Origins of the Movies: 2 of 2: "The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures" by Edward Ball.

Jun 11, 02:27 AM
C

AUTHOR.

(PhotoEnglish: General view of experiment track, background and cameras. Plate F, 1879, from The Attitudes of Animals in Motion, 1881

Date 1879

Source Plate F, 1879, from The Attitudes of Animals in Motion, 1881

Author Eadweard Muybridge: )

http://JohnBatchelorShow.com/contact

http://JohnBatchelorShow.com/schedules

Twitter: @BatchelorShow

Origins of the Movies: 2 of 2:  "The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures" by Edward Ball. 

One hundred and thirty years ago Eadweard Muybridge invented stop-motion photography, anticipating and making possible motion pictures. He was the first to capture time and play it back for an audience, giving birth to visual media and screen entertainments of all kinds. Yet the artist and inventor Muybridge was also a murderer who killed coolly and meticulously, and his trial is one of the early instances of a media sensation. His patron was railroad tycoon (and former California governor) Leland Stanford, whose particular obsession was whether four hooves of a running horse ever left the ground at once. Stanford hired Muybridge and his camera to answer that question. And between them, the murderer and the railroad mogul launched the age of visual media.

Set in California during its frontier decades, The Tycoon and the Inventor interweaves Muybridge's quest to unlock the secrets of motion through photography, an obsessive murder plot, and the peculiar partnership of an eccentric inventor and a driven entrepreneur. A tale from the great American West, this popular history unspools a story of passion, wealth, and sinister ingenuity.