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ALAN POWER: Welcome to the
National Trust podcast.

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I'm Alan Power Head Gardener at
Stourhead.

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Gardener, Lover Of Nature,
everything outdoors and

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generally curious mind.

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In this series, we'll be
exploring the Trust's amazing

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spaces delving into stories and
characters that make each place

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so special.

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We'll be traveling all around
the country from hilltop to

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seaside. We'll tread sandy paths
and the polished wooden floors

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of country homes.

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Delight in bird song, sublime
views and exceptionally good

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cream teas. So join me on this
journey and immerse yourself in

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the wonders of the National
Trust.

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Today I'm in Northern Ireland
and I'm driving towards one of

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the most astonishing gardens in
the UK, Mount Stewart. I'm about

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13 miles east of Belfast.

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So not far away from the largest
city in Northern Ireland. But

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what I can see out of my window
in the car is worlds apart from

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the hustle and bustle of that
busy city.

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On the right hand side, this
amazing lough appears called

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Strangford Lough. Now,
Strangford Lough is an inland,

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salt water lake with a tiny,
tiny exit point into the Irish

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Sea and the tide rushes in and
out.

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I worked at Mount Stewart many,
many years ago. So sitting in

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the car, I'm very excited to get
to see the garden again.

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The garden here at Mount Stewart
has been thriving ever since it

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was established by the rich and
powerful Stewart family who made

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their money from selling fine
fabrics like linen.

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They bought the estate
originally in 1744.

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The property was passed into the
care of the National Trust in

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the late 1950s. One of the
characters we're going to hear a

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lot about today is Edith Lady
Londonderry, whose imagination

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and passion shaped this place in
the 19 twenties.

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In the late 19th century, she
married the eldest son of the

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Stewart family, Charles
Vane-Tempest-Stewart and

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cemented her position as one of
the most high profile society

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women in Ireland.

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She brushed shoulders with the
likes of Winston Churchill, Lady

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Astor and Harold Macmillan. And
she was often the subject of a

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little bit of gossip and scandal
in the newspapers.

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But away from the politics and
the parties, Edith used the vast

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gardens at Mount Stewart as a
place of peace reflection and

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self expression. Today, the
garden still bear the hallmarks

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of the design Edith started
almost 100 years ago.

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Wow, it's quite a dramatic
entrance to the garden. You

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leave this massive expanse of
water behind huge, huge skies

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and then all of a sudden you're
utterly encompassed by an

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already unusual plant
collection. I'm walking past

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kind of giant Pittosporum you
know, they're, they're huge

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plants that would normally just
grow to 10 or 15 ft.

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But these are, these are almost
like trees and I always kind of

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think of Mount Stewart as a
little bit of a scratch and

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sniff garden and a lot of
Pittosporum have a lovely scent

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to it. And if you squash the
leaf and smell it, it's a really

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lovely citrusy smell.

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The garden is a fanciful feast
for the eyes formally clipped

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hedging laced with luxurious
colourful planting. It's

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astonishing. There's plants from
all sorts of exotic climbs.

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Brazil, Australia, Burma, just
to name a few.

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And of course, proudly presiding
over these spectacular gardens

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is Mount Stewart House a grand
affair. It was Edith Lady

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Londonderry's family home in the
early 20th century and today its

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doors are open to the public who
are invited to enjoy its charm

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and splendour.

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Now, one of the first
impressions you get of the

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garden at Mount Stewart is that
there are very formal elements

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to it. So I'm meeting up with
Lisa Risse-Robertson who is a

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gardener in the formal garden at
Mount Stewart to learn a little

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bit more about it. Hi, Lisa, how
are you? [Alan and Lisa Talk

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over each other]

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It's brilliant to think you're
standing in a garden like this

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surrounded by the amazing plants
that we can see today that you

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know, you do have to start with
research. You do have to start

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with getting the facts right and
making sure that I suppose what

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you do as a gardener here is
true to what Lady Edith did you

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know, back in the 1920s and
1930s.

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LISA RISSE-ROBERTSON : Yeah, I
have to do it because what we

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do, we want to keep the garden
close to what Edith has done.

