, Epik High Is Here Part I, the textures are subdued but paired with heavy drums and aggressive vocals, a contrast that matches our collective anxiety arising from the pan...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
54m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1611655200" data-format="short_date">Jan 26, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
54m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7776005-olivia-rodrigo-s-drivers-license-is-a-full-throttle-power-ballad"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37542161/75x75/c 75w, https://audioboom.com/i/37542161/150x150/c 150w, https://audioboom.com/i/37542161/300x300/c 300w, https://audioboom.com/i/37542161/600x600/c 600w, https://audioboom.com/i/37542161/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ec5e74; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37542161/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
202: Olivia Rodrigo’s “Drivers License” is a full throttle power ballad
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Power ballads used to top the charts regularly, from 80s rock to 90s R&amp;B. But then in the 2000s, the formula of constant escalation gradually fell off the Billboard. Now, seemingly out of nowhere, Olivia Rodrigo’s single “Drivers License” is breaking streaming records as listeners yearn for the emotional catharsis from this contemporary power ballad. With the help of David Metzer, professor of ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
39m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1611050400" data-format="short_date">Jan 19, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
39m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7770466-d-o-c-death-of-the-chorus-with-emily-warren"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37512723/75x75/c 75w, https://audioboom.com/i/37512723/150x150/c 150w, https://audioboom.com/i/37512723/300x300/c 300w, https://audioboom.com/i/37512723/600x600/c 600w, https://audioboom.com/i/37512723/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ef5370; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37512723/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
201: D.O.C. (Death of the Chorus) with Emily Warren
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Listen to Top 40 pop over the last decade and you’ll notice something weird is happening. The chorus—the emotional apotheosis of a pop song, its dizzying high, its cathartic sing-along center—is disappearing. In its place, artists from Bad Bunny to Taylor Swift are toying with new, chorus-lite song forms that introduce a new musical grammar to the sound of contemporary pop. We may not think muc...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
40m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1610488101" data-format="short_date">Jan 12, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
40m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7765076-icymi-the-end-of-pop-music-as-we-know-it-fall-out-boy-charli-xcx"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
202: ICYMI: The End Of Pop Music As We Know It: Fall Out Boy &amp; Charli XCX
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Is it true that all pop music sounds the same today? For the past year the “pop-drop” has dominated the airwaves. This new form of EDM infused pop came out of DJ culture and has infused its sound with every mainstream act like Lady Gaga and Coldplay. Tiring of this sound, some artists are finding creative ways to parody this pop trope. The rock outfit Fall Out Boy’s “Young And Menace” demonstra...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
49m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1609866299" data-format="short_date">Jan 05, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
49m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7760720-icymi-do-you-believe-in-life-after-autotune"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
102: ICYMI: Do You Believe in Life After Autotune?
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Auto-Tune may be the most divisive effect in music. Artists have protested it publicly at the Grammys, and critics have derided the effects for its inauthentic reproduction of the voice. And yet, nearly a decade since Jay-Z prophesied the death of Auto-Tune, the sound is alive and thriving in contemporary pop and hip-hop. Journalist Simon Reynolds has written a definitive history of Auto-Tune f...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
50m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1609254309" data-format="short_date">Dec 29, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
50m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7755491-wham-op-84-last-christmas-with-chilly-gonzales"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37432779/75x75/c 75w, https://audioboom.com/i/37432779/150x150/c 150w, https://audioboom.com/i/37432779/300x300/c 300w, https://audioboom.com/i/37432779/600x600/c 600w, https://audioboom.com/i/37432779/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #e0f4fc; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37432779/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
200: Wham! Op. 84, “Last Christmas” with Chilly Gonzales
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Wham’s 1984 contribution to the holiday cannon, “Last Christmas,” has surprising staying power. When Grammy-winning pianist Chilly Gonzales set out to record a holiday album, “A Very Chilly Christmas,” most of the selections were over a half century old. That’s because most of our favorite seasonal songs come from the 1960s and earlier. But in addition to Mariah Carey’s “All I Want For Christma...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
54m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1608544800" data-format="short_date">Dec 21, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
54m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7751493-evermore-of-a-good-thing"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
199: &quot;evermore&quot; of a good thing
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Just five months after releasing her Grammy-nominated album “folklore,” Taylor Swift surprised fans with a continuation of sorts — her ninth studio album “evermore.” Working with many of her “folklore” collaborators, Swift says that the team “couldn’t stop writing songs.” Like its sister album, “evermore” shies away from over-the-top pop production, and leans into Swift’s craft. Stripped of the...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
44m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1608008400" data-format="short_date">Dec 15, 2020</span></span>
