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ALAN POWER: Welcome to the
National Trust Gardens podcast.

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I'm Alan Power, the head
gardener at Stourhead in

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Wiltshire.

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And this is the second of our
three part series, bringing you

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the secrets behind one of
Britain's most beautiful

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gardens. Today, I'm at Croome
Park in Worcestershire, a

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wonderful 18th century landscape
garden designed by Capability

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Brown and the Earl at the time
decorated with 18th century

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garden features and a
centrepiece, a beautiful

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Palladian House. It's overlooked
by the magnificent Malvern Hills

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in the distance.

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Today, I'm here to find out what
makes this place so special.

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It may once have been a boggy
marsh, but it's where one of the

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world's greatest landscape
gardeners cut his teeth in the

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18th century.

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Croome has had many uses over
the last century, not just as a

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wonderful place to visit. The
uses have been diverse and wide

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ranging. It was a secret wartime
airbase at one stage. It's been

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a boys school. It's been a Hare
Krishna Institution and it was

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overlaid with intensive farmland
for quite a long time.

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In the 18th century, this was
the very first estate that was

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created in its entirety by the
landscape gardener Capability

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Brown.

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But its recent history has left
marks on the landscape. The

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National Trust have been working
really hard to restore the

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gardens to their 18th century
style since 1996.

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I'm standing near the visitor
centre at the northern end of

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the estate where we're sheltered
from the wind and I'm meeting

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Katherine Alker, the head
gardener at Croome.

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Now, Katherine, you've been here
a while, haven't you?

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KATHERINE ALKER: Yes. Hi, Alan.
I've been here just about 10

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years now. It's changed
enormously over the past few

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centuries and is still changing
massively now. And what what

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we're doing here is restoring
the vision of Capability Brown,

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along with the Sixth Earl of
Coventry to transform what was

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quite an unproductive piece of
land into a beautiful landscaped

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designed garden with beautiful
pasture and yeah, a wonderful

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landscape.

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ALAN POWER: Katherine today, I
have the privilege of you taking

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me around your garden. And what
I really want to try and get

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today is, is more inspiration
from Capability Brown's kind of

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winter landscape work that he
did.

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KATHERINE ALKER: Great! And
we'll start off with a walk down

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the wilderness walk.

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ALAN POWER: Katherine, we're
standing looking at Brown's

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amazing work and this is what
thrills me about 18th century

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landscape gardens. They're just
stunning. They take your breath

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away when you emerge from a dark
surrounded protected walk like

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we just have and you see a view
like this across the English

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landscape.

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And although immediately it's
not, it's not obvious the

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efforts that went into creating
this landscape. It's- it's there

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in the detail.

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For me as a gardener, I start
looking at the efforts from

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history, the huge cedar trees
that were planted strategically

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around the estate to guide your
eyes to particular views.

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And then I'm looking down at the
efforts that you're making

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nowadays as, as a garden team, I
can see young ambitious trees

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planted and surrounded with tree
guards. But the whole thing sits

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magnificently below the Malvern
Hills in the distance. And we're

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lucky enough to catch a little
bit of November sunshine today.

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So what we can see is the shadow
stretching across the landscape

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and it's looking absolutely
amazing.

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KATHERINE ALKER: It's been a
huge amount of work. But we're,

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we're really pleased with how
everything's progressing and how

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the restoration is coming along.

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Standing here in 1996, what we
would have seen is an arable

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crop. Nearly all of the park and
trees had disappeared.

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Either due to Dutch Elm Disease
because they were awful lot of

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elms across the parkland or
simply because the farmer had

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wanted to get the most
productivity from the land and-

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ploughed very close to the trees
or remove them.

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ALAN POWER: Now, the landscape
was dressed quite- with a lot of

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detail, wasn't it In the 18th
century? There was quite a plant

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collection at Croome.

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KATHERINE ALKER: It was an
amazing plant collection. Yeah,

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the Sixth Earl of Coventry was
really an obsessed man. He loved

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plants and spent an absolute
fortune bringing in plants from

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across the globe.

