Ectoplasmic Touch, Margery Crandon, and Science in the Séance Room
CLICK HERE TO VIEW THE IMAGES WE DISCUSS, as well as complete show notes, references, and suggestions for further reading.
Will Conant, Untitled (Ectoplasmic Hand Emerging from Margery's Navel) (1925)
The Belvedere Torso (1st century BC)
William Hunter, 'Table 6' in The Anatomy of the Human Gravid Uterus Exhibited in Tables (1774)
Baron von Schrenck Notzing, 'Flashlight Photograph [of Eva Carrière]' (1911) in Phenomena of Materialisation (1913)
Will Conant, Untitled (Ectoplasmic Hand Emerging from Margery's Navel and Resting on Eric Dingwall's Hand) (1925)
[Photographer unknown], Untitled (Margery in a Trance During a Séance) (c. 1925)
Carolee Schneemann, Interior Scroll (1975)
[Photographer unknown], Untitled (Margery Under Control: Neck Secured with Steel Wire) (c. 1925)
Annie Louisa Swynnerton, Cupid and Psyche (1890)
[Photographer unknown], Untitled (Walter Putting Ectoplasmic Sample into Test Tubes) (1924)
[Photographer unknown], Untitled (Walter's Hand Emerges from Margery and is Fingerprinted in Wax) (1925)
(The archival photographs of Margery belong to the Harry Price Archives at Senate House Library, and the Society for Psychical Research, London.)
‘Drawing Blood’ was made possible with funding from the Experimental Humanities Collaborative Network.
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Audio postproduction by Sias Merkling
‘Drawing Blood’ cover art © Emma Merkling
All audio and content © Emma Merkling and Christy Slobogin
Intro music: ‘There Will Be Blood’ by Kim Petras, © BunHead Records 2019. We're still trying to get hold of permissions for this song – Kim Petras text us back!!