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And I think that is quite nice
for me as a gardener because I

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can walk in her shoes for a wee
while. And that's what I like.

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I try to get into her thinking.
So what Edith has planted in

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here? So I can look in the books
and see what she had in there.

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But mainly I have to work with
the colour scheme Edith left us

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and of course, it has to be
exotic. If it's possible.

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ALAN POWER: You have a lot of
southern hemisphere plants here.

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Mount Stewart, don't you? Do you
focus primarily on the southern

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hemisphere when you're looking
for some of the plants for the

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garden?

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LISA RISSE-ROBERTSON : No, I
focus on every plant, every

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plant which would fit into the
colour scheme and give me

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everything I wanted for this
garden like fragrance and hide,

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it goes in. So try it. We have a
lot of plants to play with, why

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not playing with it?

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ALAN POWER: Lisa, We're very far
north-

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What is so unique about the
microclimate at Mount Stewart

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that allows you as a gardener
here to play with the plants the

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way you do.

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LISA RISSE-ROBERTSON : We are
here on the Ards Peninsula. So

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we are more or less enclosed
with water. So we have at the

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south side Strangford Lough
where we get, believe me or not,

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a lot of sunshine. Although this
is Ireland! Ireland is always

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regarded as a rain hole! We get
a lot of sunshine here.

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And at the other side, we have
the Irish Sea and the Gulf

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Stream. It makes it quite- quite
nice and warm. But our

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microclimate really comes from
the shelter built we have around

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here. You have to think about
Mount Stewart as a big duvet

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where the garden is sitting in
the center and this big duvet is

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lying over us which are trees
around us.

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ALAN POWER: So I'm just about to
catch up with Neil The Head

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Gardener at Mount Stewart and
he's gonna tell me a little bit

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more about another compartment
in the garden.

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Morning, Neil. How are you
doing?

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NEIL PORTEOUS: Very good.
Thanks.

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ALAN POWER: Neil, We've only
really got time to catch the tip

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of the iceberg today in a couple
of the compartments at Mount

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Stewart. But could you give us
an overview of the rest of the

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garden?

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NEIL PORTEOUS: Well, there are
about seven formal compartments.

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Each one has a theme. We're in
the Mairi Garden then on to the

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Italian Garden. And then you go
around to the west of the house

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with the Sunk garden, which is
all about scent and contrast of

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strong colours, blue, orange,
and other hot colours like red

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and yellow.

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And then on to the Shamrock
Garden, a garden which expresses

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Edith's love of Irish and
Scottish mythology.

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And around the outsides of those
are much more informal areas

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like the Peace Garden where all
the family pets are buried. And

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then into lily wood, which was
for her love of scented oriental

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lilies. She used to make
potpourri out of these petals.

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So it was a great theme for her.

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ALAN POWER: And we're right into
the Mairi Garden a very

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different feel and much less
formal than the compartments

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that we've just seen. And right
in the middle of this garden is

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an amazing statue of a young
girl with bells and cockle

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shells, dripping water into a
fountain.

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And that is Lady Mairi Neil,
isn't it?

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NEIL PORTEOUS: It is. Yeah. In
1920 Edith suddenly found in the

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summer that she was pregnant age
41. And so this fifth and last

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child was very special to her
because she just really moved to

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Mount Stewart and invested in
Mount Stewart making it her

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principal home.

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So this was a real gift, you
know, to have a young child. It

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was also a slight
reconciliation. She'd managed to

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get her husband Charlie away
from his mistress in London and

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it was a great triumph.

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But on top of that, there's a-
sort of Tudor Rose, a stylized

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Tudor Rose in the shape of the
five tear shaped beds. Edith was

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a suffragist. She believed that
women should have the vote and a

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job and a career just like a
man.

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By January 1915. You did realize
that the war, World War One,

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this is, wouldn't be over by
Christmas. So it sort of

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galvanized her.

