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<a class="text-decoration-none" href="/posts/6924732-nem-76-phil-manzanera-s-impossible-guitar"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
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NEM#76: Phil Manzanera&#39;s Impossible Guitar
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Phil was a core member of Roxy Music through the &#39;70s and early &#39;80s, has released 10+ solo albums since 1975 and many collaborations—appearing on around 80 albums in total—with an experimental yet tasteful guitar that&#39;s sometimes mistaken for a keyboard or something else. We discuss &quot;No Church in the Wild&quot; from The Sound of Blue (2015), which is a cover of the song by Jay Z and Kanye West base...
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1hr 12m
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<span><span class="js-time" data-epochtime="1529861290" data-format="short_date">Jun 24, 2018</span></span>
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1hr 12m
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<a class="text-decoration-none" href="/posts/6900928-the-closing-of-the-american-mind-allan-bloom-on-great-books-part-two"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/32929267/75x75/c 75w, https://audioboom.com/i/32929267/150x150/c 150w, https://audioboom.com/i/32929267/300x300/c 300w, https://audioboom.com/i/32929267/600x600/c 600w, https://audioboom.com/i/32929267/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #fdf8db; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32929267/1400x1400/c" />
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&quot;The Closing of the American Mind&quot;: Allan Bloom on Great Books (Part Two)
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Continuing on Allan Bloom&#39;s 1987 book critiquing the current fragmented structure of the university that promotes technical and professional education over the ability to think philosophically. Does Bloom&#39;s vision require aristocracy, or can a Great Books education be available for all?

Bloom thinks we lack a shared culture and consequently a sense of the common good. He gives us a history of ...
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1hr 10m
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<span><span class="js-time" data-epochtime="1529332520" data-format="short_date">Jun 18, 2018</span></span>
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1hr 10m
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<a class="text-decoration-none" href="/posts/6891932-the-closing-of-the-american-mind-allan-bloom-on-education-part-one"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/32883017/75x75/c 75w, https://audioboom.com/i/32883017/150x150/c 150w, https://audioboom.com/i/32883017/300x300/c 300w, https://audioboom.com/i/32883017/600x600/c 600w, https://audioboom.com/i/32883017/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #fdf8db; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32883017/1400x1400/c" />
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&quot;The Closing of the American Mind&quot;: Allan Bloom on Education (Part One)
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On Allan Bloom&#39;s 1987 best-seller about why students&#39; disconnection from Great Books has led to relativism and ultimately nihilism.

What is the role of the university in our democracy? Bloom relates from his many years&#39; teaching the problem with kids today: They&#39;re subject to the evils that Tocqueville warned us go with American-style democracy: They&#39;re conformist, superficial, focused on the ...
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53m
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<span><span class="js-time" data-epochtime="1528725898" data-format="short_date">Jun 11, 2018</span></span>
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53m
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<a class="text-decoration-none" href="/posts/6909213-nem-75-nick-saloman-the-bevis-frond-indie-every-day"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
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NEM#75: Nick Saloman (The Bevis Frond): Indie Every Day!
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Nick has released 22 albums as The Bevis Frond since 1986, alternating jangle-pop with psychedelia and power-guitar rock… pretty much anything &#39;60s-flavored. We discuss &quot;Longships&quot; from Example 22 (2015), &quot;Opthalmic Microdots&quot; from White Numbers (2013), and &quot;Coming Round&quot; from London Stone (1992). We conclude by listening to &quot;Portobello Man&quot; from Valedictory Songs (2000). Intro: “He’d Be a Diam...
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1hr 5m
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<span><span class="js-time" data-epochtime="1528463123" data-format="short_date">Jun 08, 2018</span></span>
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1hr 5m
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<a class="text-decoration-none" href="/posts/6882810-conceptual-schemes-donald-davidson-rudolf-carnap-part-two"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/32835065/75x75/c 75w, https://audioboom.com/i/32835065/150x150/c 150w, https://audioboom.com/i/32835065/300x300/c 300w, https://audioboom.com/i/32835065/600x600/c 600w, https://audioboom.com/i/32835065/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #595758; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32835065/1400x1400/c" />
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Conceptual Schemes: Donald Davidson &amp; Rudolf Carnap (Part Two)
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Finishing Davidson&#39;s &quot;On the Very Idea of a Conceptual Scheme&quot; (1974) and moving on to Carnap&#39;s &quot;Empiricism, Semantics, and Ontology&quot; (1950).

Carnap&#39;s paper comes 22 years after his Aufbau project that we covered in ep. 67, and is really a response to Quine&#39;s 1948 paper &quot;On What There Is,&quot; which we covered in ep. 66. His point is that when we use a certain vocabulary, whether talking about phy...
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1hr 9m
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<span><span class="js-time" data-epochtime="1528119041" data-format="short_date">Jun 04, 2018</span></span>
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1hr 9m
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<a class="text-decoration-none" href="/posts/6891933-nem-74-colin-moulding-xtc-kills-and-scatters-the-editor"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
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NEM#74: Colin Moulding (XTC) Kills and Scatters the Editor
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As bassist/co-frontman for XTC, he released around 14 albums between 1978-2000, and for the first time since, he has a new release, the Great Aspirations EP now under the name TC&amp;I. We discuss &quot;Scatter Me&quot; and &quot;Kenny&quot; from this 2017 release, plus &quot;Say It&quot; an 2002 XTC song, and conclude by listening to &quot;Where Did the Ordinary People Go?&quot; the final 2005 XTC single. Intro music: &quot;Making Plans for ...
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1hr 11m
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<span><span class="js-time" data-epochtime="1527611053" data-format="short_date">May 29, 2018</span></span>
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1hr 11m
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<a class="text-decoration-none" href="/posts/6874235-conceptual-schemes-donald-davidson-rudolf-carnap-part-one"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/32834919/75x75/c 75w, https://audioboom.com/i/32834919/150x150/c 150w, https://audioboom.com/i/32834919/300x300/c 300w, https://audioboom.com/i/32834919/600x600/c 600w, https://audioboom.com/i/32834919/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #3c2a2a; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32834919/1400x1400/c" />
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Conceptual Schemes: Donald Davidson &amp; Rudolf Carnap (Part One)
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On Davidson&#39;s &quot;On the Very Idea of a Conceptual Scheme&quot; (1974) and Carnap&#39;s &quot;Empiricism, Semantics, and Ontology&quot; (1950).