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</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
44m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7746247-women-s-rap-renaissance"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37383140/75x75/c 75w, https://audioboom.com/i/37383140/150x150/c 150w, https://audioboom.com/i/37383140/300x300/c 300w, https://audioboom.com/i/37383140/600x600/c 600w, https://audioboom.com/i/37383140/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a25e4b; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37383140/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
198: Women&#39;s Rap Renaissance
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Producer Bridget Armstrong shares her top tracks from women who are running hip-hop in 2020: Megan Thee Stallion, Tierra Whack, Rico Nasty, Flo Milli, and CHIKA
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</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
39m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1607410800" data-format="short_date">Dec 08, 2020</span></span>
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</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
39m
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</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7741909-red-hot-blue-with-meshell-ndegeocello"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37360883/75x75/c 75w, https://audioboom.com/i/37360883/150x150/c 150w, https://audioboom.com/i/37360883/300x300/c 300w, https://audioboom.com/i/37360883/600x600/c 600w, https://audioboom.com/i/37360883/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #cc3755; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37360883/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
197: Red Hot + Blue with Meshell Ndegeocello
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
In 1990 John Carlin and Leigh Carrol pioneered a new kind of charity album. Together they co-founded Red Hot, a non-profit music label that uses music to raise money and awareness to for the fight against AIDS. This year is the 30th anniversary of their record: Red Hot + Blue, a platinum tribute album to Cole Porter, featuring artists like U2, Jody Watley, David Byrne, k.d. lang and Annie Lenno...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
44m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1606860000" data-format="short_date">Dec 01, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
44m
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</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7736629-the-cyndi-lauper-conspiracy-with-sam-sanders"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37332889/75x75/c 75w, https://audioboom.com/i/37332889/150x150/c 150w, https://audioboom.com/i/37332889/300x300/c 300w, https://audioboom.com/i/37332889/600x600/c 600w, https://audioboom.com/i/37332889/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f5e50e; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37332889/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
196: The Cyndi Lauper Conspiracy (with Sam Sanders)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Every song Cyndi Lauper writes is pop perfection according to Sam Sanders, host of NPR’s “It’s Been A Minute.” Many fall for “Girls Just Want To Have Fun,” but Sanders&#39;s favorite song is the slow burner “All Through The Night,” save for one moment: the synthesizer solo. For Sanders, this solo never fit in. Charlie investigates the source of his musical malady and uncovers how the 80s got its gr...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
35m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1606194000" data-format="short_date">Nov 24, 2020</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
35m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7732302-anthems-missy-elliot-work-it"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
194: ANTHEMS: Missy Elliot — Work It
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Cultural critic Ivie Ani breaks down how Missy Elliot broke into the pantheon of anthems, and how she changed the scope of who could belong.

Songs Discussed
Missy Elliott - Work It
Blondie - Heart of Glass
RUN-DMC - Peter Piper
Rock Master Scott &amp; the Dynamic Three - Request Line
Snoop Dogg - Y&#39;All Gone Miss Me
Vanilla Ice - Ice Ice Baby
Justin Timberlake - Sexy Back
Trace Adkins - Honky Tonk ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
38m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1605649320" data-format="short_date">Nov 17, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
38m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7726776-anthems-smash-mouth-all-star"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37279341/75x75/c 75w, https://audioboom.com/i/37279341/150x150/c 150w, https://audioboom.com/i/37279341/300x300/c 300w, https://audioboom.com/i/37279341/600x600/c 600w, https://audioboom.com/i/37279341/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #fcf023; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37279341/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
194: ANTHEMS: Smash Mouth - All Star
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
When Smash Mouth wrote &quot;All Star,” they knew that it was going to change their lives. But they never expected it would become an anthem played in sports arenas, soundtracked by Hollywood, and embedded into seemingly every internet meme. Darryn King joins the show to break down &quot;The Never-ending Life of Smash Mouth&#39;s &#39;All Star.&#39;&quot;
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</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
34m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1605019560" data-format="short_date">Nov 10, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
34m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7720976-anthems-jock-jams-get-ready-for-this"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37248748/75x75/c 75w, https://audioboom.com/i/37248748/150x150/c 150w, https://audioboom.com/i/37248748/300x300/c 300w, https://audioboom.com/i/37248748/600x600/c 600w, https://audioboom.com/i/37248748/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #e8d416; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37248748/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
193: ANTHEMS: Jock Jams — Get Ready For This
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
In 1995, ESPN launched Jock Jams Volume 1, a compilation record that would define the sound of sports for the next quarter century. We listen to the album&#39;s biggest songs to define what makes a &quot;Jock Jam,&quot; and tell the story of how this record came to define the sound of the stadium.

