00:00.149 --> 00:07.708
[SPEAKER_12]: Well, happy Thanksgiving, everybody, and it's time for Thanksgiving Day, Rob Radeo, and how can you tell it's time for Rob Radeo?

00:09.232 --> 00:16.892
[SPEAKER_14]: The reverb is on.

00:27.436 --> 00:30.821
[SPEAKER_06]: Ooh, this is to radio.

00:31.742 --> 00:35.227
[SPEAKER_06]: That's the way you go, medium, go, radio.

00:36.209 --> 00:40.054
[SPEAKER_06]: That's with you every night, through the long commuter fight.

00:40.635 --> 00:44.320
[SPEAKER_06]: And in the morning with your toast and mama, radio.

00:45.782 --> 00:48.927
[SPEAKER_06]: Ooh, this is to radio.

00:49.848 --> 00:53.173
[SPEAKER_06]: No matter if it's someone just bring a phone.

00:54.841 --> 01:09.019
[SPEAKER_06]: Who listens to radio, only 150 million 150 million people That's all

01:12.678 --> 01:17.650
[SPEAKER_10]: Rob, speedwack in your story, come on!

01:18.372 --> 01:26.451
[SPEAKER_12]: Happy Thanksgiving folks, it's me, it's me, it's ROWB, your favorite DW, J-A-Y, Rob, speedwack in good news.

01:27.754 --> 01:30.180
[SPEAKER_12]: I brought along my flat friends, the record.

01:31.409 --> 01:32.951
[SPEAKER_12]: Rob Radio for Thanksgiving.

01:33.031 --> 01:44.646
[SPEAKER_12]: Now in the past, we've done Thanksgiving Bean Shows, like songs about saying thank you or thanks or songs about black Friday, steely dim.

01:44.726 --> 01:47.290
[SPEAKER_12]: Turkey, Mac, potatoes, D.D.

01:47.350 --> 01:54.379
[SPEAKER_12]: Sharp, colturkey, John Lennon, and the turkey dry.

01:54.663 --> 01:59.212
[SPEAKER_12]: Little Eva, but these are, oh, and I would play the cranberries, too.

01:59.673 --> 02:02.298
[SPEAKER_12]: But we've done all that, so we're going to do something different.

02:02.859 --> 02:05.445
[SPEAKER_12]: We're going to go back through the midst of time.

02:06.447 --> 02:14.663
[SPEAKER_12]: To the early 1990s, when I first got my start on college radio, now I've said for years, that the 90s is the worst decade.

02:15.267 --> 02:17.090
[SPEAKER_12]: for music period.

02:17.110 --> 02:18.231
[SPEAKER_12]: And I stand by that.

02:18.312 --> 02:28.907
[SPEAKER_12]: However, the year's 1990-91-92 when I was on WVCW down South and Richmond, there's a few songs that I would play that I very much enjoy.

02:29.528 --> 02:30.810
[SPEAKER_12]: Now, don't be fooled.

02:30.830 --> 02:33.614
[SPEAKER_12]: These are not all songs from 1991-92.

02:33.835 --> 02:38.862
[SPEAKER_12]: A lot of them are, but these are songs that I associate

02:39.348 --> 02:59.473
[SPEAKER_12]: with WVCW and my college radio career makes me think of my partners, Brad Rosenberg, Pat House, of course Bill Hirschman, who was called Bill Stevens then, and are crazy fun that we used to have on the radio, but they always told me play more music, much more music.

02:59.893 --> 03:05.440
[SPEAKER_12]: So today we're going to play much more music and we'll get things kicked off.

03:06.095 --> 03:13.108
[SPEAKER_12]: Right after this we're gonna do something that's called the 50 break and then we will play the easy beats.

03:13.128 --> 03:22.365
[SPEAKER_14]: Let's do it

03:22.345 --> 03:48.488
[SPEAKER_10]: Music, props, be life, every Friday, Monday, moment feels so bad Everybody seems to man, man, come and choose it, I feel better Either my own outlook's good, better mind, when they just don't go

04:07.233 --> 04:31.013
[SPEAKER_10]: She's no sight to me I'm not afraid to cry I'm not afraid to cry I can't get enough I can't get enough We all have brought it on my mind

04:34.958 --> 04:55.920
[SPEAKER_10]: To the five day blind hopes for The one of the males that brought us to the moon More than we'll get for the rich man Hey, I'll change that scene underneath Today I might be...

05:05.097 --> 05:07.682
[UNKNOWN]: I don't know how much I love you, I'm the city

05:54.102 --> 05:59.915
[SPEAKER_12]: Back in my college station, we had what were called current records and recurrent records.

05:59.935 --> 06:02.080
[SPEAKER_12]: The current records were current, of course.

06:02.801 --> 06:05.547
[SPEAKER_12]: And the recurrents were slightly older.

06:05.567 --> 06:07.291
[SPEAKER_12]: And I always loved playing this one.

06:07.371 --> 06:09.917
[SPEAKER_12]: I also played this off of a cartridge.

06:09.897 --> 06:16.849
[SPEAKER_12]: And there are a lot of mixes of this song, but this is my favorite by far Tainted Robin, where did I love go?

06:16.869 --> 06:33.998
[SPEAKER_10]: This is soft song Sometimes I feel love got to run away, I've got to Get away from the pain you drive into Law to me, the love we share

06:36.627 --> 06:54.113
[SPEAKER_10]: And I left my light for a toss and turn I can't sleep at night Once I ran to you Now I run to you This table of you can't

06:54.093 --> 07:15.274
[SPEAKER_10]: I give you all the boy could give it Take my tears and that's not me Oh, say the love Oh, say the love Now I know I've got to Run away I've got to

07:15.254 --> 07:41.548
[SPEAKER_10]: I've got a way, you don't really want it anymore from me to make things right You need someone, don't hold your tight and you think I'm ready to pray But I'm sorry, I don't pray that way once I ran through Now I run for you

07:41.528 --> 08:06.962
[SPEAKER_10]: Sayin' the love you've given I give you all a boy could give you Sayin' my tears and that's not right Oh, sayin' the love, oh Sayin' the love Don't touch me, please I cannot stand on you Sayin' the love, you don't admit so

08:06.942 --> 08:30.773
[SPEAKER_10]: I'm gonna pack my things and go Time's in love Time's in love Time's in love Time's in love Time's in love Time's in love

08:46.767 --> 09:01.114
[SPEAKER_10]: I love you, I love you, don't you leave me for more I've got this burn, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,

09:03.170 --> 09:27.068
[SPEAKER_10]: I'm hurt so bad, I can't even do what I'm doing So take a lead with the permanent love That's things like your being And now I love you so much So help me sleep with you

09:31.604 --> 09:50.878
[SPEAKER_10]: You want to leave me Baby baby When I'm alone All done she'll leave me All done she'll leave me All done she'll leave me

09:52.023 --> 10:02.197
[SPEAKER_12]: All the 80 songs that might be the 80s.

