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<a class="text-decoration-none" href="/posts/7866762-preview-ep-269-arendt-on-totalitarianism-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PREVIEW-Ep. 269: Arendt on Totalitarianism (Part Two)
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<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on two of Hannah Arendt&#39;s 1953 essays on totalitarianism. We further discuss its logic and in the full episode get into its relevance for contemporary political movements.

To hear that full second part (https://partiallyexaminedlife.com/2021/05/10/ep269-2-arendt-totalitarianism-citizen/) , you&#39;ll need to go sign up at partiallyexaminedlife.com/support.

Sponsor: Try The Class X Podc...
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10m
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<span><span class="js-time" data-epochtime="1621238400" data-format="short_date">May 17, 2021</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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10m
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<a class="text-decoration-none" href="/posts/7871831-pel-presents-pmp-92-collectibles-and-collecting-w-matt-young"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/38053842/75x75/c 75w, https://audioboom.com/i/38053842/150x150/c 150w, https://audioboom.com/i/38053842/300x300/c 300w, https://audioboom.com/i/38053842/600x600/c 600w, https://audioboom.com/i/38053842/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #7db040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/38053842/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#92: Collectibles and Collecting w/ Matt Young
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
What drives someone to collect Star Wars figures or Transformers or LEGOs or whatever else?

Mark, Erica, and Brian are joined by guest Matt Young of the Hello from the Magic Tavern (https://hellofromthemagictavern.com/) and Improvised Star Trek (https://www.theimprovisedstartrek.com/) podcasts to talk about this potentially expensive and life-eating habit.

For more, visit prettymuchpop.com (h...
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54m
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<span><span class="js-time" data-epochtime="1620752400" data-format="short_date">May 11, 2021</span></span>
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<a class="text-decoration-none" href="/posts/7861991-ep-269-arendt-on-totalitarianism-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 269: Arendt on Totalitarianism (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On &quot;On the Nature of Totalitarianism&quot; and On the Origins of Totalitarianism ch. 13 (both from 1953).

Is totalitarianism just an especially virulent form of tyranny, or something unique to the modern age? Arendt says that unlike other forms of government, totalitarianism is not animated by an active psychological principle that motivates its participants. Instead terror is designed to make citi...
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55m
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<span><span class="js-time" data-epochtime="1620633600" data-format="short_date">May 10, 2021</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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55m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
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<a class="text-decoration-none" href="/posts/7866408-pel-presents-nem-147-steve-almaas-from-punk-to-the-rodeo"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37560617/75x75/c 75w, https://audioboom.com/i/37560617/150x150/c 150w, https://audioboom.com/i/37560617/300x300/c 300w, https://audioboom.com/i/37560617/600x600/c 600w, https://audioboom.com/i/37560617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37560617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#147: Steve Almaas: From Punk to the Rodeo
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Steve was in one of Minneapolis&#39; first big punk bands, The Suicide Commandos, but after one album in 1977, he soon left for New York City and eventually hit it relatively big with two records on IRS as Beat Rodeo, with a solo career continuing the country-rock style beginning in 1992 through nine albums.

We discuss &quot;The Way I Treated You&quot; (and listen to &quot;Goodbye Nicolina,&quot; featuring The Jayhaw...
</div>
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55m
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<span><span class="js-time" data-epochtime="1620621000" data-format="short_date">May 10, 2021</span></span>
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</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
55m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7864694-pel-presents-sub-text-on-the-lam-with-thelma-louise"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/38016547/75x75/c 75w, https://audioboom.com/i/38016547/150x150/c 150w, https://audioboom.com/i/38016547/300x300/c 300w, https://audioboom.com/i/38016547/600x600/c 600w, https://audioboom.com/i/38016547/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #e2cca9; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/38016547/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: On the Lam with “Thelma &amp; Louise”
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Two women—one a straight-laced waitress, the other a naive housewife—leave town for a quiet weekend getaway. But after a deadly encounter with a rapist, the two become unlikely...and then increasingly confident...outlaws. Though a kindly police officer tries to convince the women to turn themselves in, their refusal to surrender to a future scripted by forces more powerful than themselves drive...
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1hr 28m
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<span><span class="js-time" data-epochtime="1620579600" data-format="short_date">May 09, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 28m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7857446-preview-ep-268-neil-postman-s-amusing-ourselves-to-death-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PREVIEW-Ep. 268: Neil Postman&#39;s &quot;Amusing Ourselves to Death&quot; (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on Amusing Ourselves to Death: Public Discourse in the Age of Show Business with guest Brian Hirt. Is the written word really so much more suited for providing context than television?

