00:00.031 --> 00:02.455
[SPEAKER_06]: Michael Mera, Radio Entertainment.

00:04.779 --> 00:09.106
[SPEAKER_03]: Hi, I can get it again, and now he'll all be here quiet with us.

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[SPEAKER_03]: We will start the show.

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[SPEAKER_07]: T-M-O-S, classic.

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[SPEAKER_07]: Friday, flashback.

00:15.597 --> 00:24.992
[SPEAKER_08]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

00:25.816 --> 00:29.821
[SPEAKER_07]: Oh man, we never got the most common sex injuries we'll have to do that next week.

00:29.861 --> 00:30.382
[SPEAKER_07]: That's time.

00:31.123 --> 00:32.084
[SPEAKER_07]: Can't do that on the right.

00:32.104 --> 00:32.825
[SPEAKER_07]: So shit.

00:32.845 --> 00:35.368
[SPEAKER_07]: Mike, we're going to do the flipper.

00:35.388 --> 00:39.693
[SPEAKER_08]: And I want to thank, I think his listener was, it might be Joe McCloud.

00:40.214 --> 00:40.815
[SPEAKER_08]: Sounds.

00:41.155 --> 00:42.256
[SPEAKER_08]: He sent me this.

00:42.617 --> 00:45.961
[SPEAKER_08]: He said, go to this episode of The Brady Bunch, and you can find this tape.

00:46.241 --> 00:48.364
[SPEAKER_08]: Well, how about the flip side?

00:48.344 --> 00:50.147
[SPEAKER_08]: It's David Jones from the Monkeys.

00:50.187 --> 00:51.209
[SPEAKER_08]: I'm talking about the fluency.

00:51.229 --> 00:52.131
[SPEAKER_07]: That's wonderful.

00:52.151 --> 00:53.694
[SPEAKER_07]: What a wonderful gift he gave to you.

00:53.734 --> 00:54.916
[SPEAKER_07]: The gift that keeps on giving.

00:54.936 --> 00:58.142
[SPEAKER_08]: The gift of the Monkeys, your least favorite thing in the world.

00:58.623 --> 01:02.150
[SPEAKER_08]: Mike, little girl, can't say the word casadilla.

01:02.530 --> 01:06.217
[SPEAKER_08]: But she loves casadillas because her brother likes casadillas.

01:06.237 --> 01:07.359
[SPEAKER_07]: Trivia question for you.

01:07.620 --> 01:07.780
[SPEAKER_07]: Yeah.

01:07.800 --> 01:09.323
[SPEAKER_07]: What is the funniest?

01:09.353 --> 01:14.581
[SPEAKER_07]: in movie history, what is the funniest mispronunciation of case idea?

01:15.082 --> 01:18.347
[SPEAKER_08]: I believe the film turns 20 years this year.

01:18.508 --> 01:20.311
[SPEAKER_08]: It's Napoleon Dynamite.

01:20.471 --> 01:21.593
[SPEAKER_07]: Is that amazing?

01:21.613 --> 01:22.474
[SPEAKER_07]: Is it case of dilla?

01:22.614 --> 01:23.876
[SPEAKER_07]: I'll make yourself a casadilla.

01:24.017 --> 01:25.158
[SPEAKER_07]: I can't case it though.

01:25.279 --> 01:27.202
[SPEAKER_08]: I can't believe that movie's 20 years old now.

01:27.222 --> 01:34.774
[SPEAKER_08]: No, and also never has a movie been made that the first two times you watch it are no good and then it gets better and better and better.

01:34.794 --> 01:35.295
[SPEAKER_07]: Call classic.

01:35.315 --> 01:36.437
[SPEAKER_08]: That's why they're called.

01:36.457 --> 01:36.677
[SPEAKER_08]: Day.

01:36.657 --> 01:38.280
[SPEAKER_08]: I can drop it in and watch it.

01:38.340 --> 01:39.522
[SPEAKER_08]: It's a food.

01:40.544 --> 01:41.105
[SPEAKER_08]: Just weird.

01:41.425 --> 01:42.207
[SPEAKER_07]: Mike.

01:42.227 --> 01:44.451
[SPEAKER_08]: This little girl is talking about her case of D.A.

01:45.192 --> 01:45.572
[SPEAKER_03]: What's that called?

01:45.593 --> 01:47.436
[SPEAKER_03]: Is it my D?

01:47.456 --> 01:48.698
[SPEAKER_03]: Is it my D?