What does it mean to say that we grasp the world through a conceptual scheme? Are schemes different between cultures or even individuals, such that we can&#39;t really understand each other? Davidson thinks that this doesn&#39;t make sense: For schemes to be really different and no...
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56m
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<span><span class="js-time" data-epochtime="1527521787" data-format="short_date">May 28, 2018</span></span>
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56m
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<a class="text-decoration-none" href="/posts/6872791-previews-ep-189-authorial-intent-part-three-plus-identity-politics"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/32777573/75x75/c 75w, https://audioboom.com/i/32777573/150x150/c 150w, https://audioboom.com/i/32777573/300x300/c 300w, https://audioboom.com/i/32777573/600x600/c 600w, https://audioboom.com/i/32777573/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #afd7df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32777573/1400x1400/c" />
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PREVIEWS-Ep 189: Authorial Intent (Part Three) Plus Identity Politics
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Listen here to a few highlights from two recent discussions between Mark and Wes: We chase down some issues from ep. 189, relating authorial intent to philosophy of language more generally, then we have some preliminary discussion about the possibility of a future identity politics episode. Get the full discussions by becoming a PEL Citizen or $5/month Patreon supporter.
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17m
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<span><span class="js-time" data-epochtime="1527345695" data-format="short_date">May 26, 2018</span></span>
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17m
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<a class="text-decoration-none" href="/posts/6872792-nem-73-david-j-colors-his-poetry"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
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NEM#73: David J Colors His Poetry
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David J. Haskins gained fame with Bauhaus in the late 70s/early 80s, gained more fame with Love and Rockets, and has since 1983 released around ten albums plus several EPs and other collaborations. We discuss &quot;The Auteur (Redux / Reprise)&quot; a 2018 single (featuring Rose McGowan and Emily Jane White), &quot;Vaudeville Ghost Light&quot; from Carpe Noctem (2016), credited to M.C. Nightshade and the Theatre B...
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1hr 6m
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<span><span class="js-time" data-epochtime="1526914369" data-format="short_date">May 21, 2018</span></span>
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1hr 6m
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<a class="text-decoration-none" href="/posts/6865108-film-analysis-mother"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/32767213/75x75/c 75w, https://audioboom.com/i/32767213/150x150/c 150w, https://audioboom.com/i/32767213/300x300/c 300w, https://audioboom.com/i/32767213/600x600/c 600w, https://audioboom.com/i/32767213/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #3f3e2b; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32767213/1400x1400/c" />
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Film Analysis: &quot;mother!&quot;
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On Darren Aronofsky&#39;s philosophical 2017 film about humanity&#39;s relationship to nature. We discuss the philosophical content of the film (Gnosticism, anyone?) and explore the relation between meaning and the sensuous aspects of an artwork. Can a work be both allegorical and yet have fully fleshed out characters and the other elements that make a film feel real? This was a very polarizing film; h...
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1hr 28m
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<span><span class="js-time" data-epochtime="1526911407" data-format="short_date">May 21, 2018</span></span>
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1hr 28m
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<a class="text-decoration-none" href="/posts/6854736-authorial-intent-barthes-foucault-beardsley-et-al-part-two"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/32686515/75x75/c 75w, https://audioboom.com/i/32686515/150x150/c 150w, https://audioboom.com/i/32686515/300x300/c 300w, https://audioboom.com/i/32686515/600x600/c 600w, https://audioboom.com/i/32686515/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #e4dce6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32686515/1400x1400/c" />
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Authorial Intent (Barthes, Foucault, Beardsley, et al) (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on &quot;The Death of the Author&quot; by Roland Barthes (1967) and &quot;What Is an Author?&quot; by Michel Foucault (1969), and finally getting to “Against Theory” by Steven Knapp and Walter Benn Michaels (1982).

What could it mean to say that a text, once written, speaks itself, that it no longer really has an author? We get into the specific critiques Foucault has of the cult of the author and what...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 19m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1526304182" data-format="short_date">May 14, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 19m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6844740-authorial-intent-barthes-foucault-beardsley-et-al-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32643915/75x75/c 75w, https://audioboom.com/i/32643915/150x150/c 150w, https://audioboom.com/i/32643915/300x300/c 300w, https://audioboom.com/i/32643915/600x600/c 600w, https://audioboom.com/i/32643915/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #e4dce6; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32643915/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Authorial Intent (Barthes, Foucault, Beardsley, et al) (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On four essays about how to interpret artworks: “The Intentional Fallacy” by W. K. Wimsatt and Monroe Beardsley (1946), &quot;The Death of the Author&quot; by Roland Barthes (1967), &quot;What Is an Author?&quot; by Michel Foucault (1969), and “Against Theory” by Steven Knapp and Walter Benn Michaels (1982).