To hear the full second part (https://partiallyexaminedlife.com/2021/04/25/ep268-2-postman-amusing-ourselves-to-death-citizen/) , you&#39;ll need to go sign up at partiallyexaminedlife.com/support.
</div>
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13m
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<span><span class="js-time" data-epochtime="1620021600" data-format="short_date">May 03, 2021</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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13m
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<a class="text-decoration-none" href="/posts/7861087-pel-presents-nem-146-nels-cline-writes-fusion-and-plays-guitar-for-wilco"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37560617/75x75/c 75w, https://audioboom.com/i/37560617/150x150/c 150w, https://audioboom.com/i/37560617/300x300/c 300w, https://audioboom.com/i/37560617/600x600/c 600w, https://audioboom.com/i/37560617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37560617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#146: Nels Cline Writes Fusion (And Plays Guitar for Wilco)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Though best known as lead guitarist for Wilco since 2004, Nels has recorded 30+ instrumental albums, often as band leader. We discuss &quot;Headdress&quot; by The Nels Cline Singers from Share the Wealth (https://amzn.to/3dMD8Bf) (2020), &quot;The Nomad’s Home&quot; from Coward (https://amzn.to/2QvWzoW) (2009), and &quot;Fives &amp; Sixes&quot; from his first solo release, Angelica (https://amzn.to/3aAqzHi) (1987). We conclude ...
</div>
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1hr 24m
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<span><span class="js-time" data-epochtime="1619888400" data-format="short_date">May 01, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 24m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7852510-ep-268-neil-postman-s-amusing-ourselves-to-death-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 268: Neil Postman&#39;s &quot;Amusing Ourselves to Death&quot; (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985) with guest Brian Hirt.

How does the form in which we receive media affect how we think? Education theorist Postman (building on Marshall McLuhan) claimed that television has eroded our capacity to reason and given us the expectation that everything in the world must entertain. Is this a viable piece of social co...
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51m
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<span><span class="js-time" data-epochtime="1619394711" data-format="short_date">Apr 25, 2021</span></span>
</div>
</div>
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51m
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<a class="text-decoration-none" href="/posts/7856377-pel-presents-sub-text-spiritual-matters-in-chekhov-s-the-student-and-a-medical-case"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37972202/75x75/c 75w, https://audioboom.com/i/37972202/150x150/c 150w, https://audioboom.com/i/37972202/300x300/c 300w, https://audioboom.com/i/37972202/600x600/c 600w, https://audioboom.com/i/37972202/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #aaa69b; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37972202/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Spiritual Matters in Chekhov&#39;s &quot;The Student&quot; and &quot;A Medical Case&quot;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
In Chekhov’s stories, beautiful natural surroundings are often a setting for unnatural lives and ugly social conditions. This sets the stage for a reflection on the relationship between physical and spiritual needs. His story “The Student” suggests that material deprivation--whether it is the exhaustion of the apostle Peter or the poverty of the Russian peasant--can undermine the capacity for f...
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1hr 14m
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<span><span class="js-time" data-epochtime="1619370000" data-format="short_date">Apr 25, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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1hr 14m
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</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7857388-pel-presents-pmp-90-godzilla-vs-kong-vs-all-the-kaiju"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37977596/75x75/c 75w, https://audioboom.com/i/37977596/150x150/c 150w, https://audioboom.com/i/37977596/300x300/c 300w, https://audioboom.com/i/37977596/600x600/c 600w, https://audioboom.com/i/37977596/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #af7041; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37977596/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#90: Godzilla vs. Kong vs. All the Kaiju!
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Are giant monsters stomping on cities just stupid fun, or do they channel deep fears of helplessness? Do we care at all about the humans in these films? Are they legit sci-fi or political commentary?

Mark, Erica, and Brian reflect on the MonsterVerse films, plus the filmic histories of Godzilla and King Kong, Pacific Rim, Colossal, The Host, Cloverfield, and more.

For more, visit prettymuchpo...
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50m
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<span><span class="js-time" data-epochtime="1619319600" data-format="short_date">Apr 25, 2021</span></span>
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50m
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<hr class="mvn mhs text-black-50 opacity-25">
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<a class="text-decoration-none" href="/posts/7852514-pel-presents-nem-145-jay-gonzalez-concise-but-colorful"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37560617/75x75/c 75w, https://audioboom.com/i/37560617/150x150/c 150w, https://audioboom.com/i/37560617/300x300/c 300w, https://audioboom.com/i/37560617/600x600/c 600w, https://audioboom.com/i/37560617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37560617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#145: Jay Gonzalez: Concise but Colorful
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Jay is best known as sideman for Drive-By Truckers since 2008 but has written songs for Athens bands like The Possibilities and Nutria since the 90s and has three solo releases.

We discuss the title track (and listen at the end to &quot;I Wanna Hold You&quot;) from Back to the Hive (https://jaygonzalez.bandcamp.com/album/back-to-the-hive) (2021), &quot;%!&quot; and &quot;Shenorock Lane&quot; from The Bitter Suite (https://...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 5m
</span>
<span class="d-sm-none">
&bull;
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<span><span class="js-time" data-epochtime="1619197200" data-format="short_date">Apr 23, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 5m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7847362-preview-ep-267-avicenna-on-god-and-soul-w-peter-adamson-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PREVIEW-Ep. 267: Avicenna on God and Soul w/ Peter Adamson (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on Avicenna&#39;s arguments for the existence of God and on the soul&#39;s immateriality. What metaphysical and epistemological picture grounds these views?

To hear the full second part (https://partiallyexaminedlife.com/2021/04/10/ep267-2-avicenna-citizen/) , you&#39;ll need to go sign up at partiallyexaminedlife.com/support.
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
9m
</span>
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<span><span class="js-time" data-epochtime="1618819200" data-format="short_date">Apr 19, 2021</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
9m
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</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7852151-pel-presents-pmp-89-the-chicago-7-and-the-aaron-sorkinverse"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37950479/75x75/c 75w, https://audioboom.com/i/37950479/150x150/c 150w, https://audioboom.com/i/37950479/300x300/c 300w, https://audioboom.com/i/37950479/600x600/c 600w, https://audioboom.com/i/37950479/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2a944; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37950479/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#89: The Chicago 7 (and the Aaron Sorkinverse)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Brian, Erica, and Mark consider one of this year&#39;s Oscar-nominated films, The Trial of the Chicago 7, and the film and TV career of its writer/director Aaron Sorkin. We get into The West Wing, The Social Network, Steve Jobs, The Newsroom, and more, focusing on his recurring characters, plots based on true stories, and whether his speechifying is manipulative in the ways that we enjoy or not.