01:48.718 --> 01:51.202
[SPEAKER_03]: Um, Nathan always has, it's a my D usual.

01:51.302 --> 01:52.444
[SPEAKER_03]: What do you call it?

01:52.464 --> 01:53.907
[SPEAKER_03]: Case of my D?

01:53.927 --> 01:54.548
[SPEAKER_02]: It's a my D.A.

01:54.528 --> 01:55.650
[SPEAKER_08]: case of idea.

01:56.070 --> 01:56.992
[SPEAKER_08]: That's as I love kids.

01:57.092 --> 02:07.547
[SPEAKER_08]: I did just we wonder if kids will be watching Billy Joel tonight because tonight they're going to roll the Billy Joel special on the Columbia Broadcasting System, the Tiffany Network, and they're not going to interrupt piano man.

02:08.027 --> 02:18.943
[SPEAKER_08]: Here's what's great is they effed up everybody in the eastern and central time zones by cutting it off Sunday night they've been promoting it for weeks.

02:18.963 --> 02:21.987
[SPEAKER_08]: They screw up and they turn it in to this promo.

02:22.253 --> 02:29.020
[SPEAKER_04]: VDS brothers, a special on-call presentation of the epic concerts 10 years in the making.

02:29.201 --> 02:31.183
[SPEAKER_04]: That would screw that.

02:31.243 --> 02:33.946
[SPEAKER_04]: Really Joe's 100th sold out show.

02:34.627 --> 02:37.970
[SPEAKER_04]: Had his historic Madison Square Garden resident fee.

02:38.271 --> 02:42.275
[SPEAKER_04]: The 5 popular demand a second chance to see a legend make history.

02:42.876 --> 02:45.038
[SPEAKER_04]: Really Joe.

02:45.018 --> 03:00.705
[SPEAKER_08]: the 100's live at Madison Square Garden.

03:00.985 --> 03:05.473
[SPEAKER_07]: I have a fun nostalgic music story that I think you might enjoy that I read yesterday.

03:05.453 --> 03:28.575
[SPEAKER_07]: uh... you know the producer gerry wind drop right you might have seen him in uh... oceans eleven with uh... George cloning he would be very good he would legendary slicky boy hollywood slicky boy and producer and in nineteen seventy four i think in nineteen seventy four he produced a live medicine square garden concert for frank sanatra

03:28.555 --> 03:29.997
[SPEAKER_08]: Oh okay.

03:30.017 --> 03:39.590
[SPEAKER_07]: And he tells these stories about Frank and Frank being Frank, which meant he didn't really want to do it.

03:40.191 --> 03:42.695
[SPEAKER_07]: And then he said, Frank, we'll do it.

03:42.975 --> 03:45.419
[SPEAKER_07]: It'll be the call at the main event.

03:45.499 --> 03:52.028
[SPEAKER_07]: It'll just be like a boxing match where we're going to put a ring there in the center of the arena and you'll come anyway, he sold it to Frank.

03:52.048 --> 03:55.052
[SPEAKER_07]: And Frank says, yes, he'll go ahead and he'll do it.

03:55.032 --> 04:05.186
[SPEAKER_07]: So, there are something like 350 texts that are working on this live broadcast, either Howard Kossel coming in, all these celebrities coming into the arena.

04:05.206 --> 04:10.994
[SPEAKER_07]: But Frank is being frank, and Frank is not rehearsing, and Frank is not showing up for sound checks.

04:11.315 --> 04:13.638
[SPEAKER_07]: Frank is at his hotel, and Frank is being frank.

04:13.918 --> 04:24.313
[SPEAKER_07]: So the moment comes where I believe it's an assistant of Frank Sinatra, drops by and gives Jerry wine trob the set list.

04:24.412 --> 04:25.794
[SPEAKER_07]: And he looks at the set list.

04:26.796 --> 04:31.042
[SPEAKER_07]: And he notices that there's no lady in the tramp.

04:31.062 --> 04:32.204
[SPEAKER_07]: There's no my way.

04:32.504 --> 04:35.389
[SPEAKER_07]: There's no, you know, they're none of the classic.

04:35.449 --> 04:36.470
[SPEAKER_07]: None of the history.

04:36.570 --> 04:37.151
[SPEAKER_07]: Yeah.

04:37.432 --> 04:38.353
[SPEAKER_07]: They have to have.

04:38.393 --> 04:43.701
[SPEAKER_07]: This is a, this is going to be going worldwide television, a an absolutely incredible show.

