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MICHELLE DOUGLASS: Hello and
welcome to the National Trust

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Podcast. I'm Michelle Douglass.
Why do millions of us put up a

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tree in our home and decorate it
with sparkly bits in a strange

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ritual marking the start of
Christmas?

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In this festive story, we'll be
travelling to London in the

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mid-1800s to discover how one
eye-popping image of young

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trendsetters Queen Victoria and
Prince Albert went viral 19th

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century style and sparked a
Christmas tree trend in Britain

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and beyond.

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And a quick heads up if you're
listening with kids around, this

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episode briefly features some
adult content.

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It's the run-up to Christmas at
Lacock Abbey in Wiltshire, a

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medieval monastic-style building
you might recognise from scenes

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in the Harry Potter films.

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The Lacock team are all hands on
deck for the sizeable feat of

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transforming the Abbey into an
enchanted Christmas kingdom.

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The centrepiece is the Christmas
trees. They're putting up dozens

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of little Christmas trees for
the community festival in the

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cloisters, two big trees in the
Great Hall.

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And finally, there's a huge
20-foot Christmas tree to hoist

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up in the courtyard entrance.

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The pressure is on to get the
trees up, straight and

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sparkling, before expectant
visitors start arriving at 11am.

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More than 85% of British homes
put up a Christmas tree each

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year. According to the British
Christmas Tree Growers

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Association.

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We often look to the old and the
new. Traditions from childhood,

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new rituals from adulthood.

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Perhaps you enjoy looking for
future inspiration, like on

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social media where there's no
shortage of people filling our

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feeds with ideas for festive
flair for your tree.

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But when it comes to historic
influences, there's one couple

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and one image that can be
credited above everything else

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for triggering the great
Christmas tree trend.

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CLARA WOOLFORD: Our Christmases
would look very different if

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this image hadn't have been
circulated so widely.

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I'm Clara Woolford and I am the
property curator at Cragside in

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Northumberland.

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MICHELLE DOUGLASS: It's December
1848, The Illustrated London

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News, the world's first
illustrated weekly news

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magazine, has issued a Christmas
special featuring an eye-popping

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printed picture.

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It's an unusually intimate
portrait of the young Queen

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Victoria, her husband Prince
Albert and their children,

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decorating a new kind of festive
centrepiece rarely seen by Brits

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before.

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An evergreen tree in their home?

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CLARA WOOLFORD: The 1848 print
is showing a beautifully

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decorated Christmas tree.

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You've got this gorgeous
evergreen and it's lit with

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candles.

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On top of that are all of these
little ornaments.

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There's things like cradles and
letters and puddings.

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Some of these would have been
handmade. They're all hanging

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off of the tree. And then
gathered around are the family.

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Prince Albert and Queen Victoria
are both very much enjoying a

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family moment.

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They're interacting with the
children and it's a glimpse of

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their family life that we
wouldn't have had previously.

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And they are, they're doing it
really, really intentionally.

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They're trying to set this
idealistic portrayal of what the

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perfect family setup should be.

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And that is all tied into how
you celebrate Christmas.

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MICHELLE DOUGLASS: Before the
19th century, Christmas in

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Britain looked very different.

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CLARA WOOLFORD: There was a
tradition in Britain and

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actually across most of Europe,
and it was called, which I

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really like, it's called
Christmasing.

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So it's literally making your
house ready for Christmas.

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It's kind of mixed with a pagan
tradition, celebrating the

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natural world.

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You would be bringing in
greenery, very green, simple.

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Totally different to when the
Victorians start to bring in

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some quite garish elements to
their Christmas design.

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MICHELLE DOUGLASS: Queen
Victoria's husband, Prince

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Albert, is credited with
popularising Christmas trees in

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Britain.

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But the idea itself was nothing
new. Albert had brought an old

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ritual with him from his home
country, Germany.

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CLARA WOOLFORD: Christmas trees
are German tradition.

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There's definitely this long,
long history of bringing

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Evergreens into homes in Germany
around that festive period.