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And in early January, she
started the Women's Legion,

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which for the first time,
initially got women working on

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the land. But very soon after
that women were allowed into the

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armed services working in the
obvious things of those- in

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those days, things like the
catering corps, the nursing

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corps. But soon women were doing
a wide range of roles that men

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had previously done to allow men
to get off to the front.

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So by the end of World War One,
it's estimated about 80% of the

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work in Britain was being done
by women that men had done

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previously. And the Women's
Legion was just one of many

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organizations that used the
crisis to sort of get women into

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the workplace. And of course, by
1920 women over the age of 30

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were given the vote for the
first time. So she felt very

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proud that she'd pushed things
along.

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But isn't it lovely that you've
got Lady Mairi, Edith's last

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youngest daughter sitting in the
middle of the emblem of the

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Women's Legion, sort of hope for
the future really. So it's a

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very optimistic garden.

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We try and use lozenges of blue,
roughly blue and purple and

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white, maybe with a bit of pink,
not too fussy and allow it to

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luxuriate. And as you can see
that it does become a bit chunky

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towards the end of the season.
And what we'll do- because the

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soil is so poor every five
years, we have to take it out

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and start again.

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We use chaos to give us changes
each year, you know, but when

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things come and go, we just sort
of, basically plant it with us

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by the seat of our pants with
new things and it looks like

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we've done something new.

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But this gives you this constant
innovation. Edith was somebody

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who never went back to an idea
once she'd put it in once. So it

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gives that impression that we're
kind of gardening it the way she

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did.

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ALAN POWER: I grew up with a
superstitious mother from Bandon

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in Cork and I know that Edith
was quite superstitious as well

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and believed that there were
certain things in the garden

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here that helped or hindered.

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NEIL PORTEOUS: Yeah. I mean she
wrote at times that she thought

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it was the Seelie, the fairies
that were helping the plants to

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grow here at Mount Stewart and
by not cutting down the lovely

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hawthorns, the fairy trees and
the domain this had sort of, you

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know, kept things growing and I
don't think she really believed

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it 100% but it, it was a lovely
thing to write, very romantic

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thing.

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And then, you know, Mairi
herself as a young child is

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almost sort of Elf like.

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Elfin child. So maybe, you know,
on some level, she probably

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thought that Mairi was a gift
from the garden.

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ALAN POWER: Neil, We're standing
on the Dodo terrace and correct

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me if I'm wrong. But 1915 was
the year that Edith Lady

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Londonderry was involved in
founding the Ark club. What was

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that all about?

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NEIL PORTEOUS: Yeah, that was
in, Jan- End of January 1915 and

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she used the attics of their
park lane house, Londonderry

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house as a meeting place for the
honourable Order Of The Rainbow.

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The idea of it was to raise
morale in their coterie of

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political friends.

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Basically, there was good food,
good drink, singing, dancing,

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you know, poetry, just a laugh
really to raise morale.

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And people were invited to join,
they had to take on a rhyming

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appellation.

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So sort of a really famous
people like Winston Churchill

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were "Winnie The Warlock" or
Neville Chamberlain, "Neville,

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the Devil", Nancy Astor, "Nancy
The Gnat"

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Charlie who was never very
faithful to Edith, he was "

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Charlie the cheater" over there.
And so, you know, it's kind of a

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bit of fun and her own name in
the Ark club was Cersei the

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sorceress, this rather naughty
goddess.

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ALAN POWER: Just at the top of
the steps on the Dodo Terrace.

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There is, there is an ark with a
couple of rabbits either side

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and then it's fantastic where
we're standing silhouettes of

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what looked like dodos.

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NEIL PORTEOUS: Well, the dodos
are a bit of fun really. For

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00:13:26,460 --> 00:13:29,909
Edith's father, Lord Chaplin,
who wasn't it fair to say the

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most dynamic MP in the world.

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00:13:32,119 --> 00:13:37,390
So he was satirized as a dodo in
1903 by the Westminster Gazette.

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And so she's just poking fun at
her father by putting the dodos

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00:13:41,109 --> 00:13:43,140
on top it in joke. Really?