MORE
Read Emily VanDerWerff&#39;s article: “The Jock Jam” megamix inadvertently plays out ESPN’s inner tensions
Lea...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
37m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1604390400" data-format="short_date">Nov 03, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
37m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7715324-anthems-queen-we-are-the-champions"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37219410/75x75/c 75w, https://audioboom.com/i/37219410/150x150/c 150w, https://audioboom.com/i/37219410/300x300/c 300w, https://audioboom.com/i/37219410/600x600/c 600w, https://audioboom.com/i/37219410/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a24854; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37219410/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
192: ANTHEMS: Queen — We Are The Champions
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Freddie Mercury and team made one of the most unusual anthems of all time. “We Are The Champions” has a somber beginning, an uncertain ending and a sprinkling of operatic allusions. Yet more than 40 years after this slow burners debut, it continues to be a staple at sporting events. In the first episode in a four part series, ANTHEMS, Nate and Charlie break down the song’s fundamental elements ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
36m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1603778400" data-format="short_date">Oct 27, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
36m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7709700-cory-henry-has-something-to-say"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
191: Cory Henry has something to say
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Cory Henry is a remarkably gifted multi-instrumentalist. Growing up in the church, he started playing the Hammond B3 organ at age 2 and played his first gig at Apollo theater in NYC at age 6. As a professional musician he’s played along side Bruce Springsteen, Boyz II Men, The Roots, Kirk Franklin and many others including the acclaimed group Snarky Puppy which earned 3 Grammys during his tenur...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
33m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1603173600" data-format="short_date">Oct 20, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
33m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7705124-the-pop-music-forecast-with-lauren-michelle-jackson"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37165939/75x75/c 75w, https://audioboom.com/i/37165939/150x150/c 150w, https://audioboom.com/i/37165939/300x300/c 300w, https://audioboom.com/i/37165939/600x600/c 600w, https://audioboom.com/i/37165939/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #605e60; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37165939/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
190: The Pop Music Forecast (with Lauren Michelle Jackson)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Shawn Mendes, BTS, Alicia Keys, 24kGoldn, Dua Lipa, Justin Bieber &amp; Chance The Rapper are all in the Hot 100 with songs that attempt to cope with the state of the world. What do they tell us about the sound of popular music and our collective psyche? Charlie is joined by writer, critic and friend of the podcast, Lauren Michelle Jackson to offer a meteorological reading of music in late 2020.

