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The Art of Costume Design
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As readers may remember, The Beekeeper has been one of my favorite movies of the year thus far (https://www.thebulwark.com/p/the-beekeeper-review) . One thing in particular I loved about it was the costume design: It’s an underappreciated artform, conveying character through clothing, and the costuming in this film perfectly conveyed a range of characters, from “taciturn hero” to “crazed killer...
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<span><span class="js-time" data-epochtime="1713628500" data-format="short_date">Apr 20, 2024</span></span>
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From &#39;Funny or Die&#39; to Western Neo-Noirs
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On this week’s show I talked to Rod Blackhurst, the director of the new film Blood for Dust, about … well, a whole bunch of stuff. From his early shorts on the comedy website Funny or Die starring Dave Franco and Christopher Mintz-Plasse, to a documentary about Amanda Knox, to the horror short “Night Swim” (which recently received the feature-length treatment), to his new picture with the great...
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<span><span class="js-time" data-epochtime="1713024000" data-format="short_date">Apr 13, 2024</span></span>
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The Best and the Worst of Streaming 2023
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I’m very excited to be rejoined by the Entertainment Strategy Guy (subscribe to his newsletter!) (https://entertainment.substack.com/) to discuss the year in streaming. What were the biggest hits (https://entertainment.substack.com/p/the-top-streaming-films-in-2023) in TV and film? What were the biggest misses (https://entertainment.substack.com/p/the-56-biggest-film-flops-bombs-and) ? Could li...
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<span><span class="js-time" data-epochtime="1712419200" data-format="short_date">Apr 06, 2024</span></span>
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Bringing &#39;Lousy Carter&#39; to Life
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This week I was thrilled to chat with star David Krumholtz and writer-director Bob Byington about their new movie, Lousy Carter. It’s a wide-ranging conversation, touching on topics from shooting during the age of Covid to where Krumholtz was when he got the call to audition for Oppenheimer, and I hope you find it as fun to listen to as it was for me to conduct. If you enjoyed it, I hope you sh...
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<span><span class="js-time" data-epochtime="1711814400" data-format="short_date">Mar 30, 2024</span></span>
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The 2024 Stunt Awards!
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On this week’s episode I’m thrilled to be rejoined by Brandon Struessnig and Bilge Ebiri, who spearhead Vulture’s annual Stunt Awards. We talked about the year’s big winner, John Wick Chapter 4, how folks kind of have to decide for themselves how much CGI is too much CGI when determining what counts as practical and what counts as digital, and compiling the 100 most influential fight scenes of ...
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<span><span class="js-time" data-epochtime="1711209600" data-format="short_date">Mar 23, 2024</span></span>
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What Does a Film Commissioner Do?
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This week I’m honored to be joined by Dallas Film Commissioner Tony Armer to discuss what, precisely, a film commissioner does. On this episode he discusses his own path to getting involved in the film industry, breaks down different kinds of incentives cities and states use to woo productions, and talks about how Dallas has made itself more attractive to major productions looking for a place t...
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<a class="text-decoration-none" href="/posts/8469425-beetlejuice-the-musical-indie-film-and-life-on-the-road"><div class="Episode-list-grid card-body pan">
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&#39;Beetlejuice: The Musical,&#39; Indie Film, and Life on the Road
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This week I’m pleased to be joined by Abe Goldfarb, who is currently playing Otho for the touring company of Beetlejuice: The Musical and both starred in and co-directed First Time Caller (which I reviewed here (https://plus.thebulwark.com/p/why-not-have-true-detective-and-night) ). You may remember a few months back that Colorado Rep. Lauren Boebert got kicked out of a showing of Beetlejuice: ...
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<span><span class="js-time" data-epochtime="1710003600" data-format="short_date">Mar 09, 2024</span></span>
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The Nelms Brothers Talk &#39;Red Right Hand&#39;
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A couple years back I had Ian and Eshom Nelms on the show (https://podcasts.apple.com/us/podcast/the-bulwark-goes-to-hollywood/id1526477480?i=1000501985809) to talk about their new Christmas classic, Fatman. We had a great talk, so I was thrilled when their people reached out to see if I’d like to discuss their new flick, a sort of southern revenge thriller/neo-noir by the name of Red Right Han...