F...
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<span class="numeric-tabular d-sm-none">
45m
</span>
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<span><span class="js-time" data-epochtime="1618592400" data-format="short_date">Apr 16, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
45m
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</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7842466-ep-267-avicenna-on-god-and-soul-w-peter-adamson-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 267: Avicenna on God and Soul w/ Peter Adamson (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On selections and commentary about Avicenna&#39;s argument from around 1020 C.E. for the existence of God as a necessary being, plus arguments to prove that God has the person-like properties that Islam imputes to him, and his &quot;flying man&quot; argument for the soul&#39;s essential independence from matter. Featuring Mark, Dylan, and our guest Peter Adamson from the History of Philosophy podcast (https://hi...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 2m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1618232247" data-format="short_date">Apr 12, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 2m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7845299-pel-presents-sub-text-art-and-action-in-chekhov-s-the-house-with-the-mezzanine"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37914488/75x75/c 75w, https://audioboom.com/i/37914488/150x150/c 150w, https://audioboom.com/i/37914488/300x300/c 300w, https://audioboom.com/i/37914488/600x600/c 600w, https://audioboom.com/i/37914488/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #d7d2cf; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37914488/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Art and Action in Chekhov&#39;s &quot;The House with the Mezzanine&quot;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
In this story, there are two sisters: one introverted, frail, and bookish; the other dominant, opinionated, and politically active. In meeting them, an accomplished artist seems to be confronted with a dilemma. Should art subordinate itself to the project of creating a just society? Or should it focus on serving more spiritual needs? These questions make Chekhov’s “The House with the Mezzanine”...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 20m
</span>
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&bull;
</span>
<span><span class="js-time" data-epochtime="1618160400" data-format="short_date">Apr 11, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 20m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7842483-pel-presents-pmp-88-indie-animation-w-benjamin-goldman"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37899540/75x75/c 75w, https://audioboom.com/i/37899540/150x150/c 150w, https://audioboom.com/i/37899540/300x300/c 300w, https://audioboom.com/i/37899540/600x600/c 600w, https://audioboom.com/i/37899540/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a944b0; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37899540/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#88: Indie Animation w/ Benjamin Goldman
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Animation is so labor-intensive that it seems designed for corporate domination a la Disney. Mark, Erica, and Brian are joined by animator Benjamin Goldman (https://www.benjamingoldmanpictures.com/) to discuss doing animation on your own.

What qualifies as &quot;indie?&quot; What are we as adult viewers looking from this medium? How do images relate to narration? How realistic should the animation look?...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
48m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1618160400" data-format="short_date">Apr 11, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
48m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7842484-pel-presents-nem-144-dennis-davison-the-jigsaw-seen-how-much-is-enough"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37560617/75x75/c 75w, https://audioboom.com/i/37560617/150x150/c 150w, https://audioboom.com/i/37560617/300x300/c 300w, https://audioboom.com/i/37560617/600x600/c 600w, https://audioboom.com/i/37560617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37560617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#144: Dennis Davison (The Jigsaw Seen): How Much Is Enough?
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Dennis fronted the Baltimore punk band Ebenezer and The Bludgeons in the late 70s, and after some transitional projects moved to L.A. where his &#39;60s-ish guitar pop band The Jigsaw Seen released nine albums from 1989-2015.

We discuss &quot;Museum Piece&quot; (and listen to &quot;Shadow on a Tall Tree&quot; at the end) from his debut solo album, The Book Of Strongman (https://amzn.to/2P221iV) (2020); &quot;Idiots with G...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 3m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1618074000" data-format="short_date">Apr 10, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 3m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7837215-preview-ep-266-jonathan-lear-s-plato-psyche-and-society-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PREVIEW-Ep. 266: Jonathan Lear&#39;s Plato: Psyche and Society (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on Lear&#39;s Open Minded: Working Out the Logic of the Soul (1988). Our highlight is about the relation between the three parts of the soul: which (if any) is basic?

To hear the full second part (https://partiallyexaminedlife.com/2021/03/28/ep266-2-jonathan-lear-plato-citizen/) , you&#39;ll need to go sign up at partiallyexaminedlife.com/support.
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
11m
</span>
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<span><span class="js-time" data-epochtime="1617606000" data-format="short_date">Apr 05, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
11m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7832688-ep-266-jonathan-lear-s-plato-psyche-and-society-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 266: Jonathan Lear&#39;s Plato: Psyche and Society (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On essays from Lear&#39;s Open Minded: Working Out the Logic of the Soul (1988): &quot;Inside and Outside the Republic,&quot; &quot;Eros and Unknowing: The Psychoanalytic Significance of Plato’s Symposium,&quot; and &quot;An Interpretation of Transference,&quot; which compares Socrates&#39; questioning with psychotherapy.

