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ALAN POWER: Thanks for
downloading this garden cutting

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from the National Trust. In
these shorter programs I'm

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exploring a particular aspect of
our work.

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I'm Alan Power, the head
gardener for the National Trust

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at Stourhead in Wiltshire. But
today I'm at Sissinghurst Castle

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Garden in Kent, a garden
designed by poet and author Vita

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Sackville West and diplomat
Harold Nicholson.

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I'm standing next to Josh Sparks
in the garden at Sissinghurst.

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It's quite chilly, but actually
Josh has got a particular

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passion and interest in the
meadows here, don't you?

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JOSH SPARKS: I certainly do even
though some people probably call

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it an obsession rather than a
passion. So-

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ALAN POWER: No, there's a fine
line, isn't there.

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JOSH SPARKS: Yeah, definitely,
definitely.

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But the reason why I'm obsessed
or love them so much is because

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they're so entwined in our
culture. They've been with us

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since Neolithic man, hung up his
bow and arrows and spear and

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decided to keep animals rather
than hunt them. So they've been

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with us for thousands of years.

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And in recent years, in the past
really 60, 70 years, we've seen

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a 98% decline in the wildflowers
due to fertilizers, the

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mechanization of farming
equipment and almost this need

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to make a lot of profit from our
land.

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So ponds disappeared with that
hedgerows, trees and every scrap

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of land has been used for the
production of food or the over

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grazing of animals.

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ALAN POWER: So, what are you
doing at Sissinghurst at the

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moment? Because I know you're
trying to re-establish some of

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the meadows here.

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JOSH SPARKS: When Vita and
Harold came here. They, well,

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the reason why they got Sissin-
Or fell in love with

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Sissinghurst was because of the
Kentish countryside. Vita writes

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about it regularly. And when
they came, the farm that was

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here originally was crashing
against the castle walls.

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And now we're taking it back to
the kind of 1930s farm. So we're

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turning a lot of these
homogeneous, boring lawns making

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them back into wild flowers. And
we're sharing this kind of

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wildflower experience, wildlife,
with our visitors.

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ALAN POWER: And that helps I
suppose, tell the whole story of

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Sissinghurst, you know, its
connection with the agricultural

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landscape, its connection with
the surrounding landscape and

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merges both closer together,
doesn't it?

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JOSH SPARKS: Yeah, definitely.
Within the three years that

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we've created the meadows, the
wildlife has shot up almost or

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is more visible. Now, we try and
manage our meadows in the most

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traditional way we can.

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So we do scythe we do make
hayricks, for example, the oast

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meadow, which we created two
years ago, this kind of blank

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boring lawn. Now, when you walk
down, there's all these Oxeye

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Daisies and Ragged Robins. But
there's all these sparrows kind

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of spiralling up out the centre
of it playing.

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And when I come into the orchard
where we are now at five in the

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morning to scythe on the hayrick
pile, there's always a Tawny Owl

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at the top.

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And then as you work down the
hayrick, you get birds taking

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hay to make nests and the next
bit down you get all these flies

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and moths and butterflies all
playing in it. And if you look

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at the bottom of the hayrick,
you just see the bottoms of

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mice, kind of scuffling in,
scuffling out again.

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So we are really creating
amazing habitats for wildlife

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through traditional management
and through the kind of

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wildflowers.

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ALAN POWER: I'm gonna have to
come and see that Tawny Owl

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JOSH SPARKS: We'll get you
scything!

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Because I'm a bit of a soppy
git, I mean, I see it as a

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connection to people.

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You know, Romans brought Scythes
over 2000 years ago. So you're

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doing something that someone
2000 years ago is doing.

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But you're so in tune and
connected to the meadow when

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you're scything.

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If you're scything your windrow
and you hear some squeaks or

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noises, you can move the grass
and there's a nest of mice and

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you can work your way around
them and then carry on. It's not

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like a machine which just kind
of sucks and splutters

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everything up. You really are
connected to it and you can

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really-

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ALAN POWER: And you feel it,
don't you? Because you develop a

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rhythm when you're scything.

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JOSH SPARKS: Oh, yeah. It's like
a dance. Once you get the rhythm

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you just go through. I mean, I
do it barefoot as much as I can

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because you can feel how much
you cut the grass. So, when

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you're walking through you can
see the stubble and stuff. So,

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it's really fantastic.

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ALAN POWER: Nice one. But
you've, you've been doing some

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research into the plants as
well, haven't you? And has that

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been research abroad.

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JOSH SPARKS: As a gardener
personally, I take most

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inspiration from seeing plants
in the wild.

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ALAN POWER: Yeah,

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JOSH SPARKS: I think as any
gardener to see different

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combinations, different
habitats, how they grow, how

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they colonize themselves is so
important as gardeners and we

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can apply in all our gardens.

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So I've done a lot of traveling.
So I've been to Slovenia, the

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Outer Hebrides, Romania, the
French Alps, the Mediterranean

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in search of kind of
wildflowers- meadows to see how

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people manage them and to see
the combinations.

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And especially in Romania, I
live with a farmer and we did

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scything, we made hayricks and
he talked to us about the

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farming and how he benefited the
wildlife and it benefited him

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and everything I learn, I bring
back here.

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ALAN POWER: And Vita and Harold
did something very similar,

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didn't they? They travelled and
took inspiration back here as

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well.

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JOSH SPARKS: Yeah. So Harold was
a diplomat. So he went all

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across kind of Constantinople
and Vita especially went to Iran

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and she saw a lot of Irises
growing out of the desert and

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took inspiration from that to
put Irises in and especially the

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garden room, Delos, which we're
going to start next year. Used

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to be her Mediterranean garden,
which she took inspiration from

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the Mediterranean and the
ancient city of Delos.

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ALAN POWER: You must be learning
an awful lot from what you're

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doing here.

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JOSH SPARKS: Yeah, I mean,
anything I learn I want to share

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and here at Sissinghurst, The
work we're doing is quite

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innovative. And we actually now
run our own meadow internship

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where people come and stay here
for a week, get engrossed in the

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kind of atmosphere of
Sissinghurst.

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And we scythe and projects later
on is a massive field at the

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back lake field. We're turning
it back into a meadow and a

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cherry orchard and the field out
the front, which is this huge

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kind of manicured lawn. We're
really boning it back, turning

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it back into meadow, having
sheep grazing animals.

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So when people walk down the car
park, they're just going to be

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connected to this rural idea
straight away. And we're going

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to teach more people about that
how to incorporate it into their

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gardens.

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ALAN POWER: That's brilliant.
Josh, thanks a million.

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Thanks for downloading this
garden cutting from the National

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Trust.

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If you've enjoyed this podcast,
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BETTANY HUGHES: I'm Bettany
Hughes. I've been visiting

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National Trust Properties all my
life, but in this series of

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podcasts, I'm going beyond the
delights of tees and topiary to

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reveal the surprising European
roots of some of the most

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splendid sites in England.

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You can subscribe to my series
by searching for Bettany

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Hughes's 10 places, Europe and
us, on your podcast app.