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<span><span class="js-time" data-epochtime="1709398800" data-format="short_date">Mar 02, 2024</span></span>
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Richard Rushfield&#39;s Hollywood Field Guide
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On this week’s episode, we have the original Bulwark Goes to Hollywood guest, Richard Rushfield of The Ankler (https://theankler.com/) , returning to discuss his fabulous Hollywood Field Guide. How do you assuage actors (https://theankler.com/p/field-guide-1-how-to-handle-actors) , reassure writers (https://theankler.com/p/field-guide-2-how-to-handle-writers) , and make your way through the res...
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41m
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<span><span class="js-time" data-epochtime="1708794000" data-format="short_date">Feb 24, 2024</span></span>
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41m
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<a class="text-decoration-none" href="/posts/8457410-julian-schlossberg-returns-to-tell-more-hollywood-tales"><div class="Episode-list-grid card-body pan">
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Julian Schlossberg Returns to Tell More Hollywood Tales!
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This week Julian Schlossberg returns to tell more tales of life in the arts. From reading his life story as the narrator of the new audiobook version of his memoir, Try Not to Hold It Against Me (https://www.amazon.com/Try-Not-Hold-Against-Me/dp/B0CSGF6GBZ/ref=sr_1_1?crid=E2S5SY33QSMQ&amp;keywords=try+not+to+hold+it+against+me+book&amp;qid=1707857766&amp;sprefix=try+not+to+hol%2Caps%2C124&amp;sr=8-1) , to his ...
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46m
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<span><span class="js-time" data-epochtime="1708189200" data-format="short_date">Feb 17, 2024</span></span>
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How Piracy Persists on the Internet
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This week I’m joined by Karyn Temple, Senior Executive Vice President and Global General Counsel for the Motion Picture Association, to discuss how the trade group wages the global war on intellectual property infringement. A couple of months back we had the MPA’s Terri Davies on the show (https://plus.thebulwark.com/p/stopping-piracy-before-it-starts) to talk about the Trusted Partners Network...
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42m
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<span><span class="js-time" data-epochtime="1707584400" data-format="short_date">Feb 10, 2024</span></span>
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<a class="text-decoration-none" href="/posts/8450185-what-did-peak-tv-let-escape-from-pandora-s-box"><div class="Episode-list-grid card-body pan">
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What Did Peak TV Let Escape from &#39;Pandora&#39;s Box&#39;? 
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This week I’m thrilled to be joined by Peter Biskind to discuss his new book, Pandora’s Box: How Guts, Guile, and Greed Upended TV (https://www.amazon.com/Pandoras-Box-Greed-Upended-Television/dp/0062991663/ref=tmm_hrd_swatch_0?_encoding=UTF8&amp;qid=1706732398&amp;sr=8-1) . From the rise of HBO to the streaming boom, how we watch TV—and what gets shown on TV—has radically changed over the last few dec...
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<span><span class="js-time" data-epochtime="1706979600" data-format="short_date">Feb 03, 2024</span></span>
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Sundance at 40
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Very excited to have James Emanuel Shapiro, President of U.S. distribution at XYZ Films, back on the show with a recap of all the action at Cannes and a discussion about the state of the film festival scene writ large. Then we discuss some of his upcoming releases, including the new sci-fi flick Restore Point and XYZ’s exciting acquisition of Skyline: Warpath, starring action bigshots Scott Adk...
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<span><span class="js-time" data-epochtime="1706374800" data-format="short_date">Jan 27, 2024</span></span>
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<a class="text-decoration-none" href="/posts/8427866-how-the-family-plan-became-a-hit-for-apple"><div class="Episode-list-grid card-body pan">
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How &#39;The Family Plan&#39; Became a Hit for Apple
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This week, I’m re-joined by David Coggeshall to talk The Family Plan, AppleTV+’s high-concept action-comedy about a dad, Mark Wahlberg, who has to take his family on the run when his past life as a hitman rears its ugly head. Released over the Christmas holiday season—as David notes in today’s episode, the perfect time to capture families looking for something everyone age 10 to 100 can enjoy—t...