10:02.417 --> 10:03.839
[SPEAKER_12]: Does that make any sense at all?

10:05.281 --> 10:06.723
[SPEAKER_12]: Oh, dude Walker.

10:07.264 --> 10:09.967
[SPEAKER_14]: Arise M. F. T. Robbs do that means fine tuna.

10:10.348 --> 10:12.551
[SPEAKER_12]: Ah yes, from the CD Shubber dip.

10:13.452 --> 10:15.275
[SPEAKER_12]: This is EMF and unbelievable.

10:15.475 --> 10:21.523
[SPEAKER_19]: God, we've played this one a lot.

10:22.010 --> 10:46.363
[SPEAKER_16]: You're always asking what it's all about, don't listen to my replies You say to me, I don't know what you love No matter if you're uncomfortable These are the spread of real life She's true, I believe you The truth, you say You're asking what you're asking You're giving away nothing You say, you say You're unbelievable

10:54.258 --> 11:23.438
[SPEAKER_10]: You're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're unbelievable, you're
unbelievable, you're unbelievable, you're unbelievable, you're unbelievable

11:39.837 --> 12:02.014
[SPEAKER_16]: Sing me loud, so many can ask you Just pushing down the rest Bring it up your eyes Don't think of the five stars Pushin' down a better bet of you Set a breather, I've used to walk Who else never could get To embrace yourself It's great for peace, I love this world And why does it seem What's up, what's up, what's up That's what I believe You've heard of me with your questions And I'm so sorry

12:05.740 --> 12:32.068
[SPEAKER_16]: It's my life, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's mine, it's

12:33.382 --> 12:53.905
[SPEAKER_19]: You're unbelievable You're unbelievable You're unbelievable

13:10.203 --> 13:31.890
[SPEAKER_19]: I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't really know what I'm talking about, I don't

13:46.687 --> 13:56.420
[SPEAKER_12]: The micro-marish show brings you the sounds of college radio, and even though I played that song eight billion times, no idea what they're saying in it.

13:56.440 --> 13:57.722
[SPEAKER_12]: Something about perfect prose?

13:58.202 --> 14:00.405
[SPEAKER_12]: You're unbelievable.

14:00.425 --> 14:00.866
[SPEAKER_12]: I don't know.

14:01.427 --> 14:04.231
[SPEAKER_12]: It's your old buddy Robbsby Wack, and, uh, oh, this is good.

14:04.851 --> 14:06.674
[SPEAKER_12]: If you bought the album called Down.

14:06.774 --> 14:09.818
[SPEAKER_12]: That was by a Jesus Jones, the, uh, hit record on it.

14:10.539 --> 14:12.762
[SPEAKER_12]: Was called right here right now.

14:12.742 --> 14:38.023
[SPEAKER_10]: But this is a better song, International Bright Young Fang.

14:42.610 --> 14:43.863
[UNKNOWN]: You

15:33.657 --> 15:48.628
[UNKNOWN]: The bright young thing is free As can travel into the sky The sun is breaking This is why

16:05.517 --> 16:16.202
[SPEAKER_10]: I'm not used to it, I'm not used to it I'm not used to it, I'm used to it I'm used to it, I'm used to it I'm used to it

16:53.780 --> 16:58.645
[SPEAKER_14]: Rob Spewer, BCU Class of 1993, yes, 1993.

16:58.946 --> 17:04.411
[SPEAKER_14]: The world was a lot smaller than, and so was Rob.

17:04.432 --> 17:06.954
[SPEAKER_12]: But that's what's being right.

17:06.974 --> 17:08.256
[SPEAKER_12]: That's not okay, dude.

17:08.276 --> 17:08.896
[SPEAKER_12]: What are you doing?

17:09.877 --> 17:11.399
[SPEAKER_12]: Talkin' behind my back like that.

17:11.439 --> 17:12.040
[SPEAKER_12]: How dare you?

17:13.141 --> 17:14.482
[SPEAKER_12]: Happy Thanksgiving, everybody.

17:14.542 --> 17:23.432
[SPEAKER_12]: Hope your turkey is a... A divine thing today as we do the Super Dragons right here.

17:29.656 --> 17:43.395
[SPEAKER_11]: Get it up, I put it up, get it in dream And I'm a little, I don't want, I'm still tired

17:56.167 --> 18:21.347
[SPEAKER_10]: But you are majoring in the ocean of the sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet, sweet

18:35.198 --> 19:03.670
[SPEAKER_11]: Lack of one thing that is the folk show Now I'm always there in your hair, in a taste Just two mixed up air, y'all want a folk show You're fancy, but I would be your greatest thing

19:07.430 --> 19:34.652
[SPEAKER_10]: In this world, you are the angel Because you're the sweet, sweet, sweet Till I'm the lady But I should know that you are the devil In this life, the sweet, sweet, sweet Till I'm the lady

19:52.790 --> 19:54.244
[SPEAKER_10]: Thank you.

20:13.428 --> 20:16.916
[SPEAKER_12]: It's the micro-marish show with your old buddy Rob Rob's B-WEC.

20:16.977 --> 20:27.201
[SPEAKER_12]: Thanksgiving Day Rob Radio bringing you the sounds of the mighty WVCW enrichment for this your Thanksgiving Day now.