04:43.962 --> 04:44.743
[SPEAKER_07]: You have to have it.

04:44.803 --> 04:48.208
[SPEAKER_07]: And I mean, they're, they're obscure songs and they're either, you know.

04:48.188 --> 04:50.632
[SPEAKER_07]: Jerry One trob immediately says I got to get over there.

04:50.773 --> 05:02.113
[SPEAKER_07]: I got to get through his hotel so he goes over and he knocks on the door that lit them in and Frank is at the table in his bathrobe reading a newspaper.

05:03.106 --> 05:05.810
[SPEAKER_07]: and he walks over and said, Frank, how are you doing?

05:05.830 --> 05:06.732
[SPEAKER_07]: Hey, how are you doing, Jerry?

05:07.112 --> 05:09.776
[SPEAKER_07]: And it's just, listen, it's about this setlist.

05:09.796 --> 05:10.878
[SPEAKER_07]: He said, I know, I know.

05:11.599 --> 05:12.661
[SPEAKER_07]: That's not my setlist.

05:12.701 --> 05:14.724
[SPEAKER_07]: This is the only way I figured I could get you over here.

05:15.465 --> 05:19.651
[SPEAKER_07]: And he hands him the setlist of all the things like my way and all that stuff.

05:19.751 --> 05:21.835
[SPEAKER_07]: And the rest is history.

05:22.175 --> 05:29.426
[SPEAKER_08]: And can you imagine when he got Frank to say yes, I bet there was a small part of him that when he finally said yes, he's like, oh, shit.

05:29.446 --> 05:30.548
[SPEAKER_08]: Now we got to do this.

05:30.528 --> 05:36.317
[SPEAKER_07]: And then Jerry One-Trop is being, so not just seeing him at the arena and say, hey, you look, you look like hell.

05:36.617 --> 05:38.440
[SPEAKER_07]: You look bad, you look white, you look pale.

05:38.480 --> 05:39.261
[SPEAKER_07]: I'm so nervous.

05:39.541 --> 05:45.210
[SPEAKER_07]: And then I think right before he goes on, he gives him the little pinch on the cheek.

05:45.490 --> 05:46.672
[SPEAKER_07]: Yeah, he said, don't worry, Jerry.

05:46.692 --> 05:48.655
[SPEAKER_07]: You got us into this, I'll get you out of it.

05:48.635 --> 06:07.757
[SPEAKER_08]: Frank Sinotte and then a great story that is great great baby Frank Sinotte at the main event of Madison Square Garden fan is probably his last great concert capture and it's a great album highly recommend uh... mike uh... sad while we're talking music this one shouldn't have surprised me but took me off guard uh... dickie bets

06:07.737 --> 06:33.323
[SPEAKER_08]: of the all-man brothers guess what talent oh my god really the the heart beat of the all-man brothers band really the best absolutely did an anthem fan so I'm playing live yeah well my best that song called jessica and yeah I saw him play it live and this one a Grammy after the fact I believe it was another performance that diggy bets but this song is so perfect in the album brothers and sisters

06:34.670 --> 06:38.497
[SPEAKER_07]: I mean, it comes from this beautiful oddity.

06:38.557 --> 06:41.823
[SPEAKER_07]: Yeah, I think he might have done, you know, like all the almond brothers pants.

06:41.844 --> 06:43.687
[SPEAKER_07]: Yeah, well, I'm in this part in the heyday.

06:43.907 --> 06:44.328
[SPEAKER_08]: Here we go.

06:44.348 --> 06:46.653
[SPEAKER_08]: This is a him being introduced by the great Bill Graham.

06:46.813 --> 06:50.740
[SPEAKER_06]: On guitar and vocals, Mr. Richard Bets.

06:50.760 --> 06:52.223
[SPEAKER_07]: Woo, such a thing.

06:52.456 --> 07:10.920
[SPEAKER_08]: Yeah, oh, I forgot that it was the lead vocal on Rambling man to yeah, it was in Dwayne All minutes was uh, yeah, just an amazing organization and that's one when you were playing classic rock I bet you never got tired of the almond, but maybe rambling by but

07:10.900 --> 07:34.022
[SPEAKER_07]: not tell you that the almond brother's band there are and when you work man when you work at a classic rock radio station that's got a 300 song playlist yes I'm telling you that is repeat repeat repeat and there was something about certain artists that I just wouldn't get burned on it and I don't get burned on that and I'm trying to think of

07:34.002 --> 07:39.507
[SPEAKER_07]: They're deep cuts with the almond brothers, and I'm trying to think of love that I love and it's a scapegoat.

