Discussing: The Theatrical Legacy of Thomas Middleton
Episode 319, Apr 26, 07:49 AM
A chat about a book about Thomas Middleton
Welcome to this edited version of our live discussion of The Theatrical Legacy of Thomas Middleton
It was an online event celebrating the publication of The Theatrical Legacy of Thomas Middleton, 1624-2024
Featuring Drs Will Green, Anna L. Hegland, Sam Jermy; with host Robert Crighton.
You can purchase the book online at... https://www.routledge.com/The-Theatrical-Legacy-of-Thomas-Middleton-1624-2024/Green-Hegland-Jermy/p/book/9781032556093
You can also sign up for Early Bird Tickets for our Live Recording of A Game at Chess on the 11th of August at the White Bear - tickets will go to our early sign ups and patrons first.
If you can't make it to our live show, then there will be online readings of the play from the 5th August, mirroring the original performance dates of A Game at Chess 400 years ago. Sign up to read along with us!
For more info on all our events this year, go to our Game at Chess webpage.
The Theatrical Legacy of Thomas Middleton, 1624-2024 marks the 400th anniversary of Middleton’s final and most contentious work for the public theatres, A Game at Chess (1624), presenting readers with a celebration of the impact and lasting salience of Middleton's body of dramatic works from 1624 up to the present day. This live event brings the editors of this collection together to discuss Middleton, and the book they have produced.
The Theatrical Legacy of Thomas Middleton, 1624-2024 marks the 400th anniversary of Middleton’s final and most contentious work for the public theatres, A Game at Chess (1624), presenting readers with a celebration of the impact and lasting salience of Middleton's body of dramatic works from 1624 up to the present day. The collection is divided into three sections: ‘Critical and Textual Reception’, ‘Afterlives and Legacies’, and ‘Practice and Performance’. This division reflects the book’s holistic approach to Middleton’s dramatic canon, and its emphasis on the continuing significance of Middleton’s writing to the study of early modern English drama. The book offers an assessment of the place of Middleton’s drama in culture, criticism, and education today, through a variety of critical approaches. Featuring work from a range of voices (from early career, independent, and seasoned academics and practitioners), this collection will be of interest to specialists in early modern literature and drama who are interested in both theory and practice, and students or scholars researching Middleton’s historical significance to the study of early theatre.
Dr. Will Green is a postdoctoral research fellow at the University of Nottingham, and an associate tutor in Medieval and Renaissance Literature at the University of Warwick. He received his PhD from the University of Birmingham's Shakespeare Institute in 2021, and his work has appeared in journals including Exchanges, Theatre Notebook, and Critical Survey.
Dr Anna L. Hegland is an advisor in The Aspire Center and adjunct professor at Carthage College in Kenosha, Wisconsin. She earned a PhD in Medieval and Early Modern Studies from the University of Kent in 2022. Her research examines the intertwining of rhetoric and action in early modern English theatre during moments of staged violence, combining textual and practice-based methods to think about enactment and embodiment then and now. Her work is published in the British Shakespeare Association’s Teaching Shakespeare magazine, Shakespeare Bulletin, and Symbolism, and a chapter on Middleton appears in the recent edited collection Boundaries of Violence (Routledge, 2023).
Dr. Sam Jermy is an independent researcher whose research explores the ways that masculinities are imagined, staged, articulated, and problematised across Thomas Middleton’s body of work. They have published reviews in Shakespeare Bulletin and Urban History, and appeared as a guest on several podcasts including That Shakespeare Life and The International Anthony Burgess Foundation Podcast.
The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org
You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ
The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.
It was an online event celebrating the publication of The Theatrical Legacy of Thomas Middleton, 1624-2024
Featuring Drs Will Green, Anna L. Hegland, Sam Jermy; with host Robert Crighton.
You can purchase the book online at... https://www.routledge.com/The-Theatrical-Legacy-of-Thomas-Middleton-1624-2024/Green-Hegland-Jermy/p/book/9781032556093
You can also sign up for Early Bird Tickets for our Live Recording of A Game at Chess on the 11th of August at the White Bear - tickets will go to our early sign ups and patrons first.
If you can't make it to our live show, then there will be online readings of the play from the 5th August, mirroring the original performance dates of A Game at Chess 400 years ago. Sign up to read along with us!
For more info on all our events this year, go to our Game at Chess webpage.
The Theatrical Legacy of Thomas Middleton, 1624-2024 marks the 400th anniversary of Middleton’s final and most contentious work for the public theatres, A Game at Chess (1624), presenting readers with a celebration of the impact and lasting salience of Middleton's body of dramatic works from 1624 up to the present day. This live event brings the editors of this collection together to discuss Middleton, and the book they have produced.
The Theatrical Legacy of Thomas Middleton, 1624-2024 marks the 400th anniversary of Middleton’s final and most contentious work for the public theatres, A Game at Chess (1624), presenting readers with a celebration of the impact and lasting salience of Middleton's body of dramatic works from 1624 up to the present day. The collection is divided into three sections: ‘Critical and Textual Reception’, ‘Afterlives and Legacies’, and ‘Practice and Performance’. This division reflects the book’s holistic approach to Middleton’s dramatic canon, and its emphasis on the continuing significance of Middleton’s writing to the study of early modern English drama. The book offers an assessment of the place of Middleton’s drama in culture, criticism, and education today, through a variety of critical approaches. Featuring work from a range of voices (from early career, independent, and seasoned academics and practitioners), this collection will be of interest to specialists in early modern literature and drama who are interested in both theory and practice, and students or scholars researching Middleton’s historical significance to the study of early theatre.
Dr. Will Green is a postdoctoral research fellow at the University of Nottingham, and an associate tutor in Medieval and Renaissance Literature at the University of Warwick. He received his PhD from the University of Birmingham's Shakespeare Institute in 2021, and his work has appeared in journals including Exchanges, Theatre Notebook, and Critical Survey.
Dr Anna L. Hegland is an advisor in The Aspire Center and adjunct professor at Carthage College in Kenosha, Wisconsin. She earned a PhD in Medieval and Early Modern Studies from the University of Kent in 2022. Her research examines the intertwining of rhetoric and action in early modern English theatre during moments of staged violence, combining textual and practice-based methods to think about enactment and embodiment then and now. Her work is published in the British Shakespeare Association’s Teaching Shakespeare magazine, Shakespeare Bulletin, and Symbolism, and a chapter on Middleton appears in the recent edited collection Boundaries of Violence (Routledge, 2023).
Dr. Sam Jermy is an independent researcher whose research explores the ways that masculinities are imagined, staged, articulated, and problematised across Thomas Middleton’s body of work. They have published reviews in Shakespeare Bulletin and Urban History, and appeared as a guest on several podcasts including That Shakespeare Life and The International Anthony Burgess Foundation Podcast.
The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org
You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ
The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.