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We've got lots of evidence in
the archive, the plant bills and

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also a guidebook from 1824 that
shows us that they were bringing

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in plants from the Far East,
from the Americas from all

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across the globe really. And,
and that was driven by the

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Earl's passion for planting.

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ALAN POWER: And I know you're
working really hard at the

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moment, aren't you planting
trees? How many trees do you

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reckon you've planted in the 10
years you've been here?

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KATHERINE ALKER: We have
certainly planted thousands, I

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would say easily over 10,000
trees. And then shrubs

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throughout the shrubberies,
we've also done a huge amount of

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planting-

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ALAN POWER: It must have been
amazing for you. The first day

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you saw livestock wandering
through the trees and the tree

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guards.

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KATHERINE ALKER: It's lovely and
the cattle down on church hill,

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just add a beautiful sense of
scale. The tenant farmers now

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got the right breeds of cattle,
so they really look part of the

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18th century landscape.

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ALAN POWER: How on earth did he
get it from being a boggy marsh

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to the magnificence of Croome.

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KATHERINE ALKER: When Brown
arrived here, Croome Court, he

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was initially commissioned by
the Sixth Earl to actually work

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on the court rather than just
the landscape. So he would have

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seen a much smaller Croome
Court, a brick building, but

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also sitting in quite an
unproductive area of land. There

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was a church nearby to the court
as well as a little hamlet of

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buildings and a few farm
buildings.

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But typical Brown, That wasn't
quite right for him. So he, he

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expanded the court, put towers
on the end and enveloped the

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building in the beautiful bath
stone that we can see today.

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But also, he wanted a much more
open view from the court across

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the landscape. So the church was
demolished and the hamlet was

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moved about a mile away and then
Brown himself redesigned the

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church and this is the church
that we can see today.

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ALAN POWER: And it was all about
creating the kind of utopian

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effect on the landscape. Wasn't
it making it that perfect

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picture?

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KATHERINE ALKER: That's right.
And Brown, I think was he was at

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the start of his career when he
worked at Croome. The Earl took

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a bit of a gamble on him and it
certainly paid off and he became

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one of the country's most famous
landscape designers.

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ALAN POWER: So I'm meeting with
Michael Smith, the general

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manager of Croome. Now, general
managers for the National Trust

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do all sorts of stuff. They look
after the conservation ambitions

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for the property, the finance
for the property, the visitor

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experience at the property and
every aspect of the management

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of the property. But we're
standing outside a hut at Croome

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today Michael, can you just
describe where we are?

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MICHAEL SMITH: Well, this hut-
And there are many huts like

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this spread out across the
landscape at Croome is part of

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RAF Defford which in the 1940s
was an RAF base instrumental in

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the development of airborne
radar systems. It was all top

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secret at the time and it's a
quite phenomenal story.

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ALAN POWER: It is, isn't it? Can
you tell us a little bit more

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the kind of the RAF impact on
the- on Croomes landscape here?

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MICHAEL SMITH: Yeah, there was
colossal change at Croome in the

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1940s and of course those wide
open pastures that Brown had set

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out here in the 18th century
were the ideal place to create

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an airbase. And Croome had three
vast interlocking runways, and a

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village sprang up here which
eventually accommodated almost

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3000 service personnel.

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So this sprang up over a very
short time and here with over

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200 aircraft on station, our
British electronics experts were

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kitting out newly developed
radar systems into each and

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every type of plane and then
testing them, trialling them

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here.

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There was a whole amount of sort
of counter propaganda that went

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out. The story about pilots

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eyesight being helped by eating
carrots was an invention that

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came out of RAF Defford to throw
our enemies off the trail of

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what was really happening here.

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But through the efforts of the
the young service people here,

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service men and service women,
developments were made that were

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instrumental in securing the
allied victory in World War Two.

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ALAN POWER: And Michael this-
this museum this ambulance shed,

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was nearly lost at one stage,
wasn't it?

