Disclosure Has Begun — Alien Tech, Cover-Ups, and the CIA’s Plan!
Jun 17, 2025, 03:47 PM
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A forgotten sci-fi novel described real events before they happened—from energy orbs to a Cybertruck explosion. This podcast-exclusive investigation explores Tesla and the Pyramid, Hollywood ties, and whether fiction is being used as a disclosure psyop.
This episode is produced exclusively for the Divergent Files Podcast.
In 2024, a little-known science-fiction novel resurfaced quietly.
Then reality followed its script.
Tesla and the Pyramid described energy orbs appearing in the sky, catastrophic tech failures, space-time manipulation, and a public psychological reckoning with non-human intelligence. Within months, similar events began unfolding in the real world—orb sightings surged, a Cybertruck exploded in Las Vegas, and officials began using language once confined to classified physics briefings.
Then Steven Spielberg announced a new film titled Disclosure.
Coincidence… or choreography?
This episode investigates the unsettling overlap between fiction, real-world events, and intelligence-adjacent storytelling. We examine how novels, films, and pop culture have historically been used not just to entertain—but to prepare, profile, and condition public response to destabilizing information.
We follow the breadcrumbs:
• The novel’s specific predictions and their real-world parallels
• Orb sightings and the language shift inside government statements
• Hollywood’s long-standing relationship with intelligence consultants
• The symbolism behind a publisher called “Monolith” and echoes of Kubrick
• Why storytelling is the safest way to introduce forbidden ideas
• How reactions to fiction are used to map belief, fear, and readiness
This investigation places the episode inside a known historical framework: intelligence agencies using media as psychological terrain. Not to convince—but to observe. Who believes. Who resists. Who panics. Who leans in.
Because disclosure isn’t just about revealing information.
It’s about managing the reaction to it.
And fiction is the perfect delivery system—plausible deniability wrapped in entertainment.
This episode doesn’t claim the CIA wrote a novel.
It asks why a novel described reality so precisely…
why Hollywood keeps circling the same themes…
and why every major shift in public understanding seems to arrive first as a story.
If aliens were the shock…
narrative control is the strategy.
Stay curious. Stay grounded.
And remember… no matter what they tell you, the truth is still out there.
In 2024, a little-known science-fiction novel resurfaced quietly.
Then reality followed its script.
Tesla and the Pyramid described energy orbs appearing in the sky, catastrophic tech failures, space-time manipulation, and a public psychological reckoning with non-human intelligence. Within months, similar events began unfolding in the real world—orb sightings surged, a Cybertruck exploded in Las Vegas, and officials began using language once confined to classified physics briefings.
Then Steven Spielberg announced a new film titled Disclosure.
Coincidence… or choreography?
This episode investigates the unsettling overlap between fiction, real-world events, and intelligence-adjacent storytelling. We examine how novels, films, and pop culture have historically been used not just to entertain—but to prepare, profile, and condition public response to destabilizing information.
We follow the breadcrumbs:
• The novel’s specific predictions and their real-world parallels
• Orb sightings and the language shift inside government statements
• Hollywood’s long-standing relationship with intelligence consultants
• The symbolism behind a publisher called “Monolith” and echoes of Kubrick
• Why storytelling is the safest way to introduce forbidden ideas
• How reactions to fiction are used to map belief, fear, and readiness
This investigation places the episode inside a known historical framework: intelligence agencies using media as psychological terrain. Not to convince—but to observe. Who believes. Who resists. Who panics. Who leans in.
Because disclosure isn’t just about revealing information.
It’s about managing the reaction to it.
And fiction is the perfect delivery system—plausible deniability wrapped in entertainment.
This episode doesn’t claim the CIA wrote a novel.
It asks why a novel described reality so precisely…
why Hollywood keeps circling the same themes…
and why every major shift in public understanding seems to arrive first as a story.
If aliens were the shock…
narrative control is the strategy.
Stay curious. Stay grounded.
And remember… no matter what they tell you, the truth is still out there.