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ROSIE HOLDSWORTH : Hello and
welcome to Wild Tales. I'm Rosie

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Holdsworth and for this episode
I'm handing you over to gardens

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expert Heather Birkett. Nine
months ago we released a podcast

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about a tree that moved an
entire nation. This was no

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ordinary tree but one that stood
majestically in a gap between

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the hills. A tree so iconic it
became a symbol of the landscape

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itself.

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HEATHER BIRKETT: On the 28th of
September 2023, the world

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reacted with shock and sorrow to
the news that the Sycamore Gap

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tree had been felled overnight.
Over the following year, we were

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able to go behind the scenes and
gain access to the people

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closest to this story to uncover
how this crisis unfolded, what

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happened next, and why it's
meant so much to so many. And

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now, because of the renewed
interest in the tree. We're

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re-releasing this episode,
complete with an update at the

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end, sharing the latest
conservation news from Sycamore

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Gap.

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As I sit with a cuppa, I can't
help but reflect on the

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headlines that echoed around the
globe. This one says, "Sycamore

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Gap, iconic tree seen lying next
To Hadrian's Wall after being

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felled." Another declares, "
Famous Sycamore Gap Tree Found

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Cut Down Overnight." And one
particularly poignant

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headline, "The last time I
visited Sycamore Gap, I never

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imagined I would never see it
again."

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I start my journey in December
2023, just over two months after

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the felling, to try and
understand the impact of this

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loss firsthand.

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We've come to Northumberland.
We're surrounded by green

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rolling hills, which rise gently
up and then drop away sharply,

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giving the whole landscape a
sense that it's been tilted on

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its side. It feels remote, other
than a few cottages and the

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occasional sound of a tractor or
a car, and this fantastic stone

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wall. It's been here for 1,900
years. Hadrian's Wall is a real

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feature of the landscape. So
we've reached a gap between two

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hills. At the bottom of the gap
there's this fenced off

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enclosure which surrounds the
stump that used to be the

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Sycamore Gap tree and I'm hoping
to meet Andrew and Luke here

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today who are going to tell me a
bit more about what happened.

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LUKE STRASZEWSKI: Hi I'm Luke,
I'm one of the ranger team up

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here on the Hadrian's Wall
estate.

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HEATHER BIRKETT: Hi nice to meet
you.

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ANDREW POAD: My name's Andrew
Poad, I'm general manager for

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Northumberland Coast in
Hadrian's Wall country and as

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you can hear in the background
I've got my dogs with me today

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so I've got Goose who's whining.

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HEATHER BIRKETT: Hello, Goose

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ANDREW POAD: She's only eight
months old, and Archie was much

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older and just sat quietly in
the background.

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HEATHER BIRKETT: So why do you
think the tree was so iconic?

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ANDREW POAD: It was a recognised
landmark prior to its appearance

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in Prince of Thieves back in
1991. That was the launch of its

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career. It was referred to
locally as the Kevin Costner

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tree because of the film. And
then my belief is with the

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advent of social media, it
became that symbol that

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everybody wanted to capture for
their Instagram moment. And in

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so doing became... emblematic of
this part of the world.

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HEATHER BIRKETT: As well as
finding fame in the Hollywood

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blockbuster Robin Hood, Prince
of Thieves, the tree was also

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awarded the title "English Tree
of the Year," in 2016 by the

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Woodland Trust, a further
testament to its popularity.

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We have a fenced off area here.
It's about three metres square.

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And in the centre, there is what
I can only describe as a

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significantly large tree stump.
Luke. Tell me what's happened

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here.

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LUKE STRASZEWSKI: The tree was a
pretty striking part of the

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landscape. It was around 15
metres tall, but it had a good

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canopy. It was in good health.
This, sadly, was felled

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overnight in an act of
vandalism. And the fence is up

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now round to protect the stump
in the hopes that we'll get some

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regeneration.

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HEATHER BIRKETT: Andrew, were
you the first to get the call

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when this happened?

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ANDREW POAD: Yeah, the National
Park are based at the Sill,

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which is just within sight of
where we are now. Their staff

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spotted there was something
missing on their way into work.

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So I got a call from them.
Initial reaction was that it was

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a hoax, because we've had hoaxes
in the past, and then we had had

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storm Agnes the night before.
The initial thought was that

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it's somehow blown down. But
then very quickly, they managed

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to get the National Trail Ranger
on site, who was able to clarify

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that it had actually been cut
down. So that shifted things

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considerably from a natural
accident to a deliberate act.

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HEATHER BIRKETT: And it didn't
take long for the news to

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spread.

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ANDREW POAD: Within the hour,
the whole world knew because it

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hit social media, my work
channels, my personal channels,

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everything started lighting up
in front of me.