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Really comes to England with
Queen Charlotte. So she is the

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German wife of George III.

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And in 1800, she brings a yew
branch into Windsor Castle and

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decorates it with candles.

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It becomes quite a firmly
established tradition in the

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upper classes of Britain. So
it's not something that

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everybody is doing.

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MICHELLE DOUGLASS: But why did a
single image of Queen Victoria,

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Prince Albert and their
Christmas tree cause such a

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stir?

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No super influencer or celebrity
royal family member today could

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hope to touch the influence that
the couple Victoria and Albert

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had in the mid 1800s.

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CLARA WOOLFORD: Previously, the
royal family were quite

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disconnected. What changes is
that Queen Victoria and Prince

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Albert especially, he really
drives this, are very conscious

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of their image.

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MICHELLE DOUGLASS: Victoria and
Albert were a different kind of

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royal.

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They helped to style a
constitutional monarchy. The

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role was more separated from
politics, and instead they

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focused on becoming patrons of
charities and institutions and

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making civic visits.

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And they used their domestic
life, a solid marriage that

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produced nine children, to
create an idealised personal

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image too.

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CLARA WOOLFORD: They have a kind
of personal interest in

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presenting their family as the
kind of ideal husband and wife

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with their children, the kind of
family that they want to

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encourage their subjects to be.

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MICHELLE DOUGLASS: They may have
been appearance conscious, but

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Victoria and Albert's private
passion for each other was

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authentic.

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CLARA WOOLFORD: They did have a
real genuine relationship. Her

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diaries are full of references
to basically how gorgeous she

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thinks Albert is.

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They're married in 1840 and she
does write about not getting a

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lot of sleep on her wedding
night.

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And they're having so many
children. She's constantly

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pregnant. She's constantly
moaning about being pregnant

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because she feels that that
impacts their sex lives and

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that's very important to her.

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They know they're young and
attractive and popular. They

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know that they have this
Victorian idea of all these

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children, but they definitely
publicise it as well.

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MICHELLE DOUGLASS: In the 1800s,
the Industrial Revolution's new

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technology had brought with it
the dawn of the mass media.

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People hungrily devoured the new
wave of up-to-the-moment

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newspapers and lifestyle
magazines illustrated with

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eye-catching images that jumped
out of the text.

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Victoria and Albert used this
media revolution to position

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themselves as 19th century
mega-influencers.

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CLARA WOOLFORD: How they managed
to create this mass influence is

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that they're using mass media.
So newspapers are really

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prevalent during this period.

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We suddenly get a proliferation
of illustrated papers as well.

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So there's the London
Illustrated News, the Graphic,

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but everybody has access to them
in a way that wasn't previously

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there.

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They're in lending libraries,
people are reading in pubs. You

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have five different editions of
the same paper in one day.

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People are consuming mass media
in a way that's quite

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recognisable to us.

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Victoria and Albert are
trendsetters. People are

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following what she's wearing,
what is he reading, where are

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they visiting, people copying
that lifestyle.

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MICHELLE DOUGLASS: Against the
backdrop of Victoria and

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Albert's popularity with the
British public, and the new age

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of mass media, printer J. L.
Williams creates his 1848 wood

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engraving image of the young
royal family decorating their

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Christmas tree.

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CLARA WOOLFORD: The wood
engraving, which is also

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beautifully coloured as well, so
it's a really rich image. It

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appears in print in its black
and white form in the London

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Illustrated News, but it also
becomes a kind of big, splashy

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front pager of celebrating
Christmas at home with the

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royals.

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And it has a huge impact. So
suddenly the middle classes,

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anyone that can afford to aspire
to this kind of ideal is doing

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so.

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So they're starting to bring in
trees, the little handmade

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decorations or things that were
being bought between the

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couples.

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So Albert and Victoria bought
each other Christmas decorations

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that had special meanings to
them.

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That sort of tradition was also
copied, but then you've got the

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mass market and the mass
industrialisation of the 19th

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century where you can suddenly
buy Christmas ornaments.