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MICHAEL SMITH: It was, we caught
these buildings just the nick of

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time. And in the 1940s, they
were thrown up in a great hurry

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as temporary structures, you
know, they're half a brick

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thick.

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And when we took on the
management of the state in 1996

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we didn't really realize the
significance of them and they

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were all boarded up in various
states of decline, covered with

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brambles and scrub.

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But gradually as we got to meet
the veterans of the air base, we

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understood how important they
were. We realized that there was

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another very important story to
tell.

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ALAN POWER: Has there been many
more significant changes in the

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history of landscape at Croome?

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MICHAEL SMITH: There have and I
think there's a tendency to see

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the 1940s developments here as
an anomaly. But even after the

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1940s, other communities have
made the very most of what

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Croome has to offer, including
devotees of Krishna.

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And in 1979 with funding help
from George Harrison. Krishna

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devotees acquired Croome Court
renamed it Caitanya College. And

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the natural landscape here has
always been appealing in a draw

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to whoever has called Croome
home.

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ALAN POWER: It's fantastic,
isn't it? And these people, all

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of these people were, were
building what is the countryside

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around here now? You know, what
is the heart of the countryside.

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It's such a beautiful place to
come.

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It's been really fantastic.

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MICHAEL SMITH: Cheers Alan,
Thanks.

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ALAN POWER: Katherine, this is a
bit better. down here, isn't it

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out of the wind? And we've
captured, you know, a little bit

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of warm sunshine kind of on our
backs, which is really nice this

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time of year.

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And we're in November, you and I
as gardeners were saying goodbye

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to autumn colour and we're
welcoming in the winter. And do

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you find this time of year
particularly exciting at Croome?

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KATHERINE ALKER: There's still
lots lots going on here. Part of

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Brown's design actually included
an evergreen shrubbery. So at

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this time of year, it's actually
the perfect place to be because

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you've still got flowering
shrubs, scented shrubs and it

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was designed as a winter walk.
So, somewhere to enjoy once the

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main summer planting had
finished, really.

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ALAN POWER: And the structure
within those borders is quite

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amazing as well, isn't it? You
get the berries, you get the

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foliage, you get the, the, the
center of the foliage in places,

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but the way he structured the
borders was quite. Fascinating

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as well.

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KATHERINE ALKER: That's right.
It's quite a windy day and, what

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we've got at the back of the
shrubbery is a line of evergreen

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trees, that would have protected
from the prevailing winds so

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that the plants inside the
shrubbery, the real interesting

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stuff, was protected.

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It had a little microclimate and
it could flourish within that

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shrubbery even though it's quite
exposed out in the Parkland.

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We've got plants that will give
off scent in winter and early

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spring, and even some things
that are very early flowering.

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So, for example, Daphnes, which
have not only beautiful little

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pink flowers but amazing scent
as well and it just fills the

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shrubbery.

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ALAN POWER: And it's nice, isn't
it? Because it's predominantly

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evergreen plants through here.
You're not reminded of the end

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of a season. You're not reminded
that summer is gone and autumn's

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gone, you're, you're surrounded
by plants that are constantly

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alive.

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KATHERINE ALKER: That's right.
The Portuguese Laurel with

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beautiful glossy leaves-
Hollies. There's one just over

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there with bright red berries.
So loads still to keep us

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interested throughout the
winter.

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ALAN POWER: And the Rosemary is
one that is really striking for

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me because, you know, I'm a bit
of a touchy feely plant person.

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So I'll always- if I know
there's a scent coming from it,

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I'll go and grab it and, you
know, I carry that scent around

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00:11:38,929 --> 00:11:42,429
for a while, but there's a few
kind of non-standard shrubs in

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00:11:42,440 --> 00:11:43,219
here, isn't there?

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00:11:43,390 --> 00:11:45,340
KATHERINE ALKER: There are.
Yeah, we've used Rosemary here.