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HEATHER BIRKETT: Luke, you came
down here and found a felled

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tree. What happened next?

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LUKE STRASZEWSKI: Our first
priority was to make sure that

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the site was safe because the
tree had fallen onto the North

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side and it was hanging up in
the air. So the first thing we

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needed to do was make sure that
it wasn't shifting, that it

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wasn't a risk to the public. So
we cordoned off the area just to

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make sure no one could get too
close to it. And at that point,

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obviously, our thought turned to
what can we do to preserve the

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tree. Over the next couple of
days, we collected cuttings, we

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collected seed with the hope
that we can get some

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regeneration and so that we can
hopefully get a new Sycamore Gap

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tree.

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HEATHER BIRKETT: The seeds and
cuttings were immediately sent

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on to the National Trust Plant
Conservation Centre, a

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specialist plant nursery. But
there was still the pressing

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matter of what to do with the
tree.

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ANDREW POAD: It was apparent to
us, to everybody really, that we

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needed to come up with a plan to
remove the tree effectively.

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HEATHER BIRKETT: The team then
began preparing the site for the

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tree's removal. But as Luke
explains, there were a few

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challenges to overcome.

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LUKE STRASZEWSKI: So the first
issue we had with it is the tree

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had fallen onto Hadrian's Wall
itself, and so we needed to do

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what we could to preserve. the
UNESCO World Heritage Site. That

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meant we were quite limited in
our options. That meant we

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needed to lift it off the wall.
So that meant we were going to

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have to get a crane in.

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HEATHER BIRKETT: Bringing a
piece of machinery that size

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into the gap was a first.

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LUKE STRASZEWSKI: We are quite
fortunate in that the tree was

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used as a filming location for
Robin Hood and a road was put

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in. That meant that we could get
it quite close, but it was very

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tricky. Sections of the tree had
to be removed bit by bit. And

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they had to be held back as well
to make sure that they didn't

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roll or fall in any way. We used
the crane to lift it out and

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then we moved all of that wood
onto a trailer and that was

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taken away to another location.

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ANDREW POAD: It was quite a
challenge, we had the world's

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media sat on the little hill to
the south of us so not only were

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we doing something totally
unprecedented we'd never done

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before but we had all the
cameras pointing at us while we

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we were doing it. So that was a
bit of a tense few hours.

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HEATHER BIRKETT: On Friday the
13th of October, the tree was

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carefully lifted off Hadrian's
Wall and covertly transported to

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a top secret location within the
National Trust. But as a

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sycamore is part of the Acer
family, the team needed to act

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quickly. The clock was ticking
the moment it was felled, as the

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sugars within the wood could
quickly lead to fungi and decay.

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To preserve it as best as
possible, The tree was put under

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the care of a specialist team
until a decision could be made

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on its future.

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I can see some items left at the
base of the tree. Some flowers,

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a homemade cross.

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LUKE STRASZEWSKI: A lot of
people have got a real

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connection with Sycamore Gap.
It's been a part of the local

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community. People had proposals
here. Everyone comes out here

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for a picnic. People have left
memorials and mementos to loved

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ones who've passed away here and
Sycamore Gap is just a part of

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their lives

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ANDREW POAD: Having worked with
it over these last 30 years i

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definitely saw how important it
was to people but i think i

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hadn't appreciated the reach of
that

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JUDITH WARD : It's been there
all my life you look in the gap

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oh there's a tree look at all
them people standing around the

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tree. Look at them all come to
see it, take the pictures, get

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the selfies. My name is Judith
Ward and I am one of the workers

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and front of house supervisor at
the Twice Brewed Inn.

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The pub itself is situated right
on the Roman Wall alongside one

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of the largest tourist
destinations in England. And

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then that morning my husband
rang me and said, the tree's

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down. And I went. What do you
mean? He says, the tree's down.

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I went, no. So I jumped back in
my car and I could see the cut

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end of the tree. And I stopped
the car and I took a picture and

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I put it in our group chat. And
then the picture started coming

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in online. And it's just
senseless. It stood there

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through the test of time. It
stood through many a storm, the

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harshest of weather conditions,
and my brother proposed there,

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and it just seems unfathomable.
It's just altered the landscape

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forever.

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HEATHER BIRKETT: The global
response to the felling of the

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tree has been heartfelt and
touching, and in the days

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following its fall, the tributes
and messages came flooding in.

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MARK ROBINSON : The sycamore of
Sycamore Gap, more than just a

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tree. It's a part of our
identity, a symbol of pride and

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belonging for the North East,
from badges on school uniforms

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to the backs of joiners vans.
It's a part of our everyday

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life, whether we visit it or
not.