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43m
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<span><span class="js-time" data-epochtime="1705165200" data-format="short_date">Jan 13, 2024</span></span>
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43m
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<a class="text-decoration-none" href="/posts/8425350-what-s-next-in-the-streaming-wars"><div class="Episode-list-grid card-body pan">
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What&#39;s Next in &#39;The Streaming Wars&#39;
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This week, I’m joined by Brandon Katz to talk about Parrot Analytics’s new report (https://www.parrotanalytics.com/strategy/netflix-streaming-wars-not-winner-take-all-svod-rank/) on the state of streaming and why the “winner take all” theory of the so-called streaming wars was always a little bit silly. We discuss what attracts viewers to the streaming services, what keeps them there once they ...
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45m
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<span><span class="js-time" data-epochtime="1704560400" data-format="short_date">Jan 06, 2024</span></span>
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45m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8420588-francis-ford-coppola-visionary"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
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Francis Ford Coppola, Visionary
</h5>
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This week I’m joined by Sam Wasson to discuss his new book The Path to Paradise: A Francis Ford Coppola Story (https://www.amazon.com/Path-Paradise-Francis-Coppola-Apocalypse/dp/006303784X/ref=sr_1_1?crid=30T939U7YZYK8&amp;keywords=the+path+to+paradise+a+francis+ford+coppola+story&amp;qid=1703192430&amp;sprefix=the+path+to+%2Caps%2C201&amp;sr=8-1) , which chronicles the making of Apocalypse Now and the rise an...
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42m
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<span><span class="js-time" data-epochtime="1703350800" data-format="short_date">Dec 23, 2023</span></span>
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42m
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<a class="text-decoration-none" href="/posts/8416541-whit-stillman-on-metropolitan-a-christmas-movie"><div class="Episode-list-grid card-body pan">
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Whit Stillman on &#39;Metropolitan,&#39; a Christmas Movie
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This week I’m thrilled to be joined by Whit Stillman, the director of, among other features, The Last Days of Disco, Barcelona, and Love and Friendship. He’s on the show today to discuss Metropolitan and the way it has been embraced as a classic Christmas movie (https://www.thebulwark.com/metropolitan-is-a-christmas-movie/) , as well as the evolution of the indie film business over the last 40 ...
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43m
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<span><span class="js-time" data-epochtime="1702746000" data-format="short_date">Dec 16, 2023</span></span>
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43m
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<a class="text-decoration-none" href="/posts/8412236-the-year-in-the-box-office"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The Year in the Box Office
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On this week’s episode, Scott Mendelson returns to the show to discuss how 2023 shook out at the box office, why niche films and niche audiences became more important than ever to movie theaters, and whether or not studios are hiding that Wonka, The Color Purple, and next year’s Mean Girls remake are musicals because they’re worried about the impact on box office. Make sure to check out Scott’s...
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58m
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<span><span class="js-time" data-epochtime="1702141200" data-format="short_date">Dec 09, 2023</span></span>
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58m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8410315-from-nicolas-coppola-to-nicolas-cage"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
From Nicolas Coppola to Nicolas Cage
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Zach Schonfeld to discuss his new book, How Coppola Became Cage (https://www.amazon.com/Coppola-Became-Cage-Zach-Schonfeld/dp/019755637X/ref=sr_1_1?crid=3FGAXYE5LG074&amp;keywords=how+coppola+became+cage&amp;qid=1701278379&amp;sprefix=how+copp%2Caps%2C192&amp;sr=8-1) . Zach’s look at the early years of Nicolas Cage’s career is deeply researched, featuring interviews with directors like ...
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39m
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<span><span class="js-time" data-epochtime="1701550097" data-format="short_date">Dec 02, 2023</span></span>
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39m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8405039-charlie-chaplin-s-life-in-exile"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Charlie Chaplin&#39;s Life in Exile
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This week, I’m rejoined by Scott Eyman, author of Charlie Chaplin Vs. America: When Art, Sex, and Politics Collided (https://www.amazon.com/Charlie-Chaplin-vs-America-Politics/dp/1982176350/ref=sr_1_1?crid=N2I3D776NT3S&amp;keywords=charlie+chaplin+vs.+america&amp;qid=1700680883&amp;sprefix=charlie+chaplin%2Caps%2C120&amp;sr=8-1) . We discussed the great silent star’s exile from America, how the press and the g...