Is Plato&#39;s analogy between mind and state in The Republic a good one? What can we learn from it about what mak...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
57m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1617004800" data-format="short_date">Mar 29, 2021</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
57m
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</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7837494-pel-presents-sub-text-nipped-by-love-in-chekhov-s-the-lady-with-the-little-dog"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37872952/75x75/c 75w, https://audioboom.com/i/37872952/150x150/c 150w, https://audioboom.com/i/37872952/300x300/c 300w, https://audioboom.com/i/37872952/600x600/c 600w, https://audioboom.com/i/37872952/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #82b7cb; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37872952/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Nipped by Love in Chekhov&#39;s &quot;The Lady with the Little Dog&quot;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Dmitri Gurov does not take love seriously. His wife annoys him, long-term relationships scare him, and his love life consists of brief affairs with women he meets at vacation resorts. In Anna, he finds someone who appears to be the usual victim—traveling alone, tired of her husband, and unlikely to make any effective demands for intimacy, something that seems to be revealed in the diminutive po...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 9m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1616950800" data-format="short_date">Mar 28, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 9m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7832627-pel-presents-pmp-86-what-irish-means-w-black-47-s-larry-kirwan"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37846837/75x75/c 75w, https://audioboom.com/i/37846837/150x150/c 150w, https://audioboom.com/i/37846837/300x300/c 300w, https://audioboom.com/i/37846837/600x600/c 600w, https://audioboom.com/i/37846837/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #7db040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37846837/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#86: What Irish Means w/ Black 47&#39;s Larry Kirwan
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
St. Patrick&#39;s Day has passed: What sort of representation of Ireland has made it to the U.S. through such celebrations? Who gets to decide what&#39;s authentically Irish?

Mark, Erica, and Brian are joined by writer and musician (http://www.black47.com/) Larry to talk about his immigrant experience, covering history, music, humor, language, slurs, stereotypes, and his new book Rockaway Blue (https:...
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44m
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<span><span class="js-time" data-epochtime="1616950800" data-format="short_date">Mar 28, 2021</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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44m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7835503-pel-presents-nem-143-in-search-of-eric-dover-imperial-drag-slash-s-snakepit-etc"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37560617/75x75/c 75w, https://audioboom.com/i/37560617/150x150/c 150w, https://audioboom.com/i/37560617/300x300/c 300w, https://audioboom.com/i/37560617/600x600/c 600w, https://audioboom.com/i/37560617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37560617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#143: In Search of Eric Dover (Imperial Drag, Slash’s Snakepit, etc.)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
After joining Jellyfish in 1993 just before its demise, Eric&#39;s big break came when he was asked to sing for Slash&#39;s Snakepit. He then returned to Roger Manning from Jellyfish for an album as Imperial Drag, worked as sideman (e.g. for Alice Cooper) and studio guy and had two releases as Sextus. He&#39;s now back with Roger in The Lickerish Quartet, which released two EPs.

We discuss &quot;The Dream That...
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<span class="numeric-tabular d-sm-none">
1hr 5m
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<span><span class="js-time" data-epochtime="1616864400" data-format="short_date">Mar 27, 2021</span></span>
</div>
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</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 5m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
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<a class="text-decoration-none" href="/posts/7827701-preview-ep-265-plato-s-phaedo-philosophy-as-training-for-death-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PREVIEW-Ep. 265: Plato&#39;s &quot;Phaedo&quot;: Philosophy as Training for Death (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on the Phaedo, we start with a point from Plato&#39;s physics that&#39;s supposed to hep prove the immortality of the soul, then lay out his theory of Forms.

To hear the full second part (https://partiallyexaminedlife.com/2021/03/15/ep265-2-plato-phaedo-citizen/) , you&#39;ll need to go sign up at partiallyexaminedlife.com/support.
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<span class="numeric-tabular d-sm-none">
11m
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<span><span class="js-time" data-epochtime="1616417835" data-format="short_date">Mar 22, 2021</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
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11m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7822897-ep-265-plato-s-phaedo-philosophy-as-training-for-death-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 265: Plato&#39;s &quot;Phaedo&quot;: Philosophy as Training for Death (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On Plato&#39;s middle dialogue depicting the death of Socrates (390 BCE) depicting the death of Socrates. Should philosophers fear death?

In the course of giving arguments for the immortality of the soul, we get an elaboration of the recollection theory of knowledge (from the Meno) into Plato&#39;s first full account of Forms. But how literally are we supposed to take the words of Socrates as he comfo...
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50m
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<span><span class="js-time" data-epochtime="1615824634" data-format="short_date">Mar 15, 2021</span></span>
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</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
50m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7822930-pel-presents-pmp-84-musician-memoirs-w-laura-davis-chanin"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37794146/75x75/c 75w, https://audioboom.com/i/37794146/150x150/c 150w, https://audioboom.com/i/37794146/300x300/c 300w, https://audioboom.com/i/37794146/600x600/c 600w, https://audioboom.com/i/37794146/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #af7040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37794146/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#84: Musician Memoirs w/ Laura Davis-Chanin
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Mark, Erica, Brian, and guest memoir author Laura talk about the appeal of this type of book whose production has exploded in recent years. We each read a book, covering Elvis Costello (https://amzn.to/3063V3J) , Carrie Brownstein (https://amzn.to/3kFyzum) , Ozzy Osbourne (https://amzn.to/3sOgbCt) , and Debby Harry (https://amzn.to/3e6KCQ2) respectively. How are these better than a film depicti...
</div>
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<span class="numeric-tabular d-sm-none">
48m
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<span><span class="js-time" data-epochtime="1615741200" data-format="short_date">Mar 14, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
48m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7829681-pel-presents-pmp-85-what-the-wandavision-w-rolando-nieves"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37831050/75x75/c 75w, https://audioboom.com/i/37831050/150x150/c 150w, https://audioboom.com/i/37831050/300x300/c 300w, https://audioboom.com/i/37831050/600x600/c 600w, https://audioboom.com/i/37831050/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #6f40ae; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37831050/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#85: What the WandaVision!? w/ Rolando Nieves
</h5>
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The debut Disney+ Marvel series is... a tribute to classic sit-coms? Mark, Erica, Brian, and guest Rolando (https://www.rolandonievesmedia.com/) try to figure out whether this experiment was successful, whether you have to be a die-hard to get it, and the potential for future oddball superhero outings..