07:39.527 --> 07:42.350
[SPEAKER_07]: Well, listen, I love sweet malice, it is a Southbound.

07:42.370 --> 07:43.170
[SPEAKER_07]: Southbound.

07:43.771 --> 07:44.151
[SPEAKER_07]: Southbound.

07:44.171 --> 07:44.932
[SPEAKER_07]: Thank you, Rob.

07:44.972 --> 07:45.553
[SPEAKER_07]: Speedwack.

07:45.653 --> 07:46.473
[SPEAKER_07]: Great brain.

07:46.614 --> 07:47.434
[SPEAKER_07]: That's the one.

07:47.454 --> 07:48.795
[SPEAKER_07]: Well, I'm Southbound.

07:48.816 --> 07:49.896
[SPEAKER_07]: And that's a rhythm.

07:49.917 --> 07:52.018
[SPEAKER_08]: What I love the breathing guitar record.

07:52.078 --> 07:53.480
[SPEAKER_07]: It's a great guitar record.

07:53.580 --> 07:58.304
[SPEAKER_07]: And it's got a rhythm guitar track that just slays the dragon.

07:58.624 --> 07:59.806
[SPEAKER_07]: I love the almond brothers.

07:59.886 --> 08:01.427
[SPEAKER_07]: Say poem to a dickie bets.

08:01.407 --> 08:27.263
[SPEAKER_08]: One thing that Paul McCartney once said when they were breaking down the records on that special McCartney 1 2 3, he talked about some of their early rhythm tracks and he said listen to John John would get tired playing that intense rhythm guitar because it was as he says it was relentless yeah and when you hear great rhythm guitar that's a skill that does not come easy so safe travels to a dicky bets what a legend.

08:27.243 --> 08:32.646
[SPEAKER_08]: Yeah, love, love, love, and let's close with the very Booion Harrison Ford.

08:32.913 --> 08:34.855
[SPEAKER_08]: Yeah, Mr. President.

08:35.356 --> 08:37.178
[SPEAKER_08]: Mike, he's getting worse and worse.

08:37.299 --> 08:41.163
[SPEAKER_08]: And I wish it wasn't happening because I was a Star Wars baby.

08:41.404 --> 08:43.987
[SPEAKER_08]: I saw Raiders so many times in the theater.

08:44.508 --> 08:46.110
[SPEAKER_08]: And I just love Harrison Ford.

08:46.510 --> 08:50.776
[SPEAKER_08]: Here he is at the Jimmy Buffett Tribute Concert that happened this week.

08:50.796 --> 08:55.301
[SPEAKER_08]: Talking about having lunch with Jimmy Buffett and Ed Bradley from CBS.

08:55.662 --> 08:59.747
[SPEAKER_07]: Remember Ed Bradley used to be a square bag at that Tribute Concert.

08:59.727 --> 09:07.499
[SPEAKER_08]: Hi Harrison, Ed Bradley was on 60 minutes before it got canceled, and he's talking about what caused him to get his ear pierced.

09:08.200 --> 09:11.425
[SPEAKER_08]: I'm sorry, here is a on-stage Harrison 4.

09:11.445 --> 09:18.276
[SPEAKER_05]: Jimmy Buffett was a cool guy.

09:18.296 --> 09:27.490
[SPEAKER_05]: I remember one day some might say boozy lunch with Jimmy and Ed Bradley.

09:29.073 --> 09:39.723
[SPEAKER_05]: I saw both of them had the earrings.

09:39.743 --> 09:45.129
[SPEAKER_05]: So right after lunch, I got my ear ears.

09:45.309 --> 09:46.430
[SPEAKER_07]: Great, that's why he was there.

09:46.710 --> 09:53.978
[SPEAKER_05]: I'm done with that infectious agility's coolness.

09:53.998 --> 09:55.519
[SPEAKER_05]: Infectious enough for us.

09:56.174 --> 10:00.548
[SPEAKER_05]: 40 year old man, the spongeiness, they just... F***ing nearer.

10:02.266 --> 10:08.853
[SPEAKER_08]: You know, that's a good story, but I have a feeling that the audience felt like I did the last time I saw Tony Bennett, which is please don't let him die.