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<span><span class="js-time" data-epochtime="1700931600" data-format="short_date">Nov 25, 2023</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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48m
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<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8401112-why-you-can-finally-watch-moonlighting-on-streaming"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Why You Can Finally Watch &#39;Moonlighting&#39; on Streaming
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Glenn Gordon Caron, the creator and showrunner of Moonlighting, to talk about that series’s long-awaited arrival on streaming. We discussed the show’s creation, the discovery of Bruce Willis, how he and costar Cybil Shepherd kept up with the show’s trademark rapid-fire patter, the difficulty in clearing music rights (and how Moonlighting was one of the first shows to hea...
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1hr 3m
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<span><span class="js-time" data-epochtime="1700326800" data-format="short_date">Nov 18, 2023</span></span>
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1hr 3m
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<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8398175-stopping-piracy-before-it-starts"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Stopping Piracy Before It Starts
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Terri Davies. Terri heads up the Motion Picture Association’s Trusted Partners Network, which helps studios and other partners develop best practices for avoiding leaks of films and TV shows pre-release, from pre- to post-production. We discussed her time at Sony Pictures from 2000 to 2015, a period of time during which the business of distribution was revolutionized (an...
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33m
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<span><span class="js-time" data-epochtime="1699722000" data-format="short_date">Nov 11, 2023</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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33m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8393749-how-what-we-watch-defines-us"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
How What We Watch Defines Us
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Walt Hickey, the author of You Are What You Watch: How Movies and TV Affect Everything (https://www.amazon.com/You-Are-What-Watch-Everything/dp/1523515899/ref=sr_1_1?crid=3TPFQQ41Y3GGR&amp;keywords=you+are+what+you+watch+walt+hickey&amp;qid=1699113742&amp;sprefix=you+are+what+you%2Caps%2C131&amp;sr=8-1) . Among the many topics discussed on this show: the surprisingly durable effect of W...
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<span class="numeric-tabular d-sm-none">
47m
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<span><span class="js-time" data-epochtime="1699113600" data-format="short_date">Nov 04, 2023</span></span>
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</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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47m
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</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8389684-zoey-ashe-s-life-in-the-future-panopticon"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Zoey Ashe&#39;s Life in the (Future) Panopticon
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m rejoined by Jason Pargin to discuss his new novel, Zoey Is Too Drunk for This Dystopia, and the ways in which the futuristic panopticon he envisions for Zoey and the other citizens of Tabula Ra$a is a little like now, but moreso. We talk for a bit about how book marketing has evolved over the last decade-plus, why TikTok became a must for novelists like himself, and why despite th...
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52m
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<span><span class="js-time" data-epochtime="1698508800" data-format="short_date">Oct 28, 2023</span></span>
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52m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8386483-how-siskel-and-ebert-got-their-thumbs"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
How Siskel and Ebert Got Their Thumbs
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I’m joined by Matt Singer this week, author of Opposable Thumbs: How Siskel and Ebert Changed Movies Forever (https://www.amazon.com/Opposable-Thumbs-Siskel-Changed-Forever/dp/0593540158/ref=pd_lutyp_d_bmx_gp_cc6cxfjn_sccl_1_1/140-4069914-6608659?pd_rd_w=RFfIS&amp;content-id=amzn1.sym.82063e04-8129-45a3-90de-950a2081643f&amp;pf_rd_p=82063e04-8129-45a3-90de-950a2081643f&amp;pf_rd_r=49GKYN5YYH8DWD9CNJKX&amp;pd_r...
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<span class="numeric-tabular d-sm-none">
40m
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<span><span class="js-time" data-epochtime="1697904000" data-format="short_date">Oct 21, 2023</span></span>
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40m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8378846-how-airplane-changed-comedy-forever"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
How &#39;Airplane!&#39; Changed Comedy Forever
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week, I’m thrilled to be joined by David Zucker, Jim Abrahams, and Jerry Zucker to discuss their new oral history, Surely You Can’t Be Serious: The True Story of Airplane! (https://www.amazon.com/Surely-You-Cant-Be-Serious/dp/1250289319/ref=tmm_hrd_swatch_0?_encoding=UTF8&amp;qid=1696473769&amp;sr=8-1) In this episode we discuss, among other topics, what set the ZAZ style apart from other titans o...
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<span class="numeric-tabular d-sm-none">
32m
</span>
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&bull;
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<span><span class="js-time" data-epochtime="1696694400" data-format="short_date">Oct 07, 2023</span></span>
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</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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32m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8375566-what-the-writers-gained-by-striking"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
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What the Writers Gained By Striking
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Elaine Low of The Ankler (https://theankler.com/) and its Strikegeist newsletter (https://strikegeist.substack.com/) to talk about the end of the WGA strike and what the writers won, from performance-based residuals on streaming originals to minimum writers room sizes to AI protections. We also discussed how the picket line and social media helped maintain solidarity and...