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A place of deep personal
connection, of landmarks in our

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lives, of romantic proposals and
poignant farewells, of memories

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and sandwiches shared with those
we love, or of solitude and

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reflection, of peace, recovery
and hope. For some, its loss

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lays bare the vulnerability of
nature itself.

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My name is Mark Robinson, and I
am an Experiences and

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Partnerships Curator for the
National Trust based up in the

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North East. I was asked to
review and collate the responses

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that were coming in from the
public. People's responses on

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social media, but in particular
the responses that people had

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shared in the memory room in the
exhibition at The Sill.

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The memory room was a kind of a
pop-up, impromptu place for

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people to share their memories
of the tree. It felt important

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to find a way to somehow capture
that. Some people wrote long

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stories, some people wrote
poems, some people drew

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pictures. I think the thing that
struck me the most was

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particularly from school
children.

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That there was a huge amount of
hope. There was a lot of

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references to this tree will
come again or we will not forget

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you. And it was a really
humbling experience really to

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spend the day reading all of the
responses, but also to kind of

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remind yourself of just how
important places can be.

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HEATHER BIRKETT: And while Mark
and his team were sifting

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through the responses from the
public, the staff at the

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National Trust Plant
Conservation Centre were working

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against the clock.

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CHRIS TRIMMER : Once material
has been cut off the tree, it is

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divine. So we need to get in
there as soon as possible to do

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our work.

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I'm Chris Strimmer, I'm the
Plant Conservation Centre

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Manager and I look after all the
rare and unusual plants in the

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National Trust. I actually found
out that the tree had been cut

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down from our national press
team. I had a phone call and

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essentially we just started all
the prep work behind the scenes.

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To move plant material we have
to issue what's called a plant

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passport. Did that straight
away.

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One of our gardens consultants
were actually on site within

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sort of day, day and a half
afterwards and they sent

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material down to us through the
post. They sent first class and

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it arrived here nine o'clock on
Saturday morning.

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We asked for seed, which is one
of the easiest methods of

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propagation, but also cuttings,
doing grafting, budding. From

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the same sort of material. So by
Saturday five o'clock everything

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00:13:25,679 --> 00:13:28,840
was propagated and it's all gone
quite well so far.

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00:13:30,000 --> 00:13:35,203
We've got 21 cuttings, we've got
five budded trees, we've got 15

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00:13:35,343 --> 00:13:40,126
grafted trees and we've sown
four seed trays so far of seeds.

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00:13:40,566 --> 00:13:44,888
But we don't know what's going
to happen but the stump that's

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00:13:44,908 --> 00:13:48,690
been left behind will probably
grow as a multi stemmed tree but

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00:13:48,691 --> 00:13:51,892
it'll never look the same as it
did and it'll be another... Two,

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00:13:51,992 --> 00:13:53,173
three hundred years before it
looks good.

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00:13:55,174 --> 00:13:57,695
HEATHER BIRKETT: And then all
their efforts paid off. They

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00:13:57,755 --> 00:14:02,158
successfully propagated cuttings
and cultivated seeds, creating a

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00:14:02,198 --> 00:14:06,680
whole new generation of Sycamore
Gap trees. The first of these

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00:14:07,041 --> 00:14:10,342
made a special journey to London
in May, where it was put on

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00:14:10,362 --> 00:14:14,024
display for all to see in the
National Trust Garden at the

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00:14:14,065 --> 00:14:15,105
Chelsea Flower Show.

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00:14:16,326 --> 00:14:18,727
The young seedling was placed
into the garden by

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00:14:18,867 --> 00:14:22,353
seven-year-old Charlotte. And
Dame Judi Dench, who

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00:14:22,393 --> 00:14:26,096
affectionately named it
Antoninus, after Emperor

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00:14:26,196 --> 00:14:30,419
Hadrian's adopted son, inspired
by the location of the Sycamore

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00:14:30,459 --> 00:14:31,019
Gap tree.

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00:14:32,200 --> 00:14:35,582
Charlotte and her parents, Andy
and Louise, travelled down from

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00:14:35,602 --> 00:14:37,023
their home in Northumberland.

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00:14:38,745 --> 00:14:40,886
LOUISE: Well, I grew up in
Haydon Bridge, which is, what,

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00:14:40,926 --> 00:14:44,929
maybe five miles from the gap.
When we found out the day it

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00:14:44,949 --> 00:14:47,190
happened, we were both at work
and Charlotte was at school, and

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00:14:47,191 --> 00:14:51,614
that night, went for a drive
along, just.to see if it was

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00:14:51,714 --> 00:14:55,337
true, and it was just so strange
not seeing that tree there.

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00:14:55,698 --> 00:14:58,220
It was quite emotional, wasn't
it, when you find out and you

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00:14:58,221 --> 00:15:00,803
think. That's just a tree, why
am I getting upset over a tree?

