The Romanovs: 1613-1918 by Simon Sebag Montefiore. @simonmontefiore Part 2 of 2.
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The Romanovs: 1613-1918 by Simon Sebag Montefiore.Part 2 of 2. @simonmontefiore .
“Simon Sebag Montefiore's The Romanovs is epic history on the grandest scale . . . A story of conspiracy, drunken coups, assassination, torture, impaling, breaking on the wheel, lethal floggings with the knout, sexual and alcoholic excess, charlatans and pretenders, flamboyant wealth based on a grinding serfdom, and, not surprisingly, a vicious cycle of repression and revolt. Game of Thrones seems like the proverbial vicar's tea party in comparison . . . Reading Montefiore's excellent account, it is hard to imagine how the monarchy could ever have survived under their catastrophic leadership.” —Antony Beevor, Financial Times
“Spellbinding . . . it takes true historical daring to tackle such an immense subject. . . . Montefiore’s novelistic gift of drawing vivid characters with a few choice words never fails him. . . . The main portraits are invariably memorable. . . . This monumental work is an essential addition to the library of anyone interested in Russian history and the doomed dynasty of the Romanovs.” —Olga Grushin, The New York Times Book Review
“Wonderfully written and fascinating down to the last footnote. . . . [Montefiore’s] style is polished, lively, informed. . . . Montefiore is an accomplished storyteller, and what might have been a plodding succession of reigns reads instead like a novel—specifically, in its interplay of themes and motifs, and especially its pairing of opposites, like Gabriel García Márquez’s One Hundred Years of Solitude. . . . [The Romanovs’] stories—freshened, compressed, filled in and corrected—achieve new power and meaning in this fast-moving narrative. . . . Like a novel, too, this is a hard book to put down. As historical reconstruction and as storytelling, The Romanovs is an achievement of the first rank.” —David Walton, The Dallas Morning News
“The book is a marvellous read and the last third, from fin de siècle to revolutionary cataclysm, is dazzling . . . The pages on Nicholas and Alexandra are perhaps the best ever, economical in expression, simultaneously poignant and trenchant. Vignettes are used to reveals depths of personality . . . And just as a novelist wields dialogue, Montefiore renders of the birth of each daughter with pithy quotations from memoirs. Here in the sweeping story of the downfall, the salaciousness delivers more than just sparkling passages as in Montefiore’s incisive telling of Rasputin’s machinations and murder or his accounts of the executions of 18 Romanovs in 1918 . . . Thanks to the talents of Simon Sebag Montefiore, Romanov rule will hereafter appear still more improbable and haunted.” —Stephen Kotkin, The Wall Street Journal
“Drawing on a wide array of Russian sources, Sebag Montefiore paints an unforgettable portrait of characters fascinating and charismatic, odd and odious. Magnificent palaces, elaborate balls, and a culture that produced Pushkin, Tchaikovsky and Tolstoy existed alongside pogroms, torture and murder . . . Monarchs over one-sixth of the globe, they played at Western niceties while clinging to Byzantine notions of absolute rule. . . . Erudite and entertaining.” —Greg King, The Washington Post
“Captivating . . . The story of the Romanovs has been told countless times but never with such acompelling combination of literary flair, narrative drive, solid research and psychological insight. The Romanovs covers it all, from war and diplomacy to institution building and court intrigue, but it is chiefly an intimate portrait that brings to life the twenty sovereigns of Russia in vivid fashion . . . Montefiore writes with subtlety and sophistication about the nature of court life, the dynamics of power and the shifting co...