20:28.733 --> 20:37.985
[SPEAKER_12]: These are songs I associate with college radio and I do think our station was really close to one of the first ones to play this song.

20:38.025 --> 20:43.172
[SPEAKER_12]: Now, it eventually would go wide, but I think we broke this record.

20:43.192 --> 20:47.457
[SPEAKER_12]: And for that, I'm sorry, because this is an unfortunate song.

20:47.478 --> 20:49.380
[SPEAKER_05]: I am 264 my love.

20:49.400 --> 20:51.282
[SPEAKER_05]: 264 my love.

20:51.363 --> 20:58.572
[SPEAKER_12]: Love is going to lead.

20:59.345 --> 21:01.848
[SPEAKER_12]: And listen, it's okay to be bold.

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[SPEAKER_12]: Trust me, I know.

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[SPEAKER_12]: That's not a problem.

21:05.311 --> 21:07.954
[SPEAKER_12]: My problem is that I'm too sexy for my cat.

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[SPEAKER_12]: Can you please help me?

21:11.618 --> 21:13.720
[SPEAKER_05]: I am 264 my shirt.

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[SPEAKER_05]: 264 my shirt.

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[SPEAKER_05]: So sexy in her.

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[SPEAKER_05]: And I am 264 my land.

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[SPEAKER_05]: 264 my land.

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[SPEAKER_05]: New York and Japan.

21:33.668 --> 21:56.048
[SPEAKER_05]: I am too sexy for your party, too sexy for your party The way I'm just going to insane I'm a mother, you know what I mean And I do my little turn on the cupboard Yeah, on the cupboard, on the cupboard Yeah, I do my little turn on the cupboard

22:13.493 --> 22:42.741
[SPEAKER_05]: You sexy boy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car, you sexy, my car,

23:00.929 --> 23:14.567
[SPEAKER_05]: You know what I mean, and I do my little turn on the catwalk Yeah, on the catwalk, yeah, on the catwalk Yeah, I shake my little toothbrush on the catwalk

23:17.433 --> 23:33.383
[SPEAKER_05]: Two, sixy, four, my cat Two, sixy, four, my cat No, four, sixy, four, sixy, four, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, sixy, six

23:34.105 --> 23:36.809
[SPEAKER_14]: But it's song, WVCW.

23:36.909 --> 23:38.031
[SPEAKER_12]: Well, he's very sexy.

23:38.051 --> 23:40.434
[SPEAKER_12]: He's much too sexy and believe me, I can relate.

23:40.495 --> 23:42.698
[SPEAKER_12]: It's a problem that you have to deal with.

23:43.058 --> 23:46.163
[SPEAKER_12]: You got to embrace it right said Fred, like I did.

23:46.423 --> 23:58.682
[SPEAKER_12]: Happy Thanksgiving, everybody, from every one of the Michael Marasho and the Rob Radio World Broadcast headquarters bringing you the sounds of WVCW Richmond 1990 or so.

23:59.102 --> 24:02.307
[SPEAKER_12]: When we come back, I'm going to play you something that is D.

24:02.287 --> 24:03.229
[SPEAKER_12]: Lightful.

24:03.590 --> 24:16.785
[SPEAKER_14]: So don't go anywhere if you miss a little you miss a lot.

24:17.052 --> 24:32.479
[SPEAKER_12]: we're going to dance we're going to dance and have some fun oh we did love this song this was big in the clouds and was also big on air you got to say it right though don't say delight you have to say delight

24:32.746 --> 24:47.616
[SPEAKER_18]: Groove is in the heart, and if you're in Richmond, Groove is in the fan, WPCW.

24:53.148 --> 25:02.854
[SPEAKER_18]: Your groove, I do deeply dig No walls on the upper end My self-adjust, my crooked test wins The thing is amazing I don't know

25:47.789 --> 26:12.497
[SPEAKER_18]: Watch out

26:22.045 --> 26:51.141
[SPEAKER_01]: You've got to do it, you've blown it on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and

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[SPEAKER_09]: I don't know if it's in the heart.

27:50.673 --> 27:59.103
[SPEAKER_12]: That song holds up that is Delight and Groove is in the heart and certainly as a, uh, a towtapper wouldn't you say?

27:59.123 --> 28:06.332
[SPEAKER_14]: 61 minutes of music and re-all it.

28:08.956 --> 28:12.580
[SPEAKER_12]: R-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-

28:12.880 --> 28:14.443
[SPEAKER_12]: Happy Thanksgiving, folks.

28:14.984 --> 28:15.765
[SPEAKER_12]: Here's a good one.

28:15.925 --> 28:16.546
[SPEAKER_12]: I like this.

28:16.626 --> 28:17.989
[SPEAKER_12]: This is a Jane Child.

28:18.089 --> 28:19.932
[SPEAKER_12]: Don't want to fall in love.

28:19.952 --> 28:21.555
[SPEAKER_12]: Remember back then in 1990?

28:22.416 --> 28:24.239
[SPEAKER_12]: You'd say you don't want to fall in love.

28:24.259 --> 28:28.787
[SPEAKER_12]: 35 years later, now you just don't want to fall.

28:30.449 --> 28:32.593
[SPEAKER_12]: We're doing the best we can.

28:33.569 --> 28:34.931
[SPEAKER_12]: Help me with my balance.

28:35.953 --> 28:41.923
[SPEAKER_12]: The music of the early 90s has played on WVCW by me, Rob Spiewack.

28:42.504 --> 28:50.717
[SPEAKER_12]: Thank you!

29:14.558 --> 29:17.802
[UNKNOWN]: And you say, I'll find you too, me, yeah

30:28.285 --> 30:54.580
[UNKNOWN]: Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes

31:01.377 --> 31:05.582
[SPEAKER_10]: I want you to make me happy

31:30.520 --> 31:39.838
[SPEAKER_12]: James Child on the Michael Marasho, bringing you the sounds of a WVCW, or as we used to call it, Dubcia Breachy Dubcia.

31:41.033 --> 31:44.637
[SPEAKER_12]: Don't ask why, we were college students, we were drinking.