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00:13:51,669 --> 00:13:54,369
ALAN POWER: Now, from weird and
wonderful animals to plant

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00:13:54,380 --> 00:13:58,789
preservation that Mount Stewart
plant propagator Alan Ryder is

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working hard to preserve some of
the amazing plants here.

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So we're standing in the middle
of one of the propagation units

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00:14:08,369 --> 00:14:11,330
in the nursery at Mount Stewart
Alan is standing across from me

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and we're under this
multicoloured light. It's almost

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00:14:14,039 --> 00:14:16,599
like we're at a disco and the
lights are whirring away in the

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background. Alan, what's going
on?

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00:14:18,929 --> 00:14:21,099
ALAN RYDER: Well, we're just
supplementing the light levels

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00:14:21,109 --> 00:14:25,030
in here and this light you're
looking at here is multi

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00:14:25,039 --> 00:14:27,700
spectrum. So it's- it's
assisting the growth where the

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00:14:27,710 --> 00:14:29,270
light levels are a little poor.

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00:14:30,400 --> 00:14:32,289
ALAN POWER: There's all sorts of
weird and wonderful things

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00:14:32,299 --> 00:14:35,289
growing in here. You must have
to apply some very strange

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00:14:35,299 --> 00:14:39,289
propagation techniques and kind
of encouragement for the plants

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and the seeds to take. What's
the weirdest thing you've had to

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00:14:41,669 --> 00:14:42,539
do recently?

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00:14:43,210 --> 00:14:45,859
ALAN RYDER: Well, we've grown a
lot of plants from South Africa

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and to grow that we- we're
having to replicate where the

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00:14:50,210 --> 00:14:55,880
plant would grow and plants in
that area generally will- the

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00:14:55,890 --> 00:15:00,140
dormancy, the inhibitors in the
seed is broken by smoke. So the

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00:15:00,150 --> 00:15:05,150
result of a, of a bushfire and
the seed becomes viable as a

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result.

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00:15:06,049 --> 00:15:09,489
So, what we're doing is we're
doing what they call smoke

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propagation. And we set up a
little tin can and a little

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metal dish and we bubble smoke
through some water to get the

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00:15:18,200 --> 00:15:21,380
essence of the smoke in the
water. And then use that as a

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pre soak for the seed and that
is breaking the inhibitors in

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the seed.

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00:15:25,969 --> 00:15:28,820
And I think that's probably the
weirdest thing.

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So really, it proves that, you
know, propagation is all smoke

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00:15:32,820 --> 00:15:33,650
and mirrors, you know,

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I mean, I'm standing here and
I'm quite envious at some of the

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00:15:39,359 --> 00:15:41,849
kit that you've got, you know,
apart from these beautiful

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00:15:41,859 --> 00:15:45,260
lights and the amount of
greenhouses and polytunnels that

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you've got.

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We're inventive and the lights
that are whirling away in the

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background we got from the local
police department, they were

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confiscated, shall we say from a
local grower who was growing

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Cannabis!

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And this has been a really good
source of material. The police

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00:16:02,289 --> 00:16:05,580
are delighted about the fact
that it's, it's stuff that was

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00:16:05,590 --> 00:16:09,289
used for ill is now being used
for good and it's a good- it's a

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00:16:09,299 --> 00:16:11,130
good story for, for everybody.

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00:16:11,140 --> 00:16:21,409
ALAN POWER: Really, this place
truly is fascinating from the

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00:16:21,419 --> 00:16:24,859
Mad Science of the nursery. I'm
now searching for something a

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00:16:24,869 --> 00:16:28,640
little wilder and a little more
unusual. I'm headed through the

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garden past the lake and I'm on
my way to the Temple Of The

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Winds.

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I'm getting to the top of the
hill here, on this quite breezy

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day and this amazing view of the
lough is slowly unfolding in

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front of me.

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I know exactly what's at the top
of this hill and it's the Temple

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00:16:48,309 --> 00:16:50,799
Of The Winds, a beautiful,
beautiful feature.

