This image is a screenshot from a public domain trailer for the 1938 film, en:Stagecoach
. Trailers for movies released before 1964 are in the Public Domain because they were never separately copyrighted.
This work is in the public domain
because it was published in the United States between 1924 and 1963 and although there may or may not have been a copyright notice, the copyright was not renewed. Unless its author has been dead for the required period, it is copyrighted in the countries or areas that do not apply the rule of the shorter term
for US works, such as Canada (50 pma), Mainland China (50 pma, not Hong Kong or Macao), Germany (70 pma), Mexico (100 pma), Switzerland (70 pma), and other countries with individual treaties. See Commons:Hirtle chart
for further explanation.View more
Public Domainview terms
- File:Stagecoach-02 - Andy Devine et George Bancroft.jpg
- Created: 31 December 1938
Better Living Through Criticism: 4 of 4: How to Think About Art, Pleasure, Beauty, and Truth. Audible Audiobook – Unabridged A. O. Scott (Author), Jonathan Todd Ross (Narrator), Recorded Books (Publisher)
Few could explain, let alone seek out, a career in criticism. Yet what A. O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life.
With penetrating insight and warm humor, Scott shows that while individual critics - himself included - can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative and urgent activities of modern existence. Using his own film criticism as a starting point - everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille - Scott expands outward, easily guiding listeners through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and "Ode on a Grecian Urn".
Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive.
"The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."