S...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
44m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1602647580" data-format="short_date">Oct 14, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
44m
</div>
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7699603-brandy-clark-s-life-is-a-record"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37137293/75x75/c 75w, https://audioboom.com/i/37137293/150x150/c 150w, https://audioboom.com/i/37137293/300x300/c 300w, https://audioboom.com/i/37137293/600x600/c 600w, https://audioboom.com/i/37137293/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ecc538; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37137293/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
189: Brandy Clark&#39;s Life Is A Record
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
There is a tradition in country that loves flawed characters lost on a winding journey… likely down a dit road. One of the best songwriters in this style is acclaimed songwriter Brandy Clark. Her credits include a whose-who of country music Kacey Musgraves, Reba McEntire, Darius Rucker, Lean Rimes—and her albums have received overwhelming critical acclaim. Her debut record, 12 stories, earned h...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
32m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1602042778" data-format="short_date">Oct 07, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
32m
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</div>
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<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7696857-keith-urban-on-the-speed-of-now-part-1"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
188: Keith Urban on The Speed of Now Part 1
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Keith Urban is a legend of country. He’s been releasing hit records for two decades now. Each album he describes as a portrait of his life in that moment. On his latest work, The Speed Of Now Part 1, has Urban disregarding country convention (as he’s known to do), and collaborating with a diverse roster of musicians who contribute an eclectic array of sounds funk guitar, breakbeat drums and eve...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
42m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1601670120" data-format="short_date">Oct 02, 2020</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
42m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7694148-mickey-guyton-s-fight-for-country-music-s-acceptance"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37108596/75x75/c 75w, https://audioboom.com/i/37108596/150x150/c 150w, https://audioboom.com/i/37108596/300x300/c 300w, https://audioboom.com/i/37108596/600x600/c 600w, https://audioboom.com/i/37108596/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #eecbd5; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37108596/1400x1400/c" />
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187: Mickey Guyton’s fight for Country Music’s acceptance
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Mickey Guyton spent a decade of fits and starts trying to make a career in country music. But now in recent months she’s having a country music moment releasing vulnerable songs that use her experiences of rejection, exclusion and racism as inspiration. Charlie speaks with Guyton about her breakout songs “What Are You Gonna Tell Her?” and “Black Like Me,” as well as what it took for her to make...
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56m
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<span><span class="js-time" data-epochtime="1601411444" data-format="short_date">Sep 29, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7688290-disclosure-where-energy-flows"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/37078332/75x75/c 75w, https://audioboom.com/i/37078332/150x150/c 150w, https://audioboom.com/i/37078332/300x300/c 300w, https://audioboom.com/i/37078332/600x600/c 600w, https://audioboom.com/i/37078332/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f2e11c; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37078332/1400x1400/c" />
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186: Disclosure: Where Energy Flows
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Howard and Guy Lawrence, the brothers behind Disclosure, found global acclaim in 2012 with their song “Latch” ft. Sam Smith which blended house and dubstep in a doo-wop time signature. Since, they have collaborated with many of pop’s most sought after vocalists (The Weeknd, Lore and Khalid to name a few) in an ever evolving vision of dance music. On their latest album release, “Energy,” Disclos...
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40m
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<span><span class="js-time" data-epochtime="1600765200" data-format="short_date">Sep 22, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7686287-the-5th-movement-iv-what-beethoven-would-have-wanted"><div class="Episode-list-grid card-body pan">
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
185: THE 5TH — MOVEMENT IV, What Beethoven Would Have Wanted
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When we listen closely to the Fifth, we hear a testament to self-expression and determination. Which means that we get to decide how to honor this symphony today, whether that means taking a break from Beethoven to commission new works from underrepresented composers, bringing new audiences into the fold by staging concerts in communities outside of the concert hall, or re-writing Beethoven’s w...
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30m
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<span><span class="js-time" data-epochtime="1600401600" data-format="short_date">Sep 18, 2020</span></span>
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30m
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<a class="text-decoration-none" href="/posts/7682844-the-5th-movement-iii-putting-the-classism-in-classical"><div class="Episode-list-grid card-body pan">
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184: THE 5TH — MOVEMENT III, Putting the Classism in Classical 
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When you walk into a concert hall, there’s an established set of conventions and etiquette (“don’t cough!”; “don’t cheer!”; “dress appropriately!”) that’s more about demonstrating belonging than appreciating the music. That&#39;s thanks to Beethoven — or really, thanks to the wealthy white men who turned his Fifth symphony into a symbol of their own superiority and importance.
For others — women, L...
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34m
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<span><span class="js-time" data-epochtime="1600153200" data-format="short_date">Sep 15, 2020</span></span>
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34m
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<a class="text-decoration-none" href="/posts/7680319-the-5th-movement-ii-from-struggle-to-victory"><div class="Episode-list-grid card-body pan">
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183: THE 5TH — MOVEMENT II, From Struggle to Victory 
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In the first movement of his famous symphony, Beethoven sets up a battle between hope and despair. The dark side of that spectrum is represented by the anguished opening notes of the first movement: DUN DUN DUNNN. Over the course of the next three movements, Beethoven keeps trying to overcome his dark fate with bright major melodies, and keeps getting defeated.