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00:11:45,349 --> 00:11:49,260
We know that they planted
Rosemary in the shrubberies. And

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00:11:49,270 --> 00:11:53,479
we also have some Sage which
hasn't lasted quite so well in

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00:11:53,489 --> 00:11:56,950
the harsh winters. I've got
Jasmine for that, that spring

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00:11:56,960 --> 00:12:00,800
flowering brightness of yellow
colour throughout the winter.

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00:12:00,800 --> 00:12:03,862
Guelder Rose with bright glossy
red berries as well.

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00:12:03,953 --> 00:12:07,763
We've also got a couple of Witch
Hazels, the Hamamelis, which

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00:12:07,773 --> 00:12:12,853
have the really, sort of spider
like yellow flowers. And again,

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00:12:12,862 --> 00:12:15,033
some of those have fantastic
scent.

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00:12:15,033 --> 00:12:19,353
In the records, there were also
hundreds of different Ericas, so

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00:12:19,362 --> 00:12:22,366
hundreds of different heathers,
we haven't quite got to the

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00:12:22,375 --> 00:12:26,286
stage of replanting that
particular section yet. We'll

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00:12:26,296 --> 00:12:29,645
need to sort out the, the soil
for that because they need

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00:12:29,656 --> 00:12:33,676
Ericaceous compost. And even in
the records, there's an example

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00:12:33,685 --> 00:12:37,596
of them bringing in tons and
tons of Ericaceous soil to plant

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00:12:37,606 --> 00:12:39,075
those, those heathers in so-

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00:12:39,085 --> 00:12:40,635
ALAN POWER: They used to make it
themselves didn't they? And I've

246
00:12:40,645 --> 00:12:44,806
read in a few archives in places
how, you know, they would go to

247
00:12:44,815 --> 00:12:48,325
a local timber mill and they
would use the, the sawdust from

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00:12:48,335 --> 00:12:52,190
pine trees to kind of add to
the- add to the soil along with

249
00:12:52,200 --> 00:12:56,080
some kind of charcoal and that
kind of thing and cinders, to

250
00:12:56,090 --> 00:12:58,460
actually, you know, increase the
acidity level in it.

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00:12:58,469 --> 00:13:01,750
So it's- they were real kind of
garden scientists but-

252
00:13:02,109 --> 00:13:03,640
KATHERINE ALKER: Chemistry in
the garden.

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00:13:04,159 --> 00:13:06,130
ALAN POWER: Well, it's nice that
variegated holly is really

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00:13:06,140 --> 00:13:08,690
striking, isn't it? Because? And
the birds haven't got to the

255
00:13:08,700 --> 00:13:10,659
berries yet. I'm sure they'll
discover them over the next

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00:13:10,669 --> 00:13:13,650
month or so as the temperatures
drop, but they'll get in there.

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00:13:13,669 --> 00:13:17,280
KATHERINE ALKER: Yeah. And we've
also got Broom, lots of

258
00:13:17,289 --> 00:13:20,940
different pines as well. There
were a huge number of pines in

259
00:13:20,950 --> 00:13:24,500
the archive records in the plant
bills. So that gives us a nice

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00:13:24,510 --> 00:13:26,489
bit of structure throughout the
shrubbery as well.

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00:13:26,539 --> 00:13:29,190
ALAN POWER: Fantastic, isn't it?
It is. It's a living library of

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00:13:29,200 --> 00:13:31,289
stuff, isn't it? And back then
they were just learning about

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00:13:31,299 --> 00:13:34,099
plants as well all the time.
It's amazing. The more I'm

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00:13:34,109 --> 00:13:37,640
learning about Croome today, the
more fascinating it gets.

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00:13:37,650 --> 00:13:41,039
The depth of knowledge and the
depth of history and the depth

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00:13:41,049 --> 00:13:44,719
of nature conservation here is
genuinely, you know, it's

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00:13:44,729 --> 00:13:46,840
moving, you know, it's a
wonderful thing to hear.

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00:13:46,989 --> 00:13:52,900
KATHERINE ALKER: Well, it's been
a delight to show you round.