When you&#39;re trying to figure out what, say, a poem means, isn&#39;t the best way to do that to just ask the au...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
57m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1525700348" data-format="short_date">May 07, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
57m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6845029-nem-72-sarah-mcquaid-kills-her-darlings"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32643910/75x75/c 75w, https://audioboom.com/i/32643910/150x150/c 150w, https://audioboom.com/i/32643910/300x300/c 300w, https://audioboom.com/i/32643910/600x600/c 600w, https://audioboom.com/i/32643910/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #424973; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32643910/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
NEM#72: Sarah McQuaid Kills Her Darlings
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Sarah has recorded five solo albums since 1997, starting with traditional folk songs, sometimes guitar instrumentals, and now focusing on originals that mix British and American folk in a style influenced by Joni Mitchell among others. She has lately pared back her songwriting to ensure that every note counts. We discuss the title track and &quot;The Silence Above Us&quot; from If We Dig Any Deeper It Co...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
54m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1525124209" data-format="short_date">Apr 30, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
54m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6833573-discussing-lysistrata-and-politics-with-lucy-and-emily-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32461523/75x75/c 75w, https://audioboom.com/i/32461523/150x150/c 150w, https://audioboom.com/i/32461523/300x300/c 300w, https://audioboom.com/i/32461523/600x600/c 600w, https://audioboom.com/i/32461523/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ea9665; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32461523/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Discussing &quot;Lysistrata&quot; and Politics with Lucy and Emily (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Concluding our discussion of Aristophanes&#39;s play with Lucy Lawless and Emily Perkins. We focus on trying to connect its lessons to the here and now: Is Lysistrata&#39;s victory properly described as the ascension of some kind of &quot;feminine spirit&quot; over warlike values, and how does that actually relate to women&#39;s struggles now to attain positions of power?

Is sex helpful to the state or a threat? Do...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
59m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1525064230" data-format="short_date">Apr 30, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
59m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6823122-discussing-lysistrata-and-politics-with-lucy-and-emily-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32461523/75x75/c 75w, https://audioboom.com/i/32461523/150x150/c 150w, https://audioboom.com/i/32461523/300x300/c 300w, https://audioboom.com/i/32461523/600x600/c 600w, https://audioboom.com/i/32461523/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ea9665; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32461523/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Discussing &quot;Lysistrata&quot; and Politics with Lucy and Emily (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
We are rejoined by actresses Lucy Lawless and Emily Perkins to discuss Aristophanes&#39;s bawdy play. Listen to us perform it first. Supplementary readings included Jeffery Henderson&#39;s introduction to his 1988 translation of the play; &quot;Sexual Humor and Harmony in Lysistrata&quot; by Jay M. Semel (1981); and &quot;The &#39;Female Intruder&#39; Reconsidered: Women in Aristophanes&#39; Lysistrata and Ecclesiazusae&quot; by Hele...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
53m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1524458137" data-format="short_date">Apr 23, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
53m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6823123-nem-71-aaron-david-gleason-is-a-wry-observer"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32529581/75x75/c 75w, https://audioboom.com/i/32529581/150x150/c 150w, https://audioboom.com/i/32529581/300x300/c 300w, https://audioboom.com/i/32529581/600x600/c 600w, https://audioboom.com/i/32529581/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #434972; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32529581/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
NEM#71: Aaron David Gleason Is a Wry Observer
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Aaron was born into show business, staring young in L.A. in the early 00&#39;s with All Hours, then went solo, moved to New York, became an actor, and has now released his first album in seven years, Wry Observer. We discuss the title track from that album plus &quot;Brooklyn at Dawn&quot; (the intro music is from that too: &quot;The Last to Die in Battle&quot;). Then we look back to &quot;Box Office Stud&quot; by All Hours (20...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
51m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1523847027" data-format="short_date">Apr 16, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
51m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6809272-lysistrata-w-lucy-lawless-emily-perkins-erica-spyres-bill-youmans-aaron-gleason"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32461523/75x75/c 75w, https://audioboom.com/i/32461523/150x150/c 150w, https://audioboom.com/i/32461523/300x300/c 300w, https://audioboom.com/i/32461523/600x600/c 600w, https://audioboom.com/i/32461523/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #ea9665; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32461523/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
&quot;Lysistrata&quot; w/ Lucy Lawless, Emily Perkins, Erica Spyres, Bill Youmans &amp; Aaron Gleason
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
The PEL Players return to perform Aristophanes&#39;s comedy (first performed in 411 BCE) about using a sex strike to stop war, using Jeffrey Henderson&#39;s 1988 translation.