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00:15:00,903 --> 00:15:05,307
But it's strange how a tree up
in Northumberland is all over

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00:15:05,308 --> 00:15:08,365
the world has made such an
impact on everyone.

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00:15:08,985 --> 00:15:11,446
I just remember Charlotte was
saying to me one day, oh, I've

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00:15:11,447 --> 00:15:14,267
got to do this with the school,
write a poem about Sycamore Gap.

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00:15:14,607 --> 00:15:17,228
HEATHER BIRKETT: A competition
was set up, inviting pupils from

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00:15:17,288 --> 00:15:20,790
Henshaw Primary School, the
closest school to Sycamore Gap,

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00:15:21,310 --> 00:15:24,651
in which pupils were invited to
draw a picture of the tree and

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00:15:24,671 --> 00:15:27,953
write a short poem about what it
meant to them. And it was

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00:15:28,013 --> 00:15:29,353
Charlotte's poem which won.

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00:15:29,913 --> 00:15:32,454
CHARLOTTE: I went to see
Harian's Wall and I saw a tree.

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00:15:32,855 --> 00:15:36,896
It was a mindful tree. It was a
mindful, famous tree. It was a

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00:15:36,936 --> 00:15:41,702
mindful, famous, historical
tree. It was a mindful, famous,

258
00:15:41,702 --> 00:15:45,160
historical, magnificent tree. It
was a mindful, famous,

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00:15:45,400 --> 00:15:49,562
historical, magnificent,
welcoming tree. I really hope

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00:15:49,582 --> 00:15:54,644
Sycamore Gap grows back. When I
go and see the tree, it brings

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00:15:54,684 --> 00:15:56,024
back lots of memories.

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00:15:57,505 --> 00:15:59,926
HEATHER BIRKETT: After the show,
the seedling was returned to the

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00:15:59,927 --> 00:16:03,628
Plant Conservation Centre, where
it continues to grow alongside

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00:16:03,648 --> 00:16:07,698
its siblings until they are
ready for planting the first

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00:16:07,778 --> 00:16:11,121
successful sapling has been
gifted to his Royal Highness the

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00:16:11,161 --> 00:16:15,143
King in honour of celebration
day. A day dedicated to

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00:16:15,203 --> 00:16:19,226
remembering those no longer with
us. This special tree will be

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00:16:19,266 --> 00:16:28,633
planted in Windsor Great Park
for all visitors to enjoy.

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00:16:28,633 --> 00:16:32,920
It is now the beginning of July
ten months after the felling and

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00:16:33,000 --> 00:16:37,423
hopes of any regrowth at the
stump are starting to fade. But

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00:16:37,443 --> 00:16:39,724
at various sites in
Northumberland, the first

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00:16:39,804 --> 00:16:44,007
artworks are about to go on
display. These are five prints

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00:16:44,107 --> 00:16:47,829
by Shona Brannigan, who is known
for her evocative tree prints.

274
00:16:48,490 --> 00:16:50,511
The prints have been
commissioned by the National

275
00:16:50,551 --> 00:16:55,274
Trust as a creative response to
the public's suggestions. This

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00:16:55,334 --> 00:16:59,441
collection, lovingly titled
Heartwood, is designed to

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00:16:59,481 --> 00:17:04,124
reflect the intricate shape and
essence of the tree trunk. The

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00:17:04,164 --> 00:17:07,487
five prints will be showcased
together at the Queen's Hall,

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00:17:07,587 --> 00:17:11,330
Hexham, and then at the Baltic
Art Gallery in Newcastle.

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00:17:15,974 --> 00:17:20,117
Then, at the end of July, I get
a call from Andrew Poad, General

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00:17:20,157 --> 00:17:23,520
Manager at Hadrian's Wall, with
the news that we have all been

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00:17:23,600 --> 00:17:24,201
hoping for.

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00:17:24,681 --> 00:17:27,163
ANDREW POAD: We've just heard
from our colleagues at the

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00:17:27,164 --> 00:17:30,445
National Park that... The stumps
actually started regrowing,

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00:17:30,805 --> 00:17:31,865
which is brilliant news.

286
00:17:32,225 --> 00:17:33,885
HEATHER BIRKETT: Oh, that's
fantastic news, Andrew.