10:08.893 --> 10:11.416
[SPEAKER_08]: Not on his show.

10:11.436 --> 10:31.598
[SPEAKER_06]: Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah,

10:31.747 --> 10:33.810
[SPEAKER_06]: two-one, seven-seven.

10:33.871 --> 10:35.113
[SPEAKER_06]: I already worked on next one.

10:36.094 --> 10:37.877
[SPEAKER_02]: Well, I know pretty well what I want to do.

10:37.917 --> 10:42.024
[SPEAKER_02]: And there's a long process to go through.

10:42.044 --> 10:43.046
[SPEAKER_02]: I have to write an outline.

10:43.066 --> 10:49.997
[SPEAKER_02]: And although I have a contract with the publisher, they have the right to, you know, dittle with my outline, which they always do.

10:50.037 --> 10:55.046
[SPEAKER_02]: And I have to work out the details and then start it and then write it.

10:55.266 --> 10:57.670
[SPEAKER_02]: And so we're talking about another year here.

10:58.038 --> 11:10.253
[SPEAKER_02]: And the end of the year gets very long because whatever you may have done, I mean you've written enough books to know this until you write the end at the end of it, you've got nothing even you know you can't sell anything until you've finished the last page.

11:11.755 --> 11:13.016
[SPEAKER_06]: He's your agent.

11:13.036 --> 11:13.276
[SPEAKER_02]: Huh?

11:13.617 --> 11:14.198
[SPEAKER_06]: He's your agent.

11:16.200 --> 11:16.801
[SPEAKER_02]: I see him.

11:17.502 --> 11:18.222
[SPEAKER_02]: Esther Newberg.

11:18.723 --> 11:21.186
[SPEAKER_02]: I know it's a lovely woman.

11:23.469 --> 11:25.311
[SPEAKER_06]: I use Stirling Lord.

11:25.679 --> 11:28.323
[SPEAKER_02]: Well, you do, stolen was my agent for years and years and years.

11:31.888 --> 11:34.492
[SPEAKER_06]: I like him.

11:34.512 --> 11:35.333
[SPEAKER_06]: He's not vigorous.

11:36.014 --> 11:36.235
[SPEAKER_02]: No.

11:36.455 --> 11:38.177
[SPEAKER_06]: He has a kind of nice manner.

11:38.217 --> 11:39.299
[SPEAKER_06]: Yeah.

11:41.302 --> 11:43.245
[SPEAKER_06]: I think of our full-time writer, I don't think I'd used to.

11:43.265 --> 11:45.228
[SPEAKER_06]: I like someone more.

11:45.248 --> 11:46.530
[SPEAKER_02]: Yeah.

11:46.770 --> 11:48.092
[SPEAKER_06]: For me, it's fine, I guess.

11:49.827 --> 11:53.033
[SPEAKER_06]: I just got a realized advance to a book that I'm going up in Brooklyn.

11:53.995 --> 11:58.264
[SPEAKER_06]: Like Russell Baker did about Baltimore right about just but the street was like a neighborhood.

11:58.304 --> 12:00.448
[SPEAKER_02]: Well, you got four books already behind you.

12:02.993 --> 12:04.156
[SPEAKER_06]: Here's not a best solution.

12:04.897 --> 12:10.789
[SPEAKER_02]: It's not yet, it's only been out one month and the book, the best cell list is two weeks behind, as you know.

12:15.022 --> 12:16.966
[SPEAKER_02]: But it's had wonderful sales in Europe.

12:17.187 --> 12:18.370
[SPEAKER_02]: I'm really astonished.

12:19.272 --> 12:19.813
[SPEAKER_02]: Same cover.

12:20.595 --> 12:20.956
[SPEAKER_02]: I don't know.

12:20.976 --> 12:22.118
[SPEAKER_02]: I don't know what they'll do.

12:22.559 --> 12:23.502
[SPEAKER_02]: I don't like the cover.

12:24.624 --> 12:25.566
[SPEAKER_02]: It's got two messages.

12:25.947 --> 12:27.471
[SPEAKER_02]: Yeah, it's got two messages on it.

12:27.551 --> 12:32.001
[SPEAKER_02]: Both of which are, you know, sort of against the feeling of this.

12:55.150 --> 12:57.133
[SPEAKER_06]: Where do you live?

12:57.153 --> 13:01.341
[SPEAKER_02]: Well, I have an apartment in New York, but I really live mostly in Connecticut in New Canyon.