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<span class="numeric-tabular d-sm-none">
32m
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<span><span class="js-time" data-epochtime="1696089600" data-format="short_date">Sep 30, 2023</span></span>
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32m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8371686-the-lines-that-define-our-lives"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The Lines that Define our Lives
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Before we get started: apologies for the downgrade in my audio quality about 10 minutes into this episode. My computer, unappreciative of the coffee I spilled on it earlier in the week, decided to restart itself mid-recording in protest. It shall be punished greatly.

——

This week I’m joined by Brian Abrams, author of “You Talkin’ to Me?”: The Definitive Guide to Iconic Movie Quotes (https://w...
</div>
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41m
</span>
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<span><span class="js-time" data-epochtime="1695484800" data-format="short_date">Sep 23, 2023</span></span>
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</div>
</div>
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41m
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</a></div>
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8367996-fantasy-culture-and-the-flight-from-reality"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Fantasy Culture and the Flight from Reality
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m rejoined by Jonathan Taplin, author of The End of Reality: How 4 Billionaires Are Selling a Fantasy Future of the Metaverse, Mars, and Crypto (https://www.amazon.com/End-Reality-Billionaires-Selling-Metaverse/dp/1541703154/ref=tmm_hrd_swatch_0?_encoding=UTF8&amp;qid=1694718414&amp;sr=8-1) , to discuss the ways in which popular culture may be leading the public down a dark road. Mr. Taplin...
</div>
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<span class="numeric-tabular d-sm-none">
48m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1694880000" data-format="short_date">Sep 16, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
48m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8364354-data-transparency-is-a-double-edged-sword"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Data Transparency Is a Double-Edged Sword
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I talk to Ben Dreyfuss, formerly in charge of audience acquisition at Mother Jones and currently the author of the Calm Down Substack (https://www.calmdownben.com/) , about the promise and the peril of complete data transparency. Ben watched what happened firsthand (https://www.calmdownben.com/p/public-streaming-data-will-change-hollywood) as data about what readers wanted became more...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
49m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1694275200" data-format="short_date">Sep 09, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
49m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8360393-erotic-thrillers-unsung-heroes-of-home-video"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Erotic Thrillers: Unsung Heroes of Home Video
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Anthony Penta, director of &#39;We Kill for Love,&#39; on the history—and present—of an unfairly denigrated genre.
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
54m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1693670400" data-format="short_date">Sep 02, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
54m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8356288-the-rise-and-fall-of-the-brothers-warner"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The Rise and Fall of the Brothers Warner
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Chris Yogerst to discuss The Warner Brothers (https://www.amazon.com/Warner-Brothers-Screen-Classics/dp/0813198011/ref=sr_1_1?crid=XJG4UM2L1BQI&amp;keywords=chris+yogerst+warner+brothers&amp;qid=1692898288&amp;sprefix=warner+brothers+chris+%2Caps%2C168&amp;sr=8-1) , his fascinating new look at the life of Jack, Harry, Sam, and Albert Warner, who collectively formed the Warner Bros. stud...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
53m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1693065600" data-format="short_date">Aug 26, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
53m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8353041-why-we-need-to-know-what-s-failing"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Why We Need to Know What’s Failing
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The Entertainment Strategy Guy returns to discuss the importance of failure.