31:44.898 --> 31:49.363
[SPEAKER_14]: You're listening to the Capital's most exclusive radio station, WBCW.

31:49.783 --> 31:53.808
[SPEAKER_14]: It's so exclusive, you just might be the only one listening.

31:53.828 --> 31:54.529
[SPEAKER_12]: I doubt that.

31:54.569 --> 32:02.198
[SPEAKER_12]: This song was so outrageous when it came out, they said, don't play it, or you'll go blind.

32:08.573 --> 32:16.018
[SPEAKER_10]: I want to love, I search my city, I want you to find me, I'll go get you

32:43.049 --> 33:12.381
[SPEAKER_10]: You're the sun, who makes me shine When you're dead, how much laughing All I'll make you mine I close my eyes, I say you'll be far away Like I would die if you were too long I couldn't say just too much I know I am, I can't get on my knees

33:41.842 --> 34:00.897
[SPEAKER_10]: I love myself, I want you to love me, when I think that I just would love, I say to myself, I want you to love me, I love myself, I want you to love me, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself, I love myself,

34:25.649 --> 34:55.487
[SPEAKER_10]: I want you I don't want the money I want to think about you I'm just pretending Oh Oh Oh I don't want Anybody else Anybody else Anybody else Anybody else Anybody else

35:00.749 --> 35:01.670
[SPEAKER_12]: I'm not kidding you.

35:02.511 --> 35:05.175
[SPEAKER_12]: That song was pretty outrageous when it was released.

35:06.016 --> 35:07.939
[SPEAKER_12]: That's the divine ones, and I touch myself.

35:09.461 --> 35:17.352
[SPEAKER_12]: In retrospect, it's a very appealing song, although I don't know if I'd like it.

35:17.372 --> 35:20.056
[SPEAKER_12]: Just saying, it was sung by Jelly Roll.

35:20.557 --> 35:22.099
[SPEAKER_12]: It would have a different feeling.

35:23.841 --> 35:25.964
[SPEAKER_12]: Much more music.

35:25.984 --> 35:27.887
[SPEAKER_08]: If I had my time again,

35:31.208 --> 35:58.566
[SPEAKER_08]: And I've changed a single thing Even when I was the blind For the heartache and the pain That I caused throughout my years How I looked at your mind To the love of the relatives

36:12.282 --> 36:40.602
[SPEAKER_08]: Now I'm fully grown And I know where it's at Somehow I stay thin What a good guy's got fire All the chances that I've blown And the time that I've been down I didn't get you high Get my feet on

36:42.893 --> 37:12.867
[SPEAKER_08]: I just sit you, ain't you not a win But for the time you divide the space I don't know what's all I give in Gotta get myself right out of here And before my friends You've been the best to me So you'll be the thing When I would pay you hands and legs

37:14.062 --> 37:39.242
[SPEAKER_08]: Broken hearts are hard to man No headmarship But like just Kelly's all Even when I'm like dead Seduation now win Brush full of change of fate I can't go whatsoever I give

37:44.858 --> 37:46.633
[SPEAKER_08]: situation now

38:12.112 --> 38:15.116
[SPEAKER_12]: Big audio dynamite, dude, name of that song is Rush.

38:15.316 --> 38:18.020
[SPEAKER_12]: And I'm not sure why it sounds like that.

38:18.741 --> 38:21.544
[SPEAKER_12]: Trust me, that's operator error.

38:21.785 --> 38:22.606
[SPEAKER_12]: Sorry about that.

38:22.806 --> 38:26.010
[SPEAKER_12]: This is Piggy Pop with Kate Gearson.

38:26.731 --> 38:38.727
[SPEAKER_13]: Love it.

38:56.189 --> 39:04.967
[SPEAKER_02]: But my heart, with a little touch I've never dreamed

39:22.430 --> 39:43.712
[SPEAKER_10]: Oh my life, you're upon me, I love you, so And then I can let I can let you go You are as crazy

39:56.230 --> 40:19.487
[SPEAKER_15]: Yeah, I wanna hurt you, you're a bad enough And I'm glad you gotta help her But I miss you I've had a hole in my heart for so long I've learned to fake it And just smile along

40:31.769 --> 40:57.540
[SPEAKER_10]: Again, I can't Can't you tell me I can't let you go All my life, you're hard to meet, I love you so Can't you tell me I can't let you go

40:58.381 --> 41:17.554
[SPEAKER_07]: And life is great too I love it And it's great

41:25.094 --> 41:43.440
[SPEAKER_10]: And when you can't leave, can't leave, I can't let you go Oh my life, your heart's to me, I love you so Can't leave, can't leave, life is crazy

42:08.530 --> 42:20.928
[SPEAKER_12]: That is a fine record.

42:20.968 --> 42:23.291
[SPEAKER_12]: Let's go ahead and play the legal ID.

42:23.311 --> 42:27.417
[SPEAKER_13]: T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T

42:28.493 --> 42:39.306
[SPEAKER_12]: Now, I found this song very entertaining in college because I didn't think that REM should ever have a dance mix of anything.

42:39.346 --> 42:46.194
[SPEAKER_12]: I could be wrong, but this is shiny, happy people.

42:46.214 --> 42:51.801
[SPEAKER_12]: And singing back up on this again, Kate Pearson, do an RB52's thing.

42:57.704 --> 43:04.626
[SPEAKER_12]: This time with R-R-M, and not a hip-hop.

43:04.647 --> 43:07.275
[SPEAKER_12]: Well, this is another toe-tapper to be sure.

43:08.302 --> 43:09.263
[SPEAKER_12]: This is R.I.M.

43:09.283 --> 43:10.485
[SPEAKER_12]: and Shiny Happy Peoples.

43:10.565 --> 43:21.060
[SPEAKER_12]: We play the music of my college radio years, 1990, 1992, approximately, and me, I'm Rob Speedway.

43:21.220 --> 43:33.297
[SPEAKER_10]: Happy Thanksgiving.

43:35.740 --> 43:40.958
[SPEAKER_10]: And I'll make it take it into town

44:13.928 --> 44:19.500
[UNKNOWN]: And we want to round

44:21.742 --> 44:44.627
[SPEAKER_10]: But in your hands, take it, take it, there's no time to cry Happy, happy, but in your heart, where's my sunshine?