287
00:17:34,066 --> 00:17:36,566
ANDREW POAD: Yeah, it was a real
pleasant surprise to get the

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00:17:36,586 --> 00:17:39,967
call. The really nice story is
the chap who found it, is the

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00:17:40,047 --> 00:17:43,588
first person that was on site
that confirmed that the tree had

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00:17:43,608 --> 00:17:46,809
actually been felled. He's the
National Trail Ranger for

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00:17:46,829 --> 00:17:50,830
Hadrian's Wall. So it's really
nice that it's him that's the

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00:17:50,930 --> 00:17:53,811
one that's spotted the regrowth
first. A little bit of

293
00:17:53,831 --> 00:17:57,472
serendipity there. So the last
time I was there, we'd got up to

294
00:17:57,532 --> 00:18:01,835
12. New shoots. They're only a
few centimetres tall and a few

295
00:18:01,895 --> 00:18:06,138
centimetres across with two or
three leaves on each shoot. And

296
00:18:06,139 --> 00:18:09,440
they're a lovely rusty red
colour at the moment. And that's

297
00:18:09,500 --> 00:18:12,642
great. I mean, this is nature
bouncing back. This is how it

298
00:18:12,662 --> 00:18:16,605
responds and whether all the
shoots survive or not remains to

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00:18:16,606 --> 00:18:20,487
be seen. I'm delighted the
tree's regrowing, although it'll

300
00:18:20,548 --> 00:18:22,769
never look the same as the
original tree. It's the best

301
00:18:23,069 --> 00:18:26,792
possible outcome we could get.
So it's really nice to share.

302
00:18:27,172 --> 00:18:30,393
When I was on site sharing that
with other people, what we were

303
00:18:30,453 --> 00:18:32,534
saying to a lot of them who had
children with them is that

304
00:18:32,554 --> 00:18:37,176
they're going to need to come
back in 10, 20 years' time and

305
00:18:37,796 --> 00:18:40,037
see the results of what they've
just witnessed.

306
00:18:42,078 --> 00:18:44,879
HEATHER BIRKETT: As encouraging
signs of regrowth emerge at the

307
00:18:44,899 --> 00:18:49,561
stump, plans are also underway
for the stored wood. After a

308
00:18:49,601 --> 00:18:53,483
year of careful seasoning, the
largest section has been gifted

309
00:18:53,583 --> 00:18:58,345
to the Northumberland National
Park Authority. CEO Tony Gates

310
00:18:58,745 --> 00:18:59,465
tells us more.

311
00:19:01,366 --> 00:19:04,267
TONY GATES: The National Park
Authority, we own and run The

312
00:19:04,647 --> 00:19:06,928
Sill National Landscape
Discovery Centre on Hadrian's

313
00:19:06,968 --> 00:19:10,750
Wall. It's the closest visitor
centre to the site of Sycamore

314
00:19:10,790 --> 00:19:14,612
Gap. We get about 125,000
visitors a year through the

315
00:19:14,632 --> 00:19:18,373
centre. And it would have been
one of the most popular starting

316
00:19:18,433 --> 00:19:21,855
points for people who wanted to
walk to see the Sycamore Gap

317
00:19:21,935 --> 00:19:22,175
tree.

318
00:19:22,715 --> 00:19:24,916
And we gathered all the feedback
that people sent to us,

319
00:19:25,284 --> 00:19:27,905
following the felling of the
tree. And one of the things that

320
00:19:27,906 --> 00:19:31,227
came through is that people
wanted to see some type of

321
00:19:31,487 --> 00:19:35,150
long-term legacy for the tree in
the Sill in the visitor centre.

322
00:19:35,630 --> 00:19:38,011
And so we've negotiated with the
National Trust and they've

323
00:19:38,071 --> 00:19:41,853
kindly agreed to gift us the
largest remaining intact section

324
00:19:42,193 --> 00:19:43,694
of the Sycamore Gap tree.

325
00:19:44,475 --> 00:19:48,277
And the idea is that we use that
to create a lasting legacy for

326
00:19:48,537 --> 00:19:51,539
Sycamore Gap that people can
visit in the Sill National

327
00:19:51,579 --> 00:19:54,804
Landscape Centre. And it means
of people who maybe physically

328
00:19:54,844 --> 00:19:59,768
can't get as far out as the site
itself can still have some

329
00:19:59,828 --> 00:20:00,789
contact with the tree.

330
00:20:02,550 --> 00:20:04,692
HEATHER BIRKETT: Earlier in the
year, a call went out for

331
00:20:04,812 --> 00:20:08,115
artists to design an exhibition
that would incorporate the

332
00:20:08,175 --> 00:20:12,081
gifted tree section. This
exhibition is set to open at the

333
00:20:12,161 --> 00:20:16,262
Sill in the Northumberland
National Park Discovery Centre,

334
00:20:16,262 --> 00:20:20,223
one year after the felling. The
commissioned artists are Charlie

335
00:20:20,224 --> 00:20:23,144
Winnie, Nick Greenall and Matt
Sowerby.