With each high and low, we begin ...
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27m
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<span><span class="js-time" data-epochtime="1599807600" data-format="short_date">Sep 11, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7677059-the-5th-movement-i-a-battle-brewing"><div class="Episode-list-grid card-body pan">
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182: THE 5TH — MOVEMENT I, A Battle Brewing
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You know Beethoven’s Fifth Symphony. You’ve heard it in films, advertisements, parodied in Saturday morning cartoons and disco-ized in Saturday Night Fever. The Fifth Symphony is a given, so much so that it blends into the background. You know this piece, but how well? Of all the symphonies of the bewigged classical &quot;greats,&quot; why is this one still stuck in our heads over two centuries later?
To...
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29m
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<span><span class="js-time" data-epochtime="1599555600" data-format="short_date">Sep 08, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7675412-announcing-the-5th-with-the-new-york-philharmonic"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/36984506/75x75/c 75w, https://audioboom.com/i/36984506/150x150/c 150w, https://audioboom.com/i/36984506/300x300/c 300w, https://audioboom.com/i/36984506/600x600/c 600w, https://audioboom.com/i/36984506/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #fbee08; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36984506/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Announcing &quot;The 5th&quot; with The New York Philharmonic 
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A podcast mini-series in IV movements explaining and reconsidering Beethoven’s game-changing symphony. Episodes air Tuesdays &amp; Fridays starting Sept 8th.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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1m
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<span><span class="js-time" data-epochtime="1599257737" data-format="short_date">Sep 04, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7672053-the-resistance-is-dancing-in-the-streets-icymi"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36966946/75x75/c 75w, https://audioboom.com/i/36966946/150x150/c 150w, https://audioboom.com/i/36966946/300x300/c 300w, https://audioboom.com/i/36966946/600x600/c 600w, https://audioboom.com/i/36966946/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #d7c672; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36966946/1400x1400/c" />
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181: The Resistance is Dancing in the Streets (ICYMI)
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Our Switched on Summer Throwback Series continues with “Dancing in the Street,” the 1964 Motown hit by Martha and the Vandellas that was co-written by none other than Marvin Gaye. Over 50 years and countless covers later, we explore how this song still manages to get people off their feet and onto the streets—not just to dance, but also to raise their voices in joy, catharsis, and protest.

SPO...
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33m
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<span><span class="js-time" data-epochtime="1598950800" data-format="short_date">Sep 01, 2020</span></span>
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33m
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<a class="text-decoration-none" href="/posts/7667257-benee-and-the-art-of-the-sad-banger"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36942052/75x75/c 75w, https://audioboom.com/i/36942052/150x150/c 150w, https://audioboom.com/i/36942052/300x300/c 300w, https://audioboom.com/i/36942052/600x600/c 600w, https://audioboom.com/i/36942052/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #febacc; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36942052/1400x1400/c" />
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180: Benee and the Art of the Sad Banger 
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How does it feel to become a global pop star under lockdown? Benee’s “Supalonely” had been out for over 5 months when in March of 2020, it quickly became the second most popular song on TikTok. The song’s hook “I’ve been lonely… Supalonely” clearly reflected a global collective malaise about the pandemic—and people wanted to dance to it. She wrote this “sad banger” to help get over a breakup. A...
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31m
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<span><span class="js-time" data-epochtime="1598403887" data-format="short_date">Aug 26, 2020</span></span>
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31m
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<a class="text-decoration-none" href="/posts/7660361-90s-music-canon"><div class="Episode-list-grid card-body pan">
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179: 90s Music Canon
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Matt Daniels, editor of the publication The Pudding, wanted to find out what songs from his youth would last into the future. So he designed a study that would test if Gen-Z had a grip on 90s culture. Hundreds of thousands of participants provided over 3 million data points. Daniels parsed through the data for insights. Sadly, the majority of his most beloved songs have not survived even one ge...