44:57.095 --> 44:58.027
[UNKNOWN]: I'm trying.

46:01.523 --> 46:10.200
[SPEAKER_12]: All right, I know I have a weird sense of humor, but did you not find it funny when ORIM goes into a drum break there?

46:12.931 --> 46:15.674
[SPEAKER_12]: It's enough that I still remember it after all these years.

46:15.734 --> 46:16.374
[SPEAKER_12]: That's R.E.M.

46:16.394 --> 46:20.178
[SPEAKER_12]: and Kate Fierzen and shiny, happy people.

46:20.799 --> 46:22.280
[SPEAKER_14]: W.V.C.W.

46:22.581 --> 46:24.703
[SPEAKER_14]: It's like Richmond radio, only good.

46:26.364 --> 46:31.710
[SPEAKER_12]: A little miscued there, but we got this ship back on track, train back on the rails.

46:32.891 --> 46:40.018
[SPEAKER_12]: Great thing when you're a morning disjuckie, songs you can play on Fridays and remind people that it's Friday.

46:39.998 --> 46:43.242
[SPEAKER_12]: We had one up front with the easy beats and here's another one.

46:43.823 --> 46:47.988
[SPEAKER_12]: This, of course, is Duck your and Friday.

46:48.668 --> 47:08.132
[SPEAKER_10]: I'm in love right here on your favorite radio station WVCW

47:11.369 --> 47:29.513
[SPEAKER_10]: You say, when say, break my heart off Thursday Doesn't mean the star is crying My name is love Sometimes it's day, day, morning Some day always comes to bed Bye-bye

47:30.978 --> 47:45.223
[SPEAKER_10]: Say, I don't care if one day's black Tuesday, Wednesday, hard to tell First day, never looking back is cryin' I don't love

47:50.198 --> 48:14.839
[SPEAKER_10]: One way you can hold your head The shoes say when they stay in bed On Thursday, watch the walls Instead it's Friday and I'm in love

48:16.726 --> 48:44.556
[SPEAKER_10]: Someday I'll always come to my hand and say Just tell me the eyes, is it what it's like See us choosing a spirit drop And drown in a smile, and just smile at the sound Seek us a sheep spinning round and round It's always taken me by the touch of the sun To see you again

48:47.168 --> 49:07.033
[SPEAKER_10]: Let's go, let's go, let's run a higher and lower Don't care if you are an expert Choose this brand and win St.T Just say, I don't care but choose by name I'm in love

49:07.013 --> 49:34.708
[SPEAKER_10]: Hey, I want to tell you, if that's the cure, I'm going to tell you, if that's the cure, I'm going to tell you, if that's the cure, I'm going to tell you, if that's the cure, I'm going to tell you, if that's the cure, I'm going to tell you, if that's the cure, I'm going to tell you, if that's the cure,

49:35.127 --> 49:40.794
[SPEAKER_12]: I'd hate to see the disease.

49:40.814 --> 49:41.134
[SPEAKER_12]: Heh.

49:41.154 --> 50:00.257
[SPEAKER_12]: ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...

50:00.575 --> 50:12.752
[SPEAKER_12]: Before we get on with the music that I know you're craving, I just want to tell a little story that will make this next tape I play make more sense.

50:13.614 --> 50:23.848
[SPEAKER_12]: It is what we used to call in college the 50 break and you had to play this break at 50 past every hour and it had a commercial and a stager and all that stuff.

50:24.655 --> 50:31.127
[SPEAKER_12]: What you got to know is that our general manager at the college station also worked at a classic rock station.

50:31.167 --> 50:41.145
[SPEAKER_12]: And sometimes he would liberate pieces of audio from a big FM station so that our AM carrier current station sounded better.

50:41.125 --> 50:59.642
[SPEAKER_12]: Now this is years, years before I ever met Dude Walker, the announcer for the Michael Marisho, but somehow, Max, the general manager, laid his hands on a piece of tape of Dude Walker saying listen and win, and we incorporated that into our honor presentation.

51:00.002 --> 51:01.084
[SPEAKER_12]: But here's what's funny.

51:01.684 --> 51:10.272
[SPEAKER_12]: Once an hour we played that, and Dude Walker did not work for WVCW, no one was listening,

51:10.471 --> 51:13.094
[SPEAKER_12]: And I can guarantee you no one was winning.

51:13.555 --> 51:17.960
[SPEAKER_12]: So when we play Dude Walker saying listen and win, it's an absolute lie.

51:18.981 --> 51:33.357
[SPEAKER_12]: So that's why the 50 break sounds like that today and also a special thanks to Dude Walker for being the voice of Rob Radio and this look backward at the mighty WVCW play the 50 break.

51:50.127 --> 51:52.892
[SPEAKER_12]: This is another recurrent from the 1980s we used to play.

51:53.312 --> 51:55.256
[SPEAKER_12]: This is one thing leads to another.

51:55.276 --> 51:56.938
[SPEAKER_12]: Here comes the fix.

51:56.958 --> 52:00.825
[SPEAKER_12]: The disaction with time.

52:00.945 --> 52:04.691
[SPEAKER_10]: Just what I am trying to say.

52:04.711 --> 52:08.037
[SPEAKER_10]: You got to break my face.

52:08.057 --> 52:09.900
[SPEAKER_10]: You're right there.

52:09.920 --> 52:10.902
[SPEAKER_10]: Come you to get the natural body piece.

52:10.922 --> 52:14.127
[SPEAKER_10]: You'll see dimensions in tomorrow.

52:17.650 --> 52:42.527
[SPEAKER_10]: It went wrong, it'll cross, leads to shots, scratch your teeth You're up a govern so discreet, but I'm back to you What they said for sale, what you read on the wall That leaves you and that girl, you told me something wrong I know I listen to you now, but they're all gone That leaves you and that girl, you'll be in the pressure Would you sign me off?