13:05.588 --> 13:06.049
[SPEAKER_02]: You sign?

13:06.890 --> 13:07.130
[SPEAKER_02]: Yes.

13:07.391 --> 13:07.531
[SPEAKER_02]: Sign.

13:07.651 --> 13:09.474
[SPEAKER_02]: Right opposite the Museum of Natural History.

13:09.855 --> 13:10.676
[SPEAKER_06]: Nice, I like those.

13:10.696 --> 13:10.897
[SPEAKER_02]: Yeah.

13:11.999 --> 13:13.441
[SPEAKER_06]: It's really growing out there.

13:13.461 --> 13:14.323
[SPEAKER_06]: I don't know.

13:14.343 --> 13:15.184
[SPEAKER_06]: Columbus.

13:16.278 --> 13:17.680
[SPEAKER_02]: Yeah.

13:17.700 --> 13:26.911
[SPEAKER_02]: Lots of empty stores, you know, and these guys, these landlords who jack up the rents and force people out that have been there for years.

13:27.372 --> 13:29.875
[SPEAKER_02]: Now, in our times, in the recession, they're stuck with it.

13:30.676 --> 13:30.937
[SPEAKER_02]: Good.

13:32.378 --> 13:37.645
[SPEAKER_02]: All right.

13:50.990 --> 13:57.677
[SPEAKER_06]: We back, we've never gone anywhere.

13:57.957 --> 13:58.498
[SPEAKER_06]: We start now.

13:58.518 --> 13:59.419
[SPEAKER_06]: I thought we were on a break.

14:00.239 --> 14:00.460
[SPEAKER_06]: Okay.

14:00.480 --> 14:02.642
[SPEAKER_06]: So we've been sitting here all the time talking in that 30.

14:03.543 --> 14:04.504
[SPEAKER_06]: Does anybody signal me?

14:04.524 --> 14:06.506
[SPEAKER_06]: Are we on a break?

14:06.546 --> 14:07.927
[SPEAKER_06]: Do we take a break?

14:07.947 --> 14:08.488
[SPEAKER_06]: No, we're back.

14:08.568 --> 14:10.150
[SPEAKER_06]: Well, you never signal me back from a break.

14:10.890 --> 14:11.271
[SPEAKER_06]: Are we on?

14:12.712 --> 14:13.073
[SPEAKER_06]: Okay, thanks.

14:13.373 --> 14:15.495
[SPEAKER_06]: Did anyone ever say here's Larry?

14:17.264 --> 14:18.385
[SPEAKER_06]: Did you hear it, Robert?

14:18.405 --> 14:19.387
[SPEAKER_00]: No, no.

14:19.407 --> 14:20.608
[SPEAKER_00]: Robert didn't hear it, and I didn't hear it.

14:20.728 --> 14:28.378
[SPEAKER_06]: I'm just talking to the crew, I realized we're on, I looked up, I saw the light, neither of us ever heard his signal come back, so we have been sitting here.

14:28.919 --> 14:37.950
[SPEAKER_06]: Welcome to the Larry King Show, I guess, this Robert daily, we're going to pause for news headlines, they word for your local stations, and when we come back, we will take your phone calls.

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[SPEAKER_06]: And this is semi hysterical.

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[SPEAKER_06]: Here we are on.

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[SPEAKER_06]: Thank you.

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[SPEAKER_06]: Okay, all I'm telling you is, Mr. Daily and I was sitting here.

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[SPEAKER_06]: Last day I remember was breaking for commercial and we never came back.

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[SPEAKER_06]: We never came back.

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[SPEAKER_06]: So if we came back, we thank you and if you heard us talking, I don't know what we was talking about.

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[SPEAKER_06]: We're talking about agents and things like agents.

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[SPEAKER_06]: If you heard whatever you heard, we didn't encourage.

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[SPEAKER_06]: T. M. O. S. Classic.

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[SPEAKER_08]: any of his friends follow Taylor Swift.

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[SPEAKER_08]: Are they with these?

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[SPEAKER_07]: Yeah, I don't know.

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[SPEAKER_07]: I mean, you know, I know she's popular and I know we're having to tell.

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[SPEAKER_07]: And I know this is lines and stuff, right?

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[SPEAKER_07]: Here it is.

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[SPEAKER_07]: I feel about Taylor Swift that

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[SPEAKER_07]: I get the hype, I understand it, but I place her into the category of pure pop, pop like the Jonas Brothers.