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39m
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<span><span class="js-time" data-epochtime="1597741200" data-format="short_date">Aug 18, 2020</span></span>
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39m
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<a class="text-decoration-none" href="/posts/7655058-bruno-major-restyles-the-great-american-songbook"><div class="Episode-list-grid card-body pan">
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178: Bruno Major restyles the Great American Songbook
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Bruno Major blends old song structures from The Great American Songbook with contemporary production on his new album “To Let A Good Thing Die.” The result is a nostalgic, yet contemporary collection of love songs for the Netflix and chill generation. We speak with Bruno Major about how he draws inspiration from the past to craft something new. He breaks down his songs &quot;Nothing,&quot; &quot;To Let A Good...
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48m
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<span><span class="js-time" data-epochtime="1597136400" data-format="short_date">Aug 11, 2020</span></span>
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48m
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<a class="text-decoration-none" href="/posts/7649207-black-is-king-icymi-beyonce-s-gift-to-africa-ft-ivie-ani"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36849151/75x75/c 75w, https://audioboom.com/i/36849151/150x150/c 150w, https://audioboom.com/i/36849151/300x300/c 300w, https://audioboom.com/i/36849151/600x600/c 600w, https://audioboom.com/i/36849151/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ed7a6a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36849151/1400x1400/c" />
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177: Black Is King (ICYMI Beyoncé&#39;s Gift To Africa ft. Ivie Ani)
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Beyoncé&#39; has released &quot;Black Is King,&quot; a visual album based off of music that she released last year. We&#39;re rerunning that piece so that you can place the visual component of &quot;Black Is King&quot; in context to the music. For the live action remake of the Lion King, Beyoncé, (who voices Nala in the film), recorded and curated a companion soundtrack called The Gift. She worked with leading Afropop sta...
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38m
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<span><span class="js-time" data-epochtime="1596547103" data-format="short_date">Aug 04, 2020</span></span>
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38m
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<a class="text-decoration-none" href="/posts/7642737-folklore-taylor-swift-s-quarantine-dream"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/36815950/75x75/c 75w, https://audioboom.com/i/36815950/150x150/c 150w, https://audioboom.com/i/36815950/300x300/c 300w, https://audioboom.com/i/36815950/600x600/c 600w, https://audioboom.com/i/36815950/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #e4cd07; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/36815950/1400x1400/c" />
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176: folklore: taylor swift&#39;s quarantine dream
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Taylor Swift has released folklore, her unexpected eight studio album. It is an understated work that firmly puts celebrity gossip behind her (there are no who&#39;s-dating-who easter eggs to be found). Instead we&#39;re gifted Swift&#39;s greatest strength: songwriting. The lyrics blur &quot;fantasy and reality.&quot; There are imagined teenage love trysts, recreated dynasties and intimate reflections on modern lov...
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<span><span class="js-time" data-epochtime="1595926800" data-format="short_date">Jul 28, 2020</span></span>
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175: The Women Reclaiming Nu-Metal ft. Rina Sawayama
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Nu-Metal, the mid 90s creation that blended metal, rap and pop, is one of the most critically derided pop genres. So it is strange that this genre is having a comeback. But whereas its first incarnation was dominated by men, now women are leading the way. Artists like Poppy, Grimes and Rina Sawayama have recast the heavy guitars, sung-rap lyrics and gaudy aesthetic to fight back the patriarchy....
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<span><span class="js-time" data-epochtime="1595322000" data-format="short_date">Jul 21, 2020</span></span>
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<a class="text-decoration-none" href="/posts/7631636-rosie-investigating-a-crime-at-the-heart-of-the-music-industry"><div class="Episode-list-grid card-body pan">
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174: Rosie: Investigating a Crime at the Heart of the Music Industry
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Listen closely to the start of the 2015 hit &quot;Hey Mama&quot; by David Guetta, Nicki Minaj, Afrojack, and Bebe Rexha and you&#39;ll hear voices intoning a chant: &quot;Be my woman, girl, I&#39;ll be your man.&quot; It&#39;s sample from a 1948 recording called &quot;Rosie,&quot; and it&#39;s the propulsive hook of &quot;Hey Mama,&quot; driving the song to over a billion views on YouTube. The voices in the sample belong to CB Cook and ten other uni...
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25m
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<span><span class="js-time" data-epochtime="1594699200" data-format="short_date">Jul 14, 2020</span></span>
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