Kelly Rickard - No Shouting, No Snobs
Season 6, Episode 83, Sep 22, 08:00 AM
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In this episode, Hatty Ashdown sits down with comedian, singer, and Welsh national treasure – the working-class pocket powerhouse Kelly Rickard - (Winner: Best in Class 2024., Edinburgh Festival Fringe show: Kelly Rickard: Free as a Bird).
At a time when we really need this Kelly chats about her background and the self-consciousness that can come with being working class, but why you really can’t say the wrong thing to the right person. Together, Hatty and Kelly dive into why so many mums are drawn to stand-up comedy, juggling gigs with kids, and what makes a “working-class mum” in contrast to the world of middle-class gentle parenting influences.
It turns into a big, honest, and funny conversation about class, culture, and motherhood – from the differences (and surprising similarities) between a Welsh upbringing and a Kent one, to the influence of soaps we watched as kids (when we really shouldn’t have been!).
As always, you’ll also get forgotten TV gems in Mum Watch with Hatty’s sister Tracey
You can also watch the episode on YouTube https://youtu.be/HxqgcUXvHOg
✨ Produced by Natalie King 🎙️ Recorded early 2025
At a time when we really need this Kelly chats about her background and the self-consciousness that can come with being working class, but why you really can’t say the wrong thing to the right person. Together, Hatty and Kelly dive into why so many mums are drawn to stand-up comedy, juggling gigs with kids, and what makes a “working-class mum” in contrast to the world of middle-class gentle parenting influences.
It turns into a big, honest, and funny conversation about class, culture, and motherhood – from the differences (and surprising similarities) between a Welsh upbringing and a Kent one, to the influence of soaps we watched as kids (when we really shouldn’t have been!).
As always, you’ll also get forgotten TV gems in Mum Watch with Hatty’s sister Tracey
You can also watch the episode on YouTube https://youtu.be/HxqgcUXvHOg
✨ Produced by Natalie King 🎙️ Recorded early 2025