Mark (old men&#39;s chorus leader), Wes (old men&#39;s chorus and Athenian), Dylan (old men&#39;s chorus), and Seth (Spartan sentry) are joined once again by TV&#39;s Lucy Lawless (Xena Warrior Princess, Ash vs. Evil Dead, Spartacus, Battlestar ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 22m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1523846308" data-format="short_date">Apr 16, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 22m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6804847-preview-episode-187-the-limits-of-free-speech-part-three"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32529486/75x75/c 75w, https://audioboom.com/i/32529486/150x150/c 150w, https://audioboom.com/i/32529486/300x300/c 300w, https://audioboom.com/i/32529486/600x600/c 600w, https://audioboom.com/i/32529486/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #656363; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32529486/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
PREVIEW-Episode 187: The Limits of Free Speech (Part Three)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Three substantial chunks of a follow-up conversation to our free speech episode. Mark and Wes discuss Jordan Peterson on speech, organizations&#39; promoting certain speech (as opposed to restricting), insults vs. arguments, offense vs. harm, &quot;incoherence&quot; arguments like Fish&#39;s, fundamental principles in ethics, and more. Get the full discussion by becoming a PEL Citizen or Patreon supporter.
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
14m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1523665180" data-format="short_date">Apr 14, 2018</span></span>
</div>
</div>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
14m
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<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6787717-the-limits-of-free-speech-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32529486/75x75/c 75w, https://audioboom.com/i/32529486/150x150/c 150w, https://audioboom.com/i/32529486/300x300/c 300w, https://audioboom.com/i/32529486/600x600/c 600w, https://audioboom.com/i/32529486/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #656363; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32529486/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The Limits of Free Speech (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing our free form discussion, trying to make sense of Stanley Fish&#39;s “There’s No Such Thing as Free Speech, and It’s a Good Thing, Too” (1994) and other potential rationales for prohibiting hate speech. How might the same sentence or idea be used in different speech acts, some of which might be legitimately censured but others not? Listen to part one first, or get the Citizen Edition, al...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 4m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1523251725" data-format="short_date">Apr 09, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 4m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6833574-nem-70-amy-annelle-s-natural-environments"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
NEM#70: Amy Annelle&#39;s Natural Environments
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Amy has recorded nine albums of emotionally stark but often artistically decorated original folk music, punctuated by cover tunes like the opening music here, Townes Van Zandt&#39;s &quot;Buckskin Stallion Blues,&quot; which appeared in the film Three Billboards Outside Ebbing, Missouri.  We discuss &quot;Mouth to Mouth&quot; from The Autopilot Knows You Best (2000), &quot;The Nightjar’s Blues&quot; from The Cimarron Banks (201...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 2m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1523250522" data-format="short_date">Apr 09, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 2m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6768374-the-limits-of-free-speech-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32278511/75x75/c 75w, https://audioboom.com/i/32278511/150x150/c 150w, https://audioboom.com/i/32278511/300x300/c 300w, https://audioboom.com/i/32278511/600x600/c 600w, https://audioboom.com/i/32278511/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #656363; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32278511/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
The Limits of Free Speech (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Wes, Mark, Dylan, and Seth have a free-form discussion on contemporary issues regarding potential restrictions on speech, drawing on Stanley Fish&#39;s “There’s No Such Thing as Free Speech, and It’s a Good Thing, Too” (1994) and Joel Feinberg’s “Limits to the Free Expression of Opinion” (1975), and also on David van Mill&#39;s Stanford Encyclopedia of Philosophy article, &quot;Freedom of Speech,&quot; John Milt...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
59m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1522362234" data-format="short_date">Mar 29, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
59m
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<a class="text-decoration-none" href="/posts/6833575-nem-69-craig-wedren-catch-up-safe-home-fadeland"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
NEM#69: Craig Wedren Catch-Up: &quot;Safe Home/Fadeland&quot;
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On NEM#15, Craig introduced us to his songwriting style: How a hardcore aesthetic informs even his most syntho creations, and how whimsicality and beauty can coexist harmoniously. Craig has since then released the Adult Desire album, and returns to talk to us about the song &quot;Safe Home/Fadeland&quot; and about the Adult Desire 360 VR application. Intro: &quot;Amnesian Wedding March.&quot; Outro: &quot;I Was a Soldi...
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<span class="numeric-tabular d-sm-none">
37m
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<span><span class="js-time" data-epochtime="1522279065" data-format="short_date">Mar 28, 2018</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
37m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6750327-j-l-austin-on-doing-things-with-words-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32087917/75x75/c 75w, https://audioboom.com/i/32087917/150x150/c 150w, https://audioboom.com/i/32087917/300x300/c 300w, https://audioboom.com/i/32087917/600x600/c 600w, https://audioboom.com/i/32087917/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #7e8b95; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32087917/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
J.L. Austin on Doing Things with Words (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing on How to Do Things with Words (lectures from 1955), covering lectures 5-9.

Austin tries and fails to come up with a way to grammatically distinguish performatives from other utterances, and so turns to his more complicated system of aspects of a single act: locutionary, illocutionary, perlocutionary. In doing so, he perlocutionarily blows our minds.

#philosophy #language #truth #s...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 12m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1522070555" data-format="short_date">Mar 26, 2018</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 12m
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<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6768375-nem-68-billy-james-ant-bee-experimenting-with-idols"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
NEM#68: Billy James (Ant-Bee): Experimenting with Idols
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Billy now does press for many of his idols, but began as a drummer in music school and started Ant-Bee in the late &#39;80s, as a Zappa-esque improv live act and as a Beach Boys–psychedelic solo recording effort. He&#39;s released four albums, increasingly featuring his clients. We discuss two tracks from Electronic Church Muzik (2011): &quot;Flutter-Bye, Butter-Flye&quot; (feat. Michael Bruce) and &quot;The Language...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 5m
</span>
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<span><span class="js-time" data-epochtime="1521759316" data-format="short_date">Mar 22, 2018</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 5m
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<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6732043-j-l-austin-on-doing-things-with-words-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/32087917/75x75/c 75w, https://audioboom.com/i/32087917/150x150/c 150w, https://audioboom.com/i/32087917/300x300/c 300w, https://audioboom.com/i/32087917/600x600/c 600w, https://audioboom.com/i/32087917/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #7e8b95; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/32087917/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
J.L. Austin on Doing Things with Words (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On How to Do Things with Words, a lecture series delivered in 1955.

What&#39;s the relationship between language and the world? According to Austin, philosophers have generally taken language as providing descriptions: A sentence is true if it correctly describes some state of affairs. But what about sentences like &quot;I promise…&quot;? Austin says that when you say that, you&#39;re not describing your inner ...
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<span class="numeric-tabular d-sm-none">
50m
</span>
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<span><span class="js-time" data-epochtime="1521463899" data-format="short_date">Mar 19, 2018</span></span>
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<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
50m
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<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6718601-ethics-in-homer-s-odyssey-feat-translator-emily-wilson-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31958958/75x75/c 75w, https://audioboom.com/i/31958958/150x150/c 150w, https://audioboom.com/i/31958958/300x300/c 300w, https://audioboom.com/i/31958958/600x600/c 600w, https://audioboom.com/i/31958958/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #bfc1aa; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31958958/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ethics in Homer&#39;s &quot;Odyssey&quot; Feat. Translator Emily Wilson (Part Two)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Continuing with Emily Wilson on her translation of the Greek epic poem.

