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ALAN POWER: Thank you for
downloading this garden cutting

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from the National Trust. I'm
Alan Power, the head gardener at

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Stourhead in Wiltshire. And
today I'm At Croome in

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Worcestershire, one of
Capability Brown's first

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landscape gardens.

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The National Trust works in
partnership with many landowners

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and tenant farmers around the
country. But one particular

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relationship that has developed
at Croome Court is a

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relationship with Karen Cronin
and her husband Chris who bought

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the walled garden and gardeners
cottage here in the year 2000.

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They've been restoring the
garden themselves over the past

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few years and have been opening
it recently.

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Karen, It's a pleasure to meet
you and especially to be

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standing here in such a massive
walled garden. The work is

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bearing down on top of me. I
mean, what was it like in 2000

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when you, when you bought the
place.

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KAREN CRONIN: Completely
derelict and completely

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overgrown and wild, but in its
own way, it was very beautiful

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even then. And I think that's
what really attracted us to it.

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We- it was in such a state that
we really didn't know what we

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were buying.

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ALAN POWER: You're, you're
productive here already. You

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know, you've made massive,
massive steps forward. Do you

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mind telling us what you're
producing at the moment and what

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you're growing In the walled
garden?

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KAREN CRONIN: Right. Well, we
grow a little bit of everything

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really. I like to cook so I like
the idea of, you know, coming

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and picking my own produce.
We've grown sweet potatoes this

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year for the first time and
they've been successful.

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We've, obviously, as you can
see, we've got lots of fruit

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trees which are going to be
espaliered against those wires.

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We've got a whole path that are
full of old varieties that have

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come from either Hereford,
Worcestershire or

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Gloucestershire.

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And then another path which is
full of more modern varieties,

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the eldest one- going back to
1955 I think the idea there is

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that people will be able to see
the difference of the progress

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of apples and be able to taste
the difference between an old

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apple and a new apple. We've got
espalier of pear tree and of

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cookers as well. You know, we
grow beans, we, you know, we got

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cabbages, we grow everything.

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ALAN POWER: Heading- heading
into the winter and looking at

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the months ahead, I mean, we can
see the work that you've

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achieved this year with the
wires and the espaliers.

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But what I love in the, where
we're standing is the contrast

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to the left, there's kind of
established fruit beds, there's

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cages protecting next year's
crops on the right hand side,

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there's a JCB, there's a dumper
truck. You know, it's a real

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story, isn't it? I know that
you've mentioned that there's a

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few Daffodils been planted,
isn't there?

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KAREN CRONIN: Yeah. Well, up in
the very top bank there last

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year we planted 5,500 Daffodils,
with some help from our

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volunteer friends. And this year
I've bought just over another

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1000 to go below that and then,
that's then going to be sowed

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with, a wild flower meadow,
which I thought would be rather

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nice to help with the
pollination.

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And also for the general public
will bring summer colour and

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also the bugs for the children
to look out for and the

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butterflies and things.

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So we thought that would be very
interesting. We also, developing

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another bed further down which
again, I've bought a load of

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tulips to go in for. So that'll
be all done in the next sort of,

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you know, month.

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ALAN POWER: In kind of five
years time in the middle of the

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summer. If we were to put a deck
chair out here, what, what would

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you want to see?

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KAREN CRONIN: And the Todd
Vineary will be fully restored.

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And hopefully, we might even
have managed to start on the hot

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wall as well. Because our real
dream is to be able to fire that

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up again one day.

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ALAN POWER: It's amazing. I want
a hot wall.

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It's, this hot wall was was
heated by furnaces, wasn't it?

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KAREN CRONIN: There was five
underground little fireplaces

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and in fact, the way that they
look, is one that's exposed at

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the top. We've left it for
people to see if you can imagine

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what, the- in a Victorian
bedroom, the sort of size of the

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fireplace in there.

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Well, they're about that kind of
size but we understand that the

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main reason that you get a hot
wall, is because of the, glass

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tax, the window tax as people
know it.

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So, if you had a glass house,
you had to pay tax on the glass

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in your glass house.

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So it was a way of trying to
get, an extended growing season

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without having to pay the
Exchequer a lot of money. So, in

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fact, when that, when the glass
tax was rescinded, most people

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just stop using their hot walls
and I don't think there's that

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many left now.

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ALAN POWER: It's lovely. I've
been to Croome quite a few times

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and I've kind of wondered at the
walls from the other side, you

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know, and you wonder what,
what's in there and, you know,

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from what you've described, the-
the National Trust volunteers

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get to come through that gate
and get that wow factor when

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they come in and the fact that
visitors can see the whole

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property now, you know, they can
see Brown's work outside and

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they can, you know, visit, visit
you when you're open and come in

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and see what's going on in here
as well.

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It's been a pleasure to talk to
you. It's been lovely to see

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your walled garden. You very,
very best of luck with it. And

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thanks a million for your time
today.

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Hope you've enjoyed this garden
cutting from the National Trust.

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You can subscribe or follow on
your podcast app for the full

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program. Join us for December in
Sissinghurst. We'll see you

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then.

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BETTANY HUGHES: I'm Bettany
Hughes. I've been visiting

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National Trust Properties all my
life. But in this series of

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podcasts, I'm going beyond the
delights of teas and topiary to

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reveal the surprising European
roots of some of the most

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splendid sites in England. You
can subscribe to my series by

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searching for Bettany Hughes's
10 Places, Europe and us. On

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your podcast app.