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00:13:52,900 --> 00:13:54,840
ALAN POWER: I've left behind the
evergreen shrubbery and I'm

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00:13:54,849 --> 00:13:57,659
heading down towards the lake
under this dry arch bridge to

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00:13:57,669 --> 00:14:00,039
meet Hugh Warwick, the area
ranger at Croome.

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00:14:00,789 --> 00:14:03,070
Hi, Hugh, how are you doing?
Yeah, good. Thank you. How are

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00:14:03,080 --> 00:14:06,309
you? Yeah. Not too bad. Not too
bad. So, your role here is area

274
00:14:06,320 --> 00:14:07,419
ranger. What does it involve?

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00:14:07,429 --> 00:14:11,489
HUGH WARWICK: The main focus for
my work here is across the

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00:14:11,500 --> 00:14:13,909
parkland and woodland. So I'm
responsible for looking after

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00:14:13,919 --> 00:14:18,289
those trying to maintain the
good conservation work that we

278
00:14:18,299 --> 00:14:21,890
do and to do the restoration
work as well to try to get this

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00:14:21,900 --> 00:14:24,859
place back to how Brown first
envisaged it.

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00:14:25,150 --> 00:14:27,770
ALAN POWER: So, parkland and
woodland, you say, but actually

281
00:14:27,780 --> 00:14:30,820
we've just come under this dry
arch bridge and the first thing

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00:14:30,830 --> 00:14:31,890
I'm met with was this water.

283
00:14:32,260 --> 00:14:34,690
HUGH WARWICK: Yes, we've got a
mile and three quarter long

284
00:14:34,700 --> 00:14:38,409
artificial river here at Croome
and then that's all well within

285
00:14:38,419 --> 00:14:41,140
the parkland. And we try our
best to manage that.

286
00:14:41,340 --> 00:14:44,200
ALAN POWER: And have you had to
do any kind of silt management

287
00:14:44,210 --> 00:14:45,609
or anything like that with the
lakes here.

288
00:14:45,780 --> 00:14:48,640
HUGH WARWICK: Yeah, certainly
when, when the National Trust

289
00:14:48,650 --> 00:14:52,890
took Croome on, in 1996 the full
length of the river here was

290
00:14:52,900 --> 00:14:56,450
almost entirely silted up. You
could walk across the river in

291
00:14:56,460 --> 00:15:00,539
quite a few places. That, in its
own right was a really good

292
00:15:00,549 --> 00:15:03,400
thing, in many ways for, for
loss of habitat, lots of

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00:15:03,409 --> 00:15:08,559
wildlife using that, wading
birds and so forth. So we knew

294
00:15:08,570 --> 00:15:12,429
that for the restoration, we had
to restore it back to a river.

295
00:15:12,440 --> 00:15:16,030
It had to have water flowing
through it, but we also needed

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00:15:16,039 --> 00:15:19,239
to to do it as sensitively as we
can, so as not to just destroy

297
00:15:19,250 --> 00:15:23,539
this habitat. So what we did
before we- we dredged the river

298
00:15:23,549 --> 00:15:26,640
out, we actually created two new
wetland areas on the estate

299
00:15:26,650 --> 00:15:30,280
here. And those help to, to
mitigate against the work we're

300
00:15:30,289 --> 00:15:34,210
doing. So we now have two really
nice quiet wetland areas ideal

301
00:15:34,219 --> 00:15:35,190
for wading birds.

302
00:15:35,520 --> 00:15:37,549
ALAN POWER: But it's amazing,
isn't it? In, in your role? You

303
00:15:37,559 --> 00:15:39,229
must see it because you're
really close to it. But the

304
00:15:39,239 --> 00:15:42,809
minute you add that water
element to a garden, you- all of

305
00:15:42,820 --> 00:15:45,090
a sudden the diversity of
insects, bird life, it

306
00:15:45,099 --> 00:15:46,770
completely changes, doesn't it?