We discuss the value of the oikos, or estate, built on violence, with slaves rewarded for loyalty and killed for preferring a different master. These estates were brought into military alliances through xenia, or hospitality, which you should definitely extend to any gods-disguised-as-beggars that come around, but if actua...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 13m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1520830411" data-format="short_date">Mar 12, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 13m
</div>
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6732044-nem-67-rhema-s-marc-jackson-and-jeffrey-casey-original-gangastas-of-techno"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
NEM#67: RHEMA&#39;s Marc Jackson and Jeffrey Casey: Original Gangastas of Techno
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
RHEMA as a six-piece band produced an album called Voyage of the Rock Aliens that accompanied their appearance in the film of that name. The band then broke up, but songwriters Marc and Jeffrey continued to work together on various projects, and have finally now produced a proper album as RHEMA called Shine, drawing on their &#39;80s roots but incorporating modern electronic music textures. We disc...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 9m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1520226789" data-format="short_date">Mar 05, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 9m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6706371-ethics-in-homer-s-odyssey-feat-translator-emily-wilson-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31958958/75x75/c 75w, https://audioboom.com/i/31958958/150x150/c 150w, https://audioboom.com/i/31958958/300x300/c 300w, https://audioboom.com/i/31958958/600x600/c 600w, https://audioboom.com/i/31958958/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #bfc1aa; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31958958/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Ethics in Homer&#39;s &quot;Odyssey&quot; Feat. Translator Emily Wilson (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On the classic Greek epic poem, written ca. 750 BCE and translated by our guest Emily Wilson (of the University of Pennsylvania) in 2018.

Does this story of &quot;&quot;heroes&quot;&quot; have anything to teach us about ethics? Emily wrote an 80-page introduction to her new translation laying out the issues, including &quot;&quot;hospitality&quot;&quot; as a political tool, the value for status and identity of one&#39;s home (including ...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
50m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1520226301" data-format="short_date">Mar 05, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
50m
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6693444-pascal-on-the-human-condition-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31837617/75x75/c 75w, https://audioboom.com/i/31837617/150x150/c 150w, https://audioboom.com/i/31837617/300x300/c 300w, https://audioboom.com/i/31837617/600x600/c 600w, https://audioboom.com/i/31837617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #2f2f27; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31837617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Pascal on the Human Condition (Part Two)
</h5>
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Continuing on Pascal&#39;s Pensées.

More on our human desire and how God is supposed to address that, plus Pascal&#39;s views on political philosophy, the relation between faith, reason, and custom… and finally, the wager! We get into the obvious objections. Why not just be a skeptic? Is Pascal right that people suck?

End song: &quot;44 Days&quot; by Dutch Henry, written and sung by Todd Long, as interviewed o...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 9m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1519593437" data-format="short_date">Feb 25, 2018</span></span>
</div>
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</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 9m
</div>
</div>
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</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6681687-pascal-on-human-nature-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31837617/75x75/c 75w, https://audioboom.com/i/31837617/150x150/c 150w, https://audioboom.com/i/31837617/300x300/c 300w, https://audioboom.com/i/31837617/600x600/c 600w, https://audioboom.com/i/31837617/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #2f2f27; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31837617/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Pascal on Human Nature (Part One)
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
On Blaise Pascal&#39;s Pensées (1670).

Is it rational to have religious faith? You&#39;re likely familiar with &quot;Pascal&#39;s Wager,&quot; one of the most famous arguments for the existence of God, but it&#39;s not clear that Pascal bought into the argument as it is usually understood.

To see why, you have to get Pascal&#39;s picture of human nature, which is surprisingly insightful, and is what Mark, Wes, and Dylan s...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
52m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1519021228" data-format="short_date">Feb 19, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
52m
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</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6701700-nem-66-arrica-rose-s-dreamy-dramas"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
NEM#66: Arrica Rose&#39;s Dreamy Dramas
</h5>
<div class="text-line-clamp text-line-clamp-3 balanced-p fs-8 text-muted text-break">
Arrica has released five albums and 3 EPs of floaty, poetic, California rock since 2006. We discuss &quot;Whole Lotta Lows&quot; and &quot;X-Ray Eyes&quot; from Low as the Moon (2017) and &quot;When the Clouds Hang This Low&quot; from Let Alone Sea (2011). We conclude by listening to &quot;On and On&quot; by Deer County from Low Country (2016). Intro music: &quot;Sail Away&quot; from Antebellum (2010). For more, visit arricarose.com. Hear more...
</div>
<div class="text-muted df align-items-baseline gap-2 fs-8">
<span class="numeric-tabular d-sm-none">
1hr 14m
</span>
<span class="d-sm-none">
&bull;
</span>
<span><span class="js-time" data-epochtime="1518885076" data-format="short_date">Feb 17, 2018</span></span>
</div>
</div>
</div>
<div class="d-none d-sm-grid" style="justify-self: center; align-items: center;">
<div class="fs-8 numeric-tabular text-nowrap text-muted phs">
1hr 14m
</div>
</div>
</div>
</a></div>
<hr class="mvn mhs text-black-50 opacity-25">
<div class="card rounded-0 border-0 pas qa-audio-clip-overview" style="--bs-card-bg: transparent;">
<a class="text-decoration-none" href="/posts/6669608-mill-on-liberty-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31625550/75x75/c 75w, https://audioboom.com/i/31625550/150x150/c 150w, https://audioboom.com/i/31625550/300x300/c 300w, https://audioboom.com/i/31625550/600x600/c 600w, https://audioboom.com/i/31625550/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #bfb484; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31625550/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Mill on Liberty (Part Two)
</h5>
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Continuing on John Stuart Mill&#39;s On Liberty (1859). We discuss &quot;partial truths&quot; and how free speech may allow us to complete them, whether truth will always eventually overcome persecution, whether we can judge some &quot;experiments in living&quot; as failures once and for all, education, &quot;barbarians,&quot; how Mill compares to Nietzsche, and more. Has our culture received Mill&#39;s message that nonconformity i...
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1hr 6m
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<span><span class="js-time" data-epochtime="1518410663" data-format="short_date">Feb 12, 2018</span></span>
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<a class="text-decoration-none" href="/posts/6640800-mill-on-liberty-part-one"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31625550/75x75/c 75w, https://audioboom.com/i/31625550/150x150/c 150w, https://audioboom.com/i/31625550/300x300/c 300w, https://audioboom.com/i/31625550/600x600/c 600w, https://audioboom.com/i/31625550/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #bfb484; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31625550/1400x1400/c" />
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Mill on Liberty (Part One)
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Discussing John Stewart Mill&#39;s On Liberty (1859)

