Ep. #271: Andy Shauf on fearing elevators, being a loner, finding a voice, The Party, and more
Andy Shauf is a talented songwriter, singer, and multi-instrumentalist who originally hails from Saskatchewan. Over the past four years, Shauf has released critically acclaimed and vibrant pop records whose dark textures contain clever lyrics and infectious melodies. He made quite a statement with 2015’s The Bearer of Bad News and has possibly even topped that wondrous record with this year’s conceptual LP, The Party, which is out now via ANTI- and Arts & Crafts Records. He’s been busy touring and will be playing the Hillside Festival in Guelph the weekend of July 22 before heading across the United States with case/lang/veirs. Here, Andy and I discuss being in Winnipeg vs. being in Regina, the East India Company restaurant, Portage and Main, missing home and moving to Toronto, renting a condo and buying a piano and a bed, elevators are hell, dizziness and astronaut material, entering outer space on a big plane, celebrity condo, Andy’s excellent cross Canada adventure to get a new van, on the level, making The Party in a former CBC Radio studio in Regina, Jason Plumb of the Waltons, recording and working in seclusion, people who think they know what to do, the live band, being a multi-instrumentalist, drum lessons, attending a Christian high school and not thinking about that stuff too much, Olivier Fairfield, Josh Daignault, Colin Nealis, the band Fet.Nat, poaching musicians, The Party and Blake Edwards’ 1968 film starring Peter Sellers called The Party, the loose concept of The Party, drinking alcohol at a party, dumb things Andy does at parties, party life, The Party’s characters like Jeremy, Sherri, Alexander, and Martha, character studies in songs and giving them lives, “Jack and Diane II,” getting into Randy Newman, pop-punk and Elliott Smith, finding his voice and writing 100 songs, artistic trajectories and foresight, critical feedback loops, Saskatchewan gives you time, when Andy’s music transcended Canada and he got busy, gradual success, writing one new song, playing the Ryman Auditorium in Nashville, the song “To You,” and then things elevated.
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