336
00:20:27,085 --> 00:20:29,766
It's a beautiful sunny day in
August and I've come to a barn

337
00:20:29,786 --> 00:20:33,327
in rural Cumbria, nestled
between the majestic fells of

338
00:20:33,328 --> 00:20:36,587
the Lake District and the open
waters of Morecambe Bay. It's a

339
00:20:36,627 --> 00:20:40,045
really special corner of
Cumbria. That feels incredibly

340
00:20:40,305 --> 00:20:40,945
tucked away.

341
00:20:42,686 --> 00:20:46,367
The Barn is home to an artist's
studio where the artists

342
00:20:46,467 --> 00:20:48,788
specialise in art made from
wood.

343
00:20:52,330 --> 00:20:55,291
We're inside the studio now and
you might be able to hear a

344
00:20:55,311 --> 00:20:58,312
little bit of action in the
background, some sawing and

345
00:20:58,332 --> 00:21:01,754
drilling, but I'm sat here with
two of the artists involved.

346
00:21:01,914 --> 00:21:04,735
NICK GREENALL: Good afternoon,
my name's Nick Greenall and this

347
00:21:04,736 --> 00:21:08,432
is Charlie Whinney and jointly
we're both directors of a

348
00:21:08,492 --> 00:21:11,113
community interest company
called Creative Communities and

349
00:21:11,114 --> 00:21:14,834
we do kind of out there art
projects with members of the

350
00:21:14,854 --> 00:21:18,435
community who might not normally
get the opportunity to do that

351
00:21:18,495 --> 00:21:18,976
kind of thing.

352
00:21:19,576 --> 00:21:22,317
On this particular project, the
Sycamore Gap project, we're

353
00:21:22,337 --> 00:21:25,617
working with a poet called Matt
Sowerby. So we've got poetry,

354
00:21:26,218 --> 00:21:30,299
we've got Charlie Whinney who's
an amazing steam woodbender.

355
00:21:30,859 --> 00:21:32,800
HEATHER BIRKETT: We come to you
Charlie, I wondered if you could

356
00:21:32,820 --> 00:21:34,020
tell us a bit about your work.

357
00:21:34,504 --> 00:21:36,065
CHARLIE WHINNEY : The reason you
can see all these strange,

358
00:21:36,245 --> 00:21:40,729
twizzly, curly shapes around you
is because my sketchbook is full

359
00:21:40,749 --> 00:21:45,192
of these shapes. And part of the
interest and the challenge for

360
00:21:45,212 --> 00:21:50,496
me is to take normal wood from a
tree outside and use as little

361
00:21:50,596 --> 00:21:54,279
energy as possible and still
achieve beautiful results.

362
00:21:54,980 --> 00:21:57,201
HEATHER BIRKETT: So can I ask,
have you seen the tree?

363
00:21:58,082 --> 00:22:01,845
NICK GREENALL: We have. Charlie
was keen to study the material

364
00:22:01,846 --> 00:22:04,366
that he'd be working with, and
there was a bit of mystery about

365
00:22:04,386 --> 00:22:07,768
where the tree actually might
be. It may be in Devon, it may

366
00:22:07,788 --> 00:22:11,771
be in Berwick-upon-Tweed. And
then they took us, and then the

367
00:22:11,851 --> 00:22:14,673
tree out of the darkness was
revealed.

368
00:22:15,273 --> 00:22:17,634
CHARLIE WHINNEY : When I saw it,
I'd already met, I don't know,

369
00:22:17,694 --> 00:22:21,777
like 100 people there who had
tears when it came down. And I

370
00:22:21,778 --> 00:22:25,339
think looking at the bark of the
tree and all the interesting

371
00:22:25,599 --> 00:22:28,405
swirls and patterns, having
already studied loads of

372
00:22:28,406 --> 00:22:31,527
photographs of the living tree,
and it was like, oh my God, it's

373
00:22:31,627 --> 00:22:34,509
you. It's the same one. It was a
strange feeling.

374
00:22:34,970 --> 00:22:37,612
NICK GREENALL: Because I'd seen
the tree in life in this dip on

375
00:22:37,672 --> 00:22:41,134
Hadrian's Wall. It was just very
aesthetic' it was the right tree

376
00:22:41,174 --> 00:22:44,957
in the right place. And then
seeing it cut up as a log, there

377
00:22:44,958 --> 00:22:48,319
was definitely a disconnect
between seeing a log of wood and

378
00:22:48,339 --> 00:22:50,341
this formerly beautiful tree in
life.

379
00:22:50,501 --> 00:22:52,082
HEATHER BIRKETT: So Charlie,
what happens next?