307
00:15:46,969 --> 00:15:49,260
HUGH WARWICK: Yeah, we have
monitoring programs here. So we

308
00:15:49,270 --> 00:15:53,010
have volunteers who are trained
to monitor and my assistant

309
00:15:53,020 --> 00:15:55,809
ranger has just recently been
doing some water quality

310
00:15:55,820 --> 00:15:59,619
testing. You've got somewhere
there that the larvae can grow

311
00:15:59,630 --> 00:16:02,960
and, and then that goes to-
obviously you get the insects

312
00:16:02,969 --> 00:16:04,940
then and then that feeds the
birds and the bats and the

313
00:16:04,950 --> 00:16:05,570
wildlife.

314
00:16:06,590 --> 00:16:09,250
ALAN POWER: So we're leaving the
dry arch bridge behind and in

315
00:16:09,260 --> 00:16:11,809
complete contrast to the
enclosure of that bridge, we've

316
00:16:11,820 --> 00:16:16,250
just come out and there is this
magnificent view. I can see two

317
00:16:16,260 --> 00:16:16,929
bridges.

318
00:16:16,940 --> 00:16:19,530
I can see what looks like an
island but in true Brown

319
00:16:19,539 --> 00:16:22,140
fashion, I don't know whether
it's an island until I get

320
00:16:22,150 --> 00:16:24,039
further around the pathways
because it's still full of

321
00:16:24,049 --> 00:16:25,489
mystery. Although it's a big
view.

322
00:16:25,960 --> 00:16:29,580
Do you have any winter migratory
birds that come in and make use

323
00:16:29,590 --> 00:16:30,979
of this wonderful pond?

324
00:16:30,989 --> 00:16:33,049
HUGH WARWICK: Well, we have had
an Osprey passing through,

325
00:16:33,059 --> 00:16:36,500
believe it or not. Yeah, we've
also had Hawfinches here. We

326
00:16:36,510 --> 00:16:38,609
have Fieldfare and Redwings.

327
00:16:38,840 --> 00:16:41,739
So, yeah, we get quite a few
migratory species passing

328
00:16:41,750 --> 00:16:44,559
through and I think we've become
a bit of a kind of a local haven

329
00:16:44,570 --> 00:16:48,520
for wildlife because we're a
nice green space. There's,

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00:16:48,559 --> 00:16:51,390
there's the wild flower meadows
and so forth and as you say, the

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00:16:51,400 --> 00:16:53,760
body of water and all the
insects that that provides.

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00:16:53,960 --> 00:16:54,989
ALAN POWER: Well, Hugh, thanks a
million.

333
00:16:55,469 --> 00:16:56,090
HUGH WARWICK: My pleasure.

334
00:16:59,619 --> 00:17:01,750
ALAN POWER: It's been a
wonderful day at Croome today

335
00:17:02,169 --> 00:17:04,969
and I'm finishing my day in one
of the most stunning views I've

336
00:17:04,979 --> 00:17:08,030
captured all day, standing at
the rotunda, looking out over a

337
00:17:08,040 --> 00:17:11,650
glorious landscape with the
river flowing in the distance.

338
00:17:12,510 --> 00:17:15,670
One of the people who is very
close to Croome is with me now,

339
00:17:15,680 --> 00:17:19,369
Malcolm Walford, who has spent
his life working and living on

340
00:17:19,380 --> 00:17:22,589
the estate at Croome for the
last 68 years.

341
00:17:22,660 --> 00:17:23,469
MALCOM WALFORD: Good afternoon.

342
00:17:23,479 --> 00:17:26,040
ALAN POWER: Malcolm. It's a
pleasure to meet you. You've got

343
00:17:26,050 --> 00:17:27,589
quite a CV a Croome, haven't
you?

344
00:17:27,589 --> 00:17:32,959
MALCOM WALFORD: Yes I have. I
started in 1953 after five years

345
00:17:32,969 --> 00:17:33,560
at RAF Defford.

346
00:17:34,410 --> 00:17:37,650
Still semi employed by the
Croome estate trustees.

