📢 Terraqueous Territoriality — a conversation with Liam Campling

Episode 4,   May 05, 2021, 12:36 PM

With Liam Campling we discuss some of the legal and economic infrastructures that support and perpetuate pelagic extractivism, such as Exclusive Economic Zones (EEZs), and Maximum Sustainable Yield (MSY), based on his recent book, co-authored with Alejandro Colás, 'Capitalism and the Sea'.

Description
This episode focuses on modes of maritime extraction that continue legacies of colonial rule. In discussion with Liam Campling we explore some of the legal and economic infrastructures that support and perpetuate forms of pelagic extractivism, such as Exclusive Economic Zones (EEZs) and Maximum Sustainable Yield (MSY) among others, based on his recent book, co-authored with Alejandro Colás, Capitalism and the Sea: the Maritime Factor in the Making of the Modern World. As the EU has the third largest fishing fleet in the world, the majority of which belongs to companies registered in Spain, fisheries become a paramount resource to consider. Like most states, the EU approaches marine natural resources using mechanistic lenses such as input/output paradigms. This is exemplified in the usage of the word ‘stock’ to designate populations of fish. Understanding oceanic spaces as resources that can be measured like an inventory exists within a form of marine management which has facilitated the industrial, long-haul fishing responsible for much of today’s overfishing. This episode focuses on the specific tools and agreements that enable overfishing, bringing its logic to the Global South in a gold-rush for resources.

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Download the transcript here

FRAUD (Audrey Samson & Francisco Gallardo)

Original music by Frédéric Laurier
Sound editing by Kitty Turner
Images by Francisca Roseiro

Partnerships
was produced as part of the 5th Istanbul Design Biennial — Empathy Revisited: Designs for more than one, organised by the Istanbul Foundation for Culture and Arts, and curated by: Mariana Pestana, Sumitra Upham and Billie Muraben.

The EURO—VISION public programme has been commissioned by Arts Catalyst & RADAR.

This public programme has been generously supported by the Canada Council for the Arts, Arts Council England and Acción Cultural Española.