380
00:22:52,342 --> 00:22:55,448
CHARLIE WHINNEY : There were two
stages to this project. You've

381
00:22:55,488 --> 00:22:59,109
come to us now about five weeks
before the first stage is going

382
00:22:59,110 --> 00:23:02,630
to be complete. It's going to be
the one year on exhibition at

383
00:23:02,631 --> 00:23:07,131
the Sill. And I'm making five
giant canvases that are going to

384
00:23:07,132 --> 00:23:10,532
go on the wall. They're going to
depict the tree wrapping around

385
00:23:10,533 --> 00:23:13,813
the gallery, kind of life size.
And in the middle of the gallery

386
00:23:14,013 --> 00:23:16,614
will be our log, which the
National Trust have currently

387
00:23:16,654 --> 00:23:17,074
given us.

388
00:23:17,754 --> 00:23:20,495
NICK GREENALL: So there'll be an
opportunity for people to make

389
00:23:20,555 --> 00:23:23,596
pledges. And they may be pledges
of what they're going to do for

390
00:23:23,656 --> 00:23:27,238
nature. And it's these pledges
that will be gathered and they

391
00:23:27,258 --> 00:23:30,180
will form part of the final
piece that Charlie is going to

392
00:23:30,200 --> 00:23:30,560
make.

393
00:23:30,920 --> 00:23:33,402
HEATHER BIRKETT: So as a phase
one, that's an amazing way to

394
00:23:33,442 --> 00:23:37,224
capture people's feelings and
connection with the tree. What

395
00:23:37,264 --> 00:23:39,025
happens to all those pledges
afterwards?

396
00:23:39,126 --> 00:23:41,367
CHARLIE WHINNEY : I'll show you.
So in my hands here, I've got

397
00:23:41,447 --> 00:23:44,289
one of our samples from the
final sculpture. So these are

398
00:23:44,290 --> 00:23:45,089
just ideas.

399
00:23:46,030 --> 00:23:49,092
HEATHER BIRKETT: I can see some
twisted wood almost in a spiral.

400
00:23:49,568 --> 00:23:53,571
With a lovely grain on it, and
then engraved onto the flat side

401
00:23:53,572 --> 00:23:58,095
of the twist some words. "I will
get chickens who will eat our

402
00:23:58,155 --> 00:23:59,296
scraps."

403
00:23:59,296 --> 00:24:02,438
At the exhibition at the Sill,
visitors will see a section of

404
00:24:02,439 --> 00:24:05,741
the felled Sycamore Gap tree,
along with all the artwork

405
00:24:05,801 --> 00:24:09,604
surrounding it. Charlie's also
designed seating for the show,

406
00:24:09,864 --> 00:24:14,128
so visitors can sit, reflect and
immerse in the exhibition.

407
00:24:15,440 --> 00:24:17,802
NICK GREENALL: So we're going to
go next door now and we've been

408
00:24:17,942 --> 00:24:21,004
steaming some wood. So the
process of steam wood bending is

409
00:24:21,084 --> 00:24:25,167
we heat the wood in a steam
chamber and all the lignin and

410
00:24:25,227 --> 00:24:28,129
cellulose in the wood becomes
malleable and then you're able

411
00:24:28,130 --> 00:24:30,771
to bend it. It's quite a
marvellous thing to see. So

412
00:24:30,811 --> 00:24:31,491
let's go and have a look.

413
00:24:31,831 --> 00:24:32,612
HEATHER BIRKETT: Sounds like
magic.

414
00:24:34,573 --> 00:24:36,875
CHARLIE WHINNEY : This metal
thing here is a compression

415
00:24:36,915 --> 00:24:39,597
strap that I'm going to put on
the outside of the wood. It's

416
00:24:39,597 --> 00:24:41,938
called a compression strap so
it's going to literally squash

417
00:24:42,098 --> 00:24:45,609
all the fibres as we bend
around. The wood needs to be

418
00:24:45,749 --> 00:24:48,692
about 100 degrees, If it isn't
then it'll break.

419
00:24:51,174 --> 00:24:54,397
So this is a piece of Ash that
I'm putting in here. So I'm

420
00:24:54,517 --> 00:24:59,181
going to put it into the
compression strap and I'm going

421
00:24:59,182 --> 00:25:03,485
to see how many times I can bend
this piece of Ash around here.

422
00:25:03,486 --> 00:25:09,770
I'm going to go for number four.
There we go. There's our thing.

423
00:25:10,190 --> 00:25:11,691
HEATHER BIRKETT: And then it was
my turn to have a go.

424
00:25:12,572 --> 00:25:14,012
CHARLIE WHINNEY : Do you see all
the sculptures over there?

425
00:25:14,432 --> 00:25:14,713
HEATHER BIRKETT: Yes.

426
00:25:14,873 --> 00:25:15,633
CHARLIE WHINNEY : You're making
one of them.

427
00:25:15,893 --> 00:25:16,173
HEATHER BIRKETT: Okay.

428
00:25:16,553 --> 00:25:17,434
CHARLIE WHINNEY : Can you see
they all look completely

429
00:25:17,474 --> 00:25:17,894
different?