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
52m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1692460800" data-format="short_date">Aug 19, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
52m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352152-how-to-start-a-film-studio-in-2023"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
How to Start a Film Studio in 2023
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Roy Price, the founder of Prime Video and Amazon Studios, to discuss what it would look like in 2023 to start a brand-new movie studio. Which genres are under-served? What price points should budgets be aimed at? And which audiences are looking for something they aren’t getting from the big studios? We also talk a bit about streaming networks and audience acquisition/ret...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
47m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1691856000" data-format="short_date">Aug 12, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
47m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352153-how-2023-s-oddest-box-office-hit-paid-it-forward"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
How 2023&#39;s Oddest Box Office Hit &#39;Paid It Forward&#39;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Some backstory to this episode: last month I bought a ticket for Sound of Freedom because I was curious about the year’s most unexpected box office sensation. As the credits rolled, star Jim Caviezel came on the screen and gave a speech to the audience about the importance of theatrical exhibition; it’s the sort of thing you typically see at the start of movies these days, actors and directors ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
49m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1691251200" data-format="short_date">Aug 05, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
49m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352154-hollywood-s-hopes-in-china-are-fading"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Hollywood&#39;s Hopes in China Are Fading
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I’m rejoined this week by The Wall Street Journal’s Erich Schwartzel, author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy, to talk about Hollywood’s disastrous summer in China, where virtually every American movie released so far has underperformed. We also talk briefly about why Meg 2: The Trench may end up being one of the lone bright spots for Hollywood this ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
37m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1690646400" data-format="short_date">Jul 29, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
37m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352155-netflix-s-soft-earnings-and-the-barbenheimmer-juggernaut"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Netflix&#39;s Soft Earnings and the &#39;Barbenheimmer&#39; Juggernaut
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On this week’s episode Ryan Faughnder, author of the Wide Shot newsletter, returns to the show to talk about Netflix’s softer-than-expected earnings report, the momentary bright spot at the box office, and the possibility that this strike is going to be going on for quite some time. If you enjoyed the episode, share it with a friend!
Learn more about your ad choices. Visit podcastchoices.com/ad...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
32m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1690041600" data-format="short_date">Jul 22, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
32m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352156-what-if-evel-knievel-had-run-for-president"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
What If Evel Knievel Had Run for President?
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m rejoined by Jake Tapper, who is on the show to discuss his new historical novel All the Demons Are Here, the third book in the Charlie and Margaret Marder Mysteries. It’s a great beach read and works as a standalone, but I still recommend checking out his previous novels as well to get the full scope of of the Marder family’s story. On this episode we discuss how the books have ev...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
37m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1689436800" data-format="short_date">Jul 15, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
37m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352157-hollywood-s-perfect-storm"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Hollywood&#39;s Perfect Storm
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
I’m happy to be rejoined by the first (and, perhaps one day, final) Bulwark Goes to Hollywood guest, Richard Rushfield of The Ankler (subscribe today!), to talk about Hollywood’s shaky summer. Nine-figure flops, the collapse of IP, labor woes, c-suite shakeups: it’s a weird time out west. How is the industry going to handle it? And what might the future look like? All that and more on this week...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
36m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1688832000" data-format="short_date">Jul 08, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
36m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352158-a-decade-of-big-muscles-and-bigger-egos"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
A Decade of Big Muscles and Bigger Egos
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Nick de Semlyen, the editor of Empire magazine and author of the new book The Last Action Heroes: The Triumphs, Flops, and Feuds of Hollywood&#39;s Kings of Carnage. We talk Sly, Arnold, Bruce, and the other big names of the 1980s, how the cinematic heroes of the decade dovetailed in a way with the presidency of Ronald Reagan, and how a second-rate Chuck Norris feature may h...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
34m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1688227200" data-format="short_date">Jul 01, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
34m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352159-new-doc-examines-how-vets-are-recruited-by-militias"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
New Doc Examines How Vets Are Recruited by Militias
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Ken Harbaugh, the producer of Against All Enemies, to discuss his new documentary about the disproportionate number of military and police personnel attracted to extremist groups like the Oath Keepers. How did so many end up at the vanguard of the mob that stormed the Capitol on January 6? And what role do lies about elections play in radicalizing this cohort? We also di...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
32m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1687622400" data-format="short_date">Jun 24, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
32m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352160-how-universal-found-a-brand-new-customer"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
How Universal Found a Brand-New Customer
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Brooks Barnes of the New York Times to discuss his story on Universal’s efforts to build what amounts to a new release window, the premium video on demand (PVOD) window. For the first time, Brooks has some real numbers, and they’re pretty interesting. For instance, The Super Mario Bros. Movie, pictured above, has made more than $75 million since May 16 despite still bein...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