347
00:17:38,589 --> 00:17:43,420
My job still entails me to be
clerk of works. That was my

348
00:17:43,430 --> 00:17:45,660
position since 1986.

349
00:17:45,949 --> 00:17:49,060
ALAN POWER: It's not just you is
it? Your family's worked-

350
00:17:49,229 --> 00:17:51,650
MALCOM WALFORD: My grandparents
have been on the estate since

351
00:17:51,660 --> 00:17:52,619
the 1800s.

352
00:17:53,479 --> 00:17:58,359
My father was, when he left
school at 13. He went as second

353
00:17:58,369 --> 00:18:03,050
groom at Pirton Court, which is
all part of the Coventry family.

354
00:18:04,280 --> 00:18:08,109
And my uncle Ern, was head groom
and my Uncle Bob was head

355
00:18:08,119 --> 00:18:09,310
forester on the estate.

356
00:18:10,439 --> 00:18:13,650
ALAN POWER: So we, we're
standing by a spectacular view

357
00:18:13,660 --> 00:18:14,819
out into the countryside.

358
00:18:15,680 --> 00:18:18,719
And what's striking me, Malcolm
is that it's really your home,

359
00:18:18,729 --> 00:18:19,219
isn't it?

360
00:18:19,229 --> 00:18:20,040
MALCOM WALFORD: It is my home.

361
00:18:20,040 --> 00:18:23,489
Yeah, it is my home and when it
comes to flood, fire or

362
00:18:23,500 --> 00:18:26,479
whatever, I've always been there
for Croome and that's been part

363
00:18:26,489 --> 00:18:27,140
of my job.

364
00:18:27,260 --> 00:18:29,479
ALAN POWER: You obviously feel
it's really important to kind of

365
00:18:29,489 --> 00:18:31,780
preserve and conserve Croome for
the future-

366
00:18:31,780 --> 00:18:34,750
MALCOM WALFORD: It's got to be!
You know, it's got to be

367
00:18:34,760 --> 00:18:39,420
preserved. What better place in
Worcestershire is? You've got

368
00:18:39,430 --> 00:18:43,390
stood here looking at Croome
River. Where hours and hours

369
00:18:43,400 --> 00:18:46,849
we've, we've gone to the end of
the river when all the grounds

370
00:18:46,859 --> 00:18:50,400
here were ploughed up. You know,
it's not always been grassland

371
00:18:50,410 --> 00:18:50,540
here.

372
00:18:50,550 --> 00:18:53,359
This was plowed up in the
sixties and in front of the

373
00:18:53,369 --> 00:18:56,829
church. And it was part of our
job when the farmer complained

374
00:18:56,839 --> 00:19:01,770
the river was too high. We used
to take the old van, the A35

375
00:19:01,780 --> 00:19:05,130
Austin van down to the other end
of the river and change what we

376
00:19:05,140 --> 00:19:06,569
call the flood board out.

377
00:19:06,920 --> 00:19:08,250
ALAN POWER: Sounds a bit like my
job.

378
00:19:09,489 --> 00:19:12,160
You know, I do bits of that at
Stourhead. We have a dam we look

379
00:19:12,170 --> 00:19:16,089
after and there's Saturdays,
Sundays, evenings, mornings that

380
00:19:16,099 --> 00:19:18,619
I'm out to check the levels. And
you know what I love about

381
00:19:18,630 --> 00:19:21,540
working in historic environments
is that there are some jobs that

382
00:19:21,550 --> 00:19:22,500
can never change.

383
00:19:22,829 --> 00:19:25,839
It's so it's so important, isn't
it? To kind of capture memories

384
00:19:25,849 --> 00:19:30,069
and capture scenes and to share
it and hand it on to the next

385
00:19:30,079 --> 00:19:30,719
generation-

386
00:19:30,729 --> 00:19:32,119
MALCOM WALFORD: Some wonderful
here at Croome.