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[SPEAKER_07]: Yeah, pop like a new addition or in sync.

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[SPEAKER_07]: Pop like that.

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[SPEAKER_07]: I don't put her in the category of certain artists that I would put into the more hip category, right?

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[SPEAKER_07]: uh... everything you read about her is that she is such a good person and she such a positive influence on uh... a lot of these little girls that uh... that love Taylor Swift you i know have done a little bit more of uh... musical dive on right yeah well you know last night overnight her new album dropped it's called the toilet society tortured poets department

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[SPEAKER_08]: tortured poets department which is talking about her life as a songwriter correct and Mike I've actually got this is pretty cool I dug around on the dark web and I found some cuts that dropped in advance so we can do a preview of the world and trouble if we play this we'll see I mean we can always take the podcast down this is the first single from the new Taylor Swifters

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[SPEAKER_07]: Oh no, no, that is too soon, that's too soon, that's the late Toby Keith.

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[SPEAKER_08]: Mike, all right, Rob, that was a joke.

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[SPEAKER_08]: That's not really a joke.

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[SPEAKER_08]: No, it wasn't.

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[SPEAKER_08]: Mike, this, this is, um, track one side two.

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[SPEAKER_08]: I buy vinyl and so you know you want to make it.

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[SPEAKER_08]: This is the first one side two.

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[SPEAKER_08]: That's Ray Steven.

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[SPEAKER_08]: Are you sure?

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[SPEAKER_07]: Rob a much more significant raised Stevens fan than then I am okay.

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[SPEAKER_07]: You know I'm just being silly I've never locked that.

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[SPEAKER_07]: I just like same reason.

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[SPEAKER_07]: I don't think we're either cable gray I don't like that.

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[SPEAKER_07]: I think it's cheap don't you.

17:28.134 --> 17:28.956
[SPEAKER_07]: I think it's lazy.

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[SPEAKER_08]: I do too

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[SPEAKER_08]: That's how you want to leave people in the mindset of the record when you flip it.

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[SPEAKER_08]: And this is the last song on side one of the new Taylor Swift tortured poets department.

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[SPEAKER_08]: Okay.

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[SPEAKER_03]: Well, Mr.

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[SPEAKER_03]: Jaws, how was it?

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[SPEAKER_03]: And what did you say when you grabbed her?

17:58.023 --> 18:13.399
[SPEAKER_07]: Obviously, I don't know why there aren't what did you think when you took that first you know we have a little trip down memory land you love nostalgia Yeah, goodman during the 1970s primarily I think right well he got his start believe it or not in the

18:13.379 --> 18:14.000
[SPEAKER_07]: 50s.

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[SPEAKER_08]: He did those cut in records for like 30 or 40 years.

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[SPEAKER_07]: But I remember him from the 70s because they played on and when the movie Jaws came out, probably his biggest hit ever was, I believe it was top 10 hit.

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[SPEAKER_08]: He's so badly.

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[SPEAKER_07]: Can you articulate for the listeners that might not know what we're talking about?

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[SPEAKER_07]: Sure.

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[SPEAKER_07]: Short and Dicky Goodman record.

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[SPEAKER_08]: It's called technically a cut in record.

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[SPEAKER_08]: Usually done in the form of an interview.

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[SPEAKER_08]: And for example, take the James Brown classic record, I got you, I feel good, which starts with him going, wow, I feel good.

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[SPEAKER_08]: It would be Dickie Goodman saying, I'm giving me a world event of today.

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[SPEAKER_07]: Anything.

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[SPEAKER_07]: Uh, I, the, uh, let's see.

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[SPEAKER_07]: The, uh, Donald Trump trial.

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[SPEAKER_08]: All right.

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[SPEAKER_08]: Attention Americans.

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[SPEAKER_08]: I'm here at the Donald Trump trial and the president looks very optimistic Mr. President.

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[SPEAKER_08]: How do you feel?

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[SPEAKER_08]: Wow, I feel good and then because of fair use he can use two second clips of it and they lack creativity to an amazing extent.

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[SPEAKER_07]: But he made a lot of money because people loved that.

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[SPEAKER_07]: And that was followed.

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[SPEAKER_07]: I really think it was followed by the disco mashups where you would have multiple songs like hooked on classics.

19:34.569 --> 19:34.910
[SPEAKER_07]: Who's that?

19:35.370 --> 19:35.911
[SPEAKER_08]: Who's that?