If we disapprove of certain behaviors, when is it okay to prohibit them legally? What about just shaming people for engaging in them? How much shaming is too much? Mill&#39;s famous &quot;harm principle&quot; says that we should permit anything unless it harms other people. But what constitutes &quot;harm&quot;? If I call you by a racial slur, have I harmed you? If I t...
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<span><span class="js-time" data-epochtime="1517786802" data-format="short_date">Feb 04, 2018</span></span>
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<a class="text-decoration-none" href="/posts/6639172-teaser-reflections-on-pel-2017"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31613693/75x75/c 75w, https://audioboom.com/i/31613693/150x150/c 150w, https://audioboom.com/i/31613693/300x300/c 300w, https://audioboom.com/i/31613693/600x600/c 600w, https://audioboom.com/i/31613693/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #b2d6df; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31613693/1400x1400/c" />
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TEASER: Reflections on PEL 2017
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The PEL guys get personal and political and tell you in brief about things like Planet of the Apes, The Killing of a Sacred Deer, and Vine Deloria Jr. in the second half of our year-in-review discussion. Here you get a taste. You can only hear the meat with the full, ad-free episode, posted for PEL Citizens (see partiallyexaminedlife.com/support!) or at patreon.com/partiallyexaminedlife.
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<span><span class="js-time" data-epochtime="1517762051" data-format="short_date">Feb 04, 2018</span></span>
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<a class="text-decoration-none" href="/posts/6625459-reflections-on-pel-2017-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31549179/75x75/c 75w, https://audioboom.com/i/31549179/150x150/c 150w, https://audioboom.com/i/31549179/300x300/c 300w, https://audioboom.com/i/31549179/600x600/c 600w, https://audioboom.com/i/31549179/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #d5d4d3; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31549179/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Reflections on PEL 2017 (Part One)
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To what extent has our podcast changed in reaction to current politics? Mark, Seth, Wes, and Dylan reflect back on our year, discuss how we select texts, and give some thumbnail sketches of potential topics.

Attention: Only the first 45 min of this discussion will be posted for the general public. If you like PEL at all, consider just becoming a PEL Citizen or supporting us via Patreon and get...
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<span><span class="js-time" data-epochtime="1517186875" data-format="short_date">Jan 29, 2018</span></span>
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<a class="text-decoration-none" href="/posts/6670454-nem-65-jherek-bischoff-risks-every-string"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
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NEM#65: Jherek Bischoff Risks Every String
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Jherek started off as bassist in the late &#39;90s for the Seattle art rock bands The Dead Science and Parenthetical Girls, and has released about five solo albums (and other things) since 2006, the last two being full-on orchestral works. We discuss the title track from Cistern (2016), &quot;The Nest&quot; featuring Mirah from Composed (2012), and &quot;Blackstar,&quot; featuring Anna Calvi, from a David Bowie tribut...
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<span><span class="js-time" data-epochtime="1517074132" data-format="short_date">Jan 27, 2018</span></span>
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<a class="text-decoration-none" href="/posts/6610995-hannah-arendt-on-the-banality-of-evil-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31472722/75x75/c 75w, https://audioboom.com/i/31472722/150x150/c 150w, https://audioboom.com/i/31472722/300x300/c 300w, https://audioboom.com/i/31472722/600x600/c 600w, https://audioboom.com/i/31472722/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #494848; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31472722/1400x1400/c" />
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Hannah Arendt on the Banality of Evil (Part Two)
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Continuing on Eichmann in Jerusalem: A Report on the Banality of Evil (1963), on how ordinary people can do—or acquiesce to—horrific things. How do people rationalize this? What&#39;s required to cut through the environmental haze and have an authentic moral reaction? What can we apply from this story to our present political circumstances? Also, how was genocide a new type of crime, and what&#39;s the...
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1hr 22m
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<span><span class="js-time" data-epochtime="1516585910" data-format="short_date">Jan 22, 2018</span></span>
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1hr 22m
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<a class="text-decoration-none" href="/posts/6597485-hannah-arendt-on-the-banality-of-evil-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31414431/75x75/c 75w, https://audioboom.com/i/31414431/150x150/c 150w, https://audioboom.com/i/31414431/300x300/c 300w, https://audioboom.com/i/31414431/600x600/c 600w, https://audioboom.com/i/31414431/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #494848; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31414431/1400x1400/c" />
<div class="vstack gap-1 my-auto">
<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Hannah Arendt on the Banality of Evil (Part One)
</h5>
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On Eichmann in Jerusalem: A Report on the Banality of Evil (1963).

Are we still morally culpable if our entire society is corrupt? Arendt definitely thinks so, but has a number of criticisms of the handling of the 1961 trial of Nazi war criminal Adolf Eichmann. Israel used the spectacle to remind people of the horrors of the Holocaust, but missed the opportunity to explore what would make a re...
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<span><span class="js-time" data-epochtime="1515997825" data-format="short_date">Jan 15, 2018</span></span>
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<a class="text-decoration-none" href="/posts/6681688-nem-64-mike-huberty-sunspot-rock-from-the-other-side"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
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NEM#64: Mike Huberty (Sunspot): Rock from the Other Side
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Mike fronts a hard-working Madison power trio in the glam rock vein that&#39;s put out 7 albums and 7 EPs since 2000. He also runs (and records a new song every week for) a podcast about the occult. We discuss &quot;Sulfur&quot; from The Wilderness of Almost Was and Never Were (2017), &quot;Saturday Night Gospel&quot; from Dangerous Times (2014), and &quot;Prozac Girl&quot; from Loser of the Year (2003). We conclude by listenin...
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<span><span class="js-time" data-epochtime="1515900212" data-format="short_date">Jan 14, 2018</span></span>
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<a class="text-decoration-none" href="/posts/6584150-more-james-s-psychology-self-and-will-part-two"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31288845/75x75/c 75w, https://audioboom.com/i/31288845/150x150/c 150w, https://audioboom.com/i/31288845/300x300/c 300w, https://audioboom.com/i/31288845/600x600/c 600w, https://audioboom.com/i/31288845/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #323c4b; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31288845/1400x1400/c" />
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More James&#39;s Psychology: Self and Will (Part Two)
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Concluding on William James&#39;s Psychology, the Briefer Course (1892). We briefly cover emotions and spend the bulk of our time on will.