For more, visit prettymuchpop.com (http://prettymuchpop.com/) . Hear bonus content for this...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
48m
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<span><span class="js-time" data-epochtime="1615312800" data-format="short_date">Mar 09, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
48m
</div>
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</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7827369-pel-presents-nem-142-rebecca-rego-this-is-your-life"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37560617/75x75/c 75w, https://audioboom.com/i/37560617/150x150/c 150w, https://audioboom.com/i/37560617/300x300/c 300w, https://audioboom.com/i/37560617/600x600/c 600w, https://audioboom.com/i/37560617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37560617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#142: Rebecca Rego: This Is Your Life!
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Folky, soul-singing Rebecca has had six releases since 2007. We discuss &quot;Mama&quot; from her solo EP, Songs for Cleaning Women, Pt. 1 (https://amzn.to/3kuyzwY) (2020), &quot;No One Knows Me&quot; by Rebecca Rego and the Trainmen from Speaking of Witches (https://amzn.to/3kwLZZt) (2019), &quot;Gave Me&quot; by rego off of From the Royal Arcade (https://amzn.to/3bOOnqO) (2009), and &quot;Cruel&quot; from Lay These Weapons Down (ht...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1615312800" data-format="short_date">Mar 09, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7817491-preview-ep-264-plato-s-timaeus-on-cosmology-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PREVIEW-Ep. 264: Plato&#39;s &quot;Timaeus&quot; on Cosmology (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on the Timaeus, we consider some quotes and details starting at the beginning of the dialogue where Plato argues for differences between the perceived, created, impermanent world and its perfect model. 

To hear this second part (https://partiallyexaminedlife.com/2021/02/28/ep-264-2-plato-timaeus-citizen/) , you&#39;ll need to go sign up at partiallyexaminedlife.com/support.
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
10m
</span>
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<span><span class="js-time" data-epochtime="1615194000" data-format="short_date">Mar 08, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
10m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7821929-pel-presents-nem-141-robert-forster-the-go-betweens-looks-back-novelistically"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37560617/75x75/c 75w, https://audioboom.com/i/37560617/150x150/c 150w, https://audioboom.com/i/37560617/300x300/c 300w, https://audioboom.com/i/37560617/600x600/c 600w, https://audioboom.com/i/37560617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37560617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#141: Robert Forster (The Go-Betweens) Looks Back Novelistically
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Robert co-fronted the Australian-born post-punk band The Go-Betweens through nine albums in the &#39;80s and &#39;00s with Grant McLennan before the latter&#39;s death in 2006 and has also released seven solo albums.

We discuss &quot;No Fame&quot; from Inferno (https://amzn.to/3d9ErtY) (2019), &quot;Here Comes a City&quot; by The Go-Betweens from Oceans Apart (https://amzn.to/3jMKs1h) (2005), and &quot;On My Block&quot; by The Go-Betw...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
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1hr 9m
</span>
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<span><span class="js-time" data-epochtime="1615140000" data-format="short_date">Mar 07, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 9m
</div>
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7815623-pel-presents-sub-text-business-gets-personal-in-the-godfather"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37754318/75x75/c 75w, https://audioboom.com/i/37754318/150x150/c 150w, https://audioboom.com/i/37754318/300x300/c 300w, https://audioboom.com/i/37754318/600x600/c 600w, https://audioboom.com/i/37754318/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f5eddc; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37754318/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Business Gets Personal in “The Godfather”
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Out of the darkness of the opening frames comes a supplicant— Buonasera the undertaker. He pleads for the justice that the American legal system denied him. As the camera draws back, we see the outline of a face, a hand... Don Corleone holds court at the confluence of loyalty and duress, generosity and calculation, power and fragility. It is not money, but friendship that he asks of Buonasera. ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 21m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1614887195" data-format="short_date">Mar 04, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 21m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7812559-ep-264-plato-s-timaeus-on-cosmology-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 264: Plato&#39;s &quot;Timaeus&quot; on Cosmology (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On the later Platonic dialogue from around 360 BCE.

How is nature put together? Plato speaks through the fictional Timaeus (not Socrates) to give a &quot;likely story&quot; about the universe, physics, and biology involving a Craftsman (Demi-Urge) who created everything based on a pre-existing perfect model (the Forms!).

Timaeus derives his whole story from the principle that the world is good, and so ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
49m
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&bull;
</span>
<span><span class="js-time" data-epochtime="1614608122" data-format="short_date">Mar 01, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
49m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7817988-pmp-presents-83-disabled-and-other-abled-representation-w-kayla-dryesse"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37767248/75x75/c 75w, https://audioboom.com/i/37767248/150x150/c 150w, https://audioboom.com/i/37767248/300x300/c 300w, https://audioboom.com/i/37767248/600x600/c 600w, https://audioboom.com/i/37767248/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #424baf; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37767248/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PMP Presents #83: Disabled and Other-Abled Representation w/ Kayla Dryesse
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Media representation of disability needs improvement, as does inclusion of disabled actors and writers. Playwright Kayla joins Mark, Erica, and Brian to talk about hurdles, disability culture, negative stereotypes, and how disability relates to comedy and horror.