430
00:25:18,034 --> 00:25:18,374
HEATHER BIRKETT: Yes.

431
00:25:18,534 --> 00:25:19,275
CHARLIE WHINNEY : So there's no
rules?

432
00:25:19,555 --> 00:25:19,815
HEATHER BIRKETT: Okay.

433
00:25:19,875 --> 00:25:20,535
CHARLIE WHINNEY : You can do
what you want.

434
00:25:22,276 --> 00:25:25,918
HEATHER BIRKETT: Charlie has
handed me five strands of wood

435
00:25:25,978 --> 00:25:27,599
that we're going to wrap around
here.

436
00:25:29,159 --> 00:25:29,319
CHARLIE WHINNEY : Yes.

437
00:25:30,020 --> 00:25:30,860
HEATHER BIRKETT: Oh, it's not
easy.

438
00:25:32,241 --> 00:25:33,041
CHARLIE WHINNEY : That's
perfect. There we go.

439
00:25:33,301 --> 00:25:34,662
HEATHER BIRKETT: Like a granny
knot in wood.

440
00:25:37,014 --> 00:25:39,675
Thank you so much for showing me
your workshop, Charlie, and to

441
00:25:39,855 --> 00:25:42,656
show us how this wood is bent.
And it really gives us an

442
00:25:42,676 --> 00:25:46,818
insight into the kind of methods
and skills involved in the work

443
00:25:46,858 --> 00:25:49,619
that you're going to be doing
for the Sycamore Gap project.

444
00:25:51,940 --> 00:25:55,361
The story of the Sycamore Gap
tree continues to touch people

445
00:25:55,401 --> 00:25:57,082
across the country and beyond.

446
00:25:58,543 --> 00:26:02,244
Stage one of the exhibition at
the Sill was hugely popular with

447
00:26:02,304 --> 00:26:06,806
local people and visitors to the
area. Artist Charlie Winnie. Is

448
00:26:06,826 --> 00:26:09,709
now working on a permanent
exhibition featuring the tree,

449
00:26:10,249 --> 00:26:12,111
which will be revealed later
this summer.

450
00:26:13,632 --> 00:26:17,576
In summer 2024, new shoots began
emerging from the tree stump,

451
00:26:17,916 --> 00:26:21,460
and conservationists noticed
early signs of growth again this

452
00:26:21,520 --> 00:26:21,840
spring.

453
00:26:23,161 --> 00:26:26,404
The National Trust and partners
are carefully monitoring the new

454
00:26:26,464 --> 00:26:30,067
growth and protecting the stump
with fencing, and visitors are

455
00:26:30,087 --> 00:26:34,311
being respectfully asked not to
touch the shoots. The plan is to

456
00:26:34,391 --> 00:26:37,554
leave the shoots undisturbed for
a few years to see how they

457
00:26:37,594 --> 00:26:40,656
develop before deciding how best
to manage the tree.

458
00:26:42,618 --> 00:26:45,861
Meanwhile, the saplings are
thriving under the expert care

459
00:26:45,862 --> 00:26:49,484
of the Plant Conservation
Centre. To mark the one-year-on

460
00:26:49,644 --> 00:26:53,888
anniversary, 49 of these new
sycamore saplings were allocated

461
00:26:53,968 --> 00:26:57,871
to inspiring projects across the
country through a campaign

462
00:26:58,011 --> 00:27:02,918
called Trees Of Hope. Planting
will begin this winter. The

463
00:27:02,958 --> 00:27:06,340
Sycamore Gap Tree may be gone
from the landscape, but its

464
00:27:06,441 --> 00:27:09,943
legacy lives on in a story that
is far from over.

465
00:27:24,733 --> 00:27:28,116
Thank you for listening to this
bonus episode of Wild Tales. I

466
00:27:28,136 --> 00:27:31,658
hope you've enjoyed it. Make
sure you get every episode. By

467
00:27:31,718 --> 00:27:35,760
following Wild Tales on your
favourite podcast app. Even

468
00:27:35,820 --> 00:27:39,741
better, leave us a review or
comment on an episode. We love

469
00:27:39,761 --> 00:27:40,642
to hear what you think.

470
00:27:42,002 --> 00:27:46,084
Did you know Wild Tales is also
on YouTube? Head to the National

471
00:27:46,144 --> 00:27:50,226
Trust YouTube channel and you
can also follow us on Instagram

472
00:27:50,486 --> 00:27:54,728
at wildtalesnt. While you're
there, why not check out our

473
00:27:54,788 --> 00:27:59,270
history show, Back When? Or for
smaller ears, Ranger Ray and the

474
00:27:59,290 --> 00:28:01,767
Wildlifeers. See you next time.

