How a sci-fi dystopia became a personal utopia (ft. Arc Iris)
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A sci-fi ballet imagined a 2080 where AI strips people of purpose, and the day before its New York premiere, an actual dystopia arrived.
Arc Iris, the trio of Jocie Adams, Zach Tenoriom and Ray Belli, built iTMRW as a concept record set in a future ruled by a mega-corporation that shares its name. In its world, AI has taken most jobs and even the thinking left inside them, so the corporation offers pods where anyone can live any dream in virtual reality. The piece premiered in Cambridge in January 2020, then its New York show collapsed the day before the lockdown.
What follows is the story of a project that outlasted its own premise. When venues closed, they left Providence for Los Angeles, rebuilt a dilapidated house, spent eight months in a 120-square-foot shed, and constructed their own studio and stage. The dystopia they wrote became, in their telling, a personal utopia.
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A sci-fi ballet imagined a 2080 where AI strips people of purpose, and the day before its New York premiere, an actual dystopia arrived.
Arc Iris, the trio of Jocie Adams, Zach Tenoriom and Ray Belli, built iTMRW as a concept record set in a future ruled by a mega-corporation that shares its name. In its world, AI has taken most jobs and even the thinking left inside them, so the corporation offers pods where anyone can live any dream in virtual reality. The piece premiered in Cambridge in January 2020, then its New York show collapsed the day before the lockdown.
What follows is the story of a project that outlasted its own premise. When venues closed, they left Providence for Los Angeles, rebuilt a dilapidated house, spent eight months in a 120-square-foot shed, and constructed their own studio and stage. The dystopia they wrote became, in their telling, a personal utopia.
Learn more about your ad choices. Visit podcastchoices.com/adchoices