52:52.868 --> 53:17.492
[SPEAKER_10]: This is up, and I'm up, but you're money, I decide You've seen a name on the walls Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

53:51.661 --> 54:07.645
[SPEAKER_10]: Make like a hudder, we both We put the wrong attitude It's like a baron down the throttle Shout you rock a cover Down the heat, right on there Do what they say Zed off, they mean Why don't they?

54:07.665 --> 54:12.032
[SPEAKER_10]: We'll use to whatever Joe is selling, no, I know I listen to loud

54:38.641 --> 54:44.908
[SPEAKER_12]: The Capitals, most exclusive radio station, WVCW and your old buddy, Roba.

54:45.769 --> 54:48.552
[SPEAKER_12]: Thank you so much for sticking with us this long.

54:49.353 --> 54:52.436
[SPEAKER_12]: This is all about my days in college radio, and it's funny.

54:52.457 --> 54:56.962
[SPEAKER_12]: A lot of people say, did you sound the same way when you were in college radio?

54:57.442 --> 54:58.183
[SPEAKER_12]: I don't think so.

54:58.283 --> 55:02.007
[SPEAKER_12]: I have a small piece of tape of the way I sounded in 1991.

55:02.808 --> 55:04.310
[SPEAKER_12]: This is how I sounded.

55:04.350 --> 55:05.391
[SPEAKER_12]: Can we play that tape?

55:07.210 --> 55:13.102
[SPEAKER_12]: Ah, feels like yesterday, my voice was a little higher than, and a little bit louder, too.

55:15.607 --> 55:19.656
[SPEAKER_12]: Luckily, throughout all the years, my voice has remained maliffulous.

55:20.598 --> 55:22.922
[SPEAKER_12]: That, my friend, that is a blessing, I promise.

55:24.506 --> 55:27.632
[SPEAKER_12]: See and see music factory.

55:28.405 --> 55:29.828
[SPEAKER_12]: Got to make you swag!

55:30.048 --> 55:43.596
[SPEAKER_00]: Here is the goal Back with the face But jam is laughing A best and I don't waste time Or the mic with a dope rhyme jump Put it with a jump jump Put it with a jump And I'm hit to a vibe These deliveries to make your shake a panic of chance

55:43.576 --> 56:02.648
[SPEAKER_00]: Come on and dance, guys, grab the world, don't wait, make the world It's your world and I'm the test of this world Trying to get a nut, come move your butt To the dance floor, throw your butts off Can't sit in the air, come on, say yeah Everybody over here, everybody over there The crowd is live, and I will food this food Party people in the house

57:27.408 --> 57:52.757
[SPEAKER_00]: Take a breath and go for yours on my command Now it's the dance floor is gonna make you sweat too You're bleeding if that's open up And be I paid to break the control But thanks I'm off the site The point I'm night for music Take control your heart is so unbolt Your body is sweet and behold Dance for your can't dance So you can't dance for more Get on the floor and get more Come back then upside down easy now Let me see your mood

58:34.823 --> 58:45.985
[SPEAKER_12]: Good song, but I'll be honest with you, I was sweating before I played it, so when they say going to make you sweat, don't give them full credit.

58:46.867 --> 58:51.316
[SPEAKER_12]: The moment I heard this song, I thought it sounded like Smokey Robinson.

58:51.336 --> 58:56.967
[SPEAKER_12]: But in fact, it is Lenny Crabbit whose mom was on the Jefferson's.

58:57.503 --> 58:59.311
[SPEAKER_12]: But that's a story of her another time.

58:59.773 --> 59:01.059
[SPEAKER_12]: Right now, it ain't over.

59:01.581 --> 59:02.284
[SPEAKER_12]: Chill it's over.

59:03.168 --> 59:05.117
[SPEAKER_12]: On WVCW.

59:41.260 --> 01:00:06.340
[SPEAKER_10]: It's a little hard to keep an eye on The very beginning over to the floor How many times did we give up But we always work things out

[SPEAKER_10]: So many things will drop high You can't believe it

[SPEAKER_10]: Singin' it till the crack high So much pain and sorrow Give it it over time to go Singin' it till the crack high You kept it over now Cause burn it it over time to go

[SPEAKER_12]: WVCW, Rob Radeo, the Michael Mera Show, take your pick.

[SPEAKER_12]: I have not listened to that entire song in a long time.

[SPEAKER_12]: And to court my son, Robert.

[SPEAKER_12]: It's Loki Fire.

[SPEAKER_12]: It's Lenny Crabbits.

[SPEAKER_12]: And it ain't over till it's over.

[SPEAKER_12]: You like the sounds of sexy soul?

[SPEAKER_12]: Yeah, me too.

[SPEAKER_12]: I like this.

[SPEAKER_12]: I was trying to remember if he was Prince, the symbol, or back to being Prince again.

[SPEAKER_12]: I don't remember, I did like this song though, I think.

[SPEAKER_12]: I remember the video being quite saucy as well.

[SPEAKER_12]: What can I tell you?

[SPEAKER_12]: I was a young kid.

[SPEAKER_12]: Thoughts running through my head.

[SPEAKER_12]: You know the drill.

[SPEAKER_12]: Anyway, this is Prince's salute to his favorite player on the... Los Angeles like Chris.

[SPEAKER_12]: Ladies and gentlemen, this is Karim.

[UNKNOWN]: He's a city.

[SPEAKER_18]: The ones who work together

[SPEAKER_18]: Look up in the air, it's your time

[SPEAKER_10]: It's your time!

[SPEAKER_12]: Oh baby, I'm filthy cute, and baby, you know it.

[SPEAKER_12]: Me.

[SPEAKER_12]: Prince, with cream.

[SPEAKER_12]: Rob Radio, happy Thanksgiving everybody.

[SPEAKER_12]: You know, when I think back about 35 years ago, when I was on the radio in college, there's a few records that I remember when I first heard them saying, wow, that's different.

[SPEAKER_12]: This came as a CD demo, and when I heard it, I said, well, that's sort of a game changer, isn't it?

[SPEAKER_12]: This is Whitney Nirvana, and Seattle, and all that green stuff, just broke big, and I love the play of this one.