For more, visit prettymuchpop.com (http://prettymuchpop.com/) . Hear bonus content for this episode at https://www.patreon.com/prett...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
45m
</span>
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</span>
<span><span class="js-time" data-epochtime="1614571200" data-format="short_date">Mar 01, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
45m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7806238-preview-ep-263-lise-van-boxel-s-warspeak-on-strategies-for-valuing-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PREVIEW-Ep. 263: Lise Van Boxel&#39;s &quot;Warspeak&quot; on Strategies for Valuing (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on Warspeak: Nietzsche&#39;s Victory Over Nihilism with guests Jeff Black and Michael Grenke.

To hear this second part (https://partiallyexaminedlife.com/2021/02/15/ep263-2-van-boxel-warspeak/) , you&#39;ll need to go sign up at partiallyexaminedlife.com/support.
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
13m
</span>
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<span><span class="js-time" data-epochtime="1614004171" data-format="short_date">Feb 22, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
13m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7804162-pel-presents-pmp-80-reliving-groundhog-day-and-palm-springs-russian-doll-etc"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37692741/75x75/c 75w, https://audioboom.com/i/37692741/150x150/c 150w, https://audioboom.com/i/37692741/300x300/c 300w, https://audioboom.com/i/37692741/600x600/c 600w, https://audioboom.com/i/37692741/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a843af; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37692741/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#80: Reliving Groundhog Day (and Palm Springs, Russian Doll, etc.)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Happy Groundhog Day! The &#39;93 film has had dozens of imitators spanning various genres in recent years, but the idea goes back more than a century. Mark, Erica, Brian, and guest Ken Gerber touch on popular and obscure examples examples from film and TV to explore the philosophical themes and storytelling techniques. 

For more, visit prettymuchpop.com (http://prettymuchpop.com/) . Hear bonus con...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
49m
</span>
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</span>
<span><span class="js-time" data-epochtime="1613721600" data-format="short_date">Feb 19, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
49m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7800321-ep-263-lise-van-boxel-s-warspeak-on-strategies-for-valuing-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 263: Lise Van Boxel&#39;s &quot;Warspeak&quot; on Strategies for Valuing (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On Warspeak: Nietzsche&#39;s Victory Over Nihilism (2020) with Dylan, Seth, and guests Michael Grenke and Jeff Black.

What&#39;s a viable counter-ideal to the asceticism that Nietzsche thought is so pervasive? Lise&#39;s book works out strategies for re-valuing that emphasize Nietzsche&#39;s positive comments about the feminine and the power of words.

Part two of this episode is only going to be available to...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
48m
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<span><span class="js-time" data-epochtime="1613398804" data-format="short_date">Feb 15, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
48m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7803386-pel-presents-sub-text-love-and-nostalgia-in-woody-allen-s-annie-hall"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37688902/75x75/c 75w, https://audioboom.com/i/37688902/150x150/c 150w, https://audioboom.com/i/37688902/300x300/c 300w, https://audioboom.com/i/37688902/600x600/c 600w, https://audioboom.com/i/37688902/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a4a2a5; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37688902/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Love and Nostalgia in Woody Allen’s “Annie Hall”
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Alvy Singer is not, he tells us, a depressive character. It’s just that as a child he always worried that the expanding universe would one day break apart; and as an adult that romantic relationships must always fall apart. With Annie Hall, he thought he had finally found something that would last, in part because she could -- like the audiences of Woody Allen -- endure and make sense of his fr...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 5m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1613325600" data-format="short_date">Feb 14, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 5m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7812576-pel-presents-pmp-81-radio-vs-podcasting-w-jason-bentley"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37738055/75x75/c 75w, https://audioboom.com/i/37738055/150x150/c 150w, https://audioboom.com/i/37738055/300x300/c 300w, https://audioboom.com/i/37738055/600x600/c 600w, https://audioboom.com/i/37738055/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b1a943; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37738055/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#81: Radio vs. Podcasting w/ Jason Bentley
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Jason (https://en.wikipedia.org/wiki/Jason_Bentley) was music director at KRCW, the LA NPR station, is also a DJ with a lot of experienced interviewing musicians, and now hosts a new podcast, The Backstory (https://www.sohohouse.com/en-us/projects/the-backstory-with-jason-bentley) . He joins Mark and Erica to discuss the creative and business possibilities of podcasting in comparison to radio, ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
51m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1612975364" data-format="short_date">Feb 10, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
51m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7794434-preview-ep-262-nietzsche-on-self-denial-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PREVIEW-Ep. 262: Nietzsche on Self-Denial (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
More on essay three of Nietzsche&#39;s Genealogy of Morals on the meaning of ascetic ideals. How does asceticism fit into N&#39;s overall morality, and how does he use it to critique scientists?