Talking about emotions allows us to refresh on James&#39;s overall theory of mind: An organism&#39;s activity basically involves various signals coming in through the senses and going out to produce reaction. This chain can reach to a greater or lesser extent into cons...
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1hr 16m
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<span><span class="js-time" data-epochtime="1515373998" data-format="short_date">Jan 08, 2018</span></span>
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<a class="text-decoration-none" href="/posts/6574176-more-james-s-psychology-self-and-will-part-one"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31288845/75x75/c 75w, https://audioboom.com/i/31288845/150x150/c 150w, https://audioboom.com/i/31288845/300x300/c 300w, https://audioboom.com/i/31288845/600x600/c 600w, https://audioboom.com/i/31288845/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #323c4b; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31288845/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
More James&#39;s Psychology: Self and Will (Part One)
</h5>
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On Psychology, the Briefer Course (1892), chapters on &quot;The Self,&quot; &quot;Will,&quot; and &quot;Emotions.&quot;

Continuing from ep. 179, we talk about the various aspects of self: The &quot;Me&quot; (the part of me that I know) that&#39;s divided into physical, social, and spiritual aspects, and the &quot;I&quot; (the part of me that has experiences), which is pretty problematic, but which we need not posit as a &quot;soul,&quot; but which should p...
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<span><span class="js-time" data-epochtime="1514788049" data-format="short_date">Jan 01, 2018</span></span>
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<a class="text-decoration-none" href="/posts/6610996-nem-63-revisiting-bradley-skaught-jeff-heiskell-steve-petrinko-2017-year-end-extravaganza"><div class="Episode-list-grid card-body pan">
<div class="l-flex align-items-baseline gap-2 gap-md-3">
<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
NEM#63: Revisiting Bradley Skaught, Jeff Heiskell, Steve Petrinko: 2017 Year-end Extravaganza
</h5>
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To celebrate year #2, previous guests return: Bradley  (see #32) talks &quot;Duet&quot; from Take Out the Poison, Jeff (see #5) presents &quot;Still Life with Broken Heart&quot; from Emotional Terrorism, and Steve (see #6) discusses &quot;Wind of Change&quot; from A Tribute to the Bee Gees &#39;66 to &#39;78. Finally, hear Tyler Hislop (see #24) about his &quot;Wounds and Nihilism (Feat. Mark Lint).&quot; Opening music: &quot;Dawning on Me&quot; by Ma...
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<div class="text-muted df align-items-baseline gap-2 fs-8">
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1hr 8m
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<span><span class="js-time" data-epochtime="1514777497" data-format="short_date">Jan 01, 2018</span></span>
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1hr 8m
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<a class="text-decoration-none" href="/posts/6568063-william-james-s-psychology-part-two"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31288793/75x75/c 75w, https://audioboom.com/i/31288793/150x150/c 150w, https://audioboom.com/i/31288793/300x300/c 300w, https://audioboom.com/i/31288793/600x600/c 600w, https://audioboom.com/i/31288793/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a1a3a5; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31288793/1400x1400/c" />
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William James&#39;s Psychology (Part Two)
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Continuing on Psychology, the Briefer Course (1892), completing &quot;The Stream of Thought&quot; and covering the chapter on &quot;Habit.&quot;

James thinks that psychologists focus too much on those parts of consciousness that get picked out by substantive words; we neglect those &quot;fringe&quot; parts that are harder to pick out specifically. Do elementary particles have &quot;habits&quot;? James describes habit as part of a ge...
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<span><span class="js-time" data-epochtime="1514220674" data-format="short_date">Dec 25, 2017</span></span>
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<a class="text-decoration-none" href="/posts/6574177-nem-62-anthony-phillips-private-pieces-soundtrack-parts-and-prog-rock"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
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NEM#62: Anthony Phillips: Private Pieces, Soundtrack Parts, and Prog Rock
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Anthony was the original guitarist and a key songwriter in Genesis from &#39;67–&#39;70, released some prog rock albums in the &#39;70s, then shifted largely to a mix of acoustic guitar pieces and synth soundscapes, often for soundtracks. We discuss &quot;Nocturne&quot; from Seventh Heaven (2012, with Andrew Skeet), &quot;From the Jaws of Death - Touching the Face of God&quot; from Wildlife (recorded 1999) and &quot;Magdalen&quot; from...
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1hr 12m
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<span><span class="js-time" data-epochtime="1513889777" data-format="short_date">Dec 21, 2017</span></span>
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1hr 12m
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<a class="text-decoration-none" href="/posts/6558050-william-james-s-introspective-psychology-part-one"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31205106/75x75/c 75w, https://audioboom.com/i/31205106/150x150/c 150w, https://audioboom.com/i/31205106/300x300/c 300w, https://audioboom.com/i/31205106/600x600/c 600w, https://audioboom.com/i/31205106/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #a1a3a5; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31205106/1400x1400/c" />
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William James&#39;s Introspective Psychology (Part One)
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On The Principles of Psychology (1890) chapters 1 &amp; 7, and Psychology, the Briefer Course (1892), the chapters on &quot;The Stream of Thought,&quot; &quot;Habit,&quot; and some of &quot;The Self.&quot;

