Discussing: The Interlude of Youth with Dr Jeff S. Dailey
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Let us talk of Youth, the interlude of...
Beyond is sponsored by The Malone Society: The permanent utility of original texts
This is a chat with Dr Jeff S. Dailey who produced the play The Interlude of Youth (1513) in New York in August 2025. As we also produced the play in the summer of 2025, we had a good natter about the challenges of making this play work. We're in the middle of archiving our work on the play and the rest of the Entertaining Henry season from June on our patreon feed - rehearsal audio for £5 tier, and both audio and video for £10 tiers. But free to all are our exploring session videos.
And there is also a video of the discussed production of The Interlude of Youth from the John Cullum Theatre at the American Theatre of Actors, New York in August 2025, directed Dr. Jeff S. Dailey. There's information about the production, and a video of it online.
Our patrons received a rough mix of this episode in September 2025 - 5 months in advance.
The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org
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The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.
About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg’s edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan’s edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary’s The Tragedy of Mariam.
Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.
In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.
The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.