To hear this second part (https://partiallyexaminedlife.com/2021/01/31/ep-262-2-nietzsche-asceticism-citizen/) , you&#39;ll need to go sign up at partiallyexaminedlife.com/support.
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
12m
</span>
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<span><span class="js-time" data-epochtime="1612800212" data-format="short_date">Feb 08, 2021</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
12m
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7787729-ep-262-nietzsche-on-self-denial-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 262: Nietzsche on Self-Denial (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On Friedrich Nietzsche&#39;s The Genealogy of Morals (1887), &quot;Third essay: what do ascetic ideals mean?&quot;

Self-regulation, where we tamp down certain aspects of our personality, is necessary for disciplined action, but it can clearly go too far. Nietzsche uses this concept of asceticism to analyze both geniuses and the masses. It is a chief tool of the will to power, highly dangerous to human flour...
</div>
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<span class="numeric-tabular d-sm-none">
53m
</span>
<span class="d-sm-none">
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<span><span class="js-time" data-epochtime="1612191945" data-format="short_date">Feb 01, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
53m
</div>
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</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7791271-pel-presents-sub-text-yielding-to-suggestion-in-shakespeare-s-macbeth"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37623785/75x75/c 75w, https://audioboom.com/i/37623785/150x150/c 150w, https://audioboom.com/i/37623785/300x300/c 300w, https://audioboom.com/i/37623785/600x600/c 600w, https://audioboom.com/i/37623785/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #252223; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37623785/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Yielding to Suggestion in Shakespeare’s “Macbeth”
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On the moors of medieval Scotland, three witches hail the nobleman Macbeth as the future king—despite the fact that King Duncan is very much alive, and Macbeth is not in line to the throne. At the suggestion of power, Macbeth’s mind leaps to murder. Later, he fancies he sees a floating dagger leading him to Duncan, and after more bloodshed, believes he is haunted by the ghost of a friend. Is Ma...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 32m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1612116000" data-format="short_date">Jan 31, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 32m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7802828-pel-presents-nem-140-larry-keel-hillbilly-shredder-to-singer-songwriter"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37560617/75x75/c 75w, https://audioboom.com/i/37560617/150x150/c 150w, https://audioboom.com/i/37560617/300x300/c 300w, https://audioboom.com/i/37560617/600x600/c 600w, https://audioboom.com/i/37560617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37560617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#140: Larry Keel: Hillbilly Shredder to Singer-Songwriter
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Larry has appeared on 20+ albums since co-founding Magraw Gap in 1990 and then becoming bandleader on &#39;97. He&#39;s known for his lightning flat picking and has more recently added a good dose of social commentary and fundamental questioning to his songwriting.

We discuss &quot;Mars’ Cry&quot; (and listen to &quot;Try&quot;) from American Dream (https://amzn.to/3r3tRIL) (2020), &quot;Crocodile Man&quot; from One (https://amzn....
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
53m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1611968127" data-format="short_date">Jan 30, 2021</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
53m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/7792591-pel-presents-pmp-79-the-fargo-formula-w-tamler-sommers-very-bad-wizards-crossover"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37630579/75x75/c 75w, https://audioboom.com/i/37630579/150x150/c 150w, https://audioboom.com/i/37630579/300x300/c 300w, https://audioboom.com/i/37630579/600x600/c 600w, https://audioboom.com/i/37630579/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ad4249; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37630579/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#79: The Fargo Formula w/ Tamler Sommers (Very Bad Wizards Crossover)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On the darkly comic &#39;96 film and the 4-season crime show. Mark, Erica, Brian, and Tamler (tamlersommers.com(opens%20in%20a%20new%20tab)) from VBW (https://www.verybadwizards.com/) consider its style, &quot;tundra western&quot; setting, &quot;Minnesota nice&quot;, gender issues, stunt casting, absurdism, and more. Yes, there are spoilers, but it barely matters.

For more, visit prettymuchpop.com (http://prettymuchp...
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47m
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<span><span class="js-time" data-epochtime="1611772403" data-format="short_date">Jan 27, 2021</span></span>
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<a class="text-decoration-none" href="/posts/7781049-preview-ep-261-derek-parfit-on-personal-identity-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PREVIEW-Ep. 261: Derek Parfit on Personal Identity (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
More on Parfit&#39;s Reasons and Persons (1984), ch. 10-13. In this preview, we consider how Parfit deals with Bernard Williams&#39; materialist thought experiment to show that the whole concept of personal identity doesn&#39;t make sense. Also, split brains!

To hear this second part (https://partiallyexaminedlife.com/2021/01/18/ep261-2-parfit-citizen/) , you&#39;ll need to go sign up at partiallyexaminedlife...
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<span><span class="js-time" data-epochtime="1611561600" data-format="short_date">Jan 25, 2021</span></span>
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<a class="text-decoration-none" href="/posts/7775283-ep-261-derek-parfit-on-personal-identity-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 261: Derek Parfit on Personal Identity (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On Reasons and Persons (1984), ch. 10-13. What makes a person persist over time?