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00:16:51,869 --> 00:16:54,219
But I'm hoping Andrew Upton is
going to be there and he's the

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00:16:54,229 --> 00:16:58,739
coast and countryside manager of
this fantastic place. And how

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00:16:58,750 --> 00:17:02,250
appropriate to be meeting Andrew
at the Temple Of The Winds on

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00:17:02,260 --> 00:17:03,239
such a windy day.

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00:17:05,389 --> 00:17:06,499
Hi, Andrew, how are you doing?

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00:17:06,509 --> 00:17:07,928
ANDREW UPTON: Hi, Alan. All the
best.

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00:17:08,068 --> 00:17:10,399
ALAN POWER: It's a bit breezy up
here today. Why, why are we up

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00:17:10,409 --> 00:17:10,779
here?

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00:17:10,788 --> 00:17:13,788
ANDREW UPTON: And this is a very
prominent location. So from

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00:17:13,798 --> 00:17:17,048
here, you can see vast ways of
Strangford Lough. Strangford

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00:17:17,058 --> 00:17:21,279
Lough is internationally
important for wildlife. And at

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00:17:21,288 --> 00:17:23,588
any time of the year, there's
always something important to

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00:17:23,598 --> 00:17:24,279
see out there.

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00:17:24,288 --> 00:17:27,068
So during the winter, as you
mentioned, you've got the Light

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00:17:27,078 --> 00:17:30,930
Bellied Brent Geese which breed
in Arctic Canada, they then

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00:17:30,939 --> 00:17:34,400
migrate through Greenland,
through Iceland and then in

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00:17:34,410 --> 00:17:38,219
September, October, they arrive
on Mass On Strangford Lough and

301
00:17:38,229 --> 00:17:42,349
we can have up to 90% of the
global population on Strangford

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00:17:42,359 --> 00:17:43,000
Lough.

303
00:17:43,109 --> 00:17:46,849
And most years you're talking
about 25,000 birds. But some

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00:17:46,859 --> 00:17:50,680
years we can have as many as
38,000 birds. And it really is

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00:17:50,689 --> 00:17:53,339
one of the wildlife
spectaculars, in Northern

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00:17:53,349 --> 00:17:53,780
Ireland.

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00:17:53,989 --> 00:17:57,630
ALAN POWER: And your job,
yourself and your team staff and

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00:17:57,640 --> 00:18:00,339
volunteers. It, it's part of
your job to look after their

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00:18:00,349 --> 00:18:01,300
habitat, isn't it?

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00:18:01,630 --> 00:18:04,150
ANDREW UPTON: Yeah. Our job is
twofold.

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00:18:04,160 --> 00:18:07,739
One is to actually manage the
habitats these birds either feed

312
00:18:07,750 --> 00:18:12,280
or breed in, but it's also to
monitor their numbers.

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00:18:12,339 --> 00:18:15,339
And only by doing that will we
know whether the species are

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00:18:15,349 --> 00:18:19,630
doing well, whether they're
struggling and then we can adapt

315
00:18:19,640 --> 00:18:22,900
the management to hopefully
bring the numbers back up

316
00:18:23,189 --> 00:18:27,449
To really appreciate and get
into all the nooks and crannies

317
00:18:27,459 --> 00:18:28,589
of Strangford Lough.

318
00:18:28,790 --> 00:18:32,890
You really need a boat. And I'm
very fortunate in one of my past

319
00:18:32,900 --> 00:18:37,130
time is kayaking and I get out,
I really appreciate Strangford

320
00:18:37,140 --> 00:18:42,069
Lough. We have a canoe trail on
Strangford Lough which members

321
00:18:42,079 --> 00:18:44,680
of the public can really come
and enjoy. There's various

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00:18:44,689 --> 00:18:46,849
launch points around the lough.

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00:18:46,859 --> 00:18:49,699
ALAN POWER: Do you have one
outstanding memory or a few that

324
00:18:50,069 --> 00:18:52,079
when you've been out in your
kayak on your own that you

325
00:18:52,089 --> 00:18:54,589
always reflect on and think that
was a great day or a great

326
00:18:54,599 --> 00:18:55,130
moment?