35m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1687017600" data-format="short_date">Jun 17, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
35m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352161-just-don-t-call-it-reality-tv"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Just Don&#39;t Call it &#39;Reality&#39; TV 
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On this week’s show, I’m joined by Arthur Smith, chairman of A. Smith and Co. Productions, the company behind long-running hits like Hell’s Kitchen and American Ninja Warrior. In addition to explaining why he shies away from the label “reality TV,” he’s here to talk about his career and his fascinating new book Reach: Hard Lessons and Learned Truths from a Lifetime in Television. Arthur has one...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
54m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1686412800" data-format="short_date">Jun 10, 2023</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
54m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/8352162-tribeca-and-the-evolution-of-the-film-festival"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Tribeca and the Evolution of the Film Festival
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
This week I’m joined by Cara Cusumano, Festival Director and VP of Programming at the Tribeca Festival, for a wide-ranging chat about the nature of the modern film festival, how a festival’s sense of place can coexist with efforts to make the festival’s programming available to people around the world, and how Tribeca has expanded beyond film into a multimedia extravaganza. We also talked about...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
35m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1685808000" data-format="short_date">Jun 03, 2023</span></span>
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35m
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<a class="text-decoration-none" href="/posts/8352163-the-data-that-determines-what-we-watch"><div class="Episode-list-grid card-body pan">
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The Data that Determines What We Watch
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On this week’s episode, I’m joined by the Entertainment Strategy Guy to talk about the state of streaming data. What do we know? What don’t we know? Do movies fare better on streaming after getting a theatrical run? How does the data help determine what we watch? What is the “binge curve”? All that and more on this week’s episode. If you found it illuminating, make sure to sign up for his Subst...
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50m
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<span><span class="js-time" data-epochtime="1685209288" data-format="short_date">May 27, 2023</span></span>
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50m
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<a class="text-decoration-none" href="/posts/8352164-how-much-free-work-do-writers-do-to-get-paid-work"><div class="Episode-list-grid card-body pan">
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How Much Free Work Do Writers Do to Get Paid Work?
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I am pleased to be joined this week by screenwriter Colby Day to discuss all the unapid work that goes into getting paid work. I loved reading Colby’s diaries of annual pitch meetings and the such for 2021 and 2022, and thought I might share them, and him, with you as a way to help you understand some of the frustrations that writers have with the current state of Hollywood. How many pitches do...
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37m
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<span><span class="js-time" data-epochtime="1684598400" data-format="short_date">May 20, 2023</span></span>
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37m
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Is the Superhero Boom Officially Over?
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This week I’m rejoined by Scott Mendelson of The Wrap to talk about the state of the box office. Is the comic book boom over? What should we be looking for from Guardians of the Galaxy Vol. 3 if we want to assess the health of Disney’s cash cow? What did Scott make of The Flash at Cinemacon? When will the mid-level movie recover? Why is 2017 a better comparison point than 2019? All that and mor...
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41m
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<span><span class="js-time" data-epochtime="1684006057" data-format="short_date">May 13, 2023</span></span>
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41m
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How Do You Bring the (Fake) Real Pete Davidson to Life?
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This week I’m joined by Judah Miller, showrunner of the new Peacock dramedy Bupkis, to talk about bringing Pete Davidson’s life to the small screen. Bupkis is fascinatingly hard to describe in shorthand, given the way it mixes tones and genres, and also the manner in which it blends Pete Davidson’s ripped-from-the-headlines life with a fictionalized version of his family and day-to-day existenc...
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24m
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<span><span class="js-time" data-epochtime="1683388800" data-format="short_date">May 06, 2023</span></span>
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24m
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What&#39;s to Come in &#39;The Streaming Wars&#39;
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This week I’m joined by Matthew Ball, CEO of Epyllion, former global head of strategy for Amazon Studios, and the author of The Metaverse and “The Streaming Book,” which you can read at that link there. And you should read it if you want to understand how we got where we are in the streaming wars, why it’s early yet in the contest between the companies vying for your attention, and where we’re ...
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40m
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<span><span class="js-time" data-epochtime="1682784000" data-format="short_date">Apr 29, 2023</span></span>
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40m
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Going to the Movies: Still the Best Value Around
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This week I’m rejoined by David Herrin of The Quorum—a must-visit site for any amateur or professional box office nerd—to talk about a new study The Quorum put together in partnership with The Cinema Foundation about the value proposition of going to the movies. We talked all sorts of stuff on this episode: why audiences are three times more excited to return to theaters now than they were at t...
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30m
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<span><span class="js-time" data-epochtime="1682179200" data-format="short_date">Apr 22, 2023</span></span>
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30m
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