After using various sci-fi examples to test the Lockean (personhood=psychological continuity), physicalist (same brain=same person), and Cartesian (same soul=same person) theories, Parfit concludes that the whole notion is incoherent and isn&#39;t actually what we care about when wondering &quot;will I die?&quot;

Part two of t...
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<span><span class="js-time" data-epochtime="1610993301" data-format="short_date">Jan 18, 2021</span></span>
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57m
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<a class="text-decoration-none" href="/posts/7776963-pel-presents-sub-text-clever-hopes-in-w-h-auden-s-september-1-1939"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37547184/75x75/c 75w, https://audioboom.com/i/37547184/150x150/c 150w, https://audioboom.com/i/37547184/300x300/c 300w, https://audioboom.com/i/37547184/600x600/c 600w, https://audioboom.com/i/37547184/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #222c2e; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37547184/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents (sub)Text: Clever Hopes in W. H. Auden’s “September 1, 1939”
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
W. H. Auden hated this poem. He called it the most dishonest he had ever written, and eventually had it excluded from collections of his poetry. And yet it quickly became one of his most popular poems. And after the attacks of September 11, it was published in several national newspapers and widely discussed. This might seem to be a strange result, given that the poem is not a call-to-arms, but...
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<span><span class="js-time" data-epochtime="1610906400" data-format="short_date">Jan 17, 2021</span></span>
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<a class="text-decoration-none" href="/posts/7779498-pel-presents-nem-139-don-rauf-s-life-in-a-blender"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37560617/75x75/c 75w, https://audioboom.com/i/37560617/150x150/c 150w, https://audioboom.com/i/37560617/300x300/c 300w, https://audioboom.com/i/37560617/600x600/c 600w, https://audioboom.com/i/37560617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37560617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents NEM#139: Don Rauf&#39;s Life In A Blender
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Don started the NY-based Life in a Blender in the late 80s and has put out ten albums of tunes with off-kilter lyrics and increasingly elaborate arrangements. We discuss &quot;The Ocean is a Black and Rolling Tongue&quot; (and listen to &quot;Soul Deliverer&quot;) from Satsuma (https://amzn.to/3oPrNDo) (2020), &quot;Falmouth&quot; from We Already Have Birds That Sing (https://amzn.to/2LzYGpr) (2014), and &quot;Chicken Dance&quot; fro...
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<span><span class="js-time" data-epochtime="1610731083" data-format="short_date">Jan 15, 2021</span></span>
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1hr 6m
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<a class="text-decoration-none" href="/posts/7786500-pel-presents-pmp-77-the-big-screen-experience"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37597770/75x75/c 75w, https://audioboom.com/i/37597770/150x150/c 150w, https://audioboom.com/i/37597770/300x300/c 300w, https://audioboom.com/i/37597770/600x600/c 600w, https://audioboom.com/i/37597770/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #6e40ae; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37597770/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#77: The Big Screen Experience
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
What&#39;s the post-COVID future of movie theaters? Mark, Erica, and Brian compare past moviegoing habits and reflect on the big-screen vs. small-screen decision. How would we optimize the theatrical experience? We consider films affected like Tenet, Soul, etc.

For more, visit prettymuchpop.com (http://prettymuchpop.com/) . Hear bonus content for this episode at https://www.patreon.com/prettymuchp...
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<span><span class="js-time" data-epochtime="1610560733" data-format="short_date">Jan 13, 2021</span></span>
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<a class="text-decoration-none" href="/posts/7769340-preview-ep-260-locke-on-moral-psychology"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
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PREVIEW-Ep. 260: Locke on Moral Psychology
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One last take on John Locke&#39;s Essay Concerning Human Understanding (1689), covering Book II, ch. 21 and 28.

What makes a moral claim true? Do we have free will? What makes us choose the good, or not? In this coda to our long treatment of Locke&#39;s opus, we bring together all he has to say about morality, which is strangely modern yet also just strange.

This is but a preview, less than a third o...
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<span><span class="js-time" data-epochtime="1610380250" data-format="short_date">Jan 11, 2021</span></span>
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<a class="text-decoration-none" href="/posts/7775487-pel-presents-pmp-76-wonder-women-84-and-others-w-vi-burlew"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37539370/75x75/c 75w, https://audioboom.com/i/37539370/150x150/c 150w, https://audioboom.com/i/37539370/300x300/c 300w, https://audioboom.com/i/37539370/600x600/c 600w, https://audioboom.com/i/37539370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #7db040; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37539370/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PEL Presents PMP#76: Wonder Women (84 and Others) w/ Vi Burlew
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Returning heroine Vi (now a grad student in comics history) joins Erica, Mark, and Brian to put the new film in context, bringing in the weird ideas of WW&#39;s creator as shown in the 2017 biopic Professor Marston and the Wonder Women. Do the new film&#39;s themes actually make sense? We talk political ideals, truth, love, feminist utopias, &#39;70s TV, and more.

For more, visit prettymuchpop.com (http:/...
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<span><span class="js-time" data-epochtime="1609966799" data-format="short_date">Jan 06, 2021</span></span>
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<a class="text-decoration-none" href="/posts/7764050-ep-259-locke-clarifies-misleading-complex-ideas-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/37478556/75x75/c 75w, https://audioboom.com/i/37478556/150x150/c 150w, https://audioboom.com/i/37478556/300x300/c 300w, https://audioboom.com/i/37478556/600x600/c 600w, https://audioboom.com/i/37478556/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/37478556/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ep. 259: Locke Clarifies Misleading Complex Ideas (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
More on Book II (ch. 22-33) of John Locke&#39;s Essay Concerning Human Understanding. 

On relations, then personal identity, with more on substances (spiritual and material), the various ways in which ideas can go wrong, and how mental association can entrench irrationality that disrupts clear thinking.

Listen to part one (https://partiallyexaminedlife.com/2020/12/28/ep259-1-locke-complex-ideas/)...
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<span><span class="js-time" data-epochtime="1609772310" data-format="short_date">Jan 04, 2021</span></span>
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1hr 11m
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