327
00:18:55,310 --> 00:18:58,089
ANDREW UPTON: Yeah, I mean,
what- one that stands out is

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00:18:58,099 --> 00:19:03,010
seeing the Harbour Porpoises
just breaching very close to the

329
00:19:03,020 --> 00:19:03,630
boat.

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00:19:04,109 --> 00:19:07,170
ALAN POWER: Andrew. I've never
seen a harbour Porpoise. You

331
00:19:07,180 --> 00:19:09,430
know, it must have been a real
treat. Can you, can you describe

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00:19:09,439 --> 00:19:10,903
to me what they look like?

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00:19:10,903 --> 00:19:14,530
ANDREW UPTON: Porpoises are part
of the wider Cetacean family.

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00:19:14,540 --> 00:19:18,869
And that includes whales and
dolphins. So porpoises are

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00:19:18,880 --> 00:19:21,369
related to all those creatures.
They're quite small. I mean,

336
00:19:21,380 --> 00:19:25,209
they're about the size of a seal
and they've got very triangular

337
00:19:25,219 --> 00:19:25,810
fins.

338
00:19:25,819 --> 00:19:30,349
So they're very common around
the British Isles in sort of in

339
00:19:30,359 --> 00:19:34,530
short waters. So if you go to
any parts of the coast, you're

340
00:19:34,540 --> 00:19:37,719
likely to see porpoises, but
they only come out of the water

341
00:19:37,729 --> 00:19:38,890
very briefly.

342
00:19:38,969 --> 00:19:42,920
So all you'll really see is sort
of a dark grey creature with

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00:19:42,930 --> 00:19:44,780
this sort of small triangular
fin.

344
00:19:47,300 --> 00:19:49,849
One of the most important
features of Strangford Lough is

345
00:19:49,859 --> 00:19:53,810
the islands. And we have to
graze those.

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00:19:53,819 --> 00:19:56,589
If we don't graze them, they'll
turn to woodland eventually. And

347
00:19:56,599 --> 00:20:00,390
this unique landscape that we
have will quickly disappear. All

348
00:20:00,400 --> 00:20:03,780
the habitats and species that
rely on those islands will

349
00:20:03,790 --> 00:20:04,449
vanish.

350
00:20:04,459 --> 00:20:07,489
What we've tried to do on
Strangford is to actually learn

351
00:20:07,500 --> 00:20:13,229
from the people who manage the
lough. So the people who live

352
00:20:13,239 --> 00:20:15,820
and the communities that are
around the lough.

353
00:20:15,820 --> 00:20:18,859
There's so much to learn from
them. They've been here for

354
00:20:18,869 --> 00:20:22,400
centuries. One of the things
we've been doing, particularly

355
00:20:22,410 --> 00:20:26,369
with some of the people who are
getting on is to actually do an

356
00:20:26,380 --> 00:20:29,750
oral history project to capture
some of those stories and those

357
00:20:29,760 --> 00:20:30,449
traditions.

358
00:20:30,459 --> 00:20:34,189
So, there's like- some of the
people here would have, remember

359
00:20:34,199 --> 00:20:37,189
the days when they used to swim
cattle out to the islands to

360
00:20:37,199 --> 00:20:40,729
graze. Nowadays, the National
Trust has a boat which we

361
00:20:40,760 --> 00:20:43,119
transport animals out to the
islands.

362
00:20:43,130 --> 00:20:47,280
But in those days, it was done
much more sort of basic but- and

363
00:20:47,290 --> 00:20:49,930
the whole community would have
come out to help.

364
00:20:49,939 --> 00:20:54,010
So it was fantastic. You know,
people remember sort of grannies

365
00:20:54,020 --> 00:20:58,410
coming out, children, everyone
helped with this activity and we

366
00:20:58,420 --> 00:21:01,199
sort of lost that. But what we
need to do is just capture some

367
00:21:01,209 --> 00:21:02,349
of those stories.

368
00:21:08,410 --> 00:21:11,380
ALAN POWER: We're coming to the
end of the day now. But the

369
00:21:11,390 --> 00:21:15,040
warmth and charm of the fabulous
Mount Stewart house is beckoning

370
00:21:15,050 --> 00:21:15,790
me inside.

