"The original field recording of a string instrument being played in the city of Ferhadija is beautiful, uplifting and haunting, filled with drones and complex melody lines. You get a sense of the town, people and architecture with the natural reverb.
"I wanted to try and capture these architectural parts and capture a sensation you were (like in the film Enter The Void by Gasper Noi) floating around the city.
"I layered the sounds, resampling them many times onto tape cutting and repeating the exercise and changing the pitch. Finally, a sort of sonic framework emerged and was anchored by soft synths.
"I then re-added the original field recording, cutting out phrases of melody, adding echo and positioning until happy with the track. Ferhadija Summer was completed."