[SPEAKER_12]: Fun song, even though, sort of dark emotionally, from an album called A Nevermind,

[SPEAKER_10]: You're up on cause, bring friends out to those, to pretend she's on the board.

[UNKNOWN]: Bye-bye!

[SPEAKER_10]: Guessing what I'd best to call this careful thing Bless a man of truth So I was there

[SPEAKER_10]: I'm down for a yet just one to listen, yeah, yes, it makes me smile I found it hard, it's hard, but...

[SPEAKER_12]: The Capitals' most exclusive radio station wild to think.

[SPEAKER_12]: That just 30 years ago, that song had never been heard before.

[SPEAKER_12]: 35 years ago, that's nuts, that's a great record.

[SPEAKER_12]: That's Nirvana and Smells Like Teen Spirit.

[SPEAKER_12]: Now, a lot of people listening, I know you're a big fan of when I rap.

[SPEAKER_12]: So, stop what you're doing, because I'm about to ruin the image and the style that you used to.

[SPEAKER_12]: Mmm, that lacks something.

[SPEAKER_12]: Let me just play this.

[SPEAKER_12]: Humph will do it better.

[SPEAKER_12]: Even though I know all the words.

[SPEAKER_12]: Indeed, it's the hunky dance from the digital underground.

[SPEAKER_17]: All right, stop what you're doing cause I'm about to ruin.

[SPEAKER_17]: The image in a style that you used to.

[SPEAKER_17]: I look funny, but you'll make your money see.

[SPEAKER_17]: So yo, world, I hope you're ready for me.

[SPEAKER_17]: And I got the round.

[SPEAKER_17]: I'm a new fool and sound.

[SPEAKER_17]: And my sounds lay down by the underground.

[SPEAKER_17]: I'm drinkin' balla hammer see you got in your shell.

[SPEAKER_17]: So just let me introduce myself, my name is Humpty.

[SPEAKER_17]: And please allow me to pump me I'm stepping tall on your out And just like I'm digesting You're gonna fall on the stereo's black meat I like to laugh I like to beat funky, I'm spunky I like my oatmeal, I like me, I'm sick with this Straight against the neck But sometimes I get ridiculous I'll eat a ball of crackers in your liquorice Are your faker?

[SPEAKER_17]: I like the girls with the rules I want to got busy in a Burger King bathroom I'm crazy Allow me to amaze me They say I'm ugly but I just don't face me I'm still getting in the girls pants And I even got my own dance

[SPEAKER_17]: You're really funny, you're up in the side, cause I get things crooked, you stand, you're grand, you constantly try to compare me But you can't get near me, I'll give a girl and see you on the floor, be all the grand they adore me Oh yes, ladies, I'm really fancy sick, cause in the 69 my Humpty knows I'll tickle your rear, my nose is big Uh-uh, I'm not ashamed, big, like a friend

[SPEAKER_17]: And lay by the ladies, you know I'm in charge, No problem, living in my notes is large.

[SPEAKER_17]: I get stupid.

[SPEAKER_17]: I shoot a narrow light, stupid.

[SPEAKER_17]: I use the word that tell me not it.

[SPEAKER_17]: Like work that I sang on the watch you like.

[SPEAKER_17]: And if you missed it, I'm the one who said Just grab them in the biscuits.

[SPEAKER_17]: Also virgin and I like to bite.

[SPEAKER_17]: Well, yeah, I guess it's obvious also like to bite.

[SPEAKER_17]: All you have to do is give up to your chance.

[SPEAKER_17]: And now I'm gonna do my dad.

[SPEAKER_17]: Yeah, that's the breaking off.

[SPEAKER_17]: Little bit of that bass group right here Now that I told y'all a little bit about myself Let me tell you a little bit about this dance.

[SPEAKER_17]: It's really easy to do Check it out first I'll live to the sound like my leg was broken Sakin' and twitching gone like I was snurkin' Crazy wack funky people say you look like emcee I'm on crack, I'm deep, that's all right

[SPEAKER_17]: This is my dance show, Humpty Humps my name No two people will do it the same You got it down When you appear to be a pain Humpty, funk and jump in Figure out, shaking your rock Then when the duty jump points A finger like a stop Tell them step off I'm doing the hop Humpty

[SPEAKER_12]: Some Owens, step up, I'm doing the hump.

[SPEAKER_12]: Let's get stupid.

[SPEAKER_12]: That's digital underground and the Humpty Dance.

[SPEAKER_12]: When that record came out, I listened to it.

[SPEAKER_12]: Probably a hundred dines in a row.

[SPEAKER_12]: Still holds up now.

[SPEAKER_12]: Oh yeah, I've been thinking about you.

[SPEAKER_12]: Hi, hi, hi, hi, hi.

[SPEAKER_12]: Little stalker, eh.

[SPEAKER_10]: That's okay, here's London Me, on WVCW.

[SPEAKER_10]: I didn't live with strangers I watched you walking away She was my one temptation Oh, I did not want to stay The dollar I'm still confused about you Oh, yes, I have demand

[SPEAKER_10]: Thank you, woo, woo, woo

[SPEAKER_10]: I've been thinking about you Yeah, yeah, I've been thinking about you Taking about you I've been thinking about you

[SPEAKER_12]: I've been thinking about you, that is of course London beef.

[SPEAKER_12]: London beef is good, but I also like the Paris potato, the Rome root of

[SPEAKER_12]: root crop jokes for Thanksgiving.

[SPEAKER_12]: It is your old buddy, Ross, be like happy Thanksgiving.

[SPEAKER_12]: Hope you're having a great day with your family.

[SPEAKER_12]: Thank you for taking a small portion of it and spending it with us here at the Michael Marasho and Rob Radio as we recreate the sounds of WVCW.

[SPEAKER_12]: The next song we play after the break is one that never charted,

[SPEAKER_12]: But the minute I heard it, I knew I had to play it incessantly.

[SPEAKER_12]: It was unlike any song I'd ever heard and will play it after this.

[SPEAKER_12]: So if you miss a little, you miss a lot.

[SPEAKER_14]: All right, you young youngsters, check out this song.

[SPEAKER_12]: As I said, I had never heard anything like this before.

[SPEAKER_12]: And this is before Austin Powers came out.