371
00:21:18,209 --> 00:21:21,540
So I'm off now to meet John
Kerr, who's the property manager

372
00:21:21,550 --> 00:21:24,750
at Mount Stewart and has seen
the property through this

373
00:21:24,760 --> 00:21:25,550
restoration.

374
00:21:28,810 --> 00:21:32,660
It's amazing to see what has
been achieved in the house here.

375
00:21:32,670 --> 00:21:36,310
You know, I saw it 15 years ago,
pre restoration and it's, it's a

376
00:21:36,319 --> 00:21:37,020
real treat.

377
00:21:37,030 --> 00:21:39,170
JOHN KERR: When I first started
here at Mount Stewart, the house

378
00:21:39,180 --> 00:21:43,430
was in a very sad condition. It
felt like it felt it was like

379
00:21:43,439 --> 00:21:46,030
the ghost of something once
great. And I think what we have

380
00:21:46,040 --> 00:21:48,750
really captured now is the
spirit of Lady Edith.

381
00:21:50,949 --> 00:21:55,089
What we set out to do was
actually create a house that she

382
00:21:55,099 --> 00:22:00,010
would recognize if she were
restored to full health and came

383
00:22:00,219 --> 00:22:01,380
back to Mount Stewart.

384
00:22:01,500 --> 00:22:03,489
She would feel absolutely at
home. And I think that's what

385
00:22:03,500 --> 00:22:04,270
we've done.

386
00:22:04,270 --> 00:22:07,670
Talking of Edith. There was one
room in the house that was more

387
00:22:07,680 --> 00:22:10,050
important to Edith than any
other, her sitting room.

388
00:22:10,060 --> 00:22:13,819
And there you see the two desks,
the one that she had her

389
00:22:13,829 --> 00:22:16,969
official correspondence sort of
created on and the desk that she

390
00:22:16,979 --> 00:22:19,750
created all of her plans for the
grounds of Mount Stewart. So if

391
00:22:19,760 --> 00:22:20,569
you want to come with me.

392
00:22:29,540 --> 00:22:33,400
This is Lady Londonderry's
sitting room. This was her inner

393
00:22:33,410 --> 00:22:36,780
sanctum and this is where all
the most important things to her

394
00:22:36,790 --> 00:22:37,510
actually are right?

395
00:22:37,520 --> 00:22:40,209
So on the wall, you see her
youngest daughter, Lady Mairi

396
00:22:40,670 --> 00:22:43,560
and around her, the books that
she drew inspiration for the

397
00:22:43,569 --> 00:22:44,920
amazing gardens at Mount
Stewart.

398
00:22:45,569 --> 00:22:47,739
Her desk is just sitting in
front of us and you can see

399
00:22:47,750 --> 00:22:51,260
family portraits, you can see
little toys that the children

400
00:22:51,270 --> 00:22:54,939
have bought her as presents and
you can see her diary and here

401
00:22:54,949 --> 00:22:57,800
in this little basket, just to
the right hand side, you can see

402
00:22:57,810 --> 00:23:00,790
her garden diaries and this is
where she collected her

403
00:23:00,800 --> 00:23:04,300
inspirations and then created
her, her amazing sort of

404
00:23:04,310 --> 00:23:07,670
watercolours and plans for what
the garden was going to be.

405
00:23:08,380 --> 00:23:10,589
ALAN POWER: You can really get a
sense of what she was like just

406
00:23:10,599 --> 00:23:13,709
from the way everything's
displayed, you know, hundreds

407
00:23:13,719 --> 00:23:16,250
and hundreds of little journals
and books tied together with

408
00:23:16,260 --> 00:23:19,819
ribbon organized and their shoes
and walking sticks.

409
00:23:19,829 --> 00:23:23,300
And the most important thing in
this room, I think for me, John

410
00:23:23,310 --> 00:23:25,239
is the fact that she can see the
garden.