387
00:19:32,900 --> 00:19:36,800
But hopefully, I've, I've passed
on a lot of information like I

388
00:19:36,810 --> 00:19:40,010
keep finding photographs for
Katherine and one thing or

389
00:19:40,020 --> 00:19:40,469
another.

390
00:19:40,479 --> 00:19:44,339
ALAN POWER: So and tell, tell me
you mentioned you, it's 68 years

391
00:19:44,349 --> 00:19:46,969
in total, but five years of that
was spent with the RAF.

392
00:19:48,329 --> 00:19:52,310
And how did your transition from
the RAF onto the estate happen?

393
00:19:52,310 --> 00:19:53,189
MALCOM WALFORD: In a pub.

394
00:19:53,189 --> 00:19:55,353
ALAN POWER: In a pub? Best place
for everything to happen isn't

395
00:19:55,353 --> 00:19:55,589
it-

396
00:19:55,589 --> 00:19:58,709
MALCOM WALFORD: And my Uncle Bob
came in one night because we'd

397
00:19:58,719 --> 00:20:02,420
already been informed, Defford
was closing and my Uncle Bob

398
00:20:02,430 --> 00:20:05,489
come in there and the pub one
night and we was talking and he

399
00:20:05,500 --> 00:20:10,229
said there's a labourer job
going at Croome. And I wrote a

400
00:20:10,239 --> 00:20:14,339
letter and it went to Colonel
Osbert Smith who was grandson of

401
00:20:14,349 --> 00:20:17,040
the ninth Earl. And he said, are
you going to be strong enough

402
00:20:17,050 --> 00:20:17,770
for this job?

403
00:20:19,589 --> 00:20:23,489
And the first day I started, I
went home on the lunchtime and I

404
00:20:23,500 --> 00:20:28,650
said to my dad, I'm finishing
tonight and I thought I can't do

405
00:20:28,660 --> 00:20:29,130
with this.

406
00:20:29,979 --> 00:20:32,359
He said you stick it and I did

407
00:20:33,209 --> 00:20:35,709
ALAN POWER: And 63 years later-

408
00:20:36,430 --> 00:20:38,910
MALCOM WALFORD: Have been over
Croome River on a lovely night

409
00:20:39,000 --> 00:20:40,420
ALAN POWER: And you're still in
love with the place?

410
00:20:40,520 --> 00:20:42,530
MALCOM WALFORD: Of course, I am.
I always will be

411
00:20:42,540 --> 00:20:43,829
ALAN POWER: Malcolm. It's been a
pleasure.

412
00:20:43,839 --> 00:20:44,910
MALCOM WALFORD: Thank you very
much indeed.

413
00:20:48,550 --> 00:20:50,290
ALAN POWER: Thank you for
listening to the National Trust

414
00:20:50,300 --> 00:20:53,420
Gardens podcast. If you've
enjoyed this podcast, you can

415
00:20:53,430 --> 00:20:56,939
subscribe or follow on your
podcast app for more.

416
00:20:56,939 --> 00:21:00,410
Next month, I'll be at another
great garden for festive magic

417
00:21:00,420 --> 00:21:04,170
at Sissinghurst in Kent. So stay
warm and enjoy exploring and

418
00:21:04,180 --> 00:21:05,040
we'll see you next time.

419
00:21:16,959 --> 00:21:19,260
BETTANY HUGHES: I'm Bettany
Hughes. I've been visiting

420
00:21:19,270 --> 00:21:22,829
National Trust Properties all my
life, but in this series of

421
00:21:22,839 --> 00:21:27,630
podcasts, I'm going beyond the
delights of teas and topiary to

422
00:21:27,640 --> 00:21:31,199
reveal the surprising European
roots of some of the most

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00:21:31,209 --> 00:21:32,859
splendid sites in England.

424
00:21:33,729 --> 00:21:37,314
You can subscribe to my series
by searching for Bettany

425
00:21:37,314 --> 00:21:42,439
Hughes's 10 places, Europe and
us. On your podcast app.

