Dance of the shards
Nov 30, 02:25 PM
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"In reimagining this field recording, I drew upon the raw power of musique concrète by manipulating and deconstructing the layered sounds from the Kathakali performance. I used noise synths to push these textures into distorted, static-filled territories, creating a sense of immersion that moved away from the traditional and into the realm of sonic experimentation.
"The distant murmurs and ambient noises from the audience were subtly amplified, weaving them into a dissonant tapestry that, though still grounded in the live experience, felt like a journey through a space where cultural tradition and experimental sound collide. By harnessing drone-like sustained tones, I sought to accentuate the timeless, ritualistic nature of the performance, while pushing its auditory limits, creating an environment where the familiar meets the unfamiliar."
reimagined by 42.
"The distant murmurs and ambient noises from the audience were subtly amplified, weaving them into a dissonant tapestry that, though still grounded in the live experience, felt like a journey through a space where cultural tradition and experimental sound collide. By harnessing drone-like sustained tones, I sought to accentuate the timeless, ritualistic nature of the performance, while pushing its auditory limits, creating an environment where the familiar meets the unfamiliar."
reimagined by 42.