411
00:23:25,239 --> 00:23:28,449
JOHN KERR: Absolutely. And when
she was here, every window would

412
00:23:28,459 --> 00:23:32,020
have been wide open. The other
side of each of these wonderful

413
00:23:32,060 --> 00:23:34,959
windows in this amazing bay
which looks out onto the Italian

414
00:23:34,969 --> 00:23:38,930
Garden. There are little stone
steps and this, she talks about

415
00:23:38,939 --> 00:23:41,969
the garden rooms and what she
meant is that this is not the

416
00:23:41,979 --> 00:23:42,589
end of the house.

417
00:23:42,599 --> 00:23:45,329
The house continues out into the
garden and vice versa. Actually,

418
00:23:45,339 --> 00:23:49,390
there is- they are inseparable
to her. It was all just one part

419
00:23:49,400 --> 00:23:51,810
of this magical Island of Mount
Stewart that she created.

420
00:23:55,500 --> 00:23:57,800
ALAN POWER: John. I'm gonna ask
you a big question now because I

421
00:23:57,810 --> 00:24:01,030
know how sensitive these
environments are. Do you mind if

422
00:24:01,040 --> 00:24:03,599
I just sit at Lady Edith's desk
for a minute?

423
00:24:03,609 --> 00:24:05,310
JOHN KERR: We've just had it
restored. So it should be in

424
00:24:05,319 --> 00:24:07,969
good enough condition for you to
sit in it. Absolutely. Be my

425
00:24:07,979 --> 00:24:08,359
guest.

426
00:24:12,349 --> 00:24:15,650
ALAN POWER: I'm sitting in a
little bit of silence, but it's

427
00:24:15,660 --> 00:24:19,719
quite, it's quite moving because
I am surrounded by her personal

428
00:24:19,729 --> 00:24:22,939
artifacts. You know, I've been
through her garden this morning,

429
00:24:22,949 --> 00:24:25,000
walks through the family home.

430
00:24:25,510 --> 00:24:27,829
I suppose the real thing that
makes me tingle is the fact that

431
00:24:27,839 --> 00:24:30,959
her handwriting is right in
front of me. And to have that

432
00:24:30,969 --> 00:24:34,260
kind of real tangible link to
the woman who created this

433
00:24:34,270 --> 00:24:38,209
magnificent place is really,
really moving.

434
00:24:44,310 --> 00:24:48,119
I wish I had longer here. But
unfortunately, that's it for me

435
00:24:48,130 --> 00:24:51,250
this season of the National
Trust podcast, the next three

436
00:24:51,260 --> 00:24:54,839
main episodes will be about
National Trust Walks and these

437
00:24:54,849 --> 00:24:57,660
will be presented by Kate
Martin, one of our west coast

438
00:24:57,670 --> 00:24:58,239
rangers.

439
00:24:59,550 --> 00:25:02,270
I've really enjoyed taking you
with me on my tour of some of

440
00:25:02,280 --> 00:25:04,689
the National Trust most
beautiful Gardens and can't wait

441
00:25:04,699 --> 00:25:06,569
to do it again in season three.

442
00:25:07,729 --> 00:25:10,430
But for more information about
Mount Stewart, you can visit

443
00:25:10,439 --> 00:25:15,642
their website at
nationaltrust.org.uk/mount-stew-

444
00:25:15,642 --> 00:25:16,180
art.

445
00:25:19,479 --> 00:25:22,439
For our next full episode, Kate
will be in Kinder scout in the

446
00:25:22,449 --> 00:25:26,050
peak district. That episode will
be available in a couple of

447
00:25:26,060 --> 00:25:29,339
weeks, but don't worry, there
will be a mini episode available

448
00:25:29,349 --> 00:25:29,979
next week.

449
00:25:30,189 --> 00:25:33,790
We'll be exploring the power,
poisons and pleasures of the

450
00:25:33,800 --> 00:25:36,900
colour purple through the
incredible flowers at Mount

451
00:25:36,910 --> 00:25:38,359
Stewart.

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00:25:38,359 --> 00:25:41,520
To make sure you never miss
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iTunes or your chosen podcast
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You can also email us at
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00:25:58,520 --> 00:26:02,369
So for me, Alan Power, until
next season, it's goodbye.