19:36.111 --> 19:37.092
[SPEAKER_08]: Who's that?

19:37.212 --> 19:37.793
[SPEAKER_08]: Who's that?

19:37.813 --> 19:38.634
[SPEAKER_08]: Who's that?

19:38.654 --> 19:40.776
[SPEAKER_08]: Who's that?

19:40.796 --> 19:41.037
[SPEAKER_08]: Who's that?

19:41.197 --> 19:41.637
[SPEAKER_08]: Who's that?

19:41.657 --> 19:41.938
[SPEAKER_08]: Who's that?

19:41.978 --> 19:42.278
[SPEAKER_08]: Who's that?

19:42.979 --> 19:43.680
[SPEAKER_08]: Who's that?

19:43.760 --> 19:45.441
[SPEAKER_08]: Who's that?

19:45.482 --> 19:46.102
[SPEAKER_07]: Who's that?

19:46.423 --> 19:48.285
[SPEAKER_07]: Who's that?

19:48.405 --> 19:48.625
[SPEAKER_08]: Who's that?

19:48.605 --> 19:59.517
[SPEAKER_08]: But in all seriousness, I didn't want to play you the real Taylor Swift song because I do have it here.

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[SPEAKER_08]: It's an instrumental.

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[SPEAKER_07]: She doesn't have instrument.

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[SPEAKER_08]: What's that?

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[SPEAKER_07]: She doesn't have instrumentals.

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[SPEAKER_08]: Well, then Mike, I don't know what that all way to second.

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[SPEAKER_08]: This is what I wanted to play for you.

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[SPEAKER_08]: Alright.

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[SPEAKER_08]: This is actually called the tortured poets department.

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[SPEAKER_08]: And this did drop last night, I think it's got a great sound.

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[SPEAKER_01]: So about John Mayer, probably.

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[SPEAKER_07]: How long can we play?

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[SPEAKER_07]: We can play as long as we want, right?

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[SPEAKER_07]: But do you really want to hear it much more?

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[SPEAKER_07]: I think I like her boy.

20:36.682 --> 20:37.283
[SPEAKER_07]: I like her.

20:37.323 --> 20:37.844
[SPEAKER_07]: I like her.

20:37.945 --> 20:38.646
[SPEAKER_07]: I like her.

20:38.666 --> 20:39.067
[SPEAKER_07]: I like her.

20:39.087 --> 20:40.270
[SPEAKER_01]: I like her.

20:40.711 --> 20:41.954
[SPEAKER_01]: I like her.

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[SPEAKER_08]: I mean, that lady is delivering the goods.

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[SPEAKER_08]: She truly is.

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[SPEAKER_08]: And I'll tell you.

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[SPEAKER_08]: That's about it.

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[SPEAKER_07]: Is that it off now?

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[SPEAKER_08]: She actually...

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[SPEAKER_08]: She does the rocker songs that song shake it up or shake it off forgive me.

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[SPEAKER_08]: She did that's a good one too I mean, she's just sexy.

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[SPEAKER_07]: I'm covered too really.

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[SPEAKER_08]: Yeah, so that's what's going on and I did want to just say Mike that last song I played I've been looking for a clean instrumental cut of this since high school and I found it yesterday It's called wild clown number one

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[SPEAKER_08]: It was featured in Huka, who framed Roger Rabbit.

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[SPEAKER_07]: Very excited.

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[SPEAKER_08]: Anyway, so as an audio nerd, I just wanted to call attention.

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[SPEAKER_07]: What's the one not hip-apotomists, but there was like a shank that found a phyring to Anthropocytes, too.

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[SPEAKER_07]: But you know all those novelties, right?

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[SPEAKER_07]: Yeah, but what is it?

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[SPEAKER_07]: I mean, it's got Brooklyn, you know, voiced and a doys to tell you, I have no idea.

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[SPEAKER_07]: I'm rambling, I'm rambling because it's late in the weekend.

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[SPEAKER_07]: I'm not sure.

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[SPEAKER_07]: But hey, I want you to meet somebody that you've never met before.

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[SPEAKER_08]: It's called Friday Mike.

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[SPEAKER_07]: Hi everybody.

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[SPEAKER_07]: Hi.

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[SPEAKER_07]: How are you doing?

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[SPEAKER_00]: What more?

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[SPEAKER_00]: Make sure you check out the Michael Maribona Show.

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[SPEAKER_07]: Get it at Michael Maribona Show.com Michael Maribona Radio Entertainment