Can we talk about the mind in a way that is both scientific and also does justice to our everyday experiences? James thought that previous philosophers talking about the mind weren&#39;t accurately reflecting how things actually...
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<span><span class="js-time" data-epochtime="1513567700" data-format="short_date">Dec 18, 2017</span></span>
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<a class="text-decoration-none" href="/posts/6564660-nem-61-richard-x-heyman-is-incognito-yet-a-cornerstone"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
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NEM#61: Richard X. Heyman Is Incognito (Yet a Cornerstone)
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Richard garnered early fame as drummer for -60s New Jersey garage band The Doughboys and has put out 11 albums, largely as a one-man band, since 1988. We discuss the title tracks from Incognito (2017) and Cornerstone (1998) and “Agnostic’s Prayer” from Tiers and Other Stories (2011). End song: &quot;And Then&quot; from Incognito. Intro: &quot;Falling Away&quot; from Hey Man! (1990). Learn more at richardxheyman.co...
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1hr 17m
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<span><span class="js-time" data-epochtime="1512996878" data-format="short_date">Dec 11, 2017</span></span>
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1hr 17m
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<a class="text-decoration-none" href="/posts/6546223-nietzsche-as-social-critic-twilight-of-the-idols-part-two"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31078827/75x75/c 75w, https://audioboom.com/i/31078827/150x150/c 150w, https://audioboom.com/i/31078827/300x300/c 300w, https://audioboom.com/i/31078827/600x600/c 600w, https://audioboom.com/i/31078827/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f6e696; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31078827/1400x1400/c" />
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Nietzsche as Social Critic: Twilight of the Idols (Part Two)
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Continuing on Nietzsche&#39;s 1888 book. Is there any ground from which we could judge life as a whole to be good or bad? Is N. more about saying &quot;yes&quot; to life or saying &quot;no&quot; to all the numerous things that piss him off? We also talk Becoming, whether producing great art is more important than being nice to everyone, and whether Nietzsche is ultimately someone we&#39;d want to hang around.

End song: &quot;...
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<span><span class="js-time" data-epochtime="1512934152" data-format="short_date">Dec 10, 2017</span></span>
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<a class="text-decoration-none" href="/posts/6533098-nietzsche-as-social-critic-twilight-of-the-idols-part-one"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31078827/75x75/c 75w, https://audioboom.com/i/31078827/150x150/c 150w, https://audioboom.com/i/31078827/300x300/c 300w, https://audioboom.com/i/31078827/600x600/c 600w, https://audioboom.com/i/31078827/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #f6e696; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31078827/1400x1400/c" />
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<h5 class="text-line-clamp text-line-clamp-3 balanced-h fs-6 fs-5-lg fw-normal mb-0">
Nietzsche as Social Critic: &quot;Twilight of the Idols&quot; (Part One)
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On Friedrich Nieztsche&#39;s 1888 book summarizing his thought and critiquing the founding myths of his society: traditional morality, free will, Socratic reason, and the idiocy of &quot;Deutschland Uber Alles!&quot;

Nietzsche defends instinct as the source of values, but these instincts must be &quot;spiritualized&quot; into frenzied creativity. Nietzsche as artist is an appealing figure to us, but he also praises N...
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<span><span class="js-time" data-epochtime="1512361815" data-format="short_date">Dec 04, 2017</span></span>
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56m
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<a class="text-decoration-none" href="/posts/6516906-guest-russ-roberts-on-adam-smith-and-emergent-order-part-two"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31006171/75x75/c 75w, https://audioboom.com/i/31006171/150x150/c 150w, https://audioboom.com/i/31006171/300x300/c 300w, https://audioboom.com/i/31006171/600x600/c 600w, https://audioboom.com/i/31006171/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #37283e; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31006171/1400x1400/c" />
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Guest Russ Roberts on Adam Smith and Emergent Order (Part Two)
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Continuing with the Econtalk host on the moral aspects of economics, focused by Adam Smith&#39;s The Wealth of Nations and Theory of Moral Sentiments.

Should we sacrifice ourselves to the machine of the economy? Smith wasn&#39;t just all about monetary gain: how does his idea of virtue and talk of the &quot;impartial spectator&quot; line up with economic growth? If growth is the key to long-term happiness for t...
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<span><span class="js-time" data-epochtime="1511753364" data-format="short_date">Nov 27, 2017</span></span>
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1hr 16m
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<a class="text-decoration-none" href="/posts/6551527-nem-60-alejandro-escovedo-s-hard-road"><div class="Episode-list-grid card-body pan">
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<img srcset="https://audioboom.com/i/31169370/75x75/c 75w, https://audioboom.com/i/31169370/150x150/c 150w, https://audioboom.com/i/31169370/300x300/c 300w, https://audioboom.com/i/31169370/600x600/c 600w, https://audioboom.com/i/31169370/1400x1400/c 1400w" sizes="(max-width: 400px) 64px, 96px" style="background-color: #8192ea; max-width: 96px; width: 15cqw;" class="js-img-bg ratio-square rounded-1" loading="lazy" src="https://audioboom.com/i/31169370/1400x1400/c" />
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NEM#60: Alejandro Escovedo&#39;s Hard Road
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Alejandro started as a punk guitarist for the The Nuns, moved to Austin in the &#39;80s and became a songwriter with True Believers. He has since put out 14+ solo albums of story-driven, lyrically intense, stylistically varied Texas rock. We discuss &quot;Beauty and the Buzz&quot; from Burn Something Beautiful (2016), &quot;Sally Was a Cop&quot; from Big Station (2012), and &quot;Pissed Off 2AM&quot; from With These Hands (1996...
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<span><span class="js-time" data-epochtime="1511751004" data-format="short_date">Nov 27, 2017</span></span>
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