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MICHELLE DOUGLASS: One of the
key and quite alarming

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decorations was to create a
starry light effect using real

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candles tied to the tree with
ribbons, what could possibly go

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wrong?

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One newspaper talks of a lucky
escape. "Panic at a Workhouse"

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writes the coventry evening
telegraph in 1891.

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A lighted candle fell from the
tree and ignited the toys and

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wool. The children ran out
screaming. Beyond the loss of

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the toys and the partial burning
of the tree, no damage was done.

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CLARA WOOLFORD: They have looser
health and safety concerns, I

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think, than us.

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MICHELLE DOUGLASS: Middle class
people in Britain could now

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afford to have a royal German
tradition in their homes.

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And trees began appearing in
public places like town squares,

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as well as being donated in
places in need of cheer, like

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workhouses.

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As well as taking off in
Britain, the US got the

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Christmas tree bug too.

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A version of the image of the
royal family and their tree made

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it into the influential monthly
publication Godey's Lady's Book,

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and the fashion for Christmas
trees was set.

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One American businessman
recognised the potential for the

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market for Christmas tree
baubles.

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Round glass baubles originated
from the German mountain village

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of Lauscha.

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The American businessman first
imported artisanal baubles from

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Germany and later more cheaply
mass-produced ones.

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The trinkets were extremely
popular with customers and at

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Christmas stores were
transformed to show them off.

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You may have heard of the
businessman who helped bring

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Christmas baubles to the mass
market, if you can remember a

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certain high street shop. His
name was Mr. Frank Woolworth.

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The way we celebrate Christmas
today is largely thanks to the

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Victorians.

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CLARA WOOLFORD: The Victorians
Really invented our modern

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Christmas.

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Things that we think about as
being quintessentially Christmas

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items, like the Christmas card.
The Christmas cracker was

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invented in the 1860s by Thomas
Smith. The paper chain that

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comes over from Germany in the
1850s. So all these things that

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we kind of associate.

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Charles Dickens'Christmas Carol
really solidifies that because

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he captures those traditions and
kind of makes a sort of cult of

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Christmas with the Victorians as
well. They get so into it.

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All those kind of trends and
copying each other. And it

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certainly sets the tone for our
Christmases.

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MICHELLE DOUGLASS: At Lacock
Abbey, it's 11 o'clock. The

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Christmas trees are up, adorned
and sparkling.

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Visitors begin arriving. And the
magical midwinter sight puts

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smiles of delight on people
across the generations.

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So why has the Christmas tree
remained so prevailingly

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popular?

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CLARA WOOLFORD: It's sheer size.
You're bringing a tree into your

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house and it's the focal point
for gift giving, for gathering

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around it.

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You know, you were encouraged to
gather around your tree and sing

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carols and admire it. I guess it
marks the occasion.

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That image, I think is- still
resonates with us. You know, the

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kind of prioritisation of
families and Christmas being

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something that's celebrated in
your home.

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It's still very much the big
thing is, you know, "when are

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you going to put your tree up?"

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MICHELLE DOUGLASS: Thank you for
listening to this Christmas

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episode of the National Trust
Podcast. You can see the UK's

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tallest Christmas tree, a
whopping 42-metre giant redwood

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at Cragside in Northumberland.

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And there are many other places
around the country to see

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enchanting Christmas tree
displays at the National Trust.

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We'll be back in the new year,
and I'm excited to share in

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Spring 2025 we'll be changing
the National Trust Podcast to

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bring you more immersive stories
in nature, history and

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adventure.

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00:14:35,003 --> 00:14:38,465
Stay on this stream for our new
nature podcast, The Wild World

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Of, and look out for our new
history podcast, Back When.

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00:14:42,628 --> 00:14:45,449
We'll keep you up to date on the
changes here on this channel.

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From all of us on the National
Trust Podcast, a Merry

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00:14:49,012 --> 00:14:52,574
Christmas, or however you choose
to spend the festive season, and

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00:14:52,714 --> 00:14:54,535
a very happy new year.