[SPEAKER_12]: So when they sampled Solbasa Nova, they were way ahead of their time.

[SPEAKER_12]: This is a band called The Dream Warriors, and my definition of a boom bastard jazz style.

[SPEAKER_12]: I guarantee you're going to want to hear it again.

[SPEAKER_12]: As we play the music of DCW!

[SPEAKER_04]: Here we go, why are you ready for one another?

[SPEAKER_04]: Do you want me to use noise?

[SPEAKER_04]: Is new discoverer?

[SPEAKER_04]: Once again, with a new blend, So tell them to put a brain.

[SPEAKER_04]: Your teammates got to do science, Go back, I'll back this to the prime, Is up to miss.

[SPEAKER_04]: Bands of friends, I'm universal and cosmic, And I'll be jungle so far.

[SPEAKER_04]: Stand by the speaker, Your smothered and covered up in the sound,

[SPEAKER_04]: I'm talking all that jazz Now what's my definition?

[SPEAKER_03]: My definition My definition My definition My definition is this My definition My definition My definition My definition My definition is this My definition My definition is this My definition

[SPEAKER_04]: I make it blind, it's often said to do damage Skin so strong, you do superman, you can't hit So about your head, dread as I kick the fun blow This promise of liminal, yeah, you don't think so I walk with a go-k, no go rain and no go change Behind the truth lies, they're like a paradise And the mix is where if you want me to go To find a new way over that I know so There is no definition

[UNKNOWN]: That's this, that definition, that definition is this.

[SPEAKER_04]: Wrong, why must they try to lie and build an alibi?

[SPEAKER_04]: When all you ask is just for me to be me Replace a replaceable replacement with this Relax me, relax me, relaxation We bastard, my name is King Lou Mine is capital Q Backs of most rewarding search to find my definition My definition, my definition My definition, my definition My definition, my definition

[SPEAKER_04]: I saw beauty through the dust of strife I saw meaning to my music and take shit I rise awake and we have need to reverse I make us be ballin' us, no time to rehearse This wine speaks, this speak, it has spoken This wine will not change, think it needs to be changing the verse You buy a casket, get my right glass, it's alright No definition can't agree

[SPEAKER_12]: So what do you think, did you like that song?

[SPEAKER_12]: I still do.

[SPEAKER_00]: Everybody go.

[SPEAKER_12]: That's the dream warriors and my definition of a bombastic jazz style.

[SPEAKER_14]: A RSMFT.

[SPEAKER_14]: Robbsby Wegmeans Fine Tunish.

[SPEAKER_12]: Indeed.

[SPEAKER_12]: Now, when this song came out, I said, hey, that song's about Elvis.

[SPEAKER_12]: People said, what?

[SPEAKER_12]: I said, no listen to it.

[SPEAKER_12]: They sing about Memphis.

[SPEAKER_12]: They sing about Black Velvet.

[SPEAKER_12]: They said, that doesn't matter.

[SPEAKER_12]: Look at the artist.

[SPEAKER_12]: I said, ah, miss a lot of miles.

[SPEAKER_12]: Yes, she's so pretty.

[SPEAKER_12]: She can sing with her mouth closed.

[SPEAKER_12]: The Capital's most exclusive radio station, WVCW and your old buddy Rob.

[SPEAKER_12]: I nearly wore that record out at the radio station.

[SPEAKER_12]: And I say nearly because it's still quite good enough that I stole it when I graduated.

[SPEAKER_12]: So be it.

[SPEAKER_12]: And that's long as, of course, about.

[SPEAKER_12]: Oh, this is fascinating.

[SPEAKER_12]: Oh, he's very talented.

[SPEAKER_12]: If you were to ask me, I can't tell you what I had for breakfast today.

[SPEAKER_12]: But for some reason in the back of my head, I remember the name of the lead singer of this band, blind melon, lead singer, Shannon Hume, on WVCW.

[SPEAKER_10]: All I could do is just pour some tea for two And speak my point of view, but it's not saying It's not saying I just want someone to send me No, no, no, no I'll always be there

[SPEAKER_10]: To keep my cheeks dry and I've been late So stay with me and I've been late And I don't understand why I sleep all day Then I start to complain and there's no way

[SPEAKER_10]: All I can do is read up to stay awake And it hurts my life away But it's a great escape Escape escape Escape

[SPEAKER_10]: I can say is that my life is pretty plain You don't like my point of view without me saying It's not saying it's not saying I just want to say what you say

[SPEAKER_10]: You know I like to keep my cheeks dry and then it's nice So stay with me and I'll have it made You know I'll have it made You know I'll have it made You know I'll have it made You know I'll have it made I actually played that song for a reason up

[SPEAKER_12]: Back when I was a DJ on WVCW, I was addicted to two things.

[SPEAKER_12]: Time checks, by the way, it's 36 minutes after the hour, 24 minutes shy of the next hour.

[SPEAKER_12]: But also, I used to love to give the weather, and I can't, because it's a podcast, so according to Blind Mellon, no rain, okay?

[SPEAKER_10]: So we wear out of time.

[SPEAKER_12]: Oh, and that winds up.

[SPEAKER_12]: This Thanksgiving edition.

[SPEAKER_12]: of Rod Radio is we celebrate the music of WVCW in the early 90s and I close with the last Michael Jackson song that I ever truly love.

[SPEAKER_12]: This is black and more white.

[SPEAKER_10]: And the truth is that you're welcome.

[SPEAKER_10]: I see it's not about races, just places, faces, faces Where your butt comes from is where your spaces I've seen the bright dead dollar I'm not gonna spend my life being a color You agree with me when I saw you kicking dirt in my eye Oh, yeah, yeah, yeah, yeah, yeah, yeah, yeah Don't think of me, baby, don't think of me If you're back up

[SPEAKER_10]: In my brother, it don't matter, eat the back of her

[SPEAKER_12]: I've seen the bright get duller, I'm not going to spend my life being a color.

[SPEAKER_12]: Have a great Thanksgiving, everybody, and we'll see you next time!

[SPEAKER_10]: I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen the bright get duller, and I've seen